SKU: HL.1248098
UPC: 196288153252. 6.75x10.5 inches. Psalm 98.
This fresh arrangement of a holiday classic leaps from the page with engaging textures and spirited vocal effects. Suitable for concerts halls and sanctuaries, this modern take on a time-honored carol will leave your listeners asking for more. Well considered choral part writing makes the anthem sound harder than it actually is!
SKU: HL.8772287
UPC: 649325019160. 7.25x10.0x0.022 inches.
SKU: HL.386716
UPC: 196288023623. 6.75x10.5x0.029 inches.
Sing a new song, Cantate Dominum, are the words that begin this energetic and celebratory piece. The opening section in 7/8 absolutely dances and thankfully returns for a joyous conclusion. The middle section poetically brings in the beauty of creation. This SATB voicing can be sung together with the SSA voicing, P1715. A great festival piece that can also be sung in worship.
SKU: HL.325461
UPC: 888680986438. 6.75x10.5x0.036 inches.
In this oft-performed spiritual, the Bible tells that a vision of two wheels intersecting was shown to Ezekiel, signifying the “spirit of living creatures.†Rollo Dilworth's arrangement of this song doubles down on the wheel imagery, with cyclical melodic passages throughout and a piano part to match.
SKU: PR.312418620
ISBN 9781598063714. UPC: 680160597642. Octavo inches. English. Text: Francis Quarles. Francis Quarles. Text by Francis Quarles (1592-1644).
This gorgeous setting of a text by Francis Quarles was written especially for Scott Williamson and the Virginia Chorale. Though implicitly sacred, this work’s lullaby quality transcends the spiritual genre and would be suitable for concert use as well. Duration: 5’.
SKU: CA.744700
ISBN 9790007300050. English. Text: Woodward, George Ratcliffe.
Manuel Grunden has created an impressive modern interpretation of the English Christmas carol Ding, dong merrily on high, which itself is based on a 16th century French dance tune. Piquant and well-conceived harmonies turn the classic carol into a scintillating jazz/pop work that is sure to captivate with its colorful vocal writing and creative accompaniment patterns.Manuel Grunden’s reimagining of this traditional festive song with a contemporary sound has created a piece suitable for any Christmas concert program.
SKU: CA.966600
ISBN 9790007167714. Language: English.
This is a short, skilful song setting, a typical English Christmas carol with an Advent text: the cold winter as symbol of the frozen world, waiting for Christ. The setting, through-composed in verses, in five-four time, captivates through its sparse use of diatonic formations of dissonances, cantabile imitations and wide-arching melodic lines. This little gem encourages a beautiful, expressive legato interpretation and makes an excellent counterpart to Deilig (Carus 9.664) in an Advent concert program.
SKU: CA.966500
ISBN 9790007167707. Text language: Latin/English.
Interestingly, Ayres combines the Latin text of the hymn with his translation here: in the style of a free motet-like cantus firmus, he interprets the Latin text impressively in music, making use of glissandi, wide leaps and unison twelve-tone linear construction for the dramatic second verse with its deceptive vision of night. He places the motet sections after the translated text, but quite simply with the Gregorian cantus firmus and in the style of medieval organum, however with interesting, diatonically written dissonant sounds. This rewarding piece is challenging, but well worth singing in a concert or church service.
SKU: HL.48025430
ISBN 9798350126297. UPC: 196288210825. 6.75x10.5 inches.
“Waloyo Yamoni (We Overcome the Wind)†is the grand finale to Christopher Tin's second album 'The Drop That Contained the Sea'. The lyrics are a setting of a Lango rainmaking prayer. It was commissioned by the St. Matthews Chamber Orchestra, and recorded by the Royal Philharmonic Orchestra with the Soweto Gospel Choir. New York Concert Review wrote of the Carnegie Hall premiere “The audience reacted after the final notes with the loudest and longest standing ovation I have ever heard at any concertâ€, while The York Press wrote “We Overcome The Wind was an outpouring of joy; a unanimous standing ovation evinced the sense of togetherness at the heart of this concert.â€.
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