SKU: HL.48180154
UPC: 888680794477. 9.0x12.0x0.051 inches.
Composed for oboe and piano accompaniment, Piece V by Cesar Franck is a melodious piece for intermediate players. The piece begins with a quiet introduction starting Andantino quasi allegretto. The main theme is then played twice with the piano introducing each phrases followed by the oboe repeating them. The piece ends in a really nice harmony between the oboe and the piano. There is no major difficulty in this really soft work which would be thoroughly enjoyed by the audience during a recital. Cesar Franck (1822-1890) was a renowned musician (organ and piano), composer and professor born in the United Kingdom of Netherland (Liege) who was based in Paris. Even though he only produced few compositions, some of these pieces were very famous such as Symphony in D minor and Prelude, Chorale and Fugue among others.
SKU: BT.EMBZ3769
English-German-Hungarian.
The source of the present edition of the Oboe Concerto in A minor by Antonio Vivaldi is the Collected Works of Vivaldi, edited by Malipiero, published by Ricordi 1955. The title of the original score is Concerto in La minore per oboe, archi e cembalo the original setting: Oboe, Violini I-II, Viole, Violoncelli, Contrabassi and Cembalo. The arrangement for oboe and piano is kept in accurate conformity with the musical text of score, the continuo part - however - has been more freely adapted (of course within the possibilities of baroque style). The piano part contains the entire orchestral material in the Tutti-s, thus the soloist is not obliged to play all the Tutti parts.However, in Movement I and III the first and last Tutti may never be omitted by the performer. Die Grundlage dieser Ausgabe des Oboenkonzertes in A-Moll von Antonio Vivaldi ist die von Malipiero redigierte Gesamtausgabe (Ricordi, 1955). Der Titel der Originalpartitur lautet: Concerto in La minore per oboe, archi e cembalo: die Besetzung ist folgende: Oboe, Violini I-II, Viole, Violoncelli, Contrabassi, Cembalo. Die Ausgabe für Oboe und Klavier ist dem Urtext der Partitur getreu, doch ist die Ausarbeitung des Continuos etwas freier behandelt (natürlich nur im Rahmen der vom Stil der Barockmusik gebotenen Möglichkeit). Die Klavierstimme enthält an den Tuttistellen das Stimmaterial des ganzen Orchesters: der Solist ist daher nicht verpflichtet, sämtliche Tuttimitzuspielen. (Im I. und III. Satz dürfen jedoch die ersten und letzten Tutti vom Solisten nicht weggelassen werden.
SKU: TF.DB9995OB
SKU: BT.EMBZ2589
English-German.
Bagpipers is the first movement of the three-movement Sonatina composed in 1915 (1. Bagpipers, 2.Bear Dance and 3. Finale). The composer said of the piece, ''Originally I planned a group of Romanianfolk dances for piano. I selected three parts of this and called it Sonatina. The first movement, Bagpipers[...] consists of two dances played by two bagpipers.'' The piece is based on a couple dance fromTransylvania, the ardeleana (also known as the kanászos), while the middle section was inspired bythe bagpipe playing of a middle-aged man recorded by Bartók in Váncsfalva (now Oncesti) of Bihar County during February 1910. In 1931, Bartók arranged it for symphony orchestraunder the title Dances from Transylvania. This arrangement for oboe and piano was made by Liszt Prize-winningoboist Tibor Szeszler (1919 1992).
SKU: ND.OBOE47
SKU: ND.OBOE46
SKU: MA.EMR-55019
I. Skalitz 1403 / II. Talmberg & Lady Stephanie / III. Sigismund's Army At The Gates / IV. Losing Father's Sword & Parents Theme / V. Fist Fight / VI. Rattay / VII. Good Luck Son / VIII. Millers Theme / IX. Town Square / X. The River Sassau Theme...
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