SKU: BT.YBB1584
SKU: BT.YE0030
An easy virtuoso work published here for the first time and now much performed. Recorded Slatford/Academy of St Martin-in-the-Fields (EMI). AMEB (Australian Syllabus) 2004. Orchestral material on hire from Yorke Edition (notSpartan).Programme Note:As a young professional player in the 1960s, my work as a double bassist with chamber ensembles and small orchestras took me all over the world. This presented an unparalleledopportunity to scour libraries and archives wherever I went. Long before the advent of the photocopier and e-mail, research was far more challenging than it is today. Eastern Europe was particularly difficult to access, withmanycollections kept under lock and key for all but a few hours a week. One quickly found colleagues who were keen to share information gleaned in passing, even though they had no specific interest in one's own particularspecialism (it is so often the peripheral topics that fascinate as much as the main subject under investigation, and one can quickly be side-tracked into political and social issues that have only slender bearing on the job inhand!).In the early 1970s James Brown, the then sub-principal oboist of the English Chamber Orchestra with whom I was working at the time, stumbled across a small collection of double bass manuscripts at the RoyalDanish State Library in Copenhagen. They were by Franz Anton Leopold Keÿper (b. c.1756, d. Copenhagen 7 June 1815), a double bassist of Dutch origin who worked as principal of the Royal Chapel Orchestra in Copenhagen.Keÿper's son was the bassoonist Franz Jacob August Keÿper (1792-1859). The collection included a number of concertos, some chamber music, and various naïve fragments. Although hardly the work of a Mozart or Haydn,the style is characteristic of the period. For an instrument such as the double bass, whose 18th century solo repertoire is largely written for tunings that are no longer in everyday use, Keÿper's music is easily approachablein its.
Grade: 5
SKU: M7.VHR-3903
ISBN 9783940069818.
Das neue Schulwerk verbindet Lieder und Aufgaben in sehr übersichtlicher Form. Viele Liedbeispiele und Liedbegleitungen mit Texten zum Singen erleichtern den Schülern den Zugang zur Musik. Alle Seiten dieses Unterrichtswerkes sind gleich aufgebaut. Das übersichtliche Layout erleichtert Lehrern und Schülern die Orientierung. Der Umfang des Materials ist auf zwei Unterrichtsjahre ausgerichtet.
SKU: HL.50602262
ISBN 9781540092182. UPC: 888680987596. 9.0x12.0x0.07 inches.
The Not-Doings of an Insomniac - Partita for Solo Double Bass with spoken texts - was premiered by Robert Black at the International Society of Bassist Convention at the Griffin Concert Hall in Fort Collins, Colorado. The Not-Doings of an Insomniac developed as a result of Philip Glass's frequent travels to unfamiliar cities and different time-zones, changes that often bring on bouts of insomnia. While on a trip in Europe in 2015, Glass decided to turn these redundant waking hours into something useful, and one of the results is this Partita for Solo Double Bass, written for Robert Black of Bang on a Can All-Stars fame. The piece is written in seven movements, each with its own title: Not Dreaming, Tasting, Smelling, Hearing, Seeing, Touching respectively, and finishing with Not Beginning. Not Ending. What raises this set into something atmospheric and theatrical are the poems in between each movement. These are by Glass's friends or associates, and the texts by Lou Reed, John Cale, Laurie Anderson, Yoko Ono, David Byrne, Leonard Cohen, Patti Smith and Arthur Russell are read on the recording of this work by Robert Black.
SKU: A3.9781860969478
ISBN 9781860969478. 9 x 12 inches.
This book contains practice material for Options - the musicianship tests that are part of Music Medals. Options cover a range of skills, from improvising to sight-reading, and are a means of developing musical understanding. The book introduces the four types of Options and demonstrates the standard required for each of the five Music Medals.
SKU: TL.TG008510
ISBN 9780857360441.
SKU: BA.BA08961-85
ISBN 9790006559312. 32.5 x 25.5 cm inches. Key: C minor.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: HL.49005367
ISBN 9790001057790. German.
Jazz ist Rhythmus und Improvisation. Diese Anleitung will den Weg weisen, wie sich jeder das Improvisieren aneignen kann. Von der einfachen Ubung bis zum vollendeten Chorus sind alle Schwierigkeitsgrade berucksichtigt. Daruber hinaus konnen zwei oder mehr Spieler verschiedener Instrumente sich durch gemeinsames Uben mit der Kollektiv-Improvisation vertraut machen. Fur diesen Zweck weisen die Ubungen gleicher Nummer bei allen Instrumenten dieselbe Harmoniefolge und dieselbe (klingende) Tonart auf.Der Erfolg wird sich einstellen, wenn die Besonderheiten des Rhythmus, die Regeln der Melodiebildung und die harmonischen Grundlagen des Jazz in den Schriften Geschichte und Rhythmus und Harmonielehre aus der JAZZ-STUDIO-Reihe beachtet werden. - Die Melodiensammlung Old Folks at Home bietet zusatzlich fur das Uben der Improvisation vierzig bekannte Songs und Spirituals.
SKU: BA.BA09057-85
ISBN 9790006523337. 32.5 x 25.5 cm inches.
SKU: HL.14019468
ISBN 9788759869611. English.
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