| 111 Bicinia From The 15th Century For School And Liturgical Use EMB (Editio Musica Budapest)
Vocal (VOCAL) SKU: HL.50511772 For school and liturgical use. Comp...(+)
Vocal (VOCAL) SKU: HL.50511772 For school and liturgical use. Composed by Gilles Binchois. Renaissance. EMB. Classical. Book Only. 90 pages. Editio Musica Budapest #Z14478. Published by Editio Musica Budapest (HL.50511772). ISBN 9790080144787. UPC: 840126939699. 8.0x11.25x0.268 inches. Hungarian, English, German, French. Andras Soos. This volume contains short two-part extracts from choral church music of the 15th century (masses and motets), arranged in ascending order of difficulty. The principal aim of this compilation was pedagogical: to provide students with fairly easy etudes of the period, through which they can later gain access to the large-scale, four-part compositions of Renaissance vocal polyphony, which at first sight generally seem very difficult and complex. At the same time, many of these pieces of varying length, each of which forms a complete unit in itself, are very suitable for public performance, and for use in a liturgical framework. $27.45 - See more - Buy online | | |
| Mirabile misterium! Choral SATB SATB A Cappella [Octavo] CanticaNOVA Publications
Composed by David Barton. Text: 15th century texts. Medieval-flavor motet. Chris...(+)
Composed by David Barton. Text: 15th century texts. Medieval-flavor motet. Christmas. Octavo. Published by CanticaNOVA Publications (C5.5054).
$1.85 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Make We Joy Now In This Fest Choral SATB SATB A Cappella MorningStar Music Publishers
Composed by Matthew Culloton. Christmas, 21st Century. Published by MorningStar...(+)
Composed by Matthew Culloton. Christmas, 21st Century. Published by MorningStar Music Publishers (MN.50-1151).
$2.65 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 122 Bicinia from the 16th century EMB (Editio Musica Budapest)
Voice a Cappella SKU: BT.EMBZ14732 Compiled and edited by Soós Andr...(+)
Voice a Cappella SKU: BT.EMBZ14732 Compiled and edited by Soós András. Classical. Book Only. Composed 2012. 80 pages. Editio Musica Budapest #EMBZ14732. Published by Editio Musica Budapest (BT.EMBZ14732). Hungarian-English-German-French. This collection, similarly to the publication entitled 111 bicinia from the 15th century (EMB 14478), contains longer and shorter two-part excerpts from polyphonic ecclesiastical choral works, for pedagogical and liturgical use. As teaching material, on the one hand it introduces and notes in brief textual definitions the characteristics of each given excerpt: on the other hand, it provides easily usable examples for teaching music history, solfege and counterpoint (practice of intervals, score-reading, dictation, stylistic exercises, etc.) At the same time the movements, which also function as independent units, can be quickly learnt, and may on occasions add colour to themusical palette of the liturgy by introducing material that can be performed even by a children's choir. The volume consists mainly of excerpts taken from Mass movements and Magnificats by Palestrina, Lassus, Gombert, Clemens non Papa and others. A separate chapter is devoted to chorale-based bicinia in German, which were already popular in the initial period of Evangelical church music.
Ähnlich der Ausgabe 111 Bicinia aus dem 15. Jahrhundert (EMB 14478) präsentiert diese Sammlung für theoretisch- und praktisch-pädagogische, bzw. liturgische Zwecke mehr oder weniger lange zweistimmige Ausschnitte aus geistlichen Chorwerken Sie stellt als Lehrstoff einerseits die musikalische Charakteristika des jeweiligen Ausschnittes vor und registriert diese in kurzen textlichen Definitionen, andererseits liefert sie Beispiele für den Unterricht der Musikgeschichte, der Solfege- und der Kontrapunkt- Lehre (Intervallübungen, des Lesens vom Blatt, für das Diktieren, für Stilübung usw.), die sich leicht erarbeiten lassen. Gleichzeitig können die auch als eigenständige Einheitfunktionierenden Sätze schnell erlernt werden. Sie bereichern die musikalische Palette der Liturgie (Messe und Offizium) mit dem fallweise auch vom Kinderchor aufführbaren Stoff. $22.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Fifteenth-Century Liturgical Music: II - Four Anonymous Masses Stainer and Bell
Choir SKU: ST.EC22 Edited by Margaret Bent. Library Volumes. Edited by Ma...(+)
Choir SKU: ST.EC22 Edited by Margaret Bent. Library Volumes. Edited by Margaret Bent. First published in 1979. Pages: 161. Format: Paperback. Dimensions (mm): 254 x 177 x 14. Choral Score. Stainer & Bell Ltd. #EC22. Published by Stainer & Bell Ltd. (ST.EC22). ISBN 9790220206450. English composers in the first half of the 15th-century created the unified mass cycle, and even though most of the repertoire is anonymous, a distinctly 'national' style can be recognised. The four works in this volume were probably composed between 1420 and 1440, and each possesses a long, troped Kyrie of a kind not found in continental sources. $125.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Fifteenth-Century Liturgical Music: I - Antiphons and Music for Holy Week and Easter Stainer and Bell
Choir SKU: ST.EC8 Edited by Andrew Hughes. Library Volumes. Edited by And...(+)
Choir SKU: ST.EC8 Edited by Andrew Hughes. Library Volumes. Edited by Andrew Hughes. First published in 1968. Pages: 208. Format: Paperback. Dimensions (mm): 253 x 175 x 12. Choral Score. Stainer & Bell Ltd. #EC8. Published by Stainer & Bell Ltd. (ST.EC8). ISBN 9790220206443. The majority of pieces in this volume show a strong melodic and rhythmic independence of voice, close in style to the contemporary French chanson; but there are also examples of pieces in the simpler, homorhythmic idiom of English descant. Votive antiphon and votive mass, or lady mass, were the main forms employed in the important early 15th-century repertoire of devotional and liturgical music for household use. $121.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Fifteenth-Century Liturgical Music: V Settings of the Sanctus & Agnus Dei Stainer and Bell
Choir SKU: ST.EC47 Composed by Various. Edited by Peter Wright. Library V...(+)
Choir SKU: ST.EC47 Composed by Various. Edited by Peter Wright. Library Volumes. Edited by Peter Wright. First published in 2006. Pages: 192. Format: Hardback. Dimensions (mm): 325 x 246 x 21. Choral Score. Stainer & Bell Ltd. #EC47. Published by Stainer & Bell Ltd. (ST.EC47). ISBN 9790220221255. This is a collection of over thirty early 15th-century Sanctus and Agnus dei settings not otherwise available in modern critical editions. The volume is complementary to EC42, and part of an ongoing subseries to include settings of the Gloria and Credo, and of the Kyrie, 'squares' and music from fragmentary choirbooks. $117.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Sueños de Flamenco Saxophone and Guitar Theodore Presser Co.
Chamber Music Guitar, alto Saxophone SKU: PR.114419970 Composed by Stacy ...(+)
Chamber Music Guitar, alto Saxophone SKU: PR.114419970 Composed by Stacy Garrop. Sws. Set of performance scores. 8 pages. Duration 5 minutes. Theodore Presser Company #114-41997. Published by Theodore Presser Company (PR.114419970). UPC: 680160684670. 9 x 12 inches. Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spain's ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusia's isolated mountain regions to survive. Not surprisingly, the topics of the gypsies' songs frequently touch on longing, despair, rage, anguish, and hope. Suenos de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). In 2020, I made new editions of the piece for clarinet and guitar, and flute and guitar. Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spain's ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusia's isolated mountain regions to survive. Not surprisingly, the topics of the gypsies' songs frequently touch on longing, despair, rage, anguish, and hope. Suenos de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). In 2020, I made new editions of the piece for clarinet and guitar, and flute and guitar. Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spainââ¬â¢s ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusiaââ¬â¢s isolated mountain regions to survive. Not surprisingly, the topics of the gypsiesââ¬â¢ songs frequently touch on longing, despair, rage, anguish, and hope.Sueños de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). In 2020, I made new editions of the piece for clarinet and guitar, and flute and guitar. $27.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Sueños de Flamenco Flute and Guitar Theodore Presser Co.
Chamber Music flute, guitar SKU: PR.114422330 Composed by Stacy Garrop. S...(+)
Chamber Music flute, guitar SKU: PR.114422330 Composed by Stacy Garrop. Sws. Set of performance scores. 8 pages. Duration 5 minutes. Theodore Presser Company #114-42233. Published by Theodore Presser Company (PR.114422330). ISBN 9781491133781. UPC: 680160683253. 9 x 12 inches. Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spain's ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusia's isolated mountain regions to survive. Not surprisingly, the topics of the gypsies' songs frequently touch on longing, despair, rage, anguish, and hope.
Suenos de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). I made this edition of the piece for flute and guitar in 2020.
-S.G. Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spain's ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusia's isolated mountain regions to survive. Not surprisingly, the topics of the gypsies' songs frequently touch on longing, despair, rage, anguish, and hope. Suenos de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). I made this edition of the piece for flute and guitar in 2020. -S.G. Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spainââ¬â¢s ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusiaââ¬â¢s isolated mountain regions to survive. Not surprisingly, the topics of the gypsiesââ¬â¢ songs frequently touch on longing, despair, rage, anguish, and hope.Sueños de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). I made this edition of the piece for flute and guitar in 2020.-S.G. $27.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| There Stood in Heaven a Linden Tree Choral SATB SATB, Piano - Easy Walton Music
SATB choir, piano reduction - Early intermediate SKU: GI.WW1659 Composed ...(+)
SATB choir, piano reduction - Early intermediate SKU: GI.WW1659 Composed by 15th-century carol. Arranged by Susan LaBarr. Andrew Crane Choral Series. Classical. Octavo. 12 pages. Walton Music #WW1659. Published by Walton Music (GI.WW1659). UPC: 785147007364. English. Text Source: 15th-century Carol. This carol derives from a 15th-century German folk ballad that compares Mary to the unique and special bloom of a linden tree. Singable, with all of the harmonies and counterpoint coming out of the melodic line. A great option for both school and church choirs. Andrew Crane Choral Series. $3.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Seven Joys of Mary - TTBB Choral TTBB TTBB, Piano Jackman Music Corporation
TTBB chorus and piano - Medium SKU: JK.00568 Composed by Traditional 15th...(+)
TTBB chorus and piano - Medium SKU: JK.00568 Composed by Traditional 15th-century carol. Arranged by Donald Ripplinger. Choral TB, Difficulty Medium, Piano Choir, Seasonal Music Christmas, Seasonal Music Easter, Seasonal Music Mothers Day, Special Events Conference (Ward, Atonement, Charity, Christmas, Courage, Easter, Enduring to the End, Example, Gospel, Humility, Jesus. Christian, Inspirational. Duration 3:40. Jackman Music Corporation #00568. Published by Jackman Music Corporation (JK.00568). Moses 4:2, Luke 22:41-44, 2 Nephi 10:24. 15th century carol arranged by Donald Ripplinger for men's chorus (TTBB) and piano accompaniment. Composer: Traditional 15th-century carol Arranger: Donald Ripplinger Difficulty: Medium Performance time: 3:40 Reference: Moses 4:2, Luke 22:41-44, 2 Nephi 10:24.
$1.60 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sueños de Flamenco Clarinet, Guitar (duet) Theodore Presser Co.
Chamber Music Clarinet, Guitar SKU: PR.114422350 Composed by Stacy Garrop...(+)
Chamber Music Clarinet, Guitar SKU: PR.114422350 Composed by Stacy Garrop. Sws. Set of Score and Parts. 8 pages. Duration 5 minutes. Theodore Presser Company #114-42235. Published by Theodore Presser Company (PR.114422350). UPC: 680160684687. 9 x 12 inches. Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spain's ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusia's isolated mountain regions to survive. Not surprisingly, the topics of the gypsies' songs frequently touch on longing, despair, rage, anguish, and hope.
Suenos de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). In 2020, I made new editions of the piece for clarinet and guitar, and flute and guitar. Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spain's ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusia's isolated mountain regions to survive. Not surprisingly, the topics of the gypsies' songs frequently touch on longing, despair, rage, anguish, and hope. Suenos de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). In 2020, I made new editions of the piece for clarinet and guitar, and flute and guitar. Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spainââ¬â¢s ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusiaââ¬â¢s isolated mountain regions to survive. Not surprisingly, the topics of the gypsiesââ¬â¢ songs frequently touch on longing, despair, rage, anguish, and hope.Sueños de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). In 2020, I made new editions of the piece for clarinet and guitar, and flute and guitar. $27.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| There Is No Rose Choral 3-part SSA Carl Fischer
Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Ri...(+)
Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Richard Rasch. Fold. Performance Score. 4 pages. Duration 2 minutes, 42 seconds. Carl Fischer Music #CM9580. Published by Carl Fischer Music (CF.CM9580). ISBN 9781491154021. UPC: 680160912520. 6.875 x 10.5 inches. Key: D mixolydian. English, Latin. 15th Century Medieval Carol. The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherds response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compassthe distance between the highest and lowest noteis at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol. The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherdas response in the gospel of Luke 2:15, Transeamus. Latin phraseA translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compassathe distance between the highest and lowest noteais at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol. The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd's response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass--the distance between the highest and lowest note--is at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol. The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd's response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pares forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass--the distance between the highest and lowest note--is at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol. The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written.The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd’s response in the gospel of Luke 2:15, Transeamus.Latin phrase translation sourceAlleluia Alleluia LaetabundusRes miranda A thing to be wondered at LaetabundusPares forma of equal form LaetabundusGaudeamus Let us rejoice! GaudeamusTranseamus Let us go Luke 2:15The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty.The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists.Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass—the distance between the highest and lowest note—is at its widest.The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol. $1.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| O Come, O Come, Emmanuel Carl Fischer
Choral TB chorus with Piano and optional Solos SKU: CF.CM9725 Composed by...(+)
Choral TB chorus with Piano and optional Solos SKU: CF.CM9725 Composed by Traditional. Arranged by Noah Reese. 12 pages. Duration 2:40. Carl Fischer Music #CM9725. Published by Carl Fischer Music (CF.CM9725). ISBN 9781491161043. UPC: 680160919642. Key: G minor. English. Traditional Carol. O Come, O Come Emmanuel is a hymn for Advent and Christmas whose words and music developed separately over time. The Latin text was first documented in 1710 and the tune's origins date back to the 15th century. In the 18th century, John Mason Neal discovered the hymn and translated the text into English. The melody was first linked with the hymn in 1851, when Thomas Helmore paired it with Neale's translation of the text. This original version of O Come, O Come, Emmanuel was included in Hymns Ancient and Modern in 1861, which was the official hymnal of the Church of England. The song's influence spread over time and it remains one of the most popular and enduring Christmas hymns. In this arrangement of O Come, O Come, Emmanuel, the piano accompaniment is written in 12/8 meter. The vocal lines, however, can be easily taught in 4/4 time. This will allow developing students to experience the feeling of a new meter while being able to apply skills they already know.  . O Come, O Come Emmanuel is a hymn for Advent and Christmas whose words and music developed separately over time. The Latin text was first documented in 1710 and the tune's origins date back to the 15th century. In the 18th century, John Mason Neal discovered the hymn and translated the text into English. The melody was first linked with the hymn in 1851, when Thomas Helmore paired it with Neale's translation of the text. This original version of O Come, O Come, Emmanuel was included in Hymns Ancient and Modern in 1861, which was the official hymnal of the Church of England. The song's influence spread over time and it remains one of the most popular and enduring Christmas hymns.In this arrangement of O Come, O Come, Emmanuel, the piano accompaniment is written in 12/8 meter. The vocal lines, however, can be easily taught in 4/4 time. This will allow developing students to experience the feeling of a new meter while being able to apply skills they already know. . $2.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Blessed Be That Maid Marie Choral SATB SATB divisi - Intermediate Walton Music
SATB choir, divisi, piano reduction - Intermediate SKU: GI.WW1661 Compose...(+)
SATB choir, divisi, piano reduction - Intermediate SKU: GI.WW1661 Composed by 15th-century carol. Arranged by Susan LaBarr. Andrew Crane Choral Series. Classical. Octavo. 12 pages. Walton Music #WW1661. Published by Walton Music (GI.WW1661). UPC: 785147007562. English. Text Source: 15-century Carol. From three Marian carol arrangements written for Seraphic Fire. This carol first appeared in a collection of 15th-century tunes compiled by G.R. Woodward. The aeolian tonality gives the tune an earthiness and other-worldliness. Rhythmic and driving, this will be a unique work on your Christmas program. Andrew Crane Choral Series. $3.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Cherry Tree Concert band [Score] - Beginner Alfred Publishing
Concert Band - Grade 1.5 SKU: AP.49504S Composed by 15th Century Ballad. ...(+)
Concert Band - Grade 1.5 SKU: AP.49504S Composed by 15th Century Ballad. Arranged by Brian Beck (ASCAP). Concert Band; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Sound Innovations for Concert Band. Form: Ballade; Chorale. Folk. Score. Alfred Music #00-49504S. Published by Alfred Music (AP.49504S). ISBN 9781470649777. UPC: 038081570556. English. The Cherry Tree is a beautiful and lyrical folk song dating back as early as the 15th century in the English Midlands. Having traveled all around western Europe, this folk tune eventually found its way to America, gaining popularity in the South in early 1900s and again in the 1960s. This setting, by composer Brian Beck, captures the beauty and simplicity of the original ballad while encouraging musical expression and smooth phrasing. (3:21) Correlated to Sound Innovations, Book 1, Level 5. This title is available in MakeMusic Cloud. $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Now the Green Blade Rises Choral SATB Hinshaw Music Inc.
Composed by Brad Ellingboe. Hinshaw Music. Jazz, Sacred. Octavo. 12 pages. H...(+)
Composed by Brad Ellingboe.
Hinshaw Music. Jazz, Sacred.
Octavo. 12 pages. Hinshaw
Music Inc. #HMC2572.
Published by Hinshaw Music
Inc.
$2.55 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Cherry Tree Concert band - Beginner Alfred Publishing
Concert Band - Grade 1.5 SKU: AP.49504 Composed by 15th Century Ballad. A...(+)
Concert Band - Grade 1.5 SKU: AP.49504 Composed by 15th Century Ballad. Arranged by Brian Beck (ASCAP). Concert Band; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Sound Innovations for Concert Band. Form: Ballade; Chorale. Folk. Score and Part(s). Alfred Music #00-49504. Published by Alfred Music (AP.49504). ISBN 9781470649760. UPC: 038081570549. English. The Cherry Tree is a beautiful and lyrical folk song dating back as early as the 15th century in the English Midlands. Having traveled all around western Europe, this folk tune eventually found its way to America, gaining popularity in the South in early 1900s and again in the 1960s. This setting, by composer Brian Beck, captures the beauty and simplicity of the original ballad while encouraging musical expression and smooth phrasing. (3:21) Correlated to Sound Innovations, Book 1, Level 5. This title is available in MakeMusic Cloud. $52.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Adam Lay Ybounden Choral SATB GIA Publications
Composed by Douglas Green. For SATB choir. Christmastide, Mary Mother of God, Qu...(+)
Composed by Douglas Green. For SATB choir. Christmastide, Mary Mother of God, Queenship of Mary, Assumption. Sacred. Easy/Medium. Text language: English. 4 pages. Published by GIA Publications
$2.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Blessed Be that Maid Mary Choral SATB SATB divisi Walton Music
Composed by Stephen Main. For Choral (SATB Divisi). Walton Choral. 16 pages. Wal...(+)
Composed by Stephen Main. For Choral (SATB Divisi). Walton Choral. 16 pages. Walton Music #WW1531. Published by Walton Music
$2.35 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Adam Lay Ybounden Choral SSATBB SSATBB, Piano - Intermediate GIA Publications
SSATBB choir, piano reduction - Intermediate SKU: GI.G-8398 Composed by C...(+)
SSATBB choir, piano reduction - Intermediate SKU: GI.G-8398 Composed by Charles Snider. Christmastide, Christmas Vigil, Christmas Night, Mary Mother of God. Christmas. Sacred. Octavo. 4 pages. GIA Publications #8398. Published by GIA Publications (GI.G-8398). English. Text Source: Anonymous, English, 15th c. Bring new life to your Lessons and Carols service through the ancient beauty of this 15th-century English text, which reflects on the mystery of the sin of Adam that led to Mary’s queenship—thanks be to God! A pronunciation guide and paraphrase are provided. $2.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Do It! Play in Band - Book 2 CD for all instruments GIA Publications
All instruments SKU: GI.G-M522 Composed by James Froseth. Band Method. Do...(+)
All instruments SKU: GI.G-M522 Composed by James Froseth. Band Method. Do It! Music Education. Book and CD. GIA Publications #M522. Published by GIA Publications (GI.G-M522). Now available on SmartMusic! The CD for Book 2 from the Do It! Play in Band series by James O. Froseth includes: • Modeling by all the artists listed below. • Professional studio backgrounds capture the rich diversity of American music culture with a repertoire of American, Latin American, African, European, and Far Eastern styles. • Music of other times, including 12th-century conductus, 15th-century Dance of the Bouffons, 16th-century French branle, 18th- and 19th-century folk songs and dances, 1940s and '50s jazz, blues, and rock-and-roll. • The repertoire and recorded contexts are motivating, informative, and entirely musical. • Every song includes text, providing information about phrasing, rhythm, style, affect, emotion, history, and culture. • A unique Rhythmic Pattern Dictionary allows students to look it up and listen up. • An individualized format allows students to progress at different rates with a theme and variation format. • Ear training and improvisation are integral parts of the lesson format. • Artist performers set musical standards in sound with more than 80 great performances on CD for every instrument, and one CD lasts for the entire book! • Performers include: Michael Henoch, Oboe (Chicago Symphony Orchestra), Randall Hawes, Jeffrey Zook, Sharon Sparrow, Kevin Good (Detroit Symphony Orchestra), Albert Blaser, Clarinet (Cleveland State University), Brian Bowman, Euphonium/Baritone (Duquesne University), Timothy McAllister (Crane School of Music, SUNY at Potsdam), Steve Houghton, Percussion (LA percussion recording artist and clinician), Donald Sinta, Richard Beene, Bryan Kennedy, Debra Chodacki, Fritz Kaenzig, Tuba (University of Michigan), Kristin Beene (Toledo Symphony Orchestra), and Jean Moorehead Libs, Trumpet (Plymouth Symphony Orchestra). This CD is for all the instruments for Book 2. $5.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Do It! Play In Band - Teacher's Resource Edition for Book 2 Concert band GIA Publications
Concert band SKU: GI.G-M523 Full Score with MP3s. Composed by Jame...(+)
Concert band SKU: GI.G-M523 Full Score with MP3s. Composed by James Froseth. This edition: Teacher's Resource edition for Book 2. Band Method. Do It! Music Education. Book. GIA Publications #M523. Published by GIA Publications (GI.G-M523). ISBN 9781579992378. English. This major band method by James O. Froseth has it all: Artist performers set musical standards in sound with more than 80 great performances on CD for every instrument, and one CD lasts for the entire book! Performers include: Michael Henoch (Chicago Symphony Orchestra), Randall Hawes, Jeffrey Zook, Sharon Sparrow, Kevin Good (Detroit Symphony Orchestra), Albert Blaser (Cleveland State University), Brian Bowman (Duquesne University), Timothy McAllister (Crane School of Music, SUNY at Potsdam), Steve Houghton (LA percussion recording artist and clinician), Donald Sinta, Richard Beene, Bryan Kennedy, Debra Chodacki, Fritz Kaenzig (University of Michigan), Kristin Beene (Toledo Symphony Orchestra), and Jean Moorehead Libs (Plymouth Symphony Orchestra). Professional studio backgrounds capture the rich diversity of American music culture with a repertoire of American, Latin American, African, European, and Far Eastern styles. Music of other times includes 12th-century conductus, 15th-century Dance of the Bouffons, 16th-century French branle, 18th- and 19th-century folk songs and dances, 1940s and '50s jazz, blues, and rock-and-roll. The repertoire and recorded contexts are motivating, informative, and entirely musical. Every song includes text, providing information about phrasing, rhythm, style, affect, emotion, history, and culture. A unique Rhythmic Pattern Dictionary allows students to look it up and listen up. An individualized format allows students to progress at different rates with a theme and variation format. Ear training and improvisation are integral parts of the lesson format. A 550+ page Teacher's Resource edition and musical score provides options galore, including a double CD with listen and play exercises for group instruction, supplementary exercises for technical development, and resource material for improvisation and composition. All the resources needed for teaching to the National Standards for Music are provided (coordinates with rhythm flashcards). Book 2 features innovative, but optional use of world percussion instruments, as developed by percussion educator Steve Houghton. Click here to download the audio recordings for the Book 2 Teacher's Edition. $65.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Do It! Play Alto Clarinet - Book 1 and CD Clarinet [Sheet music + CD] GIA Publications
By James Froseth. For alto clarinet. Music Education - Band Method. Book and CD....(+)
By James Froseth. For alto clarinet. Music Education - Band Method. Book and CD. Text language: English. Published by GIA Publications . Sheet music CD. Music Education - Band Method.
$8.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Do It! Play Tuba - Book 2 with MP3s Tuba GIA Publications
Tuba SKU: GI.G-M518 Composed by James Froseth. Band Method. Do It! Music ...(+)
Tuba SKU: GI.G-M518 Composed by James Froseth. Band Method. Do It! Music Education. Book. 48 pages. GIA Publications #M518. Published by GIA Publications (GI.G-M518). ISBN 9781579992354. English. Now available on SmartMusic! The Tuba book and audio recordings (see below) from the Do It! Play in Band series by James O. Froseth includes: Modeling by Fritz Kaenzig (University of Michigan). Professional studio backgrounds capture the rich diversity of American music culture with a repertoire of American, Latin American, African, European, and Far Eastern styles. Music of other times, including 12th-century conductus, 15th-century Dance of the Bouffons, 16th-century French branle, 18th- and 19th-century folk songs and dances, 1940s and '50s jazz, blues, and rock-and-roll. The repertoire and recorded contexts are motivating, informative, and entirely musical. Every song includes text, providing information about phrasing, rhythm, style, affect, emotion, history, and culture. A unique Rhythmic Pattern Dictionary allows students to look it up and listen up. An individualized format allows students to progress at different rates with a theme and variation format. Ear training and improvisation are integral parts of the lesson format. Artist performers set musical standards in sound with more than 80 great performances for every instrument! Performers include: Michael Henoch, Oboe (Chicago Symphony Orchestra), Randall Hawes, Jeffrey Zook, Sharon Sparrow, Kevin Good (Detroit Symphony Orchestra), Albert Blaser, Clarinet (Cleveland State University), Brian Bowman, Euphonium/Baritone (Duquesne University), Timothy McAllister (Crane School of Music, SUNY at Potsdam), Steve Houghton, Percussion (LA percussion recording artist and clinician), Donald Sinta, Richard Beene, Bryan Kennedy, Debra Chodacki, Fritz Kaenzig, Tuba (University of Michigan), Kristin Beene (Toledo Symphony Orchestra), and Jean Moorehead Libs, Trumpet (Plymouth Symphony Orchestra). Download the audio recordings at: giamusic.com/doit2media. $7.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Do It! Play Bassoon - Book 2 with MP3s Bassoon GIA Publications
Bassoon SKU: GI.G-M502 Composed by James Froseth. Band Method. Do It! Mus...(+)
Bassoon SKU: GI.G-M502 Composed by James Froseth. Band Method. Do It! Music Education. Book. 48 pages. GIA Publications #M502. Published by GIA Publications (GI.G-M502). ISBN 9781579992279. English. Now available on SmartMusic! The Bassoon book and audio recordings (see below) from the Do It! Play in Band series by James O. Froseth includes: Modeling by Richard Beene (Colburn School Conservatory of Music). Professional studio backgrounds capture the rich diversity of American music culture with a repertoire of American, Latin American, African, European, and Far Eastern styles. Music of other times, including 12th-century conductus, 15th-century Dance of the Bouffons, 16th-century French branle, 18th- and 19th-century folk songs and dances, 1940s and '50s jazz, blues, and rock-and-roll. The repertoire and recorded contexts are motivating, informative, and entirely musical. Every song includes text, providing information about phrasing, rhythm, style, affect, emotion, history, and culture. A unique Rhythmic Pattern Dictionary allows students to look it up and listen up. An individualized format allows students to progress at different rates with a theme and variation format. Ear training and improvisation are integral parts of the lesson format. Artist performers set musical standards in sound with more than 80 great performances for every instrument! Performers include: Michael Henoch, Oboe (Chicago Symphony Orchestra), Randall Hawes, Jeffrey Zook, Sharon Sparrow, Kevin Good (Detroit Symphony Orchestra), Albert Blaser, Clarinet (Cleveland State University), Brian Bowman, Euphonium/Baritone (Duquesne University), Timothy McAllister (Crane School of Music, SUNY at Potsdam), Steve Houghton, Percussion (LA percussion recording artist and clinician), Donald Sinta, Richard Beene, Bryan Kennedy, Debra Chodacki, Fritz Kaenzig, Tuba (University of Michigan), Kristin Beene (Toledo Symphony Orchestra), and Jean Moorehead Libs, Trumpet (Plymouth Symphony Orchestra). Download the audio recordings at: giamusic.com/doit2media. $7.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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