SKU: HL.14015279
ISBN 9780711995796.
This new Opera was first performed in 1998 in Huddersfield by Opera North. Designed for the modern stage, it utilises only a small cast and orchestra - albeit one with a good variety of percussion! The libretto is adapted by the composer from the play 'The Love of Don Pemperlin for Belisa in the Garden' by Feredico Garcia Lorca, translated into English by David Johnston. The plot revolves around the ill-fated marriage of Don Pemperlin, an ageing bachelor and his beautiful neighbour Belisa, which was suggested by Pemperlin's maid. Tricks and misunderstandings abound and because of them, Pemperlin ends by stabbing himself and dying even as Belisa proclaims her love for him.
SKU: HL.50499282
ISBN 9788875929534. UPC: 884088951375. 12x9 inches. Introduction by Francesco Giuntini.
Facsimile reproduction of the Johann Mattheson adaptation manuscript of Orlandini's opera score. Includes detailed introduction in Italian and English on the 1721 Venetian (Orlandini) and 1723 Hamburg (Mattheson) versions, as well as the original libretto by Agostino Piovene and adapted libretto by Mattheson.
SKU: BT.SONZLB11
German.
SKU: BT.MUSM570362127
English.
Luis Tinoco (Composer) and Stephen Plaice (Libretto) wrote 'Paint Me', and Opera for six singers and Chamber Orchestra. Rui Horta and Joana Carneiro are responsible for the stage direction and the musical direction. My idea in writing Paint Me was to bring together six characters, all of whom have a prolific imaginative interior life, and to explore what they would make of each other in the confines of a railway compartment. The model for my libretto is Geoffrey Chaucer’s The Canterbury Tales. The travellers in Paint Me are also on their way to Canterbury, but they are strangers thrown together by the randomness of modern travel. Their tales are not told publicly, but in theirown imaginations. Most journeys in the modern age are anonymous and conducted in silence. We have only a visual or perhaps manneristic impression of the people sitting opposite us. This introspection in public opens up a private fantasy space, in which our fellow travellers can become the characters in instant psychological dramatisations.I wanted to formalize each character’s fantasy into a full narrative. The result is a kind of anthology of operatic short stories, surrounded by the framework of an ordinary journey. - Stephen Plaice.
SKU: HL.14012092
8.75x11.75x0.685 inches.
Adapted by McNaught.
SKU: BA.BVK01874
ISBN 9783761818749. 29 x 24.5 cm inches. Preface: Freedberg, David.
The subject of this pictorial and textual monograph is the relationship between opera and the enlightenment in Josephine Vienna of the 1780s. At that time Lorenzo Da Ponte was a poet at the imperial theater and wrote many librettos for the opera stage, including the three great operas for Mozart that form the heart of this volume: Le nozze di Figaro, Don Giovanni, and Cosi fan tutte . The book emerged from three exhibitions mounted by the Da Ponte Institute in the Mahler Room of the Vienna State Opera. A rare amalgam of pictures, quotations, and explanatory notes that sheds new light on this exciting decade.
© 2000 - 2024 Home - New releases - Composers Legal notice - Full version