SKU: BR.OB-5295-26
When and where did Mozart write his Flute Concerto, and for whom? Was it in 1777 or 1778? In Salzburg or in Mannheim? And how much did Ferdinand Dejean actually pay for it: 96 gulden or the promised 200 gulden?
ISBN 9790004338438. 10 x 12.5 inches.
When and where did Mozart write his Flute Concerto, and for whom? Was it in 1777 or 1778? In Salzburg or in Mannheim? And how much did Ferdinand Dejean actually pay for it: 96 gulden or the promised 200 gulden? Henrik Wiese sheds new light into the confusion wrought by Mozart himself. Wiese, solo flutist of the Bavarian State Orchestra, has made an outstanding name for himself as soloist and editor, and is viewed in professional circles as one of the best specialists of Mozart's wind works. He has focused on the work's genesis, but especially on the music text, having consulted all known scribal copies of the work and all available copies of the first edition. The version for flute and piano also contains a facsimile of the solo part from the first edition as well as cadenzas which stem from the earliest hand-written sources or which were composed by the editor in Mozart's style.When and where did Mozart write his Flute Concerto, and for whom? Was it in 1777 or 1778? In Salzburg or in Mannheim? And how much did Ferdinand Dejean actually pay for it: 96 gulden or the promised 200 gulden?
SKU: BR.OB-5295-19
ISBN 9790004338421. 10 x 12.5 inches.
SKU: BR.OB-5295-15
ISBN 9790004338407. 10 x 12.5 inches.
SKU: BR.OB-5295-16
ISBN 9790004338414. 10 x 12.5 inches.
SKU: BR.OB-5295-30
ISBN 9790004338445. 10 x 12.5 inches.
SKU: PR.114424240
ISBN 9781491137581. UPC: 680160691036.
THE BONES OF MR. FORTUNE (FREE AT LAST!) is an 11-minute concerto-like work for solo flute accompanied by symphonic winds and percussion – perfect to play with band or with orchestra, as well as with the composer’s own piano reduction. The work features lengthy cadenzas, and exhilarating dance-like sections with the ensemble. Hailstork describes the historical inspiration: Abused in life and death, an enslaved man (Mr. Fortune) was owned by a surgeon who preserved his skeleton to study anatomy. The bones remained with the doctor’s family for generations, and were given a proper burial making national news in 2013, 215 years after Mr. Fortune’s death.Abused in life and death, an enslaved man known as Mr. Fortune was honored with an elaborate funeral more than 200 years after he died in Connecticut.Mr. Fortune was owned by Dr. Preserved Porter on a farm in Waterbury, Connecticut. When Fortune died in 1798, Porter, a bone surgeon, preserved his skeleton by having the bones boiled to study anatomy at a time when cadavers for medical study were disproportionately taken from slaves, servants and prisoners.One of Porter’s descendants gave the skeleton in 1933 to Mattatuck Museum in Waterbury, where it was displayed from the 1940s until 1970. The descendant referred to the slave as “Larry†and his name was forgotten at the time.A study by forensic anthropologists at the Quinnipiac University School of Medicine concluded that Fortune was about 5 feet 5 inches tall and died at around 55 years old. He suffered a number of painful ailments, including a fracture in his left hand, a severe ankle sprain and lower back pain. “He was an individual who was in considerable distress,†a forensic professor, Richard Gonzalez said.I was taken by the bizarre story of Mr. Fortune and decided to use it as the stimulus for this work.
SKU: BT.EMBZ13185
English-German-Hungarian.
It is only fair that the Suite in B minor by J. S. Bach has become such a popular piece in flute literature. The version for flute and piano of the present edition has a double aim. On the one hand, it offers help for studying the work and solving the performing problems the Suite abounds in. On the other hand, it permits playing the composition (or incidentally only certain movements of it) by those, too, who would otherwise lack the opportunity of having an orchestra at their disposal.
SKU: PR.UE038024
ISBN 9783702475987. UPC: 803452072799.
The famous Shostakovich Waltz is immediately recognized by audiences, having also appeared in multiple motion pictures, such as Eyes Wide Shut (Kubrik) and most recently Batman v. Superman: Dawn of Justice. This new arrangement by de Reede and Mooiman is not technically demanding for either performer and will be a welcome addition to the recital or concert program.
SKU: BR.EB-8912
World premiere: Stockholm, May 4, 1974
ISBN 9790004185780. 9 x 12 inches.
The flute concerto 'Dances with the Winds' was composed in 1974 for the Swedish flautist Gunilla von Bohr, a specialist in all members of the flute family. The ordinary flute thus alternates with a bass flute at the beginning and end of the four-movement concerto, the second movement is assigned to the shrill piccolo and the third to the sensuous alto flute. The last movement is a summary of all the musical events in the concerto. At the end the bass flute soars to the top of its register, the note D acting as the pivot to many of the symmetries in the work, against a resigned B flat minor chord on the orchestra. (Einojuhani Rautavaara) CD: Patrick Gallois (flute), Helsinki Philharmonic Orchestra, cond. Leif Segerstam ODE 921-2World premiere: Stockholm, May 4, 1974 Additional to the original scoring for flute, piccolo, alto flute, and bass flute, the flute part in the piano reduction contains ossias for alto flute instead of the bass flute.
SKU: BT.ALHE26582
French.
Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise, therefore, that his compositions for the instrument are at the forefront of the Flute's repertoire, his Two Sketches being noexception. After a prominent career as a flautist with the Paris Opéra, Gaubert was appointed as professor of Flute at the Paris Conservatoire as well as principal conductor of leading orchestras. It was during this time thatGaubert composed, including his Two Sketches for Flute and Piano, which is made up of two movements. The first of these, Night on the Plain, conveys many technical features, including flourishing semiquaver passages, a wide range,lyricism, intervals, chromaticism and complex rhythms. Night on the Plain from Two Sketches is a challenging yet exciting piece for aspiring flautists.
SKU: HL.48180548
UPC: 888680946098. 9.0x12.0x0.052 inches.
The Little White Donkey is a famous piece initially composed by Jacques Ibert (1890-1962). Arranged by the French flautist Marcel Moyse, and part of the set called Stories, this piece is the second one in the list of six. Rated as medium, its scores lasts two pages for flute and four for piano. Jacques Ibert (1890-1962), a neoclassical composer who won the Prix de Rome in 1919, also composed many symphonic suites, operas and seven orchestras, including Angelique (1926) and Entertainment (1930). He was also in charge of the Accademie de France in the Villa Medicis (Roma) and was later administrator for the Paris Opera.
SKU: HL.4008608
ISBN 9798350112573. UPC: 196288183181.
Nico Samitz has been composing for chamber ensembles since his school days. For over ten years he has been writing works in a wide variety of genres for the “BlechReiz BrassQuintett†ensemble, in which he himself plays trumpet and piano. His field of expertise ranges from classical pieces to jazz and meditative music—and even to pop-oriented compositions. While honing his skills in ear-training and composition at the Mozarteum, Salzburg, Nico became acquainted with a wide repertoire of works as a trumpet player with the Munich Symphony Orchestra, The Munich Philharmonic Orchestra, and the Bavarian State Opera, all of which have influenced his writing style. The driving force behind his creative work is a winning combination of passion, the fun of music-making and a desire to express, through the medium of music, feelings that are difficult to put into words. Like many of his works, Nico composedThe Joy of Freedom for the “BlechReiz BrassQuintetâ€. The catchy tune is reworked in a variety of styles throughout the entire work, giving it the quality of a true 'earworm'.
SKU: HL.158956
UPC: 888680614904. 9x12 inches.
For flute & piano reduction. One movement work. Originally composed for orchestra in 2001. Tango in Blue was written during the long overnight flight from New York to Montevideo, as an impromptu gift for the National Orchestra of Uruguay, OSSODRE, who invited Serebrier to conduct their 75th anniversary concert.
SKU: HL.48180902
UPC: 888680787592. 9.0x12.0x0.047 inches.
Aria, written in 1930 by Jacques Ibert (1890-1962), is a small study initially for voice and piano but arranged in this edition for alto saxophone and piano. This version and the one for flute and piano are the ones most commonly used. The alto saxophone score is one-page long and contains technical difficulties that would make it ideal for an upper intermediate player. Its author, Jacques Ibert (1890-1962), was a neoclassical composer who won the Prix de Rome in 1919. He composed many symphonic suites, operas and seven orchestras, including 'Angelique' (1926) and 'Entertainment' (1930). He also was in charge of the Accademie de France in the Villa Medicis (Roma) and was later administrator for the Paris Opera.
SKU: HL.49010605
ISBN 9790001093538.
The flute concerto in D Major is one of the few instrumental works written by the opera composer Reinhard Keiser, and even in this work, it is obvious that he is a composer of theatre music. Just the first bars have an air of an opera overture. An effective piece for orchestra and soloists.
SKU: SU.33000421
Flute & Piano (reduction) Composed: 2000 Published by: Beteca Music Performance materials available on rental only:.
SKU: FG.55011-240-7
ISBN 9790550112407.
Easy flute pieces. The accompaniment is also available as a string orchestra arrangement by the composer. 1. Triplets, 2. Legato, 3. Figuration, 4. The Flight of the Mosquito, 5. Double-tongue March.
SKU: HL.50494309
PER FLAUTO E ORCHESTRA - RIDUZIONE PER FLAUTO E PIANOFORTE.
SKU: HL.50494252
SKU: PR.144407330
ISBN 9781491134290. UPC: 680160684663. 9 x 12 inches.
Zyman’s first major work for flute, CONCERTO NO. 1 is scored for a chamber orchestra of 5 winds, timpani, and strings. With this publication, the concerto is now available in print with a performance-ready piano reduction. Maria Canales premiered the work in 1991 with the Conjunto de Cámara de la Ciudad de México, which commissioned the 18-minute work.
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