SKU: HL.48187285
UPC: 888680829117. 7.5x11.0x0.796 inches. French-English.
Don Quixote is a comedy in five acts by Henri Cain, after ?Le Lorrain?, with a music by J. Massenet. This special edition features pictures of the Monte Carlo theatre in 1910, texts in French and music for Piano and Voice with French lyrics. The comedy lasts approximately 1 hour 10 minutes in total. The five acts depict the heroic story of Don Quixote de la Mancha: Act 1: A public square (Une place publique) Act 2: The windmills (Les moulins) Act 3: In the Sierra (Dans la Sierra) Act 4: The patio of the beautiful lady (Le patio de la belle Dulcinee) Act 5: Don Quixote?s Death (La mort de Don Quichotte) This comedy was well-acclaimed when first played in Monte Carlo. It was then taken to Paris to be played at the Theatre of the Gaiete Lyrique. J. Massenet wrote thirty famous operas which include 'Werther' and 'Thais', also edited as special collection by Alphonse Leduc..
SKU: GI.G-006289
The straight-to-the-point five-note refrain with four-part choral harmony is an easy learn for your singers and assembly. Rudy always creates ear-catching yet convincing musical twists in his works, as you will hear in this piece. Verses 1 and 2 are slightly syncopated in contrast to the refrain, while verse 3 calls for the choir to hum under the cantor's proclamation as a vocal descant echoes above. The optional final refrain can be performed as a canon at four-, two-, or one-measure intervals. This distinctive ending makes pure physical sense and is fun to sing as well.
SKU: KN.62270S
UPC: 822795622706.
Commissioned by the Northern Michigan University Jazz Ensemble, this jubilant tone poem portrays the Great Northern Railway that ran for a century from the Great Lakes to the Pacific Ocean. Beginning quietly in the distance, the chart builds steadily through a series of colorful variations and roars by at full throttle five minutes later. The fast swing train groove drops a beat every four measures (4-4-4-3) from start to finish. This is truly a marvel of modern jazz ensemble writing for proficient groups by one of the nation's most innovative composers. Duration 6:00.
SKU: KN.62270
SKU: ET.PNO75
ISBN 9790207010339.
Suite No. 1, written by Richard Lane between his 20th and 22nd year, marks the beginning of the high level music he composed for solo piano. The five movements follow one soul state after another. Polichinelle: Lane skillfully lets the notes run, essentially in two voices, on a Presto rich in changing meters. Nocturne: A slow movement animated with great emotional delicacy. Berceuse: All of Lane’s art is expressed in his mastery of simplicity. Waltz: A moderato 3/4 with rhythmic eighth notes and a clever central passage. Epilogue: An Allegro molto agitato that requires a high level of virtuosic execution from both hands. Suite No. 1 was the first of four works dedicated to Mary K. Green-Traver (Lane’s friend and contemporary at the Eastman School of Music) between 1953 and 1963.
SKU: BR.PB-15140
ISBN 9790004214763. 10 x 12.5 inches.
After achieving sensational success with the musical Lady, be good!, with evergreens such as Fascinating Rhythm and The Man I love, as well as with his Rhapsody in Blue, Gershwin premiered his Concerto in F for piano and orchestra as a soloist at Carnegie Hall in 1925. Now, the new superstar of Broadway had also arrived at the center of New York's classical music scene. In its eventful history, the work went through numerous changes, cuttings, arrangements, many of which doubtful and unauthorized. Even the first and so far only printed orchestral score, edited by Frank Campbell-Watson, published in 1942 five years after Gershwin's death, contains many unauthorized interventions. Through years of research, editor Norbert Gertsch has succeeded in ridding the work of all unauthorized additions and alterations and thus reconstructing an Urtext in its original literal sense from the complex source material - from autograph sketches to early recordings. The first text-critical edition of the work is a joint production of Breitkopf (score/orchestral parts) and G. Henle Verlag (piano reduction).
SKU: BR.EB-10859
ISBN 9790201808598. 9.5 x 12 inches.
After achieving sensational success with the musical Lady, be good! , with evergreens such as Fascinating Rhythm and The Man I love, as well as with his Rhapsody in Blue , Gershwin premiered his Concerto in F for piano and orchestra as a soloist at Carnegie Hall in 1925. Now, the new superstar of Broadway had also arrived at the center of New York's classical music scene. In its eventful history, the work went through numerous changes, cuttings, arrangements, many of which doubtful and unauthorized. Even the first and so far only printed orchestral score, edited by Frank Campbell-Watson, published in 1942 five years after Gershwin's death, contains many unauthorized interventions. Through years of research, editor Norbert Gertsch has succeeded in ridding the work of all unauthorized additions and alterations and thus reconstructing an Urtext in its original literal sense from the complex source material - from autograph sketches to early recordings. The first text-critical edition of the work is a joint production of Breitkopf (score/orchestral parts) and G. Henle Verlag (piano reduction).
SKU: HL.48181098
UPC: 888680932947. 9x12 inches.
Dancers is the second volume of a set of six pieces called Romantic Suite. Composed by Robert Planel for alto saxophone and piano, this second piece is for intermediate players. In Dancers, the piano starts on its own but is soon joined by the saxophone. The piece is divided in five parts, the first one being the main theme which is later repeated as the last one. The tempo is quite fast on most of the piece, except for the third section. The full set of six volumes features: 1. Italian Serenade 2. Dancers 3. Sad Song 4. Feeling Waltz 5. Christmas story 6. Muleteer's song. Robert Planel (1908-1994) was a French musician and pedagogue.
SKU: BT.ALHE32207
French.
Henri Dutilleux (1916-2013) was greatly influenced by his contemporaries, Ravel, Debussy and Roussel, yet implemented his own, unique style. His Cello Concerto, Tout un monde lointain, is considered to be one of the most important20th century additions to the instrument's repertoire. This Dutilleux Concerto comprises five movements which run seamlessly in to one-another, each inspired by the poetry of Charles Baudelaire. The movements are: 1) Énigme(Enigma), 2) Regard (Gaze), 3) Houles (Surges), 4) Miroirs (Mirrors), and 5) Hymne (Hymn). Tout un monde lointain was first performed in July 1970 by Russian cellist, Mstislav Rostropovich with the Orchestre de Paris. The pieceremains popular to this day, and including the entire orchestral score, this edition is essential to the advanced cellist's repertoire.
SKU: HL.48188823
UPC: 888680883478. 9.25x12.25x0.075 inches.
“Composed between 1967 and 1970, Tout un monde lointain for Cello and Orchestra, by Henri Dutilleux, is one of the most important additions to the cello repertoire in the 20th century. Lasting nearly half an hour, each of the five movements are inspired by a poem of Charles Baudelaire: 1. Énigme / Enigma 2. Regard / Gaze 3. Houles / Surges 4. Miroirs / Mirrors 5. Hymne / Hymn The main theme, initially introduced in the first part Énigme / Enigma, is often replayed through the piece. The third part, Houles / Surges is the most difficult to interpret with a Scherzo part that's quite challenging and no break between the movements. Henri Dutilleux was internationally acclaimed for his work, winning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers, among many others. His work also includes a piano sonata, two symphonies, the Violin concerto 'L'arbre des songes' (The tree of dreams) and the string quartet 'Ainsi la nuit' (Thus the night).â€.
SKU: CA.965820
ISBN 9790007164973. Text language: French. Text: Rilke, Rainer Maria. Text by Rainer Maria Rilke.
In his settings of five quatrains by Rilke, Cyrill Schurch explores the colorfulness of the literary model. His mainly homophonic, song-like style of setting corresponds to the compactness of the poetry. Schurch wanders freely, but always comprehensibly, through the keys and employs dissonances pointedly and economically. In this way, Schurch's songs for choir are comparable to Hindemith's sophisticated choral settings of Rilke, while speaking their very own tonal language. The short compositions with their poetically sanguine basic character will enrich every concert program focused on the topics of nature and landscape. They represent a rewarding project for any choir that finds pleasure in exploring tone colors and delicate emotional nuances.
SKU: CA.952400
ISBN 9790007141288. Language: German. Text: Heine, Heinrich. Text: Heinrich Heine.
Transcription for choir (original scoring: voice, piano). Musorgsky's lied Ich wollt, meine Schmerzen ergossen (I fain would outpour all my sorrows) is among the few compositions for which he set a German text by Heinrich Heine. Since the melody and accompaniment move within a range which in early music was designated as Hohe Chiavett (clefs in high register), I decided to employ a fivepart women's choir. (Gottwald).
SKU: CA.4007405
ISBN 9790007060848. Language: German/English.
The Psalms inspired Mendelssohn throughout his working life, and, aside from a cappella settings, he left behind five great orchestral Psalms. One of the most impressive works is certainly the monumental Psalm 114, which is entirely for 8-voice choir without soloists. Score available separately - see item CA.4007400.
SKU: CA.4007414
ISBN 9790007060893. Language: German/English.
The Psalms inspired Mendelssohn throughout his working life, and, aside from a cappella settings, he left behind five great orchestral Psalms. One of the most impressive works is certainly the monumental Psalm 114, which is entirely for 8-voice choir without soloists. Score and part available separately - see item CA.4007400.
SKU: FH.WC8
ISBN 978-1-55440-584-8.
This new series offers a sequenced approach to the study of clarinet from the beginner to advanced levels. With a progressive collection of Repertoire, Etudes, Recordings, Orchestral Excerpts, and Technique, the Clarinet Series, 2014 Edition provides complete support for teachers and students at every level of study. Nine progressive volumes of Repertoire expose students to a wealth of music from the earliest works for clarinet to accompanied and unaccompanied contemporary compositions. Students will explore some of the most definitive solo pieces written for clarinet, along with popular folk tunes, Klezmer melodies, Classical solos, and contemporary compositions that incorporate traditional and extended techniques.Level 1:Etude in F Major - Friedrich DemnitzMay the Fourths Be With You - James RaeLevel 2:Schnitzel Waltz - James RaeEtude in C Major - Henry LazarusEtude in D Minor - Friedrich DemnitzMoto perpetuo - Chris AllenEtude in F Major - Friedrich DemnitzBeyond the Mist - James RaeEtude in G Major - Victor PolatschekEtude in C Major - Friedrich DemnitzEtude in F Major - Henry LazarusAutumn Clouds - James RaePrairie Lament - Ted HegvikLevel 3:The Bear Is Dancing - Ted HegvikThe Demon's Delight - James RaeEtude in G Minor - Nilo W. HoveyLatin - Chris AllenEtude in C Major - Gustave Langenus Strange, but True - James RaeSummer Day - Leon LesterPromenade - Leon LesterEtude in F Major - Jean-Xavier LefevreLevel 4:Soft-shoe Dance - Leon LesterEtude in C Major - Friedrich DemnitzEtude in C Major - Jean-Xavier LefevreEtude in G Minor - Jean-Xavier LefevreSwing Five - James RaeEtude in A Minor - Friedrich DemnitzWhole-tone Capers - Leon LesterAndante - Chris AllenEtude in D Major - Nilo W. HoveyReflections - Leon Lester.
SKU: HL.50606837
ISBN 9798350114607. UPC: 196288188766.
Lajos Bárdos (1899-1986), composer, musicologist, teacher, and choral conductor, laid down, together with Kodály, the foundations of 20th-century Hungarian choral music. Through his work as a conductor, he raised the standards of Hungarian choral singing to an international level in a few decades. His compositions were directed towards cultivating Hungarian choral life: they draw on Renaissance polyphony and Hungarian folk music, following Kodály and Bartók. His works, which are models of choral writing, deal sensitively with Hungarian prosody and radiate an inner harmony and vigor. A selection of his most popular choral works has been published with English texts by Gail Needleman in five volumes. Contents: 1. Márkus Miklós dr.: Campfire Song 2. Kovács Márk: Stretch Thy Hands. 3. Dienes Valéria Dr.: Christmas Lullaby 4. Czikéné Lovich Ilona: Holy Christmas Night.
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