| The Ultimate Fake Book - Third Edition (Bb version)
Bb Instruments [Fake Book] Hal Leonard
Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 p...(+)
Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.
(8)$49.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| The Ultimate Fake Book - C Instruments (3rd Edition)
Fake Book [Fake Book] Hal Leonard
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pa...(+)
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.
(31)$55.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Best Fake Book Ever - 2nd Edition - Eb Edition
Eb Instruments [Fake Book] Hal Leonard
Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: H...(+)
Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 864 pages. Published by Hal Leonard.
(2)$49.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Rise Again Songbook Lyrics and Chords Hal Leonard
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard
$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Rise Again Songbook Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard
$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Best Fake Book Ever - 5th Edition C Instruments [Fake Book] Hal Leonard
C Edition. Composed by Various. Fake Book. Broadway, Country, Jazz, Pop, Stand...(+)
C Edition. Composed by
Various. Fake Book. Broadway,
Country, Jazz, Pop, Standards.
Softcover. 802 pages.
Published by Hal Leonard
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Buskers Fake Book All Time Hit Piano solo Music Sales | | |
| The Best Fake Book Ever - C Edition - 3rd Edition
Fake Book [Fake Book] Hal Leonard
(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyr...(+)
(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 856 pages. 9x12 inches. Published by Hal Leonard.
(14)$59.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Real Little New Broadway Fake Book C Instruments [Fake Book] Hal Leonard
645 Songs from 285 Shows. Composed by Various. Fake Book. Broadway. Softcover....(+)
645 Songs from 285 Shows.
Composed by Various. Fake
Book. Broadway. Softcover.
696 pages. Published by Hal
Leonard
$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The New Broadway Fake Book C Instruments Hal Leonard
645 Songs from 285 Shows. Composed by Various. Fake Book. Broadway, Musicals. ...(+)
645 Songs from 285 Shows.
Composed by Various. Fake
Book. Broadway, Musicals.
Softcover. 696 pages.
Published by Hal Leonard
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Lyrics Lyrics only [Sheet music] Hal Leonard
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Lib...(+)
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Library. Softcover. Size 8.5x11 inches. 373 pages. Published by Hal Leonard.
(1)$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Ultimate Pop/Rock Fake Book - In C
C Instruments [Fake Book] Hal Leonard
(4th Edition ) For voice and C instrument. Format: fakebook. With vocal melody, ...(+)
(4th Edition ) For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Pop rock, rock and pop. Series: Hal Leonard Fake Books. 584 pages. 9x12 inches. Published by Hal Leonard.
(26)$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Wedding and Love Fake Book - 6th Edition C Instruments Hal Leonard
Over 500 Songs For All C Instruments. By Various. Fake Book. Love, Wedding. S...(+)
Over 500 Songs For All C
Instruments. By Various.
Fake Book. Love, Wedding.
Softcover. 456 pages.
Published by Hal Leonard
$35.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Blues Fake Book
Fake Book [Fake Book] Hal Leonard
Fakebook (spiral bound) for voice and C instrument. With vocal melody, lyrics, c...(+)
Fakebook (spiral bound) for voice and C instrument. With vocal melody, lyrics, chord names and leadsheet notation. Series: Hal Leonard Fake Books. 407 pages. Published by Hal Leonard.
(3)$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Lyric Library: Broadway Volume II Lyrics only Hal Leonard
Complete Lyrics for 200 Songs. By Various Composers. Lyric Library. Size 6x9 inc...(+)
Complete Lyrics for 200 Songs. By Various Composers. Lyric Library. Size 6x9 inches. 246 pages. Published by Hal Leonard.
$14.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 3e Symphonie en ut mineur, op. 78 - Advanced Barenreiter
Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B,...(+)
Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B, 2 bassoon, bassoon-Co, Hn1, Hn2 , Hn3(chrom.), Hn4(chrom.), 3Trp, 3trombone, timpani, Tr-Gr, Tri, Be, Org, piano-4ms, 2 Violin, Viola, Cello, Double Bass) - Level 5 SKU: BA.BA10303-01 Composed by Camille Saint-Saens. Edited by Michael Stegemann. This edition: Edition of selected works, Urtext edition. Linen. Saint-Saens, Camille. Oevres instrumentales completes I/3. Edition of selected works, Score. Opus 78. Duration 39 minutes. Baerenreiter Verlag #BA10303_01. Published by Baerenreiter Verlag (BA.BA10303-01). ISBN 9790006559503. 33 x 26 cm inches. Key: C minor. Preface: Michael Stegemann. The third symphony by Camille Saint-Saens, known as the Organ Symphony, is the first publication in a complete historical-critical edition of the French composer's instrumental works.
I gave everything I was able to give in this work. [...] What I have done here I will never be able to do again.Camille Saint-Saens was rightly proud of his third Symphony in C minor Op.78, dedicated to the memory of Franz Liszt. Called theOrgan Symphonybecause of its novel scoring, the work was a commission from the Philharmonic Society in London, as was Beethoven's Ninth, and was premiered there on 19 May 1886. The first performance in Paris followed on 9 January 1887 and confirmed the composer's reputation asprobably the most significant, and certainly the most independent French symphonistof his time, as Ludwig Finscher wrote in MGG. In fact the work remains the only one in the history of that genre in France to the present day, composed a good half century after the Symphonie fantastique by Hector Berlioz and a good half century before Olivier Messiaen's Turangalila Symphonie.
You would think that such a famous, much-performed and much recorded opus could not hold any more secrets, but far from it: in the first historical-critical edition of the Symphony, numerous inconsistencies and mistakes in the Durand edition in general use until now, have been uncovered and corrected. An examination and evaluation of the sources ranged from two early sketches, now preserved in Paris and Washington (in which the Symphony was still in B minor!) via the autograph manuscript and a set of proofs corrected by Saint-Saens himself, to the first and subsequent editions of the full score and parts. The versions for piano duet (by Leon Roques) and for two pianos (by the composer himself) were also consulted. Further crucial information was finally found in his extensive correspondence, encompassing thousands of previously unpublished letters. The discoveries made in producing this edition include the fact that at its London premiere, the Symphony probably looked quite different from its present appearance ...
No less exciting than the work itself is the history of its composition and reception, which are described in an extensive foreword. With his Symphony, Saint-Saens entered right into the dispute which divided French musical life into pro and contra Wagner in the 1880s and 1890s. At the same time, the work succeeded in preserving the balance between tradition and modernism in masterly fashion, as a contemporary critic stated:The C minor Symphony by Saint-Saens creates a bridge from the past into the future, from immortal richness to progress, from ideas to their implementation.
On 19 March 1886 Saint-Saens wrote to the London Philharmonic Society, which commissioned the work:
Work on the symphony is in full swing. But I warn you, it will be terrible. Here is the precise instrumentation: 3 flutes / 2 oboes / 1 cor anglais / 2 clarinets / 1 bass clarinet / 2 bassoons / 1 contrabassoon / 2 natural horns / [3 trumpets / Saint-Saens had forgotten these in his listing.] 2 chromatic horns / 3 trombones / 1 tuba / 3 timpani / organ / 1 piano duet and the strings, of course. Fortunately, there are no harps. Unfortunately it will be difficult. I am doing what I can to mitigate the difficulties.
As in my 4th Concerto [for piano] and my [1st] Violin Sonata [in D minor Op.75] at first glance there appear to be just two parts: the first Allegro and the Adagio, the Scherzo and the Finale, each attacca. This fiendish symphony has crept up by a semitone; it did not want to stay in B minor, and is now in C minor.
It would be a pleasure for me to conduct this symphony. Whether it would be a pleasure for others to hear it? That is the question. It is you who wanted it, I wash my hands of it. I will bring the orchestral parts carefully corrected with me, and if anyone wants to give me a nice rehearsal for the symphony after the full rehearsal, everything will be fine.
When Saint-Saens hit upon the idea of adding an organ and a piano to the usual orchestral scoring is not known. The idea of adding an organ part to a secular orchestral work intended for the concert hall was thoroughly novel - and not without controversy. On the other hand, Franz Liszt, whose music Saint-Saens' Symphony is so close to, had already demonstrated that the organ could easily be an orchestral instrument in his symphonic poem Hunnenschlacht (1856/57). There was also a model for the piano duet part which Saint-Saens knew and may possibly have used quite consciously as an exemplar: theFantaisie sur la Tempetefrom the lyrical monodrama Lelio, ou le retour a la Vie op. 14bis (1831) by Berlioz. The name of the organist at the premiere ist unknown, as, incidentally, was also the case with many of the later performances; the organ part is indeed not soloistic, but should be understood as part of the orchestral texture.
In fact the subsequent success of the symphony seems to have represented a kind of breakthrough for the composer, who was then over 50 years of age.My dear composer of a famous symphony, wrote Saint-Saens' friend and pupil Gabriel Faure:You will never be able to imagine what a pleasure I had last Sunday [at the second performance on 16 January 1887]! And I had the score and did not miss a single note of this Symphony, which will endure much longer than we two, even if we were to join together our two lifespans!
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$566.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Jazz Phrasing for Trombone, vol.1 (2 CD set) Trombone Greg Fishman Jazz Studios
Trombone SKU: GF.JPTB Composed by Greg Fishman. Play-Along (Book+CD). Pub...(+)
Trombone SKU: GF.JPTB Composed by Greg Fishman. Play-Along (Book+CD). Published by Greg Fishman Jazz Studios (GF.JPTB). Milwaukee Avenue
Ogden Avenue
Narragansett Avenue
Belden Avenue
Chicago Avenue
Quincy Street
Rockwell Street
Dearborn Street
Franklin Street
Pearson Street Jazz Phrasing for Trombone features ten melodic pieces which are easy to play, yet convey the essence of mainstream (Swing/Bebop/Bossa) jazz vocabulary. The pieces are catchy and melodic, demonstrating the use of sequence and voice-leading to make a musical statement. This book includes a play-along CD featuring trombonist Russ Phillips playing each song with a world-class rhythm section. The CD also includes tracks featuring Greg Fishman demonstrating each song on alto saxophone, giving trombone players the option of playing along with Russ Phillips on trombone or with Greg Fishman on alto saxophone. In addition, there are play-along tracks featuring just the rhythm section. These tracks are great for practicing the songs, chords, scales, voice-leading lines and soloing over the chords progressions. Jazz Phrasing for Trombone will provide valuable insights into a melodic approach to jazz improvisation. This book is recommended for trombone players of all levels who wish to improve their tone, articulation, phrasing, and understanding of thematic development. Special Features of Jazz Phrasing for Trombone: o Suggested Use Section - Provides detailed instructions on a variety of ways to work with the book. Style & Analysis Section - Provides clear, concise explanations of sequence, variation and voice-leading Thematic Index - Lets you compare the opening themes of all ten songs in convenient two page at-a-glance format. Also includes detailed information on the opening interval of each song, as well as harmonic context of the opening interval. Endorsements for Jazz Phrasing for Trombone: Greg has done it again. Great melodies, interesting rhythms and beautiful chord progressions. This is the perfect foundation for learning jazz. - Jamey Aebersold This book is a monument to Greg Fishman's superb teaching skills, as well as his clear understanding of the jazz student's early needs. He has purposefully selected accessible tempos, significant melodic rhythms (with their appropriate phrasing) and sensitive note choices, utilizing commonplace chord progressions within the jazz repertory, all impeccably demonstrated on the accompanying compact disc. This book is a must for the early conditioning of jazz students! - Jerry Coker Greg Fishman has created a book of fun, well-written, catchy tunes in a variety of styles for developing jazz players---highly recommended. - Dr. Gregory W. Yasinitsky, Regents Professor of Music & Coordinator of Jazz Studies, Washington State University Songs included in Jazz Phrasing for Trombone - Volume 1: o Milwaukee Avenue Ogden Avenue Narragansett Avenue Belden Avenue Chicago Avenue Quincy Street Rockwell Street Dearborn Street Franklin Street Pearson Street A few words from the preface of the book: Applying good phrasing to music is like using good punctuation in written or spoken language. It involves the grouping of ideas to make the meaning of the words clear to the listener. The words are grouped into sentences, and the sentences are then grouped into paragraphs. The same is true when interpreting a piece of music. Good phrasing requires a musician to interpret the notes he plays, and determine which notes need to be grouped together to form a complete musical idea. Each song in Jazz Phrasing for Trombone is designed to train your ear to hear the logical grouping of phrases through the use of sequence and thematic development. While the art of good phrasing involves the interpretation of note groupings and their relationships, it also involves deciding where you're going to take a breath. Read the following sentences aloud to compare examples of good and bad phrasing. Good phrasing, spoken in one continuous breath: Ladies and gentlemen, it gives me great pleasure to introduce the senior class president. Bad phrasing, spoken with extra breaths, disrupting the flow and grouping of the words: Ladies and gentlemen, it gives (breath) me great pleasure to introduce the senior class (breath) president. The difference between these two sentences is very similar to the difference between a professional musician's phrasing and a student's phrasing. Both may be playing the correct notes with the correct rhythm, but the professional musician knows how to group the notes in a smooth, flowing fashion, while the student takes breaths at random, not even aware that he's disrupting the phrasing. Jazz Phrasing for Trombone has been carefully designed to help you learn to phrase like a professional player. These are pieces that will be fun for all musicians who love melodic writing with good thematic development.. $24.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Crooked-Toe Walks the Deck - Easy Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 3 SKU: CF.CAS92 Composed by James Meredith. Carl Fischer Concert String Orchestra Series. Set of Score and Parts. With Standard notation. 16+16+4+10+10+4+10+12 pages. Duration 3 minutes, 35 seconds. Carl Fischer Music #CAS92. Published by Carl Fischer Music (CF.CAS92). ISBN 9781491142080. UPC: 680160630141. Key: D minor. Sailors beware when cantankerous Crooked-Toe the pirate takes his nightly walk on the deck! Crooked-Toe Walks the Deck is more than a novelty tune; it's an educational presentation of several classical music references and English sailing tunes, all featured seamlessly as one logical idea. Included is What Shall We Do with a Drunken Sailor, 15 Men on a Dead Man's Chest, In the Hall of the Mountain King, Night on Bald Mountain, Sailor's Hornpipe, The Flying Dutchman, and a hint of the Dies Irae. A clever, well-written and effective piece that will be serious fun for all. Sailors beware when cantankerous “Crooked-Toe†the pirate takes his nightly walk on the poop deck! He’s so mean he once threw a man overboard just for snoring, so his boat mates flee in all directions when they see him coming.Good music played well inspires the imagination. Crooked-Toe Walks the Deck is more than a novelty tune; it’s an educational presentation of several classical music references and English sailing tunes all featured seamlessly as one logical idea. They are What Shall We Do with a Drunken Sailor, 15 Men on a Dead Man’s Chest, In the Hall of the Mountain King, Night on Bald Mountain, Sailor’s Hornpipe, The Flying Dutchman, and a hint of the Dies Irae. Several musical effects are written into the piece as Crooked-Toe Walks the Deck. Encourage your students to use their imaginations and tell their classmates what they mean. There is no wrong answer! About Carl Fischer Concert String Orchestra Series This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by: - Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
- More comprehensive bowing techniques
- Viola T.C. included
- Careful selection of keys and degree of difficulty for advancing musicians
$60.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Latin Dance Party Brass ensemble [Score] - Easy Gobelin Music Publications
Brass Band - Grade 2 SKU: BT.GOB-000736-130 Composed by William Vean. Sco...(+)
Brass Band - Grade 2 SKU: BT.GOB-000736-130 Composed by William Vean. Score Only. 6 pages. Gobelin Music Publications #GOB 000736-130. Published by Gobelin Music Publications (BT.GOB-000736-130). In ‘Latin Dance Party’ William Vean takes us along to sunny, seemingly care-free places. Happy faces, catchy music, delicious drinks are images that come to mind when listening to this ‘feel good’ music which will either get you in a dreamy mood or make you want to step out onto the dance floor. To start we hear the first dance of Cuban origin 'Cha Cha Cha', cheerful, romantic, playful dance . The Cha Cha Cha is probably the most popular dance. Then we have the slower 'Bossa Nova' (new wave), a dance developed from the Samba rhythms with strong syncopation. We end with the 'Samba'. Samba is party. The samba is a mix of polka, Cuban habanera and Africanrhythms, born around 1910 in the slums of Rio de Janeiro, and every year the leading dance during the exuberant carnival.
In ‘Latin Dance Party’ neemt William Vean ons mee naar zonnige, schijnbaar zorgeloze oorden. Blije gezichten, aanstekelijke muziek, lekker drankje kortom ‘feel good’ muziek om lekker bij weg te dromen, of juist de dansvloer opte gaan.
Als eerste dans horen we de van oorsprong Cubaanse ‘Cha Cha Cha’, een vrolijke, speelse dans waarbij je je danspartner eens diep in de ogen kan kijken en achter je aan kan laten lopen. De Cha Cha Cha is misschienwel de meest populaire dans. Daarna krijgen we de wat rustigere Bossa Nova (nieuwe golf), een uit de Samba ontwikkelde dans met sterk syncoperende ritmes. We sluiten af met de ‘Samba’. Samba is feest. De Samba is eenmix van polka, Cubaanse habanera en Afrikaanse ritmes, ontstaan omstreeks 1910 in de sloppenwijken van Rio de Janeiro, en ieder jaar tijdens het uitbundige carnaval te horen. $16.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Latin Dance Party Brass ensemble [Score and Parts] - Easy Gobelin Music Publications
Brass Band - Grade 2 SKU: BT.GOB-000736-030 Composed by William Vean. Set...(+)
Brass Band - Grade 2 SKU: BT.GOB-000736-030 Composed by William Vean. Set (Score & Parts). 27 pages. Gobelin Music Publications #GOB 000736-030. Published by Gobelin Music Publications (BT.GOB-000736-030). In ‘Latin Dance Party’ William Vean takes us along to sunny, seemingly care-free places. Happy faces, catchy music, delicious drinks are images that come to mind when listening to this ‘feel good’ music which will either get you in a dreamy mood or make you want to step out onto the dance floor. To start we hear the first dance of Cuban origin 'Cha Cha Cha', cheerful, romantic, playful dance . The Cha Cha Cha is probably the most popular dance. Then we have the slower 'Bossa Nova' (new wave), a dance developed from the Samba rhythms with strong syncopation. We end with the 'Samba'. Samba is party. The samba is a mix of polka, Cuban habanera and Africanrhythms, born around 1910 in the slums of Rio de Janeiro, and every year the leading dance during the exuberant carnival.
In ‘Latin Dance Party’ neemt William Vean ons mee naar zonnige, schijnbaar zorgeloze oorden. Blije gezichten, aanstekelijke muziek, lekker drankje kortom ‘feel good’ muziek om lekker bij weg te dromen, of juist de dansvloer opte gaan.
Als eerste dans horen we de van oorsprong Cubaanse ‘Cha Cha Cha’, een vrolijke, speelse dans waarbij je je danspartner eens diep in de ogen kan kijken en achter je aan kan laten lopen. De Cha Cha Cha is misschienwel de meest populaire dans. Daarna krijgen we de wat rustigere Bossa Nova (nieuwe golf), een uit de Samba ontwikkelde dans met sterk syncoperende ritmes. We sluiten af met de ‘Samba’. Samba is feest. De Samba is eenmix van polka, Cubaanse habanera en Afrikaanse ritmes, ontstaan omstreeks 1910 in de sloppenwijken van Rio de Janeiro, en ieder jaar tijdens het uitbundige carnaval te horen. $78.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Step & Stomp 2 [Sheet music + CD] Hal Leonard
Choral (Book and CD pak) SKU: HL.9971567 Building Character and Self E...(+)
Choral (Book and CD pak) SKU: HL.9971567 Building Character and Self Esteem One Step at a Time. Composed by John Jacobson. ExpressiveArts. Choreography, Classroom Resources, Collection, Elementary, Motivational. Softcover with CD. 48 pages. Published by Hal Leonard (HL.9971567). ISBN 9781617807275. UPC: 884088558857. 8.5x11 inches. Build character and self-esteem with raps and percussive dance that will inspire and motivate! The Master of Moves - John Jacobson is back with more groovin' step and stomp moves, designed for upper elementary and middle school fun! Learn about good citizenship, and what it takes to show courage and respect. Show others the importance of fairness and taking responsibility, and sticking up for one another. Be the kind of person others can count on, and show them you care - all while groovin' to the beat! The Book/CD provides the character raps in printed format and hip recordings on the enclosed CD, with and without the rappers! For additional visual learning, a separate DVD features John Jacobson demonstrating all the moves - sometimes all at once! For extra value, purchase all this great material in one Classroom Kit! Let's get movin' - one step at a time! Available separately: Book/CD, DVD, Classroom Kit (Book/CD & DVD). Suggested for grades 4-8. $24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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