SKU: PR.114418760
ISBN 9781491110751. UPC: 680160655632. 9x12 inches.
PRAYER for Flute and PianoAmanda Harberg's PRAYER is a rarity in the modern concert repertoire, beautiful romanticism built of a haunting aria for solo flute. Within the reach of younger players, the work was inspired as a prayer for the healing of a close family member. The acclaim for this work among musicians has led to the compose'’s versions for orchestra, for a variety of other solo instruments with piano, and as the slow movement of Harberg's Concerto for Viola and Orchestra.
SKU: PR.414412050
ISBN 9781491111550. UPC: 680160597109. Text: Adria Foster Jeanne Baxtresser.
Orchestral Excerpts For Flute with Piano Accompaniment has transformed the literature and become the standard excerpt book since its release in 1995. The original collection presents excerpts as you’ll see them on auditions and orchestra stands, enhanced with Baxtresser’s insightful commentaries on preparing each excerpt. Prefatory essays and piano accompaniments add further resources to best prepare for auditions and life as an orchestra player.Orchestral Excerpts For Flute, Volume 2 with Piano Accompanimentprovides all the same features for thorough preparation of another 56 excerpts drawn from 27 works including Tchaikowsky ballets, Strauss tone poems, John Williams film scores, and a wealth of essential repertoire from Bach through Stravinsky.
SKU: PR.114417610
ISBN 9781491107904. UPC: 680160636051. 9x12 inches.
SONATA CHO-CHO-SAN(Based on themes from Puccini’s Madama Butterfly)In the spirit of the great 19th-century opera fantasies for woodwinds, Michael Webster has created a concert trio on the many great arias from Puccini's Madama Butterfly. However, as its name implies, Sonata Cho-Cho-San is not the typical virtuosic operatic potpourri. Rather, it follows the plot, resembling a sonata mirroring Puccini's use of recurring and developing themes. Webster makes the most of the winds as versatile performers - equally suited to deliver Puccini's beautiful vocal writing, and to ornament and embroider the poignant themes in symphonic style. For advanced performers._______________________________________Text from the scanned back cover:Born in 1944, Michael Webster made his New York recital debutat Town Hall in 1968 with his eminent father, Beveridge Webster, as pianist. In the same year, he won the Young Concert Artists International Competition and succeeded his teacher, Stanley Hasty, as Principal Clarinet in the Rochester Philharmonic, a position he held for twenty years. Webster has performed with the Chamber Music Society of Lincoln Center, the 92nd Street Y, with the Tokyo, Cleveland, Muir, Ying, Enso, and Dover String Quartets, and with the festivals of Marlboro, Santa Fe, Norfolk, Chamber Music Northwest, Angel Fire, Steamboat Springs, Park City, Sitka, Kapalua, Bowdoin, Orcas Island, Skaneateles, La Musica di Asolo, Stratford, Victoria, and Domaine Forget.As soloist he has appeared with many orchestras, including the Philadelphia Orchestra under Aaron Copland and the Boston Pops under John Williams. His travels have taken him as performer and teacher to most of the 50 states, as well as Canada, Mexico,Puerto Rico, Central and South America, Europe, Japan, China, Australia, and New Zealand. Webster was Acting Principal Clarinet of the San Francisco Symphony, and has served on the clarinet and/or conducting faculties of New England Conservatory, Boston University, University of Michigan, and the Eastman School, from which he earned his three degrees. Currently he is Professor of Music at Rice University’s Shepherd School of Music and Artistic Director of the Houston Youth Symphony, which has won multiple first prizes in national performance competitions.With his wife, flutist Leone Buyse, and pianist Robert Moeling, he plays in the Webster Trio, which has recorded his arrangements on Tour de France and World Wide Webster for Crystal Records. Otherarrangements were recorded for Nami and Camerata Tokyo in Japan with pianist Chizuko Sawa. Webster has also recorded for Albany, Arabesque, Beaumont, Bridge, Centaur, CRI, and New World. He has played at many ClarinetFests for the International Clarinet Association and written a column entitled “TeachingClarinet†in The Clarinet Magazine since 1998. Michael Webster is a Buffet artist-clinician, performing on Buffet clarinets exclusively.
SKU: HL.48187218
UPC: 888680830373. 9.0x12.0x0.152 inches.
“Charles-Marie Widor (1844-1937) was a great organist who did not only focus on Organ composition. From orchestra pieces to chamber music, he wrote various different compositions, including Suite for Flute and Piano, Op. 34 which was composed for Paul Taffanel. This suite, a subtle mix of Romanticism and Classicism, particularly stands out for its nuances and is composed of four movements: - Moderato - Scherzo - Romance - Final Charles-Marie Widor also composed 10 symphonies for Organ, some Operas, and some Piano Concerti.â€.
SKU: IS.FP7396EM
ISBN 9790365073962.
Nico Schoeters took his first percussion lessons with Eric Buyle in the Academy for Music and Word in Boom, near Antwerp, after getting the hang of it through private lessons by Jozef Vervliet. Afterwards he continued his music studies at the Royal Conservatory of Antwerp, where he was taught by Leo Ouderits, Carlo Willems and Koen Wilmaers. In 1998 he graduated there with great distinction as Master in percussion. After cooperating on various projects in Belgium and abroad as a freelance percussionist, Nico took up a position as a percussionist in the National Orchestra of Belgium. However, despite of all his achievements as a percussionist, Nico Schoeters didn’t take his first musical steps by playing percussion, but by playing the piano. His love for the piano remained a common thread in his musical career. For example, he played numerous gigs as a pianist with his jazz quartet ‘Just Friends, consisting of a number of top musicians who are his friends. In addition he started composing piano works in 2012. Cosmopolydian is my first composition for symphonic windband. It's a solo piece for flute and vibraphone which is dedicated to Inge Smedts, principal piccolo at the Royal Wind Band of the Belgian Guides. It is written in the context of a musical project ‘Cocktail Maison'. This project includes a concert on May 25th, 2017 in De Singel in Antwerp where this work will be premiered, a CD recording and a concert tour. All the pieces for this project are new compositions by Piet Swerts, Jef Neve, Klaas Coulembier, Etienne Houben, Bart Watté, Jan Huylebroeck, Francois Glorieux and myself. All the compositions are inspired by a cocktail. My choice is the Cosmopolitan, but the non-alcoholic version, the mocktail actually. The title Cosmopolydian is a nod to the lydian scale which I used as a base for the majority of the piece. The idea behind the music is an image of children enjoying themselves, worry-free, during the holidays. Tired but satisfied, they go to sleep and have wonderful dreams. The next day they wake up to start a beautiful new day. The work is constructed in a typical ABA form. A quick first part: ‘sparkling allegro', which of course should sound very light and playful. A slow middle part warm adagio, in which the beautiful dreams become audible. The last part is a re-exposition of the first part in which eventually all the themes merge into the final.
SKU: CF.WF228
ISBN 9781491153529. 9 x 12 inches.
Compiled and edited by Amy Porter, Treasures for Flute and Piano is acollection of Philippe Gaubert’s shorter works for flute and piano. Gaubertwas a multi-talented musician, a marvelous flutist as well as a composer,teacher, and master conductor. Over his lifetime, he became one of the mostimportant musical figures in France between the World Wars in the first halfof the 20th century. Trained in theory and harmony at the Paris Conservatory,Gaubert was also deeply influenced by other composers at the time, includingDebussy, Fauré, and Dukas. Editor Amy Porter is a distinguished Professorat The University of Michigan School of Music, Theatre & Dance, and hasbeen praised by critics for her exceptional musical talent and her passion forscholarship. This edition represents eleven of the sixteen works from AmyPorter and Dr. Penelope Fischer’s video study guide, “The Gaubert Cycle: TheComplete Works for Flute and Piano by Philippe Gaubertâ€.Philippe Gaubert (1879–1941) was a very important teacher and flutist in our classical flute playing lineage. In this edition we have gathered his beautiful, shorter compositions for flute and piano all in one place, to be cherished as “Gaubert’s Treasures.â€Philippe Gaubert personified the modern French school of flute playing as introduced by his teacher Paul Taffanel (1844–1908) at the Paris Conservatory. Gaubert was a multitalented musician, a marvelous flutist as well as a gifted composer, teacher and master conductor. Over his lifetime he became one of the most important musical figures in France between the World Wars in the first half of the twentieth century. Gaubert’s musical andpedagogical gifts to us are passed along through generations of students and continue to touch the hearts of many who listen to his fine, and refined, music.Philippe Gaubert studied composition at the Paris Conservatory with Raoul Pugno, Xavier Leroux, and then for a brief time with Charles Lenepvu. It was after this study that he won the famous Prix de Rome second prize in composition. Even with his schooling of theory and harmony in Paris, he was deeply influenced by other composers of the time, namely Debussy, Fauré and Dukas. Between the years of 1905–1914 Gaubert’s early workswere arrangements and short pieces written for the year-end final exam pieces at the Conservatory.Between 1914–1918 Gaubert served in the French Army during World War I, most notably in the battle of Verdun in 1916. This was considered one of the largest battles against the Germans in WWI. He was wounded but his creativity level was not dampened. He was rewarded for his service and awarded medals for his bravery. It was during this time that he found the energy to compose his Deux Esquisses or 2 Scenes, and sketched out his first flute sonata.Gaubert composed his remaining five flute and piano works after 1922 in Paris, and clearly his poetic soul was transformed from the earlier years. He took in new forms and styles of compositions such as a Suite, a Ballade and a Sonatine. He also completed his Second and Third Sonatas for Flute and Piano, all of them dramatic works in terms of compositional techniques and grandeur of tone.Gaubert composed music easily throughout his lifetime, especially during summer breaks when the orchestra and Paris Opera seasons were on hiatus and he was not conducting. He loved literature and poetry which inspired over thirty vocal works from 1903 through 1938.He also wrote twenty-six instrumental chamber works for other instruments: oboe, cornet, clarinet, trombone, violin, viola, cello, harp and combinations of these instruments with piano. Some of these were commissioned jury pieces, but many were for his musician friends.Six full-length stage works, both ballets and operas for the stage, several tone poems and symphonies were written throughout his lifetime.This edition represents eleven out of the sixteen works from our video study guide “The Gaubert Cycle: The Complete Works for Flute and Piano by Philippe Gaubert†with guest pianist Tim Carey. Omitted in this edition are Sonatas Nos. 1–3, Ballade, and Sonatine.
SKU: HL.48186311
UPC: 888680838713. 9x12 inches.
“Composed between 1920 and 1921, this set of Stories is a suite of four short movements by Jacques Ibert selected out of the ten initial ones, for Flute and Piano. This publication was commissioned by the Alphonse Leduc editors and increased Jacques Ibert's popularity. This four pieces are as followed : 3. Le vieux mendiant (The old beggar) 4. 'A Giddy girl' 6. Le palais abandonné (The abandoned palace) 7. Bajo la mesa (Under the table) The difficulty of these works will fit intermediate to upper intermediate players. Jacques Ibert (1890-1962) also composed many symphonic suites, operas and seven orchestras, including 'Angelique' (1926) and 'Entertainment' (1930). He also was in charge of the French Academy in the Villa Médicis (Roma) and became later administrator for the Paris Opera.&rdquo.
SKU: HL.49045188
ISBN 9790001200806. UPC: 841886023314.
The great talent of Cecile Chaminade (1857-1944) showed very early: At the age of 12, she published her first composition. Georges Bizet, a friend of the family, predicted her great future. After her successful debut as a pianist in Paris in 1877, she began busy concert activities as a solo pianist, chamber musician and conductor in many European countries as well as in the USA and Canada.Although many of her compositions became bestsellers during her lifetime, they are almost all missing in the concert programmes of today. Only the Concertino for flute and orchestra Op. 107 is still performed regularly. The demanding piece was written in 1902 as a competition piece at the Paris Conservatoire - initially still with piano accompaniment. The orchestral version was composed by Chaminade two years later.The piece begins with a wide melody and then turns into a virtuoso solo section which is followed by a cadenza. The piece ends with the initial theme as recapitulation and a coda.
SKU: PR.41641187L
UPC: 680160490813. 11 x 14 inches.
Fresh from the success of his Sonata for Flute and Piano (114-40463), and with some prodding by Sir James Galway, Liebermann went on to produce a trifecta of flute concerti - the Concerto for Flute and Orchestra (416-41186), the Concerto for Piccolo and Orchestra (416-41174), and, here, the Concerto for Flute, Harp, and Orchestra. Commissioned by harpist Hyun Sun Na, the Florida Philharmonic Orchestra, the Minnesota Orchestra, the Cincinnati Symphony, and the Dallas Symphony, the Concerto was given its world premiere in 1995 by Galway (flute), Kathy Kienzel (harp), and the Minnesota Orchestra conducted by Edo de Waart. The Concerto's premiere recording was by Galway (flute), Hyun Sun Na (harp), and the London Mozart Players conducted by Lowell Liebermann.
SKU: CF.W2650
ISBN 9780825882920. UPC: 798408082925. Sc.9x112 - pt.8.5 x 12 inches. Key: C major.
Pan Penseroso (2009) is a concerto for solo flute or two flutes and orchestra in three movements: 1. The Noise of Folly 2. Prophetic Strain 3. More is Meant (than meets the ear) Pan Penseroso and the titles of its three movements are taken from John Miltons great poem Il Penseroso (The Contemplative Man). The music aligns itself with this response to the poets earlier LAllegro (the Cheerful Man). In my concerto the flutist Pan, like the mature Milton, casts a reflective musical eye on the world, renouncing all vain deluding joyes, so as to better hear the Sweet Bird that shunnst the noise of folly Written for the master flutist Robert Dick, Pan Penseroso includes a number of procedures explored in his pioneering book The Other Flute: A Performance Manual of Contemporary Techniques.Pan Penseroso (2009) is a concerto for solo flute or two flutes and orchestra in three movements: 1. The Noise of Folly 2. Prophetic Strain 3. More is Meant (than meets the ear) Pan Penseroso and the titles of its three movements are taken from John Miltonas great poem Il Penseroso (The Contemplative Man). The music aligns itself with this response to the poetas earlier LaAllegro (the Cheerful Man). In my concerto the flutist Pan, like the mature Milton, casts a reflective musical eye on the world, renouncing all avain deluding joyes,a so as to better hear the aSweet Bird that shunnast the noise of follya|a Written for the master flutist Robert Dick, Pan Penseroso includes a number of procedures explored in his pioneering book The Other Flute: A Performance Manual of Contemporary Techniques.Pan Penseroso (2009) is a concerto for solo flute or two flutes and orchestra in three movements: 1. The Noise of Folly 2. Prophetic Strain 3. More is Meant (than meets the ear) Pan Penseroso and the titles of its three movements are taken from John Milton's great poem Il Penseroso (The Contemplative Man). The music aligns itself with this response to the poet's earlier L'Allegro (the Cheerful Man). In my concerto the flutist Pan, like the mature Milton, casts a reflective musical eye on the world, renouncing all vain deluding joyes, so as to better hear the Sweet Bird that shunn'st the noise of folly... Written for the master flutist Robert Dick, Pan Penseroso includes a number of procedures explored in his pioneering book The Other Flute: A Performance Manual of Contemporary Techniques.Pan Penseroso (2009) is a concerto for solo flute or two flutes and orchestra in three movements:1. The Noise of Folly2. Prophetic Strain3. More is Meant (than meets the ear)Pan Penseroso and the titles of its three movements are taken from John Milton’s great poemIl Penseroso (The Contemplative Man). The music aligns itself with this response to the poet’searlier L’Allegro (the Cheerful Man). In my concerto the flutist Pan, like the mature Milton, casts areflective musical eye on the world, renouncing all “vain deluding joyes,†so as to better hear the“Sweet Bird that shunn’st the noise of folly…â€Written for the master flutist Robert Dick, Pan Penseroso includes a number of procedures exploredin his pioneering book The Other Flute: A Performance Manual of Contemporary Techniques.
SKU: HL.48180025
UPC: 888680796297. 9.0x12.0x0.056 inches.
Philippe Gaubert (1879-1941) was a distinguished performer on the flute. It comes as no surprise, therefore, that his compositions for the instrument are at the forefront of the flute's repertoire, Romance being no exception. After a prominent career as a flautist with the Paris Opera, he was appointed as professor of flute at the Paris Conservatoire, as well as principal conductor of leading orchestras. It was during this time that Gaubert composed, including his Romance which premiered in 1905. Addressing many technical features, including flourishing semiquaver passages, a wide range, emotion, intervals, chromaticism and complex rhythms, Romance for Flute and Piano is a challenging yet riveting and stirring piece for aspiring flautists.
SKU: PR.114419480
ISBN 9781491131428. UPC: 680160677313. 9 x 12 inches.
Gary Schocker’s THREE DANCES FOR TWO FLUTES has long been a staple of the flute repertoire – in its original voicing with piano, as well as in transcriptions with string orchestra or band accompaniment, for alto saxophone duo with piano, and even in the composer’s flute quartet version of the famous Coffee Nerves movement. Schocker has arranged THREE DANCES for one solo flute with piano, incorporating all of the original work’s counterpoint, beauty, and spice, into this practical and concise instrumentation.
SKU: HL.50488067
ISBN 9790080039489. A/4 inches. Janos Szebenyi.
Already during his lifetime Rossler-Rosetti enjoyed great popularity. His operas and symphonies achieved great success, most of them appeared in printing. His Requiem was first performed at Prague at a memorial festival dedicated to Mozart. He composed several concertos for piano, violin, violoncello, flute, clarinet, bassoon, corno and various ensembles. Out of his 14 flute concertos the here published Concerto in G major is to be found on page 25 of the thematic catalogue Breitkopf supplement XII (1778). The contemporary handwritten orchestral parts of the work are preserved at the King Stephen Museum at Szekesfehervar. It got into the possession of the Museum in 1951 with therich book- and music-collection of the family Verebi-Vegh. Rossler-Rosetti genoss noch bei Lebzeiten grosse Popularitat. Seine Opern und Sinfonien erzielten grossen Erfolg, ein beideutender Teil davon ist auch im Druck erschienen. Sein Requiem wurde in Prag 1792 anlasslich der Mozart-Gedenkfeierlichkeit aufgefuhrt. Er komponierte viele Konzerte fur Klavier, Violine, Violoncello, Flote, Klarinette, Fagott, Horn und verschiedene Ensembles. Von seinen vierzehn Flotenkonzerten ist das hier erscheinende G-Dur Konzert in Breitkopfs thematischem Katalog Supplement XII (1778) auf Seite 25 erwahnt. Das Werk wird im zeitgenossischen Manuskript der Orchesterstimmen im Istvan Kiraly (Konig Stephan) Museum zu Szekesfehervar aufbewahrt,wohin es 1951 mit der reichen Bucher- und Notensammlung der Familie Vegh von Vereb gelangte.
SKU: HL.50488068
ISBN 9790080039496. 0.102 inches. Janos Szebenyi.
Already during his lifetime Rossler-Rosetti enjoyed great popularity. His operas and symphonies achieved great success, most of them appeared in printing. His Requiem was first performed at Prague at a memorial festival dedicated to Mozart. He composed several concertos for piano, violin, violoncello, flute, clarinet, bassoon, corno and various ensembles. Out of his 14 flute concertos the here published Concerto in D major is to be found on page 25 of the thematic catalogue Breitkopf supplement XII (1778). The contemporary handwritten orchestral parts of the work are preserved at the King Stephen Museum at Szekesfehervar. It got into the possession of the Museum in 1951 with therich book- and music-collection of the family Verebi-Vegh. Rossler-Rosetti genoss noch bei Lebzeiten grosse Popularitat. Seine Opern und Sinfonien erzielten grossen Erfolg, ein beideutender Teil davon ist auch im Druck erschienen. Sein Requiem wurde in Prag 1792 anlasslich der Mozart-Gedenkfeierlichkeit aufgefuhrt. Er komponierte viele Konzerte fur Klavier, Violine, Violoncello, Flote, Klarinette, Fagott, Horn und verschiedene Ensembles. Von seinen vierzehn Flotenkonzerten ist das hier erscheinende D-Dur Konzert in Breitkopfs thematischem Katalog Supplement XII (1778) auf Seite 25 erwahnt. Das Werk wird im zeitgenossischen Manuskript der Orchesterstimmen im Istvan Kiraly (Konig Stephan) Museum zu Szekesfehervar aufbewahrt,wohin es 1951 mit der reichen Bucher- und Notensammlung der Familie Vegh von Vereb gelangte.
SKU: HL.48180521
UPC: 888680795405. 9x12 inches.
Aria, written in 1930 by Jacques Ibert (1890-1962), is a small study initially for voice and piano but arranged in this edition for flute and piano. This version and the one for alto saxophone and piano are the ones the most commonly used. The flute score is one-page long and contains technical difficulties that would make it ideal for an upper intermediate player. Its author, Jacques Ibert (1890-1962) is a neoclassical composer who won the Prix de Rome in 1919. He composed many symphonic suites, operas and seven orchestras, including Angelique (1926) and Entertainment (1930). He also was in charge of the Accadémie de France in the Villa Médicis (Roma) and was later administrator for the Paris Opera.
SKU: IS.FP6905EM
ISBN 9790365069057.
Jukka-Pekka Lehto is a contemporary composer and flutist. He started his career in the Finnish marine-band and played afterwards in the Turku Philharmonic Orchestra. Currently he is principal flutist in the Pori Sinfonietta. His compositions are neo-classicist with contemporary influences, many of which have been awarded prizes at international composition competitions. His works include music for wind band, chamber music, choir and various instrumental combinations.
SKU: IS.FP6804EM
ISBN 9790365068043.
SKU: IS.FP6803EM
ISBN 9790365068036.
SKU: IS.FP6769EM
ISBN 9790365067695.
SKU: IS.FP6786EM
ISBN 9790365067862.
SKU: IS.FP6802EM
ISBN 9790365068029.
SKU: IS.FP6906EM
ISBN 9790365069064.
SKU: HL.48187329
UPC: 888680829827. 9.0x12.0x0.121 inches. French.
“Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise, therefore, that his compositions for the instrument are at the forefront of the Flute's repertoire, Sonata No. 2 being no exception. After a prominent career as a flautist with the Paris Opéra, he was appointed as professor of Flute at the Paris Conservatoire as well as principal conductor of leading orchestras. It was during this time that Gaubert composed, including his Sonata No. 2 which premiered in 1925. Addressing many technical features, including flourishing semiquaver passages, a wide range, emotion, intervals, chromaticism and complex rhythms, Sonata No. 2 is a challenging yet riveting and stirring piece for aspiring flautists.â€.
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