SKU: GI.G-6896
UPC: 785147689607. English. Text by James Chepponis.
This composition may be performed with the scored forces (including brass quartet, percussion and handbells, to name a few), or it may be simplified by using only soloist, congregation, and piano/guitar accompaniment. The text emphasizes the kingdom of God and the gifts of the Spirit. Appropriate for Pentecost, confirmation, and celebrations of ministry. Guitar, C instrument, brass quartet, percussion (suspended cymbal and timpani) and handbell parts are optional Horn in F can be substituted for Trombone I.
SKU: GI.G-8307
UPC: 785147830702. English. Text Source: Psalm 85, The Revised Grail Psalms, ref.: Lectionary for Mass Scripture: Psalm 85:9–10, 11–12, 13–14.
Using Psalm 85, de Silva has crafted a psalm refrain based on the Advent melody CONDITOR ALME SIDERUM. Consider using this piece for processionals throughout the Advent season this year, use it again next year as the appointed Lectionary psalm for the Second Sunday of Advent.
SKU: GI.G-001219
UPC: 641151012193.
Here is another winning collaboration by the musical team of Cheri and Robertson. This spirited psalm response swings with a gospel groove contrasted by verses set in an effective chant style. The verses allow your more accomplished soloists the chance to sing in a gospel style.
SKU: GI.G-9599
UPC: 785147959908. English. Text Source: Trad. spiritual, additional words by Rory Cooney. Scripture: Matthew 28:9, Mark 16:9, John 20:1–16.
For cantor or soloist.
SKU: GI.G-9758
UPC: 785147975809. English. Text Source: Based on Canticle of the Creatures, Francis of Assisi, 1181&ndash,1226. Text by St. Francis of Assisi.
The words of St. Francis of Assisi have come into even greater prominence under the papacy of Pope Francis. Tony Alonso’s setting of Canticle of the Creatures highlights Francis’ call for the care and respect of all creation. A short refrain punctuates the litanic nature of the verses, allowing the assembly to add their voice to this chorus of praise. For cantors or soloists and C or B-flat instrument.
SKU: GI.G-006356
Christian has composed music in this harmonically appealing psalm setting interpreting the essence of the Psalm 25 text. The well-written four-part texture in the refrain will prove to be a quick study. The verses for solo cantor are fluent and lyrical, the slight shift in tonality leads us soundly back to the refrain. .
SKU: GI.G-7241
UPC: 785147724100. English, Spanish. Text Source: Psalm 104, adapt. TA, Pentecost Sequence. Text by Tony Alonso. Scripture: Psalm 104.
This edition contains the verses for the Pentecost psalm in both languages and also the complete sequence in English and Spanish—to be sung with the psalm refrain. The 3-part refrain is an ostinato that can be quietly sung under the solo verses. Ostinato refrain.
SKU: GI.G-8847
UPC: 785147884705. English. Text by Marty Haugen.
Here’s a lively song with an infectious swaying rhythm for soloist, SAB choir, and trumpet. Two versions are offered here: as an extended choral anthem, and in traditional hymn format. Perfect as a morning hymn for gathering or as an anthem for festive occasions. Octavo includes a hymn version. For cantor or solo. .
SKU: GH.GE-11464
ISBN 979-0-070-11464-6. A4 inches.
Work note by the composer: When I received the news of this commission, I had no idea what it would lead to. Writing for guitar solo is not the same as composing for orchestra where you have forty voices where you can easily mask an entire section. Here you are very naked to the bone. The starting point for this work was from J.S. Bach's Chaconne in D-minor that Johannes had performed in concert, originally written for violin but there is a version transcribed for guitar and piano made by Ferruccio Busoni. When I went to Cortona (in Tuscany, Italy) completed the southern mentality of this work. Arpalineais actually a merged word in Italian language. Arpa means harp, however in a musical context it's more or less resembled with the word arpeggio, which means broken chords. Lineameans line. The work is divided in three parts. I. Arpeggio: It starts with an opening chaconne-like sequence and is marked with a certain depth in which the chords starts to separate from the organum note in the bass and it culminates into a section called with rhythmical focus. These sections alternates, variates which each other. The middle section has a playful and childish atmosphere where the guitarist knocks on the body of the guitar resembling a Spanish folk instrument cajon. This is leading to a section which tends more to a very aggressive fusion-like riff that loses control and reaches its climax at the end. II. Linea: The static rhytmical pulse is now disintegrated and it forms more or less sort of a free, improvisational state in a rubatolike tempo. The character is described as a very hot day with temperatures rising above 37! C (or 100! F) where you can hardly do anything just sitting dozed off and pespiring because of the extreme heat watching a huge fog coming up in the evening that spreads around the Tuscan atmosphere. III. Finale: It starts off with fast one-note ostinati then more and more notes pop up like a gradual rain storm with thunder strikes! And eventually it leads to that is a large flood through the streets of an medieval Southern town. The work ends with a short circuit slapped strings along with extremely fast tremolos that reaches higher and louder as possible! Benjamin Staern
SKU: BT.SLB-00595000
English-German-French-Italian.
This volume in the series “Les éditions originales Durand • Salabert • Eschig†contains Frederic Mompou’s works for piano taken from the editions in Salabert catalogue. The original engravings are reproduced, giving musicians a valuable record of howthese major works were first published, whether in the composer’s lifetime or posthumously.Der vorliegende Band aus der Reihe Les éditions originales Durand • Salabert • Eschig enthält die Werke für Klavier von Frederic Mompou aus dem Salabert-Katalog. Abgedruckt ist der ursprüngliche Notensatz, der den Interpreten ein lebendiges Bildvon den Erstausgaben vermittelt, wie sie zu Lebzeiten des Komponisten und nach seinem Tod veröffentlicht wurden.Ce volume dans la série «Les éditions originales Durand • Salabert • Eschig» présente le répertoire pour piano de Frederic Mompou repris des éditions qui figurent au catalogue Salabert. Ces gravures originales, publiées du vivant du compositeur ou titre posthume, fournissent aux interprètes un cliché de l’apparence initiale de ces œuvres devenues incontournables.In questo volume della collana “Les éditions originales Durand • Salabert • Eschig†è presentata l’opera per pianoforte di Frederic Mompou tratta dalle edizioni del catalogo Salabert. Le incisioni originali qui riprodotte forniscono agli interpretil’immagine di come tali opere siano state pubblicate per la prima volta, vivente il compositore o postume.
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