SKU: ST.Y219
ISBN 9790220221415.
Music for two pianos is among the most satisfying of collaborative genres, and Rhian Samuel has caught its spirit of verve and playfulness in her new Serenade Duo. Repartee between the pianists drives this effervescent score from mysterious beginnings, in which the serenade alternates with fleet, toccata-like material, through crosstalk growing ever more boisterous until the serenade itself is heard in a singing statement 'molto rubato'. An up-tempo conclusion in a flurry of scales returns enigmatically to the mood of the opening. Serenade Duo is of just over five minutes' duration, and was premiered by Dimitris Barydis and Petros Moschos on 13 February 2005 at the Purcell Room.
SKU: BR.OB-16105-15
The study score (,,Studien-Edition) is available at G. Henle Verlag.
ISBN 9790004341650. 10 x 12.5 inches.
Johannes Brahms was long reluctant to compete with Beethoven in the field of symphonic music. With his D-major Serenade in six movements, the young composer deliberately chose a genre that had had its golden era in the 18th century, thus before Beethoven. Initially, he even conceived the Serenade for a smaller setting, but decided on a full orchestra in 1860. But even then, it was slow in becoming an audience success.The new Brahms Complete Edition has chosen as its principal source a copy of the scores first edition that Brahms used as his personal work copy. There, however, errors remained undiscovered, and recurred in later print runs as well. It was not until the new Brahms Edition that a music text of the D-major Serenade is finally being published, a text that clearly heeds all of the composers emendations and eliminates other shortcomings.
SKU: BR.PB-16106
ISBN 9790004214336. 10 x 12.5 inches.
Classical ReminiscencesDuring his time as conductor of the Detmold court orchestra, the young Brahms was inspired by the local wind ensemble to compose two serenades. Serenade No. 2, scored for five pairs of winds, violas, cellos, and string basses (leaving out the violins) is strongly reminiscent in sound of Mozart's wind serenades. The expressive Adagio is the heart of the five-movement work. Quite untypical of Brahms, he acquired a liking for the work from the outset, still undertaking a revision scarcely 15 years after the premiere of 1860; this has now been made available in a new practical edition based on the Johannes Brahms Complete Edition (JBG).
SKU: HL.51481234
UPC: 196288023289. 9.0x12.0x0.482 inches.
When Dvorák wrote his Serenade for 10 winds and 2 lower strings in January 1878, the heyday of the great wind serenades and “Harmoniemusik†wind ensembles was already long gone. He was probably inspired by hearing Mozart's Gran Partita shortly beforehand in Vienna. The home key of d minor here is striking, as is the often serious, even tragic atmosphere that repeatedly darkens the otherwise cheerful mood that is typical of the serenade genre. Perhaps this was a reaction to the death of two of his children just a few months earlier. Despite the work's dramatic character - or perhaps because of it - Dvorák's Serenade was taken up in many European cities soon after its first performance in Prague, and fêted as a significant contribution to the chamber music repertoire for wind instruments. The autograph sources in Prague have been consulted for this Urtext edition. The parts are printed with player-friendly page divisions, perfect page-turning opportunities, and practical alternative parts in F for the three horns.
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SKU: BR.OB-16106-23
ISBN 9790004344439. 10 x 12.5 inches.
SKU: BR.PB-16105
ISBN 9790004214329. 10 x 12.5 inches.
SKU: BR.OB-16106-19
ISBN 9790004344422. 10 x 12.5 inches.
SKU: BR.OB-16105-27
ISBN 9790004341698. 10 x 12.5 inches.
SKU: BR.OB-16106-30
ISBN 9790004344453. 10 x 12.5 inches.
SKU: BR.OB-16105-30
ISBN 9790004341704. 10 x 12.5 inches.
SKU: BR.OB-16105-19
ISBN 9790004341674. 10 x 12.5 inches.
SKU: BR.OB-16105-16
ISBN 9790004341667. 10 x 12.5 inches.
SKU: BR.OB-16106-27
ISBN 9790004344446. 10 x 12.5 inches.
SKU: BR.OB-16105-23
ISBN 9790004341681. 10 x 12.5 inches.
SKU: CF.SC88
ISBN 9781491158845. UPC: 680160917563.
William Grant Stillas catalog of works comprises over 200 pieces, including five symphonies, nine operas, four ballets and numerous works for chamber ensembles. He initially found employment as an oboist in pit orchestras in New York City, later as an arranger of popular music for various ensembles, including those by William C. Handy, James P. Johnson and Paul Whiteman. His career as a composer was launched with a performance in 1931 of his Symphony No. 1 aAfro-Americana by the Rochester Philharmonic, conducted by Howard Hanson, who would remain a life-long champion of Stillas orchestral works. By the 1950s the symphony had been performed in New York, Chicago, Los Angeles and various European capitals. This notoriety earned Still a Guggenheim Fellowship in 1934, after which he moved to Los Angeles. He is credited as the first African-American to conduct a major orchestra (the Los Angeles Philharmonic Orchestra), the first to have an opera performed by a major company (Troubled Island by the New York City Opera in 1949), and one of the first composers to write for radio, films and television. So numerous were his awards and accolades, including three Guggenheim Fellowships and a variety of honorary doctorates, that he was designated as the aDean of Afro-American Composers.a Still composed his Serenade for Orchestra in 1957 on a commission by the Great Falls High School in Great Falls, Montana. He later transcribed the work for a chamber ensemble of flute, clarinet, harp and strings. The piece reflects Stillas interest in American folk idioms, with conventional melodies and harmonies that nonetheless express a fresh and individual compositional voice.William Grant Still's catalog of works comprises over 200 pieces, including five symphonies, nine operas, four ballets and numerous works for chamber ensembles. He initially found employment as an oboist in pit orchestras in New York City, later as an arranger of popular music for various ensembles, including those by William C. Handy, James P. Johnson and Paul Whiteman. His career as a composer was launched with a performance in 1931 of his Symphony No. 1 Afro-American by the Rochester Philharmonic, conducted by Howard Hanson, who would remain a life-long champion of Still's orchestral works. By the 1950s the symphony had been performed in New York, Chicago, Los Angeles and various European capitals. This notoriety earned Still a Guggenheim Fellowship in 1934, after which he moved to Los Angeles. He is credited as the first African-American to conduct a major orchestra (the Los Angeles Philharmonic Orchestra), the first to have an opera performed by a major company (Troubled Island by the New York City Opera in 1949), and one of the first composers to write for radio, films and television. So numerous were his awards and accolades, including three Guggenheim Fellowships and a variety of honorary doctorates, that he was designated as the Dean of Afro-American Composers. Still composed his Serenade for Orchestra in 1957 on a commission by the Great Falls High School in Great Falls, Montana. He later transcribed the work for a chamber ensemble of flute, clarinet, harp and strings. The piece reflects Still's interest in American folk idioms, with conventional melodies and harmonies that nonetheless express a fresh and individual compositional voice.William Grant Still’s catalog of works comprises over 200 pieces, including five symphonies, nine operas, four ballets and numerous works for chamber ensembles. He initially found employment as an oboist in pit orchestras in New York City, later as an arranger of popular music for various ensembles, including those by William C. Handy, James P. Johnson and Paul Whiteman. His career as a composer was launched with a performance in 1931 of his Symphony No. 1 “Afro-American†by the Rochester Philharmonic, conducted by Howard Hanson, who would remain a life-long champion of Still’s orchestral works. By the 1950s the symphony had been performed in New York, Chicago, Los Angeles and various European capitals.This notoriety earned Still a Guggenheim Fellowship in 1934, after which he moved to Los Angeles. He is credited as the first African-American to conduct a major orchestra (the Los Angeles Philharmonic Orchestra), the first to have an opera performed by a major company (Troubled Island by the New York City Opera in 1949), and one of the first composers to write for radio, films and television. So numerous were his awards and accolades, including three Guggenheim Fellowships and a variety of honorary doctorates, that he was designated as the “Dean of Afro-American Composers.â€Still composed his Serenade for Orchestra in 1957 on a commission by the Great Falls High School in Great Falls, Montana. He later transcribed the work for a chamber ensemble of flute, clarinet, harp and strings. The piece reflects Still’s interest in American folk idioms, with conventional melodies and harmonies that nonetheless express a fresh and individual compositional voice.
SKU: HL.48187593
UPC: 888680984359. 9.0x12.0x0.048 inches.
“Born in Paris in 1899, Francis Poulenc soon became a notable composer and pianist. His Serenade, originally composed in 1925-1926 for Voice and Piano, met much success as part of his Bawdy Songs. Therefore, it was well-received when Maurice Gendron transcribed it for Cello and Piano. Poulenc, as a member of Les Six, composed music in a style contrary to that of Richard Wagner and impressionists Claude Debussy and Maurice Ravel. Serenade reflects the composer's contrasting style, making use of a 6/8 time signature, double stops, variations in articulation and wide range on the Cello. Being an imaginative and evocative composition, Serenade, transcribed for Cello and Piano, is a pleasurable addition to the repertoire.â€.
SKU: HL.49013808
ISBN 9790001139823. UPC: 841886003538. 9.0x12.0x0.048 inches.
A well-known birthday song has 'sneaked' into the famous Sonata facile by Mozart...A merry birthday serenade for Mozart and other birthday celebrants. Even suited as an encore piece at a concert.
SKU: BR.PB-4390
ISBN 9790004203095. 9 x 12 inches.
SKU: CY.CC2619
The Serenade, Op. 37 was conceived for Cello with Piano accompaniment, but later in life the composer scored the work for the solo instrument with orchestra. The Low Brass world knows Rimsky-Korsakov for his Trombone Concerto for Band. The Serenade has a very similar mood to the slow movement of the Concerto. It's beautiful lilting rhythm combined with a wonderful melody makes this work very worthwhile.Mr. Sauer's arrangement brings a beautiful feel to this 4 minute work, which is appropriate for advanced performers.Parts for Bass and Treble readers are supplied.
SKU: BR.OB-4389-04
ISBN 9790004307236. 9 x 12 inches.
The "Music for Two Guitars" has begun to turn into an authentic mainstay of our editorial program. We thought it would be appropriate to issue a well-known Mozart-work in 1991 - all the more so considering how faithful Ansgar Krause's arrangement is to the source!
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