For voice and piano. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names, basic guitar chords chart (diagrams), illustrations and introductory text. Folk. 352 pages. 9x12 inches. Published by Hal Leonard.

Orchestra

SKU: PO.PEP05S

Works for String Orchestra. Composed by Larry Pruden. Perfect. Collection - Full Score. Promethean Editions #PEP05S. Published by Promethean Editions (PO.PEP05S).

ISBN 9781877218057.

Preface to the Collected EditionOver the span of his composing career, Larry Carrol Pruden (1925-82) completed some 60 works, including music for piano, chamber ensemble, orchestra, stage and film. The scope of the ten-volume Collected Edition incorporates every work that the composer is known to have considered complete, and a very few incomplete works which the editors felt warranted inclusion. The works in the latter category are either virtually complete or have been deemed worthy of inclusion due to the significance that the composer is known to have attached to them.Throughout Pruden's output, whether the music is modest in scale and purely functional (civic fanfares and radio advertising jingles, for example) or more extended and overtly serious in tone (such as the larger works for orchestra and strings), his vivid response to urban society and rural life in New Zealand is revealed. With Douglas Lilburn, John Ritchie and others, Larry Pruden belongs to the earliest generation of New Zealand composers to discover a genuine vernacular, and in his music is reflected the trail-blazing spirit of the pioneers, their passion for creativity and their rebelliousness of spirit.The scores in the Collected Edition are based on Pruden's underlying autograph or holograph manuscripts, which have been consulted extensively throughout the editorial process. Comparison has been made to all extant forms of each title, published and unpublished. In some cases, several variants exist, and the goal has been to determine as far as possible the composer's final intention and to convey this comprehensively in the published score. Emendations have been made to account for the composer's revisions and for certain errors and inconsistencies, and each volume includes a short commentary and editorial notes on the source materials.In consultation with the Estate of Larry Pruden, Promethean Editions appointed an Editorial Panel and an Advisory Panel to oversee publication of the Collected Edition. The role of the Editorial Panel has been to undertake the research into the composer's archival and manuscript materials and to make the necessary editorial decisions and ensure the accuracy of the musical and textual content of the Edition. The Advisory Panel has been responsible for monitoring the overall approach to the project and for ensuring the maintenance of a wider perspective.

Compiled by Ron Middlebrook. Fakebook for voice and C instrument. With vocal melody, lyrics, chord names, leadsheet notation, illustrations and black and white photos. 96 pages. Published by Centerstream Publications.

Edited by Patrick Sky. For fiddle. All styles. Level: Multiple Levels. Book. Songbook. Size 8.75x11.75. 176 pages. Published by Mel Bay Pub., Inc.

By Henry Wadsworth Longfellow. Arranged by Douglas E. Wagner. British Folk Tune "O Waly, Waly". For Choir. (2-part). Choral Octavo. Belwin Festival Series. Folk Song. Level: Moderate (grade 3). Choral Octavo. 8 pages. Published by Alfred Publishing.

Voice and Piano. By Richard Johnston. (resource book). Vocal Collection. Size 8.5x11 inches. 400 pages. Published by E.c. Kerby.

Composed by Melanie Spanswick. Willis. Instruction, Recital. Softcover. 56 pages. Duration 1140 seconds. Published by Willis Music

SATB choir, piano

SKU: LO.15-4064H

Composed by Douglas E. Wagner. Choral. Concert, General. Octavo. Heritage Music Press #15/4064H. Published by Heritage Music Press (LO.15-4064H).

ISBN 9780787779672.

With a flowing, minor tonality, this arrangement of Ralph Vaughn Williams tune incorporates the well-known, Christina Rosetti text In the bleak midwinter along with original words from Douglas E. Wagner. This solemn selection is accessible and a lovely programming option for winter concerts.

SAB choir and piano

SKU: LO.15-4029H

Composed by Douglas E. Wagner. Choral. Concert, General. Octavo. Heritage Music Press #15/4029H. Published by Heritage Music Press (LO.15-4029H).

ISBN 9780787778668.

Written by Henry Harington in the 18th century, Douglas E. Wagner's setting of Love and Music highlights the lilting character of the early Classical period. The bright and happy qualities of the work along with a flute proclaim the words How great is the pleasure, how sweet the delight, when love and music together unite..

Concert Band - Grade 2

SKU: AP.49454

Composed by Jordan Schmidt, Kane Brown, Matt McGinn, and Taylor Phillips. Arranged by Douglas E. Wagner. Concert Band; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Pop Young Band. Country; Light Concert; Pop; Pop/Rock; Radio. Score and Part(s). Duration 1:50. Alfred Music #00-49454. Published by Alfred Music (AP.49454).

ISBN 9781470660772. UPC: 038081577562. English.

Country music singer and songwriter Kane Brown's music has soared to the top of the charts within a few short years, winning the American Music Awards category Favorite Country Male Artist twice (2018 and 2019), along with Video of the Year in 2021. Like I Love Country Music, arranged by Douglas E. Wagner, is from the artist's third studio album Different Man, released in 2022, and is full of all the American country music feels. So much fun to play! (1:50).

Chamber Music Bass Trombone, Chimes, Flugelhorn, Organ, Percussion, Suspended Cymbal, Timpani, Trombone, Trumpet 1, Trumpet 2, Tuba, Vibraphone

SKU: CF.WE21

For Brass Quintet, Percussion, and Organ. Composed by Douglas Hedwig. Set of Score and Parts. With Standard notation. 35+6+5+5+5+5+6+17 pages. Carl Fischer Music #WE21. Published by Carl Fischer Music (CF.WE21).

ISBN 9781491144763. UPC: 680160902262. 9 x 12 inches. Key: Db major.

The inspirational foundation is the Emily Dickinson poem of the same name. Through five movements, each named after a phrase from the poem, Hedwig builds his dialogue slowly in intensity. The music moves, generally, from darkness to light, with occasional moments of reflection and conflict along the way as the drama unfolds...The musical language combines elements of traditional musical melody and tonality, with atonality, minimalism, and even hints of jazz...traces of traditional religious liturgical musical forms and idioms, as well. (Chattanooga Symphony and Opera program notes) For advanced performers.