SKU: BR.MR-2290A

Introduzione e Tema con Variazioni for clarinet and orchestra has long since carved a lasting niche in the clarinet repertoire. The composition is an impressive example of Italian bel canto writing with a refreshing alternation between the cla. Romantic period. Piano reduction. 24 pages. Duration 15'. Breitkopf and Haertel #MR 2290a. Published by Breitkopf and Haertel (BR.MR-2290A).

ISBN 9790004488638. 9 x 12 inches.

The only printed source is a set of parts published by Breitkopf & Hartel in 1823. The variations are perfectly idiomatic for the instrument. Moreover, the edition will increase the performance opportunities: Additional to the original setting, the score and parts offer the possibility for a performance with string orchestra only.

Introduzione e Tema con Variazioni for clarinet and orchestra has long since carved a lasting niche in the clarinet repertoire. The composition is an impressive example of Italian bel canto writing with a refreshing alternation between the clarinet's lyrical qualities and a virtuoso lightness and exuberance.

SKU: BT.MUSMI0340

Italian.

Le scale pentatoniche, che siano maggiori o minori, costituiscono il “mezzo” ideale per tutti i chitarristi che desiderano avvicinarsi all’improvvisazione.

Con questo metodo, imparerete quindi adutilizzare questo tipo di scala per improvvisare con la chitarra. Dopo un minimo di teoria (costruzione, posizioni, relazione con l’armonia…), vi troverete tantissimi esempi musicali, accompagnati da una base musicalespecifica per poter applicare subito gli insegnamenti.

Affronterete quindi l’improvvisazione in modo graduale, prima su un solo accordo, poi due, tre ed infine quattro accordi. Con una sola pentatonica o dipiù.Poi su un giro completo od una cadenza specifica. Scoprirete infine la tecnica delle sostituzioni, la quale permette di rimpiazzare una pentatonica con un’altra, per 'condire' le vostre improvvisazioni.

Il CD MP3allegato al metodo presenta tutti gli esempi con le basi musicali corrispondenti, ossia più di 4 ore di musica in tutto! Su ogni traccia, la chitarra suona l’improvvisazione proposta poi lascia la base musicale andareavanti per qualche minuto per permettervi di suonare.

Tali esempi vi servono quindi da trampolino per improv-visare poi più liberamente.

SKU: LM.24556

ISBN 9790230945561.

Ronde manicheenne - Danse monique (ou danse a un) - Danse ambique (ou danse a deux) - Marche strambe.

SKU: SU.80300224

Our latest contribution to the simple does not have to mean stupid niche. First published in 1885, these settings are modest in scope, yet imaginatively constructed. With considerable rhythmic energy, independence of the two voices, harmonic variety, and interesting accompaniments, they transcend the idiom of the Victorian parlor ballad which they superficially resemble. SA & Piano; English. Easy. SA, piano Published by: Treble Clef Music Minimum order quantity: 8 copies.

SKU: SU.80300223

Our latest contribution to the simple does not have to mean stupid niche. First published in 1885, these settings are modest in scope, yet imaginatively constructed. With considerable rhythmic energy, independence of the two voices, harmonic variety, and interesting accompaniments, they transcend the idiom of the Victorian parlor ballad which they superficially resemble. SA & Piano; English. Easy.SA, piano Published by: Treble Clef Music Minimum order quantity: 8 copies.

SKU: SU.80300226

Our latest contribution to the simple does not have to mean stupid niche. First published in 1885, these settings are modest in scope, yet imaginatively constructed. With considerable rhythmic energy, independence of the two voices, harmonic variety, and interesting accompaniments, they transcend the idiom of the Victorian parlor ballad which they superficially resemble. SA & Piano; English. Easy. SA, piano Published by: Treble Clef Music Minimum order quantity: 8 copies.

SKU: PR.114414250

UPC: 680160607846.

Lowell Liebermann's 4th String Quartet was commissioned by the Canandaigua Lake Chamber Music Festival and the Wood Library, Canandaigua, NY, for the Orion Quartet in celebration of their 20th Anniversary. The quartet was premiered by the Orions at the Canandaigua Lake Chamber Music Festival in Rochester, NY on February 9th, 2008. To quote the writer Mark Greenberg: It's a remarkable piece. The mood is elegiacal and meditative, the melodic lines sinuous and searching, the harmonies rich and astonishingly beautiful. Liebermann works within the traditions of Western tonality, but that is a mansion with many rooms. Liebermann inhabits all of them as his expressive purposes require, and he doesn't mind knocking down a wall to create new harmonic spaces. The Fourth Quartet doesn't exactly fit the neoromantic niche into which Liebermann is sometimes placed. Much of the music, especially near the beginning, is a highly advanced and fluid chromatic expressionism with modernist tendencies. Sometimes this roiling cloudscape breaks open to allow a patch of near-classical harmony and almost-resolution. Near the midpoint the clouds lift in leaping modulations. Several chordal passages recall Russian Orthodox chant. Suddenly, when you've begun to think the somber, deliberate pace has gone on a bit too long, Liebermann introduces a kind of hobbled, stilted jazz idiom. The piece dies in pensive quiet.