SKU: P2.30089
Composer Arthur Gottschalk says, Suite Nothings was commissioned by Houston Symphony clarinetist Richard Nunemaker for his Effortless Clarinet Studio. It is dedicated to Michael Perricone, a talented amateur clarinetists and member of Nunemaker's studio, who was diagnosed with Stage 4 cancer just prior to rehearsals for the seventh annual studio recital. Movement 1 ('The March of the Licorice Stick Figures') is a strange little march, at times duple and others compound. Movement 2 ('Weird Harold's Stomp') is a touch more funky, albeit in 13 beat groupings, and owes a partial debt and perhaps apology to jazz legend Herbie Hancock. The final movement is an all-out atonal yet swinging romp, whose theme was originally written for the Band of the First Battalion, Royal Australian Regiment, based in Townsville, Queensland. These guys march into battle with full field packs, their weapons, AND their instruments! Hence the title, 'The Royal Australian Regiment Rondo'..
SKU: AP.1-ADV8601
UPC: 805095086010. English.
This suite features two traditional klezmer themes and an original composition. Drumset (playing ad lib) and bass can be added to enhance the overall effect; if the work is played without a drummer, one of the clarinetists can play the tambourine part in Itamar Freilach. Titles: Itamar Freilach * Hershel * Doumka's Freilach.
SKU: HL.44007370
ISBN 9789043128438. UPC: 884088246181. 9x12 inches. English-German-French-Dutch.
The 'czardas' Anitschka depicts the love story of a Hungarian and a gipsy girl called Anitschka. She is not easily seduced by her admirer, but perseverance prevails in this musical tale: all's well that ends well. De csardas Anitschka verklankt de liefdegeschiedenis van een Hongaar en een zigeunermeisje, Anitschka genaamd. Zij laat zich niet zo gemakkelijk verleiden door haar aanbidder, maar de aanhouder wint in dit muzikale verhaal: eind goed,al goed.Der 'Czardas' Anitschka beschreibt die Geschichte einer Liebe zwischen einem Ungarn und einem Zigeunermadchen namens Anitschka. Sie lasst sich nicht leicht von ihrem Bewunderer verfuhren. Beharrlichkeit wird jedoch in dieser musikalischen Erzahlung von Johan Nijs gross geschrieben und so heisst es schliesslich: Ende gut, alles gut. Verzaubern Sie Ihr Publikum mit diesem romantischen Stuck!Das Set enthalt Stimmen fur:Klarinette in EsKlarinette in B 1, 2 ,3 and 4Altklarinette in Es 1 and 2Bassklarinette in BKontraaltklarinette in EsKontrabassklarinette in BCette Åuvre de Johan Nijs est ecrite dans la forme de la czardas, une danse hongroise du XIXe siecle dans laquelle alternent les passages lents et les passages rapides. Anitschka relate a la maniere d'un conte les amours tumultueuses entre une fille tzigane et un jeune prince hongrois.
SKU: IS.CC6340EM
ISBN 9790365063406.
Jesu, Joy of Man's Desiring is the most common English title of the 10th and last movement of the cantata 'Herz und Mund und Tat und Leben', BWV 147 (Heart and Mouth and Deed and Life), composed by Johann Sebastian Bach in 1716 and 1723. Today, it is often performed at wedding ceremonies as well as during Christian festive seasons like Christmas and Easter, slowly and reverently. This is, however, in contrast to the effect suggested by Bach in his original scoring for voices with trumpet, oboes, strings, and continuo. The music's wide popularity has led to numerous arrangements and transcriptions such as the present one for clarinet octet or choir by Prof. Hideaki Iwai.
SKU: IS.CC6317EM
ISBN 9790365063178.
Hans Aerts (°1958) studied at the conservatory of Antwerp (clarinet), the conservatory of Brussels (counterpoint and fugue) and the Lemmens Institute in Leuven (composition). His oeuvre consists of over 100 pieces for just about any instrumental line up. Many of these pieces are specifically written to be used in music education. In his work Hans Aerts seeks to create a clear form and an alluring melodical and harmonical style. Hans Aerts lives and works in Turnhout (Belgium), where he is associated with the city’s musical academy.
SKU: AP.1-ADV8600
UPC: 805095086003. English.
From Bach's Suite for String Orchestra in D, arranged by Clare Fischer for clarinet choir, piano, and bass. The piano voice contains a transcription of Clare's improvised keyboard solo .
SKU: BT.DHP-1125274-070
9x12 inches.
Hungarian Rhapsody N° 2 is the second in a set of 19 Hungarian Rhapsodies by composer Franz Liszt, and is by far the most famous of the set. Few other piano solos have achieved such widespread popularity, offering the pianist the opportunity to reveal exceptional skill as a virtuoso while providing an immediate and irresistible musical appeal for the listener.Both the original piano solo form and the orchestrated version of this composition have found widespread use in animated cartoons. Its themes have also served as the basis of several popular songs.Composed in 1847 and dedicated to Count László Teleki, Hungarian Rhapsody N° 2 was first published as a pianosolo in 1851. Its immediate success and popularity on the concert stage soon led to an orchestrated version, arranged by the composer in collaboration with Franz Doppler. The Japanese composer Tohru Takahashi has made a splendid transcription of this great music for clarinet choir. A wonderful piece of music for an advanced ensemble! De Hongaarse rapsodie nr. 2 is verreweg de beroemdste uit een set van negentien Hongaarse rapsodieën van de hand van componist Franz Liszt. Er zijn maar weinig andere werken voor pianosolo die net zo geliefd zijn. De pianist krijgt in deze rapsodie de mogelijkheid om zijn of haar virtuositeit tentoon te spreiden en een directe, onweerstaanbare muzikale antrekkingskracht op de luisteraar uit te oefenen.Zowel de originele pianosolo als de georkestreerde versie van deze compositie is veel gebruikt in tekenfilms. De themaâ??s die erin voorkomen, hebben ook gediend als basis voor diverse populaire songs.De tweede Hongaarse rapsodie, die werd gecomponeerd in 1847 en isopgedragen aan graaf László Teleki, werd in 1851 voor het eerst uitgegeven als pianosolo, door Senff en Ricordi. Het onmiddellijke succes en de populariteit op het concertpodium leidden tot een georkestreerde versie, die de componist zelf maakte, in samenwerking met Franz Doppler.De Japanse componist Tohru Takahashi heeft deze prachtige muziek bewerkt tot een uitstekende transcriptie voor gevorderd klarinetensemble. Die Ungarische Rhapsodie Nr. 2 ist die bei weitem berühmteste der insgesamt neunzehn Ungarischen Rhapsodien von Franz Liszt und gehört zu den bekanntesten Werken für Klavier solo überhaupt. Virtuos und unwiderstehlich zieht es Zuhörer wie Interpreten gleichermaÃ?en in seinen Bann. Sowohl das originale Klaviersolo als auch die orchestrierte Version dieser Komposition werden häufig in Zeichentrickfilmen verwendet. Die darin vorkommenden Themen dienten auch schon als Basis für diverse Popsongs.Die Ungarische Rhapsodie Nr. 2 aus dem Jahr 1847 wurde 1851 zunächst als Klaviersolo veröffentlicht. Der unmittelbare Erfolg und die Popularität auf der Konzertbühne führten zueiner orchestrierten Version, die der Komponist, in Zusammenarbeit mit Franz Doppler, selbst anfertigte.Die hier vorliegende ausgezeichnete Transkription für fortgeschrittenen Klarinettenchor stammt aus der Feder des japanischen Komponisten Tohru Takahashi. La Rhapsodie hongroise n° 2 est la deuxième dâ??une série de 19 Rhapsodies hongroises de Franz Liszt. Elle est de loin la plus célèbre de la série parce qu'elle permet au pianiste de révéler des compétences de virtuose tout en offrant lâ??auditeur un attrait immédiat et irrésistible.Que ce soit sous sa forme originale pour piano solo ou dans sa version orchestrale, cette composition a souvent été employée dans les dessins animés. Ses thèmes ont également inspiré plusieurs chansons populaires.Composée en 1847 et dédiée au comte László Teleki, la Rhapsodie hongroise n° 2 fut dâ??abord publiée pour piano solo en 1851 par Senff et Ricordi. Son succès immédiat et sapopularité dans les salles de concert engendrèrent rapidement une version pour orchestre, arrangée par le compositeur lui-même en collaboration avec Franz Doppler.Le compositeur japonais Tohru Takahashi a réalisé une splendide transcription de cette oeuvre pour ensemble de clarinettes. Une musique merveilleuse pour des musiciens avancés !
SKU: HL.14011405
Peter Jenkyns's First Nursery Suite is a work designed for group music-making. The instrumentation for this piece consists of: Voices, Descant Recorder, Chime Bars or Glockenspiel, Xylophone, Drum, Triangle, Tambourine, Claves and Piano.
SKU: BT.DHP-1135507-070
ISBN 9789043138734. 9x12 inches.
Nstrumentation 1 - Conductor 1 - Eb Clarinet 1 - Bb Clarinet 1 1 - Bb Clarinet 2 1 - Bb Clarinet 3 1 - Eb Alto Clarinet 1 - Bb Bass Clarinet 1 - Eb Contralto Clarinet 1 - Bb Contrabass Clarinet Bohemian Rhapsody was een wereldwijde hit voor Queen in 1975/1976, en de heruitgave in 1991 werd ook een groot hitsucces. Het wordt algemeen beschouwd als één van de succesrijkste popnummers aller tijden. Met pop-, opera-, klassieke rapsodie-en rockelementen, is dit nummer een hele uitdaging voor klarinetensemble en saxofoonkwartet! Diesen Popsong der Gruppe QUEEN kennt eigentlich jeder - er zählt zu den wohl erfolgreichsten Hits aller Zeiten. Abwechslungsreich und voller Ãœberraschungen springt die Melodie zwischen verschiedenen Stilen hin- und her. Ein Crossover mit vielenHerausforderung für alle Mitglieder des Ensembles.Lors de sa sortie dans les bacs, Bohemian Rhapsody, immense succès du groupe Queen, bouleversait les conventions : une chanson sans refrain, une ballade, des passages de hard rock, des traits d´opéra... Un concentré de bonheur musical pourEnsemble vent ! Instrumentation : ChÅ“ur de Clarinettes : Clar. Mi / Clar. Si / Clar. Alto / Clar. Basse / Cla. Contralto Mi / Cla. Contrebasse Si. Bohemian Rhapsody, celebre per la sua struttura musicale con un´introduzione a cappella, un segmento in stile ballata che termina con un assolo di chitarra, un passaggio d´opera e una sezione rock, conobbe un enorme successo per il suoapproccio totalmente innovativo. L´immenso successo della band Queen è un vero concentrato di piacere musicale! Strumentazione: Coro di Clarinetti : Clar. Mi♭ / Clar. Si♭ / Clar. contralto / Clar. basso / Cla. Contralto Mi♭ /Cla. contrabasso Si♭.
SKU: BT.DHP-1084453-070
ISBN 9789043129107. 9x12 inches. English-German-French-Dutch.
There’s a Boat Dat’s Leavin’ Soon for New York/It Ain’t Necessarily So/Summertime/I Got Plenty o' Nuttin’ is a song from the American opera Porgy and Bess, composed in 1935 by George Gershwin (1898-1937), to a libretto by DuBose Heyward and his brother Ira Gershwin, after Heyward’s novel Porgy - a story about the love between the crippled negro beggar Porgy and the girl Bess in the city of Charleston in South Carolina. The première - not a huge success - took place on 10 October 1935 in New York.With his opera, Gershwin wanted to gain recognition as a composer of classical music. Incidentally he demanded that all parts were sung by black performers; only a few unimportant parts,without sung lyrics, were allowed to be performed by white actors. This rule still applies: Gershwin has stated in the terms of his will that only black people were allowed stage the opera.Porgy & Bess has become popular only after Gershwin’s death. In 1959 a wonderful film was made; the soundtrack won a Grammy Award. The work is not very often performed, possibly because of the difficulty of finding a whole cast of black opera singers. However, various pieces from the opera are still regularly performed in numerous arrangements. Das Set enthält Stimmen für:Klarinette in EsKlarinette in B 1, 2 ,3 & 4Altklarinette in EsBassklarinette in BKontrabassklarinette in B.
SKU: ND.CLCR14
SKU: P2.30083
Beethoven's Sextet for Two Horns and String Quartet, Op. 81b is a bit of an oddity in the composer's catalog. The sextet for the very old-fashioned instrumentation of two horns, two violins, viola and cello, is especially rare. The work seems to have been written around 1795, in the period when Beethoven was beginning to make his way in Viennese society as a composer and keyboard virtuoso after a period of study with Haydn. The work has the light-hearted, easy-going tone of the serenade/divertimento tradition, although the way that Beethoven writes for the horns makes the Sextet unusual. In this work, the horns are featured, with brilliant fanfares and technically challenging passages, while the four strings are relegated to a subsidiary role. In this arrangement, the Eb clarinet and a solo Bb clarinet play the role of the horns, while the rest of the choir assume the position of the string parts.
SKU: AY.CC3681PM
ISBN 9790543578050.
Giovanni Gabrieli - Canzon Septimi et Octave Toni a 12 from 'Sacrae Symphoniae', Book 1, for Clarinet Choir, arranged by Andrew Seigel. Giovanni Gabrieli was an Italian composer and organist of the late Renaissance and early Baroque periods. He was born in Venice, where he trained as a musician and composer, initially studying with his uncle, Andrea Gabrieli, who was a prominent musician and composer in the city. Gabrieli eventually succeeded his uncle as the organist and composer at St. Mark's Basilica in Venice, where he worked for most of his career. Gabrieli's Sacrae Symphoniae is a collection of sacred instrumental music that was published in Venice in 1597 which includes canzonas, sonatas, and motets, all of which were composed for the unique acoustics of St. Mark's Basilica in Venice. The Sacrae Symphoniae is an important work in the development of instrumental music, as it represents a shift away from vocal music and towards the use of instruments in sacred music. The collection features a range of different instrumental combinations, including brass, strings, and organ, and often employs multiple choirs or groups of instruments to create a rich, complex sound.
SKU: AY.CC3674PM
ISBN 9790543574212.
Giovanni Gabrieli - Maria Virgo from 'Sacrae Symphoniae', Book 1, for Clarinet Choir, arranged by Matt Johnston. Giovanni Gabrieli was an Italian composer and organist of the late Renaissance and early Baroque periods. He was born in Venice, where he trained as a musician and composer, initially studying with his uncle, Andrea Gabrieli, who was a prominent musician and composer in the city. Gabrieli eventually succeeded his uncle as the organist and composer at St. Mark's Basilica in Venice, where he worked for most of his career. Gabrieli's Sacrae Symphoniae is a collection of sacred instrumental music that was published in Venice in 1597 which includes canzonas, sonatas, and motets, all of which were composed for the unique acoustics of St. Mark's Basilica in Venice. The Sacrae Symphoniae is an important work in the development of instrumental music, as it represents a shift away from vocal music and towards the use of instruments in sacred music. The collection features a range of different instrumental combinations, including brass, strings, and organ, and often employs multiple choirs or groups of instruments to create a rich, complex sound.
SKU: AP.1-ADV8409
UPC: 805095084092. English.
This exciting, three-movement suite offers a sound world that is somewhere between jazz and modern classical, with floating tonal centers and unpredictable rhythmic movement.
SKU: HL.44004738
ISBN 9789043125727. UPC: 073999047387. International (more than one language).
The Russian Dance from Tchaikovsky?s ballet The Nutcracker has been expertly arranged for Eb clarinet, 4 Bb clarinets, Eb alto clarinet, Bb bass clarinet and Bb contra-bass clarinet. Der Russische Tanz aus der Nussknacker-Suite von Tschaikowski in einer Bearbeitung von R. Upten Holder. Besetzung: Es- Klarinette, 4 B Klarinetten, Es-Altklarinette, B-Bassklarinette, B-Kontrabassklarinette.
SKU: BT.DHP-1135511-070
ISBN 9789043149235. 9x12 inches.
MODERATO, QUASI MARCIA is the first movement from the Serenade in D minor op. 44 for winds, violoncello and bass by Antonin Dvorak.Moderato, quasi marcia is het eerste deel van Serenade in D minor opus 44 voor blazers, cello en bas van Anton n Dvoák, genaamd Grande Serenade in een bewerking voor klarinetensemble.Moderato, quasi marcia ist der erste von vier Sätzen aus der Serenade in d-moll op. 44 für Bläser, Violoncello und Kontrabass von Antonin Dvorak. Instrumentation 1 - Conductor 1 - Eb Clarinet 2 - Bb Clarinet 1 2 - Bb Clarinet 2 2 -Bb Clarinet 3 2 - Bb Clarinet 4 1 - Eb Alto Clarinet 1 - Bb Bass Clarinet 1 - Bb Contrabass ClarinetModerato, quasi marcia est le premier des quatre mouvements qui composent la Sérénade en Ré mineur opus 44 pour vents, violoncelle et contrebasse, dite Grande sérénade, d Antonin Dvorak. Instrumentation : Cla. Mi/Cla. Si 1, 2& 3/Cla. Alto/Cla. Basse/Cla. Contralto Mi/Cla. Contrebasse Si.Moderato, quasi marcia è il primo dei quattro movimenti che compongono la Serenata in re minore opus 44 per fiati, violoncello e contrabbasso, detta Grande serenata, composta da Anton n Dvoák. Strumentazione : Cla. Mi/Cla. Si 1, 2 & 3/Cla. Alto/Cla. Basso/Cla. Contralto Mi/Cla. Contrabbasso Si.
SKU: AP.1-ADV8612
UPC: 805095086126. English.
Featuring the characteristic trademarks of Klezmer music---improvisation, frequent dynamic changes, asymmetric time signatures, and ornamental flourishes---this lively original, Seven Sparks, is a definite change-of-pace number!
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