SKU: UT.MAG-274

ISBN 9790215326859. 9 x 12 inches.

Rediscovering, studying and analyzing the musical art of Philipp Joseph Hinner means enhancing a piece of the eighteenth-century harp music mosaic. Hinner's work intrigues for its extraordinary simplicity, for its regularity and harmony; the ordered balance of the parts, symmetry and sense of proportion are essential elements for the author, and give character and unity to his work. The harp repertoire has long been overshadowed by the keyboard one, which boasts extensive solo and chamber literature, and consolidated for over two centuries. The rediscovery of the history of our instrument, however, is still recent and the research work in the field of harp music is still long.
Hinner, with the apparent simplicity of his opus 10, can thus regain his role in the harp repertoire of the eighteenth century, as well as covering a considerable didactic value today. The part of the first harp undoubtedly presents characteristics of greater rhythmic and virtuosic complexity than that of the second, which consists of a continuous accompaniment interspersed with simple thematic imitated episodes. Furthermore in the composition are included arias such as O ma tendre Musette, a French popular melody of the 18th century (previously set to music by Pierre-Alexandre Monsigny), and <>, taken from the opera-comique L'erreur d'un moment ou la Suite de Julie by Nicolas Dezede, as well as themes from Gluck's Iphigenie en Aulide, which had been all used also by Hinner's first harp master, Francesco Petrini (1744-1819).
Hinner's opus 10, originally written in separate parts for two harps, or harp and fortepiano, is presented here updated and completed with its score, for a thorough perception of the work.

SKU: BT.PWM0234

The most famous and popular edition of Chopin's works prepared by I. J. Paderewski, L. Bronarski and J. Turczynski. The edition has been based primarily on Chopin's autograph manuscripts, copies approved by him and first editions.

The principal aim of the Editorial Committee has been to establish a text which fully reveals Chopin's thoughts and corresponds to his intentions as closely as possible.

Contents:
Op.10 No.1 In C Major     
Op.10 No.10 In A Flat Major     
Op.10 No.11 In E Flat Major     
Op.10 No.12 In C Minor     Op.10 No.2 In A Minor     
Op.10 No.3 In E Major     Op.10 No.4 In C Sharp Minor     
Op.10 No.5 In G Flat Major    
Op.10 No.6 In E Flat Minor     
Op.10 No.7 In C Major    
Op.10 No.8 In F Major     
Op.10 No.9 In F Minor    
Op.25 No.1 In A Flat Major     
Op.25 No.10 In BMinor.

SKU: BA.BA11264

ISBN 9790006569724. 30 x 23 cm inches. Preface: Clement, Albert.

This fantasia for organ was composed in 2019. The composition is based on a melody attributed to the French composer Louis Bourgeois (approx. 1510–1560) which is one of the most well-known melodies in the Christian musical tradition. It has also been sung to various other texts, such as Lutheran chorales. In Bach’s work, the melody appears in the cantata “Lord God, we praise Thee all of us” BWV 130.

The composer has retained the style of French Romanticism. The character of the work corresponds to the content of the text and culminates in a festive finale. This music is suitable for many church music occasions.