Inventions and Sinfonias: Two- and Three-Part Inventions (Inventionen und Sinfonien: Zwei- und drestimmige Inventionen). By Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For piano. Baroque. SMP Level 9 (Advanced). Full score. Standard notation. 112 pages. Published by Wiener Urtext/Vienna Urtext

(Revised Edition without Fingering - Piano Solo). Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Scheideler. For Piano Solo. Henle Music Folios. SMP Level 9 (Advanced). Softcover. G. Henle #HN1589. Published by G. Henle

(Two- and Three-Part Inventions) Composed by Johann Sebastian Bach (1685-1750), edited by Willard A. Palmer. For piano solo. Format: piano solo book. With introductory text, instructional text, standard notation and fingerings. Baroque. Series: Alfred Masterworks Editions. 112 pages. 9x12 inches. Published by Alfred Publishing.
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By Valery Lloyd-Watts. By Johann Sebastian Bach (1685-1750). Edited by Willard A. Palmer. Masterworks; Piano Collection. Alfred Masterwork CD Edition. Baroque; Masterwork. Book; CD. 116 pages. Alfred Music #00-22521. Published by Alfred Music

Oboe and Piano

SKU: HL.14004227

Composed by Lennox Berkeley. Music Sales America. Classical. Book [Softcover]. Composed 2002. 44 pages. Chester Music #CH55061. Published by Chester Music (HL.14004227).

ISBN 9780711943193. UPC: 884088435479. 9.0x12.0x0.232 inches.

Oboe and Piano Reduction. Commissioned by the BBC for the 1973 Promenade Concerts to celebrate the 70th Birthday of the composer.

Orchestra; Early Music (Violin I [3], Violin II [3], Viola [3], Basso [3])

SKU: UT.ACC-58B

Vol. 9: Sinfonia in F major, Si 9. Critical Edition. Composed by Tomaso Giovanni Albinoni. Edited by Fabrizio Ammetto. Saddle stitching. Classical. Set of Parts. 48 pages. Ut Orpheus #ACC 58B. Published by Ut Orpheus (UT.ACC-58B).

ISBN 9790215308190. 9 x 12 inches.

Orchestra; Early Music (Violin I [3], Violin II [3], Viola [3], Basso [3])

SKU: UT.ACC-55B

Vol. 6: Sinfonia in B flat major, Si 6. Critical Edition. Composed by Tomaso Giovanni Albinoni. Edited by Fabrizio Ammetto. Saddle stitching. Classical. Set of Parts. 48 pages. Ut Orpheus #ACC 55B. Published by Ut Orpheus (UT.ACC-55B).

ISBN 9790215308138. 9 x 12 inches.

Trumpet, piano (original scoring: trp(2trp),str,bc)

SKU: BR.MR-2240

Composed by Giuseppe Torelli. Edited by A. Knipschild and C. I. Sanders. Solo instruments; Softcover. Musica Rara. Symphony; Solo concerto; Renaissance/early Baroque; Baroque. Piano reduction. 40 pages. Breitkopf and Haertel #MR 2240. Published by Breitkopf and Haertel (BR.MR-2240).

ISBN 9790004487884. 9 x 12 inches.

Giuseppe Torelli was born in Verona, Italy in 1658. He was a famous violinist, teacher, and composer. His career allowed travels to Germany and Vienna, but centered in Bologna, Italy, where he was a violinist and violist in the Accademia Filarmonica and later, worked as a musician at the Basilica San Petronio. Torelli was an especially important figure in the development of the instrumental concerto, with particular emphasis on both the solo concerto and concerto grosso forms.The Sinfonia in D Major (G21) is a piece originally scored for one or two trumpets, first and second solo violins, first and second ripieno violins, solo viola, ripieno viola, violoncello ripieno, violoncello continuo, violone ripieno, and organo.The exact date of the composition is not known, but the work is presumed to have been completed in the latter period. This edition is based on the autograph manuscript located in the musical archives at the Basilica San Petronio in Bologna, Italy.

Orchestra; Early Music (Violin I [3], Violin II [3], Viola [3], Basso [3])

SKU: UT.ACC-50B

Vol. 1: Sinfonia in F major, Si 2. Critical Edition. Composed by Tomaso Giovanni Albinoni. Edited by Fabrizio Ammetto. Saddle stitching. Classical. Set of Parts. 48 pages. Ut Orpheus #ACC 50B. Published by Ut Orpheus (UT.ACC-50B).

ISBN 9790215308039. 9 x 12 inches.

Orchestra; Early Music (Violin I [3], Violin II [3], Viola [3], Basso [3])

SKU: UT.ACC-53B

Vol. 4: Sinfonia in D major, Si 4. Critical Edition. Composed by Tomaso Giovanni Albinoni. Edited by Fabrizio Ammetto. Saddle stitching. Classical. Set of Parts. 48 pages. Ut Orpheus #ACC 53B. Published by Ut Orpheus (UT.ACC-53B).

ISBN 9790215308091. 9 x 12 inches.

Orchestra; Violin

SKU: UT.NAP-4

Vol. 1. Critical Edition. Composed by Nicola Fiorenza. Edited by Giovanni Borrelli. Hardback (Cloth Hard Cover). Napoli e l’Europa (Naples and Europe). Classical. Critical commentary. Ut Orpheus #NAP 4. Published by Ut Orpheus (UT.NAP-4).

ISBN 9790215318373. 9 x 12 inches.

Concerto in Mi bem. magg. per Violino principale, 2 Violini, Viola e Basso; Concerto in Re min. per 2 Violini e Basso (1728); Concerto in La magg. per 3 Violini e Basso (1728)_x0008_; Concerto in La min. per 3 Violini e Basso (1727)_x0008_; Concerto in La min. per 3 Violini e Basso; Sinfonia in Fa min. a 2 Violini e Basso; Sinfonia in Sol magg. a 3 Violini e Basso; Sinfonia fugata in Fa min. a 3 Violini e Basso; Sinfonia in Do min. a 4 Violini e Basso; Trio in Si min. per 2 Violini e Cembalo

Nicola Fiorenza (1700?-1764), composer and virtuoso Neapolitan violinist, lived during the first half of the 1700s. His musical production, whose manuscripts are preserved for the big part in the Library of the Conservatorio di Musica S. Pietro a Majella in Naples, is composed of 15 concerts with different instrumental organics, 9 symphonies whose principal instrument is the violin – that sometimes proposes pieces with a lot of virtuosities typical of the solo concert –, some pieces for one or two instruments with continuo and two cantatas.
Skilled virtuoso, Fiorenza had assimilated both the style of the elegant Baroque of French school, and the a terrazze style, the improvised language typical of the Venetian composers. He knew the style of the Concerto Grosso of Corelli very well, to which he joined a dressy counterpoint maybe too much present for the style of that time. Fiorenza elaborated different styles, filtering them through his sensitive predilection towards the Neapolitan party music and the popular melody, developing a personal composite language that doesn’t consider him belonging to one of the schools of his time. From a formal point of view and for the choice of the instrumental organic, his compositions have not a strong stylistic individuality in comparison with the composite canons of the first part of the XVIII century, but the production of Fiorenza seems to reflect the schemes and the composite forms typical of the late Baroque. His choice of the incisive brevity of the thematic figures is typical of the XVII century, that almost never overcomes the breath and the circle of one or few beats. Fiorenza’s solo compositions show his research of virtuosities, but he never lapses into a rash virtuosity, on the contrary he maintains a gallant taste.

Guitar

SKU: UT.CH-11.3

Vol. 3: Sinfonias Nos. 11-15. Composed by Johann Sebastian Bach. Arranged by Andrea Schiavina and Elisabetta Pistolozzi. Classical. Score and Parts. Ut Orpheus #CH 11.3. Published by Ut Orpheus (UT.CH-11.3).

ISBN 9790215300323. 9 x 12 inches.

Guitar

SKU: UT.CH-11.2

Vol. 2: Sinfonias Nos. 6-10. Composed by Johann Sebastian Bach. Arranged by Andrea Schiavina and Elisabetta Pistolozzi. Classical. Score and Parts. Ut Orpheus #CH 11.2. Published by Ut Orpheus (UT.CH-11.2).

ISBN 9790215300316. 9 x 12 inches.