SKU: MN.50-5050
UPC: 688670550508. English.
This sturdy tune from Southern Harmony has been given a new setting for SATB and piano or chamber orchestra. The choir parts are moderately easy but sound impressive; there is one place where the tenor section has the high refrain while the other sections sing accompanimental material. Quite a lot of it is unison or two-part singing. The accompaniment adds to the rhythmic drive. Duration 3:00
SKU: HL.49013783
ISBN 9790220100079. 8.75x12.25x0.008 inches.
Handel wrote two versions of this work: as concerto for organ and orchestra, Op. 4 No. 5, and as sonata for alto recorder and basso continuo, Op. 1 No. 11. In the early 18th century, it was common practice to replace a solo instrument with another one. This arrangement is therefore equivalent to an original work since each note in the score is an original one by Handel except for the realization of the basso continuo, of course, though this, too, follows Handel's original organ part.
SKU: AP.1-ADV8204
ISBN 9783892213048. UPC: 805095082043. English.
These dances can be likened to diary entries written during an extended stay in Mexico's west coast state of Nayarit. Following each sultry day of exploring the beaches, Mike Curtis came back to the bungalow and sought out a special cool corridor to put pencil to staff. The titles reveal favorite places. The addition of an improvising percussionist could enhance performance. Titles include: I. Los Ayala * II. Playa Platanitos * III. Manzanilla * IV. La Palma * V. Barracuda.
SKU: CA.5040514
ISBN 9790007081744. Key: D minor. Language: German/English.
The choral cantatas are Reger's most personal and most substantial contribution to one of the principal categories of Protestant church music, and they are only major works in this field by one of the foremost composers of his time. This is true despite the fact that Reger himself does not appear to have considered the cantatas to figure among his principal compositions, as he gave them no opus numbers. In contrast to the three other chorale cantatas of Reger which exist in a definitive form, there is no record of the place or date of the first performance of O wie selig, or indeed of any performance of it during the composer's lifetime. Score and part available separately - see item CA.5040500.
SKU: CA.5040512
ISBN 9790007081720. Key: D minor. Language: German/English.
SKU: CA.5040515
ISBN 9790007081751. Key: D minor. Language: German/English.
SKU: CA.5040513
ISBN 9790007081737. Key: D minor. Language: German/English.
SKU: CA.5040505
ISBN 9790007081706. Key: D minor. Language: German/English.
The choral cantatas are Reger's most personal and most substantial contribution to one of the principal categories of Protestant church music, and they are only major works in this field by one of the foremost composers of his time. This is true despite the fact that Reger himself does not appear to have considered the cantatas to figure among his principal compositions, as he gave them no opus numbers. In contrast to the three other chorale cantatas of Reger which exist in a definitive form, there is no record of the place or date of the first performance of O wie selig, or indeed of any performance of it during the composer's lifetime. Score available separately - see item CA.5040500.
SKU: CA.5040511
ISBN 9790007081713. Key: D minor. Language: German/English.
SKU: AP.36007
UPC: 038081420431. English.
This beautiful ballad featuring Michael Jackson and Akon that was released in late 2010 is sure to have a special place in your programming. Timely and timeless.
SKU: CA.965900
ISBN 9790007165901. Text language: Latin.
Mezzalira places his worked entirely in the tradition of Catholic church music: Gregorian elements are associated likewise with Palestrina's counterpoint and Bruckner's sonorous expansin. Thoroughly in the tradition of the motet, the Memorare is structured in four sections, each in accordance with their respective texts. This large structured composition begins in C minor from the depths of the men's voices, building to a song of lamentation which increases to an harmonically enriched E flat major passage on the words virgo maria. In the second section, harmonically in A flat major, Mezzalira places the upper and lower voices in a double choir opposed to each other in block-like manner in order to develop resonating cantilenas in the third part, which is in F major. After a very simple, tender four-part setting of a hymn the composition ends with an Amen with large modally enriched chords in D major.
SKU: CN.17440
Riversong was originally composed for solo vibraphone and was presented in lead sheet format (for an improvising musician's use) and in a completely written-out version. Spelled here for piano, the original flow and lure of a river's pull is augmented by two additional vignettes - Water Catcher and Terra Firma - that depict both an unexpected outing and the satisfaction of a completed trip. Riversong was originally composed for solo vibraphone and was presented in lead sheet format (for an improvising musician's use) and in a completely written-out version. Spelled here for piano, the original flow and lure of a river's pull is augmented by two additional vignettes that depict both an unexpected outing and the satisfaction of a completed trip. Water Catcher reminds us of what may lie around the next bend when storms follow the river and powerfully replace calm with chaos. Terra Firma confirms our respect and desire for the journey - natural repose and quiescence in harmony with anticipation of revisiting the river's song.
SKU: LO.15-3987H
ISBN 9780787778477.
Amen, Alleluia! is an accessible Latin piece that includes minimal text, making this a wonderful option for young choirs being introduced to Latin texts. The bright, energetic melody is fun to sing with its melismatic characteristics and carefully placed syncopations. A key change lifts the piece into a compelling finish as it recaps the opening themes.
SKU: CL.SCM-1071-00
This classic Clarence Williams composition was written at the very beginning of the Jazz Age and speaks in the Count Basie language. An 8 measure written piano solo feeds into a quiet full ensemble melody with brass in bucket mutes. (Open in stand will do) Well placed unisons and ensemble writing leads to a 16 bar tenor sax solo (suggested written solo is provided) then builds to a final full ensemble shout chorus a minor third higher. Includes an optional flute part. The unique surprise ending will treat the audience and band to a few happy moments. Hint: (Opt. one bar vocal ending).
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