SKU: AP.45479
UPC: 038081512198. English.
I don't know about you, but I feel better when I'm dancin'! Meghan Trainor's frothy pop hit from The Peanuts Movie is here to help your choir get their groove on! True to the original recording, yet sensibly arranged for choral groups, this selection is ideal for singers of any age!
About Alfred Pop Choral Series
The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.
SKU: LP.765762182103
UPC: 765762182103.
Don't miss this simple haunting melody and lyrics from contemporary hymn-writer Allie LaPointe beautifully supported by Russell Mauldin's superb light-handed orchestration. Arranged for female solo and mostly unison choir with a touch of very accessible vocal harmonies When Amidst the Storm I'm Shaken is destined to become a favorite of choirs and congregations alike. Perfectly lovely.
SKU: PR.312418400
UPC: 680160051908. Key: D major.
SKU: AP.48458
UPC: 038081552811. English.
I'm not givin' up . . . no, not yet. This lead single from Andy Grammer's album Naive is featured in the movie Five Feet Apart and gained YouTube fame among choir directors after Grammer's personal visit to PS22 in New York City. The lyrics speak of the power of friendship, the strength to fight, and the importance of support during difficult times. The catchy, syncopated chorus (with optional handclaps) makes great use of stacked harmony. Use the SoundTrax CD, or add guitar, bass, and drums to build your own band!
SKU: ZB.ZE-4071
ISBN 9783940745514.
Greater Than Anything consists of 11 songs which will be hits in concerts and church services, during workshops and on CDs. This collection generates the good message of the Gospel in a concentrated form in music and lyrics, touching and enthralling both the choir and the listeners. For the mixed choir in three to four parts (S.A.Bar./S.A.T.B.) and the soloists it means performing refreshing modern arrangements at a medium skill level. The piano accompaniment is written in an exemplary gospel style.
SKU: PR.342402070
ISBN 9781491111253. UPC: 680160643226. Octavo inches. Text: Archibald R. Ammons. Archibald Ammons. Text by A.R. Ammons.
To benefit Chorus America, Stucky allowed himself to be auctioned off as a prize - the high bidder would receive a new work from the composer. After a few years and not really hearing anything, Stucky suddenly found himself up against a deadline. He reached back to a favorite poem by A.R. Ammons, Eyesight, which, he says, Won't let...his reader rest till the very last word...one of those sudden insights that leave us breathless..This piece has an odd history. A few years ago, I agreed to be one of the“prizes†in an auction to benefit Chorus America: the highest bidder wouldget a new piece from me, while their money went to the organization. Thewinning bid came from a collection of several professional choruses anddirectors. But I was always a little vague about the details, and, hearingnothing more about it for a few years, forgot the whole thing.One day I received a message from Thomas Edward Morgan, directorof the Ars Nova Chamber Singers in Boulder: they had scheduled thepremiere of my new piece for a few weeks later, and could they have themusic, please? I needed a text, quickly, and (as usual) I was in a Los Angeleshotel room, not at home with my books. So I turned to the internet andsoon tracked down my favorite poet, A.R. Ammons (1926-2001).Once I stumbled on “Eyesight,†I remembered having loved the poemyears before. Archie must have loved it, too, because he included it bothin his Collected Poems 1951-1971 and in the later Selected Poems. It haseverything you want in an Archie Ammons poem: what Edward Hirschcalled his “offbeat, sideways, unpredictable radiance,†his “homespunglory.†It has one of his trademark conversations with a mountain (perhapsfrom his native North Carolina), it has the fluid motion from one line tothe next (enjambment, if you want to get technical) that won’t let him orhis reader rest till the very last word of the very last line, and it has in thatlast line one of those sudden insights that leave us breathless: “some thingsthat go are gone.â€I miss Archie, but he’s not gone. I’m grateful for the wonderful poems heleft us, and I’m grateful that he was always generous and kind when I hadthe chutzpah to add my music to his.
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