Score and Parts Concert Band (Score & Parts) - Level 2.5

SKU: HL.4008983

Concert Band, Grade 2.5 6:00 Score and Parts. Composed by Andreas Ziegelbä and ck. Symphonic Dimensions. Concert, Concert Band. Softcover. Duration 360 seconds. Hal Leonard #SDP293-24-202. Published by Hal Leonard (HL.4008983).

UPC: 196288283775.

Bleak Forest is a piece for smaller concert bands and offers the musicians above all space to improve their sound and their effect playing. The technical requirements are therefore deliberately kept low. With this piece, the composer won the VLAMO International Composition Contest 2022. Thematically, the work is influenced by the composer's childhood memories. In his hometown there was a dark and mysterious forest, that seemed to the children in the small village to be magical. Without a reasonable explanation, every trip into the woods was exciting and somewhat terrifying. There were tales of dangerous animals, which can be heard at the beginning of the piece, as well as magical beasts. The magic of the forest is depicted musically from bar 70 in the andante section. The snapping of the fingers represents single raindrops. From bar 99 onwards, we hear the trek home, with the occasional moments of trepidation as the children spook each other with their fanciful tales. In the end, though, we arrive safely at home because after all, magical beasts only exist in fairy tales don’t they? Andreas Ziegelbäck studied music education at the Mozarteum University in Salzburg, and history at the Paris Lodron Universität, Salzburg. In addition to his studies, he trained in ensemble conducting for wind orchestra with conductor and composer Thomas Doss. It was Doss who sparked Ziegelbäck's interest in composing. In 2021, Andreas Ziegelbäck completed his composition studies with Johannes Maria Staud. In 2020, he took part in a brass band composition masterclass in Bern with Oliver Waespi, followed by a premiere by the Swiss Army Brass Band.

By Robert W. Smith. By Robert W. Smith. For Concert Band. Concert Band. Belwin Concert Band. Folk Song. Level: 3 (Medium Easy) (grade 3). Conductor Score and Parts. Duration 6:36. Published by Alfred Publishing.

Concert Band

SKU: SU.91140131

For Concert Band. Composed by Edward Knight. Concert Band/Wind Ensemble. Full Score. Subito Music Corporation #91140131. Published by Subito Music Corporation (SU.91140131).

Celebrating Thomas Alva Edison's first
successful lightbulb.
The percussion section can perform this piece independently from the band.

GRADE 2Instrumentation: Concert Band [2fl, ob, 2cl, bn, asx, tsx, bari; 2tp, hn, 2tb, euph, tba; timp, perc, glock, mar, vibr]
Duration: 2'45
Composed: 2018
Published by: Subito Music Publishing
AMERICAN WONDERS is a set of lyrical symphonic band works created by composer Edward Knight in collaboration with nationally known music educator Michael Raiber, and award-winning journalist M.J. Alexander, inspired by episodes from American history. These cross-curricular pieces focus on specific areas of musical growth in individual musicianship and ensemble experience. Each piece has unique features that offer musicians and teachers learning experiences beyond typical repertoire for bands at these performance levels.

Concert Band (SCORE) - Grade 4

SKU: HL.4007172

Bearer of Wisdom. Composed by Thomas Doss. Mitropa Music Concert Band. Concert. Hardcover. Duration 510 seconds. Mitropa Music #032936. Published by Mitropa Music (HL.4007172).

UPC: 840126965827.

Paper! No matter how difficult the production methods and its historical use, it was always a way to pass on wisdom, art and knowledge. Even today, in the age of diditization, paper still has a somewhat 'sacred' image. With Papyrus, Thomas Doss has written a brilliant composition in which the history of paper is reflected--a fascinating subject onveyed in a great piece of music.

By Thomas "Cee-Lo" Callaway and Anthony "Sir-Mix-A-Lot" Ray. Arranged by Michael Story. Words and music by Thomas "Cee-Lo" Callaway and Anthony "Sir-Mix-A-Lot" Ray / arr. Michael Story. For Concert Band. Concert Band. Pop Young Band. Pop/Rock. Level: Easy (grade 2). Conductor Score and Parts. Duration 2:23:00. Published by Alfred Publishing.

Concert Band Concert Band - Grade 1

SKU: FJ.B1772

Composed by Thomas Morley. Arranged by Chip De Stefano. Concert Band; MakeMusic Cloud. FJH Beginning Band. Masterwork Arrangement. Score and Part(s). Duration 1:45. The FJH Music Company Inc #98-B1772. Published by The FJH Music Company Inc (FJ.B1772).

UPC: 241444400586. English.

This fantastic arrangement is the perfect way to introduce Renaissance music to young musicians. An excellent choice for providing contrast within your concert program, this lively dance has wonderful technical, musical, and stylistic teaching opportunities throughout.

About FJH Beginning Band

Appropriate within the first year of instruction and beginning of the second year. Clarinets do not go above the break, and there is limited use of accidentals. Plenty of doublings in the lower voices. Grade 1.

Concert Band/Harmonie - Grade 1

SKU: BT.AMP-376-010

Composed by Thomas Tallis. Arranged by Philip Sparke. Debut Series (Anglo). Set (Score & Parts). Composed 2012. Anglo Music Press #AMP 376-010. Published by Anglo Music Press (BT.AMP-376-010).

9x12 inches. English-German-French-Dutch.

The well-known 16th Century canon by Thomas Tallis is as effective as it is simple. This arrangement includes four verses of the melody: the first in the form of canon; the second for brass; the third for woodwind and the fourth for the entire orchestra. Philip Sparke’s arrangement is also well suited for incomplete brass ensembles.

Eenvoudig, maar met een bijzondere uitwerking. Dat is deze bekende canon van Thomas Tallis uit de zestiende eeuw. Deze bewerking geeft vier strofen van het lied: de eerste in de vorm van een canon, de tweede voor de koperblazers, de derde voor de houtblazers en de vierde voor het gehele orkest. Ook wanneer u met een onvolledige bezetting moet werken, is dit arrangement van Philip Sparke goed speelbaar.

Der bekannte Canon von Thomas Tallis aus dem 16. Jahrhundert ist ein ebenso einfaches wie wirkungsvolles Stück. Diese Bearbeitung präsentiert vier Strophen des Liedes: die erste in Kanonform, die zweite für die Blechbläser, die dritte für dieHolzbläser und die vierte für das gesamte Orchester. Philip Sparkes Arrangement ist auch für unvollständig besetzte Blasorchester gut spielbar.

Cet arrangement pour orchestre d’harmonie du célèbre Canon de Thomas Tallis - qui met en musique le psaume 67, God Grant we Grace - comprend quatre couplets de ce cantique. Le premier est en forme de canon, le deuxième est interprété par les cuivres, le troisième par les bois et le dernier est repris par l’orchestre entier. Le somptueux arrangement réalisé par Philip Sparke conviendra toutes les formations, même restreintes.

Questo arrangiamento per banda del celebre Canone del XVI secolo di Thomas Tallis che mette in musica il Salmo 67, God Grant we Grace, presenta quattro strofe estratte da questo cantico. La prima è proposta sotto forma di canone, la seconda affi data agli ottoni, la terza ai legni, e l’ultima è ripresa dall’intero organico. Il sontuoso arrangiamento di Philip Sparke si presta in modo ottimale a essere eseguito da ogni tipo di organico, anche ridotto.

Score and Parts Concert Band (Score & Parts) - Level 2.5

SKU: HL.4008548

Concert Band, Grade 2.4 6:00 Score and Parts. Composed by Andreas Ziegelbä and ck. Symphonic Dimensions. Concert. Softcover. 107 pages. Duration 360 seconds. Hal Leonard #SDP1972302. Published by Hal Leonard (HL.4008548).

ISBN 9798350110371. UPC: 196288179177.

Bleak Forest is a piece for smaller concert bands and offers the musicians above all space to improve their sound and their effect playing. The technical requirements are therefore deliberately kept low. With this piece, the composer won the VLAMO International Composition Contest 2022. Thematically, the work is influenced by the composer's childhood memories. In his hometown there was a dark and mysterious forest, that seemed to the children in the small village to be magical. Without a reasonable explanation, every trip into the woods was exciting and somewhat terrifying. There were tales of dangerous animals, which can be heard at the beginning of the piece, as well as magical beasts. The magic of the forest is depicted musically from bar 70 in the andante section. The snapping of the fingers represents single raindrops. From bar 99 onwards, we hear the trek home, with the occasional moments of trepidation as the children spook each other with their fanciful tales. In the end, though, we arrive safely at home because after all, magical beasts only exist in fairy tales don’t they? Andreas Ziegelbäck studied music education at the Mozarteum University in Salzburg, and history at the Paris Lodron Universität, Salzburg. In addition to his studies, he trained in ensemble conducting for wind orchestra with conductor and composer Thomas Doss. It was Doss who sparked Ziegelbäck's interest in composing. In 2021, Andreas Ziegelbäck completed his composition studies with Johannes Maria Staud. In 2020, he took part in a brass band composition masterclass in Bern with Oliver Waespi, followed by a premiere by the Swiss Army Brass Band.

Concert band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Bb Soprano Clarinet 1-3, Eb Alto Clarinet, Bb Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Cornet (in Bb) 1-3, Trumpet (in Bb) 1/2, French Horn 1-4 , Trombone 1-3, Euphonium, Tuba, Stri) - grade 4

SKU: CN.S11242

Composed by Adam Gorb. Arranged by Michael Brand. Band Music. Score only. Duration 4:20. Published by G & M Brand Music Publishers (CN.S11242).

Scenes from an English Landscape is a brief nostalgic tone poem taking its inspiration from visions of rural England as depicted in the paintings of John Constable, the novels of Thomas Hard, and the music of Gustav Holst and Ralph Vaughan Williams. A chorale-like theme is stated in the brass and then taken up at three times the tempo in the woodwinds. At the end of the work, both versions of the theme are stated together to bring the piece to a triumphant climax.

This is a brief nostalgic tone poem taking its inspiration from visions of rural England as depicted in the paintings of John Constable, the novels of Thomas Hard, and the music of Gustav Holst and Ralph Vaughan Williams. I imagined a community of villagers coming out of church and filling a village square with their vibrant presence. A chorale-like theme is stated in the brass and then taken up at three times the tempo in the woodwinds. At the end o the work, both versions of the theme are stated together to bring the piece to a triumphant climax. Adam Gorb was born in Cardiff and started composing at the age of ten. His first work broadcast on national radio was written when he was fifteen. He studied at Cambridge University (1977-1980) and the Royal Academy of Music (1991-1993) where he graduated with the highest honours including the Principal's Prize. He has been on the staff at the London College of Music and Media, the junior Academy of the Royal Academy of Music and, since 2000 he has been the Head of School of Composition at the Royal Northern College of Music in Manchester . International recognition came in 1994 with the US Walter Beeler Prize for his work Metropolis . With it began what has developed into probably the most important wind ensemble catalogue by a contemporary composer, ranging from extremely challenging to the most accessible, at all technical levels, seized on by players internationally, widely recorded and now absolutely central to the world's wind repertoire. Equally important though are his works for dance, and concert pieces like the chamber orchestral Weimar , the Violin Sonata , a Clarinet Concerto for the Royal Liverpool Philharmonic Orchestra and Diaspora for strings (for the Goldberg Ensemble). Deceptively mainstream at first glance, they display the same inventive brilliance, pulsating sound world, striking use of rhythm and an undogmatic absence of stylistic hang-ups to embrace jazz and serialism in works where power, poetry, irony and pathos, often underlaid by a theatrical and deeply subversive element, coalesce in an integrated, highly individual musical voice. Gorb is also not afraid to draw on the vivid musical heritage of his Jewish roots, sometimes directly, often in a more subsumed or radically creative way. The crucial and consistent feature of Gorb's work though is that it communicates strongly without patronizing players or audiences. He firmly believes that if contemporary music - any music - does not impact on listeners then its message is irrelevant; it is lost.

By Thomas Root. Music by Thomas Root. For Concert Band. Concert Band. Young Symphonic. Level: 2 (Medium Easy) (grade 2). Conductor Score & Parts. 1 pages. Published by Alfred Publishing.