(Intermediate to Early Advanced Works by 31 Composers). Edited by Maurice Hinson. For Piano. Piano Collection. Alfred Masterwork Edition. Masterwork. Intermediate / Early Advanced. Book. 212 pages. Published by Alfred Music Publishing

Favorite American Songs Arranged in 5 Sets of Variations and 1 Medley for Intermediate Pianists. Arranged by Catherine Rollin. Piano Collection; Piano Supplemental. Form: Variations. Patriotic. Book. 32 pages. Alfred Music #00-20777. Published by Alfred Music

By Martha Mier. For Piano. Piano Collection. Level: Late Elementary (grade 2). Book. 16 pages. Published by Alfred Publishing.

Piano 4 hands - Easy vs Intermediate

SKU: YM.GTP01084629

Piano Ensemble. Arranged Classics. Sheet music. Yamaha Music Media #GTP01084629. Published by Yamaha Music Media (YM.GTP01084629).

ISBN 9784636846294.

7 fashionably arranged classical music by a popular composer Celeri Haruhata for piano teachers who has an opportunity fo play together with other teacher or advanced students at a small concert.
7Shou You Liu Xing Zuo Qu Jia Chun Tian seroriJin Xing Shi Mao Bian Pei De Gu Dian Ge Qu ,Gua He Yu Qi Ta Gang Qin Lao Shi Huo Gao Ji Xue Sheng Zai Xiao Xing Yin Le Hui Jin Xing Lian Dan Yan Zou Shi Shi Yong .

1. Respighi Medley(1P4H); 2. Leroy Anderson Medley(1P6H); 3. An American in Paris(1P4H); 4. Jupiter(1P4H); 5. Russian Beat Trick (1P4H, various composers); 6. Bolero(1P8H); 7. Japanese traditional songs in four seasons(1P4H)
1. Lei Si Bi Ji Zu Qu (Si Shou Lian Dan ); 2. Lai Luo Er *An De Sen Zu Qu (Liu Shou Lian Dan ); 3. Mei Guo Ren Zai Ba Li (Si Shou Lian Dan ); 4. Mu Xing (Si Shou Lian Dan ); 5. Russian Beat Trick (Si Shou Lian Dan , Duo Zuo Qu Zhe ); 6. Bo Lai Luo Wu Qu (Ba Shou Lian Dan ); 7. Ri Ben Chuan Tong Ge Qu Si Ji (Si Shou Lian Dan ).

By Charles Carter. concert band. Music book. Published by Queenwood Publications.

Fanfare Band - Grade 1.5

SKU: BT.CMP-0413-00-120

Composed by Mike Hannickel. National Heritage Series. Original Light Music. Score Only. Composed 2000. Curnow Music #CMP 0413-00-120. Published by Curnow Music (BT.CMP-0413-00-120).

This exciting medley of American spirituals is sure to please! Mike Hannickel's carefully crafted THREE AMERICAN SPIRITUALS helps young bands develop those all-important listening skills. They'll hear how each tune contrasts and complements the others when “Go Tell It On The Mountain”, “Swing Low, Sweet Chariot” and “Who did Swallow Jo-Jo-Jonah” all come together in rousing counterpoint! THREE AMERICAN SPIRITUALS works wonderfully with the unpredictable instrumentation of so many youth bands, while it's contrapuntal nature allows every section to shine. THREE AMERICAN SPIRITUALS allows each parent to say honestly to their child I HEARD you play your part!

Een levendige medley waarin drie spirituals contrapuntisch zijn verwerkt: Go Tell It on the Mountain, Swing Low, Sweet Chariot en Who Did Swallow Jo-Jo-Jonah. Elke instrumentgroep komt in Three American Spiritualstot z’n recht en het stuk is bijzonder geschikt om het gehoor van jonge muzikanten te trainen.

Ein lebendiges Medley, das die drei bekannten amerikanischen Spirituals kontrapunktisch miteinander verbindet. Ein Stück, in dem jede Instrumentengruppe zu ihrem Recht kommt, welches überdies besonders geeignet ist, das Gehör der jungen Musiker zu schulen. Überzeugend!

Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, English Horn, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3 and more.

SKU: PR.16500100F

Hymns for Wind Ensemble. Composed by Dan Welcher. Sws. Full score. 48 pages. Duration 10 minutes, 41 seconds. Theodore Presser Company #165-00100F. Published by Theodore Presser Company (PR.16500100F).

ISBN 9781491114421. UPC: 680160669783. 9 x 12 inches.

Commissioned for a consortium of high school and college bands in the north Dallas region, FOR THEMYSTIC HARMONY is a 10-minute inspirational work in homage to Norwood and Elizabeth Dixon,patrons of the Fort Worth Symphony and the Van Cliburn Competition. Welcher draws melodic flavorfrom five American hymns, spirituals, and folk tunes of the 19th century. The last of these sources toappear is the hymn tune For the Beauty of the Earth, whose third stanza is the quatrain: “For the joy of earand eye, For the heart and mind’s delight, For the mystic harmony, Linking sense to sound and sight,”giving rise to the work’s title.
This work, commissioned for a consortium of high school bands in the north Dallas area, is my fifteenth maturework for wind ensemble (not counting transcriptions). When I asked Todd Dixon, the band director whospearheaded this project, what kind of a work he most wanted, he first said “something that’s basically slow,” butwanted to leave the details to me. During a long subsequent conversation, he mentioned that his grandparents,Norwood and Elizabeth Dixon, were prime supporters of the Fort Worth Symphony, going so far as to purchase anumber of high quality instruments for that orchestra. This intrigued me, so I asked more about his grandparentsand was provided an 80-page biographical sketch. Reading that article, including a long section about theirdevotion to supporting a young man through the rigors of the Van Cliburn International Piano Competition fora number of years, moved me very much. Norwood and Elizabeth Dixon weren’t just supporters of the arts; theywere passionate lovers of music and musicians. I determined to make this work a testament to that love, and tothe religious faith that sustained them both. The idea of using extant hymns was also suggested by Todd Dixon,and this 10-minute work is the result.I have employed existing melodies in several works, delving into certain kinds of religious music more than a fewtimes. In seeking new sounds, new ways of harmonizing old tunes, and the contrapuntal overlaying of one tunewith another, I was able to make works like ZION (using 19th-century Revivalist hymns) and LABORING SONGS(using Shaker melodies) reflect the spirit of the composers who created these melodies, without sounding likepastiches or medleys. I determined to do the same with this new work, with the added problem of employingmelodies that were more familiar. I chose five tunes from the 19th century: hymns, spirituals, and folk-tunes.Some of these are known by differing titles, but they all appear in hymnals of various Christian denominations(with various titles and texts). My idea was to employ the tunes without altering their notes, instead using aconstantly modulating sense of harmony — sometimes leading to polytonal harmonizations of what are normallysimple four-chord hymns.The work begins and ends with a repeated chime on the note C: a reminder of steeples, white clapboard churchesin the country, and small church organs. Beginning with a Mixolydian folk tune of Caribbean origin presentedtwice with layered entrances, the work starts with a feeling of mystery and gentle sorrow. It proceeds, after along transition, into a second hymn that is sometimes connected to the sea (hence the sensation of water andwaves throughout it). This tune, by John B. Dykes (1823-1876), is a bit more chromatic and “shifty” than mosthymn-tunes, so I chose to play with the constant sensation of modulation even more than the original does. Atthe climax, the familiar spiritual “Were you there?” takes over, with a double-time polytonal feeling propelling itforward at “Sometimes it causes me to tremble.”Trumpets in counterpoint raise the temperature, and the tempo as well, leading the music into a third tune (ofunknown provenance, though it appears with different texts in various hymnals) that is presented in a sprightlymanner. Bassoons introduce the melody, but it is quickly taken up by other instruments over three “verses,”constantly growing in orchestration and volume. A mysterious second tune, unrelated to this one, interrupts it inall three verses, sending the melody into unknown regions.The final melody is “For the Beauty of the Earth.” This tune by Conrad Kocher (1786-1872) is commonly sung atThanksgiving — the perfect choice to end this work celebrating two people known for their generosity.Keeping the sense of constant modulation that has been present throughout, I chose to present this hymn in threegrowing verses, but with a twist: every four bars, the “key” of the hymn seems to shift — until the “Lord of all, toThee we praise” melody bursts out in a surprising compound meter. This, as it turns out, was the “mystery tune”heard earlier in the piece. After an Ivesian, almost polytonal climax, the Coda begins over a long B( pedal. At first,it seems to be a restatement of the first two phrases of “For the Beauty” with long spaces between them, but it soonchanges to a series of “Amen” cadences, widely separated by range and color. These, too, do not conform to anykey, but instead overlay each other in ways that are unpredictable but strangely comforting.The third verse of “For the Beauty of the Earth” contains this quatrain:“For the joy of ear and eye, –For the heart and mind’s delightFor the mystic harmonyLinking sense to sound and sight”and it was from this poetry that I drew the title for the present work. It is my hope that audiences and performerswill find within it a sense of grace: more than a little familiar, but also quite new and unexpected.

Composed by John Trotter. Featured Products, Wire bound. Method. Book/CD set. 282 pages. Mel Bay Publications, Inc #610506E. Published by Mel Bay Publications, Inc

(Christmas Favorites for Two Acoustic Guitars). Composed by William Bay. For acoustic guitar duet. CD. Intermediate-Advanced. Compact Disc. Published by Mel Bay Publications, Inc