SKU: M7.SMP-1207

English.

The Count Basie Orchestra performed the music of Billy Byers for many, many years. His arrangement of Come Fly With Me is recorded on the Basie album Frankly Basie: Count Basie Plays the Hits of Frank Sinatra. Set in an up-tempo swing feel, Byers hits it hard from bar 1 and doesn't let up until the end of the chart. The interplay between saxophones and brass is clever and energetic, while the full ensemble writing is classic Basie sound at its finest. There is solo space for tenor saxophone, with fantastic ensemble backgrounds throughout much of it. No jazz library is complete without this classic Count Basie chart! 5-4-4-4.

SKU: M7.SMP-274

English.

As recorded by Count Basie on the Roulette LP (Vogue CD) The Legend, Benny Carter has created a marvelous, quiet, smoky sounding tune ... somewhat in the vain of Whisper Not. This is a wonderful piece, so classic in its proportions, melody, harmony and its slow, swinging feel. There is solo space for trumpet, tenor sax and a bit of piano. Classic Basie! 5-4-3-4 (w/opt. 4th Trb.).

SKU: M7.SMP-171

English.

This chart is destined to become a best-seller because of its unique and exciting format ... an orchestration of Jelly Roll Morton's original recording of one of his most famous compositions. The arranger has successfully captured the spirit of the '20's with the modern big band. Scored for 5 woodwinds (incl. clarinet and 2 soprano saxes) 6 brass and 4 rhythm, this is one piece that your band and audiences will ask for again and again. 5-3-3-4.

SKU: M7.SMP-1215

As recorded by the Count Basie Orchestra on their album Count Basie's Finest Hour, Doodle Oodle is a barn-burning Billy Byers original. In usual Basie fashion, this chart swings its tail off with incredible ensemble passages, and provides for plenty of solo space for both tenor saxophonists to dual it out. Dramatic and flashy from beginning to end, this chart is guaranteed to be a band and audience favorite alike! 5-4-4-4.

SKU: M7.BARN-32364200

English.

A solidly scored rock tune with a 1960's feel that is full of energy. Perfect for developing bands, it has no solos, but lots of fun as each section in the band has interesting parts. Sure to be a favorite with students and its a wonderful chart to develop confidence in young players and audiences are sure to love it. A real winner!

SKU: M7.SMP-1041

English.

Oliver's arrangement of this tune (also know as East Side, West Side) is playful in its ensemble writing as it alludes to the hustle and bustle of NYC. The bulk of this chart, though, is really a showcase for soloists, giving space to alto, tenor, trumpet, trombone, and piano. If you're looking for a familiar tune, scored to please audience and players alike, this is the chart for you ! As recorded on the Verve Jazz Masters CD.

SKU: M7.SMP-1182

Much like Neil Hefti's Li'l Darlin', this Billy Byers original exemplifies quiet, warm ensemble writing at its finest. There is also the contrast of a strong shout section before returning to the quieter approach. This was recorded by the Count Basie Orchestra on the album Count Basie's Finest Hour (originally Basie Land). Set as a medium-slow swing feel, there are solos for trumpet and piano. In this edited version, the arrangement is almost exactly like the original, except the solos are written out, the high trumpet parts are adjusted, and the saxophone parts have been simplified a bit. 5-4-4-4.