SKU: LM.24617
ISBN 9790230946179.
SKU: BT.AL-0545A
English.
SKU: HL.50578880
SKU: HL.4008988
UPC: 196288283829.
“Outburst” is a spectacular opening for any concert. The entire orchestra can showcase its impressive skills for over three minutes. The initial fanfare is abruptly interrupted by a pulsating, faster tempo, driven by powerful drum beats and orchestral rhythms. Following this, the first four notes of the fanfare resound in various variations. Each instrument section has its glorious moment and contributes collectively to the impressive finale.
SKU: HF.FH-1009
ISBN 9790203410096. 10.5 x 7.5 inches.
Ach Frau, gib uns ein Pfingstei, Als unser Mops ein Mopschen war, Auf unsrer Wiese, Bauerlein,tick, tick, tack, Der Fuchs geht um, Der Kirschbaum hat sein Laub verlorn, Dort auf jenem Berge, Ein Madchen geht spazieren, Es geht ein boses Ding herum, Es gingen drei Jager, Gestern abend ging ich aus, Grun, grun, grun sind alle meine Kleider, Hahn, Hahn, ich seh' dich, Hans Philippchen, geig einmal, Hanschen sass im Schornstein, Hansel und Gretel, Heile, heile, Segen, Hotte, hotte, Reiterpferd, Ich geh' mit meiner Laterne, Ilse, Bilse, Im Sommer, da geh'n wir, Jakob hat kein Brot, Komm, lieber Mai, Kommt ein Mauschen, Kuckuck ruft's aus dem Wald, Macht auf das Tor, Madel, woll'n zum Tanze gehn, Mah, Lammchen, mah, Mannchen, Mannchen, geig mir mal, Mein Wagen hat vier Rader, Muss wandern wohl, Nun schlaf, mein liebes Kindelein, Petersil und Suppenkraut, Regentropfchen, Ru, ru, Rinneken, Sag doch, Mausekatzchen, Stille, stille, kein Gerausch gemacht, Storch, Storch, Stane, Ting, tang, Tellerlein, Trariro, der Sommer der ist do, Unser Hans hat Hosen an, Wacht auf, es krahte der Hahn, Was macht der Fuhrmann, Welches ist die Schonste, Wenn wir fahren auf dem See, Widele, wedele, hinterm Stadele, Will ich in mein Gartchen gehn, Zieh, Schimmel, zieh, Ziehe durch die goldne Brucke, Zu Hause ist die Maus.
SKU: SU.80300121
The central poem, by Madeleine L'Engle, depicts Neptune as a Sea Bishop who blesses all the creatures of sea and land. Gawthrop's vocally grateful text setting is particularly strong here, with occasional imitative entrances. SSAA a cappella. Medium. SSAA, a cappella Published by: Treble Clef Music Minimum order quantity: 8 copies.
SKU: HL.48020836
UPC: 196288199977. 9.0x12.0x0.07 inches.
SKU: LM.24202
ISBN 9790230942027.
SKU: HL.50578882
SKU: AP.36-M334891
ISBN 9798892702157. UPC: 659359663536. English.
Camille Saint-Saëns (1835-1921), while most well-known for his chamber and orchestral works, also composed much for the organ, having himself been appointed organist at both Saint Merri (1853-1857) and Madeleine (1857-1877), the latter post he held for 20 years. He is one of the 19th century's most important composers and performers for the organ, counted together with other greats such as Gigout, Guilmant, and Widor. Saint-Saëns wrote BÉNÉDICTION NUPTIALE in F Major for organ in 1859.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: HL.4008932
UPC: 196288281597.
SKU: SU.80200303
Christmas festival anthem 2202; 2221; timp, 3 perc, organ; stgs Text: Madeleine L'Engle Set of instrumental parts (includes: 1 master copy of each page plus license to photocopy for a single ensemble) Choral octavo: available for sale: (#80200301) Conductor's score: available for sale (#80200302) Published by: Dunstan House.
SKU: CA.2731549
ISBN 9790007201746. Key: C major. Language: Latin.
Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and part available separately - see item CA.2731500.
SKU: GI.G-9992
UPC: 785147999201. Latin. Text Source: from the Requiem Mass.
 This French impressionistic and contemplative work, “In paradisum†(May the angels lead you into paradise ), was added to the original Requiem by Fauré in 1893. The original 1888 version was heard in Paris in a funeral Mass at La Madeleine with Fauré playing the organ. The text refers to the miracle of eternal rest (“aeternam habeas requiemâ€). In this edition for treble voices, listeners can hear the continuous fluttering of angel’s wings in the keyboard against the beautifully melodic, mostly unison vocal lines sung by the choir. The rich D major harmonies are developed toward the end of both verses and, finally, in the ending invitation to have eternal rest. About the Series: Doreen Rao, 2019 Robert Shaw Award recipient, launches her culturally inclusive choral series, Global Encounters for Young Voices, featuring accessible treble- and mixed-voice works for developing choirs.
SKU: HL.4008991
UPC: 196288283850.
The work “Fragments” is an extremely powerful and energetic Concertino for trombone, full of different tonal colours and based on two motifs that are broken down into their fragments and processed further. The slightly playful main motif is presented by the soloist after an imposing introduction and gradually develops jazzy elements without abandoning the contemporary spirit. Throughout the work, the last three notes of the introductory motif are presented both as a short, shrill fragment and as a lyrical theme, which supports the constant alternation between leggero and marcato. An ostinato, which is carried through all registers, gives the work the necessary drift and serves as a common thread to connect the different parts. “Fragments” was commissioned by the Luxembourg Ministry of Culture in collaboration with the “De klenge Maarnicher Festival” and was a compulsory piece for the final round of the “1st Michel Becquet International Trombone Competition”.
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