SKU: HL.14008014
The Lark In The Clear Air is a traditional Irish air. Since the 1800s, it has been associated with a poem by the Irish writer Sir Samuel Ferguson (1810-1886), one of the founding fathers of the Irish literary revival. It has been arranged here by Edgar M. Deale for TBarB Three-part Male Voice Chorus, with Piano accompaniment. It makes a perfect recital item for any Male Voice Choir.
Edgar M. Deale (1902-1999) was a twentieth century Irish composer. A former chorister at Christ Church Cathedral, Dublin, he was largely self-taught as a composer. His output was limited to a few dozen original works and arrangements, but hiscontribution to Irish music is gradually achieving the recognition it deserves.
SKU: HL.292929
UPC: 888680932916. 6.75x10.5 inches.
Released originally for SATB voices, this TTBB version is a natural followup. Although known as a hymn, it is also a classic selection from our American heritage, making it work in both concert and worship.
SKU: BP.BP2185
Add a string quartet to this joyful arrangement of a well-known hymn and the result is a classical setting that will forever be a favorite for your choir and congregation alike. The imperative Rejoice is felt not only in the text but in the clear call of the voices and the accompaniment. Now available in a powerful TTBB setting as well as SATB and SSAA. Score and parts for String Quartet also available.
SKU: HL.48024179
UPC: 888680703769. 6.75x10.5x0.147 inches.
Created from the texts of live interviews, here is music that explores the notion of family by a community coming to terms with the creation of a family in a society that has not, until now, legally accepted non traditional relationships. It takes as its thesis the idea that love is the only thing that can establish a family and that love is what binds us all.
SKU: AP.48321
UPC: 038081551449. English. Traditional English Carol.
Here's a wildly inventive reimagining of the traditional English carol that will be a highlight on holiday concerts. The dazzling piano introduction ushers in a rush of crystal-clear chords in bright contemporary harmony, while frequent shifts of meter and style conjure an assortment of moods, from celebratory to reflective. A stunning concert setting that is worth the extra rehearsal.
SKU: CA.1011305
ISBN 9790007186197. Language: English. Text: Broadbridge, Edward.
In his Psalm 151 on lyrics by Edward Broadbridge, the Danish composer John Hoybye stages, so to speak, a theatrical play, assigning clear roles to the solo violin and the choir. The violin, representing the voice of God, enters into a dialog with the choir which represents the voice of man. They speak to one another, they comment on each other, wrestle with each other, spur each other on and thus develop a musical momentum. Score available separately - see item CA.1011300.
SKU: CA.1011300
ISBN 9790007186173. Language: English. Text: Broadbridge, Edward.
In his Psalm 151 on lyrics by Edward Broadbridge, the Danish composer John Hoybye stages, so to speak, a theatrical play, assigning clear roles to the solo violin and the choir. The violin, representing the voice of God, enters into a dialog with the choir which represents the voice of man. They speak to one another, they comment on each other, wrestle with each other, spur each other on and thus develop a musical momentum.
SKU: CA.1011311
ISBN 9790007239985. Language: English. Text: Broadbridge, Edward.
In his Psalm 151 on lyrics by Edward Broadbridge, the Danish composer John Hoybye stages, so to speak, a theatrical play, assigning clear roles to the solo violin and the choir. The violin, representing the voice of God, enters into a dialog with the choir which represents the voice of man. They speak to one another, they comment on each other, wrestle with each other, spur each other on and thus develop a musical momentum. Score and part available separately - see item CA.1011300.
SKU: HL.14018993
ISBN 9788759850978. 7.25x10.25x0.061 inches. Latin.
This set of three motets for unaccompanied male choir sets the Latin words for the De Profundis, Ave Maria and Laudate and manifests Lewkovitch's fascination both with chant and with modality.Contemporary Danish composer, conductor and Organist Bernhard Lewkovitch has followed a rare path among modern composers. From 1947 he was Organist at St Ansgars Kirches and later remained connected with the Catholic Church by working as an Organist. Clearly he is inspired by the Catholic liturgy and sees his great output of ecclesiastical music as a vocation and a great responsibility. For many years his work by inspired by Gregorian chant and was composed in church modes, then inthe mid 1950's he began to expand into modern bitonality and polytonality, culminating in Il cantico delle creature in 1962/3 in which there was no conventional notation and no fixed pitch. After that, Lewkovitch had somewhat of a hiatus, later returning again to the inspirations of the mid1950's.
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