SKU: IS.CP6772EM
ISBN 9790365067725.
Jukka-Pekka Lehto is a contemporary composer and flutist. He started his career in the Finnish marine-band and played afterwards in the Turku Philharmonic Orchestra. Currently he is principal flutist in the Pori Sinfonietta. His compositions are neo-classicist with contemporary influences, many of which have been awarded prizes at international composition competitions. His works include music for wind band, chamber music, choir and various instrumental combinations.
SKU: BR.EB-7515
ISBN 9790004188927. 9 x 12 inches.
Gunter Habicht composed music for folk instruments and contributions to educational literature as well as works for wind orchestra, chamber and orchestral music, including the Sinfonietta, published in 1964 by VEB Breitkopf & Hartel Musikverlag Leipzig, and the award-winning Quartettino 1969 for wind instruments, created for a composition contest organized by the Association of Composers and Musicologists on the occasion of the GDR's 20th anniversary. With an easy piano accompaniment, the sonatina for clarinet and piano Temperaments, written in the same year, is particularly aimed at more advanced music students and amateur musicians. Each of the three movements represents one temperament (1. sanguine type, 2. melancholic type, 3. choleric type) that needs to be worked out during the rehearsals. From 1935 to 1939, Gunter Habicht (1916-2010) studied with Herbert Viecenz and Boris Blacher (music theory and composition) and with Walther Meyer-Giesow and Ernst Hintze (conducting) at the Dresden Conservatory. In 1951, Gunter Habicht taught at an elementary school in Leipzig, and in 1952, he was appointed specialist lecturer for music at the Zentralhaus fur Volkskunst. From 1955 to 1981, he was a teacher of music theory and clarinet at the Leipzig City Music School.
SKU: ST.C129
ISBN 9790570811298.
As I sit myself down to write this brief foreword, I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road, in Bristol), I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful, rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy, and likewise, speaking as a lapsed brass player, there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again, one gets a different, yet entirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence, with a little gamesmanship on my part, I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat), trombone and tuba (bass clef), horn in F, flute, clarinet and bassoon. While many will find themselves humming the likes of Going up Camborne Hill, Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture – I wonder if I might draw your attention to The Cornish Squire, The Pool of Pilate and Cold Blows the Wind Today Sweetheart, which are quite simply sublime melodies, perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs, Cornish folk music works equally ideally sung and played, and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all, it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past, while skilfully paying homage to the underlying charm and, for want of a better word, simplicity, of the original music. But this is only a start – for without an energetic response from younger generations, Cornish folk music is destined to wither on the vine in much the same way as is happening with the Cornish dialect. So, put your instrument to your lips and proceed, not with caution, but with enthusiasm and a smile, for your great grandparents (and perhaps even their grandparents) would surely raise a glass if they could hear you doing your bit to ensure the survival of this splendid heritage.Timeless Cornish melodies, cooked up for hungry clarinet playersGrades 1–4Former Spartan Press Cat. No.: SP1218.
SKU: YM.GTW01091435
ISBN 9784636914351.
25 songs arranged for solo clarinet and piano. Clarinet part with a book for piano accompaniment and Karaoke CD. 20Shou Dan Huang Guan Du Zou Qu ,Gang Qin Ban Zou . Han Dan Huang Guan Pu Ji Gang Qin Ban Zou Pu &Ban Zou CD. 1. Soshunfu(Ode to Early Spring); 2. Hatsukoi(First Love); 3. Oborozukiyo(A Night with a Hazy Moon); 4. Hana; 5. Sakura Sakura; 5. Hana; 6. Hamabe no Uta(A Song at the Seaside); 7. Shabondama(Soap Bubbles); 8. Kono Michi; 9. Furusato(My Old Town); 10. Yuyake Koyake; 11. Chiisai Aki Mitsuketa(I've Found a Little Autumn); 12. Sato no Aki; 13. Aka Tombo(Red Dragonfly); 14. Kojo no Tsuki(Moon over the Ruined Castle); 15. Nagori Yukii(Snowfall at the end of the Winter); 16. Nada SouSou(Down Come My Tears); 17. Jidai; 18. Kawa no nagare no Yo ni(As a River's Running); 19. Sen no Kaze ni natte(A Thousand Winds); 20. Hana wa Saku(Flowers Will Bloom); 21. Haru yo Koi(Come spring!); 22. Hana; 23. Kazebue - Asuka' Theme; 24. Satoukibi Batake(In a Large Field of Sugarcane); 25. Miagete goran Yoru no Hoshi wo(Look up at the Night sky) 1. Zao Chun Fu ; 2. Chu Lian ; 3. Meng Long Yue Ye ; 4. Hua ; 5. Ying Hua ; 6. Hai Bin Zhi Ge ; 7. Fei Zao Pao ; 8. Zhe Tiao Lu ; 9. Gu Xiang ; 10. Wan Xia Jian Dan ; 11. Zhao Dao Liao Xiao Xiao De Qiu Tian ; 12. You Jian Chui Yan ; 13. Hong Qing Ting ; 14. Huang Cheng Zhi Yue ; 15. Can Xue ; 16. Lei Guang Shan Shan ; 17. Shi Dai ; 18. Chuan Liu Bu Xi ; 19. Hua Wei Qian Feng ; 20. Hua Zheng Zai Kai ; 21. Chun Tian ,Lai Ba ; 22. Hua ; 23. Feng Di ; 24. Gan Zhe Tian ; 25. Yang Wang Xing Kong.
SKU: ST.C515
ISBN 9790570815159.
The Sonatina for Clarinet and Piano was composed in 1983, for Christopher Craker, and was performed at the Stroud Festival in 1988.Mary Chandler’s music is challenging but very rewarding to play and to hear. As a professional wind player, she shows understanding of the player, but makes demands of them which yield richly pleasing results. For this first publication, the music has been set from the manuscript by K. R. Malloch.Former Spartan Press Cat. No.: PP179.
SKU: HL.50607012
UPC: 196288221517. 9.0x12.0x0.061 inches.
A composer and conductor of genius, Eugène Bozza (1905-1991) left us several operas, ballets, large-scale symphonic and choral works, but his worldwide reputation is derived mainly from his many chamber works, written for various instrumental formations with a preference for wind instruments. Bozza composed the Aria during the period of his Grand Prix de Rome in 1934. A free adaptation of the third movement of J. S. Bach's Pastoral in F Major for organ (BWV 590), this lyrical piece demonstrates the composer's taste and predilection for wind instruments.
SKU: P2.30127
Alison Stuart is the nom de plume (using their middle names) for the composing team of Debra Alexander and James Grant, both award-winning artists and dedicated teachers who have joined forces to compose melodically lyrical and harmonically rich new music specifically for, but not limited to, middle and high school bands, string orchestras and recitalists. Their music is available exclusively through Potenza Music Publishers. With a memorable melody and a rich harmonic underpinning, this version of At Peace: Commemoration for clarinet and piano celebrates and honors the historical events and significant people who have passed from our lives. Originally composed for band, At Peace: Commemoration was commissioned by Lead Commissioner Dr. Josh Byrd and the University of West Georgia Wind Ensemble, with assistance from a consortium of participating commissioning ensembles. This version of At Peace: Commemoration includes three separate clarinet parts to accommodate players of all levels: those who are in their early studies; those who are playing at the intermediate level; and those who are more advanced. The piano accompaniment remains the same in all three versions. The intermediate and advanced versions of the clarinet part simply extend the range and rhythmic palette.
SKU: HL.48181417
UPC: 888680855727. 9.0x12.0x0.114 inches.
Having won many prizes at the Paris Conservatoire during the 1920s-1930s, Eugene Bozza went on to conduct the orchestra of the Opera-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline, Bozza's compositions were well-received by audiences, particularly those for wind instruments, and his Clarinet Concerto is no exception. This Bozza piece for Clarinet is expressive and virtuosic, displaying the entire range of the instrument, accompanied by an equally virtuosic Piano reduction. The Concerto comprises three movements and is one of 19 Concertos written by the composer. As music educationalist, Paul Griffiths has written of Bozza's compositions, his works reveal melodic fluency, elegance of structure and a consistenly sensitive concern of instrumental capabilities. Clarinet Concerto is a suitable and significant addition to the advanced clarinetist's repertoire..
SKU: ST.C501
ISBN 9790570815012.
Close Encounters for Clarinet in B flat & Piano draws on historic themes connected to the medieval closes (also know as wynds or vennels) of the Scottish burgh town of Lanark, situated in the rural Clyde Valley. Often named after prominent resident business owners, these otherwise unremarkable narrow lanes are given life by the records of their occupiers or through local tales.Aside from the more self explanatory titles, ‘Luminare’ describes the astronomical interests of electrical pioneer David Hunter; ‘Jumbo Jive’ relates to the legend of an inebriated circus elephant escapee who became stuck in the arch of Wide Close; ‘Amber Sky’ connects the India Ale trade of Brewery Close with an occasional, evocative dusk light that cloaks the town before sunset.Close Encounters comprises five fascinating and contrasted short movements each set within its own very vivid sound world. The colourful harmonic language is drawn from a number of musical influences including flavours of Jazz, the silver screen and the French impressionists, all adding up to music that is both engaging to play and to listen to. The five movements are set at a comfortable technical level for the intermediate to advanced clarinettist, cover the entire range of the instrument, and the set would make for an intriguing addition to any clarinet recital.
- Paul Harris (composer & clarinettist)
SKU: ST.C210
ISBN 9790570812103.
Wedding Bells was inspired by the wedding of our eldest daughter, Tess. The Wagner and Mendelssohn wedding marches are of course ever popular and the slow movement of the Mozart clarinet concerto contrasts beautifully. My own piece Wedding Bells conveys a celebratory, loving and joyous atmosphere and on the big day I played it during the signing of the register, accompanied by the father of the bride — it was an emotional performance!These arrangements are intended to catch the mood: purists please forgive me — Wagner, Mozart and Mendelssohn may not have written every note here, but I hope that they would have approved.ContentsRichard Wagner: Bridal Chorus from LohengrinWolfgang Amadeus Mozart: Clarinet Concerto — 2nd MovementPat Goddard: Wedding BellsFelix Mendelssohn: Wedding March from the incidental music to A Midsummer Night’s DreamGrades 5–7Former Spartan Press Cat. No.: SP1370.
SKU: ST.C143
ISBN 9790570811434.
Alexander Konstantinovich Glazunov (1865-1936) trained under Rimsky- Korsakov and became the most illustrious Russian composer and conductor immediately succeeding Tchaikovsky. Glazunov’s close affinity with the Saint Petersburg Conservatory, of which institution he would later become Director for more than two decades, placed him ideally to assist in the Institute’s transition to the Petrograd Conservatory in the immediate wake of the Bolshevik Revolution of 1917. For the last six years of his life, Glazunov left the USSR, feeling hemmed in by propagandist restrictions and at the same time out of kilter with the Modernist movement.He lived in exile for a time, touring the USA, before eventually settling in Paris, though his stoical brand of Russian Romanticism never waned. Despite being partly remembered for having taught Shostakovich, Glazunov was never known as a revolutionary composer, more inclined to align himself with 19th century ideologies than with the thrusting new compositional paths forged by Prokofiev and others. Indeed, the nationalistic movement so successfully espoused by Balakirev found a new energy in Glazunov’s hands, and he discovered an opulence of scale which leaned more in the direction of Borodin.There can be no doubting Glazunov’s technical mastery, which successfully drew together contrapuntal, lyrical and virtuosic skills, and which were admired by the likes of Liszt. Glazunov steered a steady course at a time when it was most sorely needed; one need only hear the marvellous Violin Concerto in A minor to experience the full power and authority of his writing, though he possessed an enviable touch with more intimate forms too, such as those readily to be heard in these three charming Miniatures Op.42, originally composed for piano.Clarinet and PianoTranscribed by Mark TannerGrades 6 & 7 (Trinity Grades 6 & 7 syllabuses)Former Spartan Press Cat. No.: SP1360.
SKU: ST.C266
ISBN 9790570812660.
Kings’ Parade was written for a woodwind competition in Cambridge, hence the title - one of my favourite spots in that wonderful city. The music reflects both the hustle and bustle of the place and the sense of grandeur that one feels walking past those imposing buildings of learning and purpose. It should be played with an animated and energetic feel for the rhythm and a broad and resonant legato in the lyrical passages.Clarinet and PianoGrades 5–6Former Spartan Press Cat. No.: SP700.
SKU: ST.C150
ISBN 9790570811502.
Clarinet and PianoGrades 3–5Former Spartan Press Cat. No.: SP725An attractive collection of eight short original pieces that are suitable for players who are approximately Grade 3–5 standard. The pieces, which encompass a range of familiar styles, are challenging but rewarding to play.Includes optional backing tracks which are free of charge and are available to download below.
SKU: HL.50606894
ISBN 9798350121629. UPC: 196288200772.
SKU: ST.C206
ISBN 9790570812066.
Clarinet and PianoGrades 0-3Former Spartan Press Cat. No.: SP869Thirty two popular nursery rhymes with the words, arranged for solo Bb clarinet in the low ‘Chalumeau’ register, with chord symbols for optional guitar and/or keyboard accompaniment. Part of The Chalumeau Series.
SKU: ST.C207
ISBN 9790570812073.
Clarinet and PianoGrades 0-3Former Spartan Press Cat. No.: SP876Popular English Sea Shanties, arranged for solo Bb clarinet in the low ‘Chalumeau’ register, with chord symbols for optional accompaniment. Part of The Chalumeau Series.
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