SKU: HL.1158247

UPC: 749350578400. 6.25x4.0x3.0 inches.

VERTEX BUFFERS NOW AVAILABLE TO THE MASSES! For over a decade, every buffer that's come out of Vertex Effects has been custom made, bespoke, for the pedalboard it was designed for or the customer that ordered it. Needless to say, our buffers were very limited, with only a few hundred made over the last ten years. Over that time, and through hundreds of custom buffer interfaces being made, several common applications for buffer combinations and routing emerged as the most common uses as it comes to placing buffers on a pedalboard for the most optimal results. Routing schemes such as mono, stereo, audition loops (inserts), four-cable method, five-cable method, and wet/dry/wet were all common requests from our customers, but there was never an all-in-one solution that provided all of these options for buffering and routing your pedalboard in a pedalboard-friendly enclosure – until now. Introducing the Vertex Buffer Interfaces and Buffer Modules. The first all-in-one solution that covers 99% of all pedalboard routing options, whether you have multiple amps, amps with effects loop, a wet/dry/wet rig, an impedence sensitive fuzz, or want to side-chain pedals off the board in the middle of your signal path with an insert loop, these boxes have a solution for you that won't compromise on tone. WHY ARE OUR BUFFERS BETTER? Firstly, our buffers are designed to have no sound of their own – totally transparent, no color, no EQ, no distortion – just your tone as though you plugged your guitar directly into your amp with a 10ft cable (even if you're running a dozen or more pedals between the guitar and amp with over 100 ft. of cable). So often buffers in our industry will be described by the manufacturers with words like “warm” or “fat” when really the buffer should NOT be imparting anything to the sound other than 1) loading the guitar pickups properly with the same loading as your guitar would see if plugged into a tube amp and 2) converting the signle to low impedence, driving the line so it is the least susceptible to environmental factors that might alter the tone. Unfortunately, 99% of the buffers available on the market don't do this – they add a color to the signal and lack the proper specifications to dive even 20 feet of cable without introducing artifacts into the sound.

SKU: HL.49046828

ISBN 9781705157312. UPC: 196288031673.

Piano Junior: Weihnachtsbuch is an ideal companion to the Piano Junior piano method, but also to any other method. The collection of40 popular Christmas carols, in very easy to easy settings, helps to develop and consolidate important technical and musical skills.Four-hand movements are also included. Audio examples of all the pieces complete the edition and are available for free download.

About Piano Junior

Piano Junior is a creative and interactive piano course for children from the age of 6, which progresses in small, manageable steps. It is a fun and satisfying approach to playing and learning about music, encouraging quick and noticeable progress.

Piano Junior is home to PJ, a robot with great enthusiasm for the piano, who accompanies and motivates children throughout the piano course. On this website you will find a video introduction and demonstrations, audio tracks of all pieces played on an acoustic piano, and further fun practise resources.

This innovative course stimulates and encourages creativity through regular, integrated 'Corners', such as Composing, Improvising, Action, Playing, Technique, Ear Training, Memory, Sight Reading and Music Quizzes. In this way solid musical knowledge and technical ability is acquired. The experience of learning the piano is multifaceted: aural -- with regular ear-training exercises; visual -- with sight-reading; tactile -- with clear explanations of technical aspects of playing and, above all, creative -- with exercises in composing and improvising.

The choice of pieces includes attractive works from the classical period to the present day as well as interesting arrangements of folk tunes and children's songs, classical masterpieces, jazz and pop melodies.

In addition to the Lesson Book (which includes Exercises) at each level there is also: a Theory Book, in which valuable information from the method is worked through and consolidated in a playful, imaginative way.

There is also a Duet Book at each level, to provide motivation for playing the piano with others and a Performance Book with great repertoire, which is fun to play. The Flash Cards included can be used to provide further practice in note reading, or to help with learning musical symbols and terms or rhythm patterns. By collecting the cards from each volume you will acquire a wealth of reference material.

Music greatly enriches the life of a child and Piano Junior aims to provide a musical basis for this in the most creative and motivating way.

SKU: HL.49045484

ISBN 9783795710828. 7.0x10.0x0.408 inches. German.

Thanks to his multifaceted skills, Philipp Carl Hoffmann was able to accomplish something special at very different levels: He not only was a brilliant pianist and violist as well as a successful composer, but also found recognition as a scientist and went down in literature as a highly sensitive teacher. As a musician, he met some of the greatest composers of his time, Haydn, Mozart and Beethoven, and witnessed the sale of Mozart's handwritten estate by his widow. Apart from that, he maintained friendly relations with Friedrich Theodor von Schubert, one of the most renowned astronomers in the early 19th century, and gained detailed insight into perhaps the most important period of fortepiano building in Vienna. Last but not least, we get to know him as a strong personality and a very helpful and warm-hearted person. GERMAN TEXT.

SKU: CA.3119422

Text language: German/English.

The cantata Hochsterwunschtes Freudenfest BWV 194 was composed for an organ dedication on 2 November 1723 in Stormthal, Saxony. A year later, and with just a few alterations, the cantata was performed again in Leipzig on Trinity Sunday. Our edition takes this Leipzig version of 1724 as its source. The special occasion of its composition is reflected in the extent of the composition which has twelve, instead of the usual six, movements. The orchestral scoring is for strings and three obbligato oboes. A special feature of the cantata is its structure as an orchestral suite. The beginning is a spirited opening chorus in the style of a French overture. The bass aria in the third movement has the character of a pastorale, and the following aria (movement 5) in turn has the character of a gavotte, etc. A simple four-part chorale concludes this multifaceted composition, marked by some extremely heartfelt moments. Score and part available separately - see item CA.3119400.