SKU: HL.48183762

UPC: 888680859480. 9x12 inches.

“Flexibility for the beginner by Yves Demarle (born in 1946) is helping Trombone beginners and intermediate beginners to master the legato. Published in 1981, Flexibility for the beginner can be used both by adults and children Yves Demarle is a French Trombone player who was soloist at the Paris Orchestra and who is currently teaching Trombone at the Regional Paris Conservatoire.&rdquo.

SKU: A3.9781848499737

ISBN 9781848499737.

The Trombone Prep Test is an ideal introduction to the ABRSM exam experience: it gives students a goal to work towards and a certificate on the day - something to be really proud of. The test covers many elements that beginner trombonists will be working on, including pitch, time, tone and performance.

SKU: M7.AHW-2028

English.

Systematic, efficient method for warming up quickly. Exercises for long tones, lip slurs, tonguing, valve-and-tongue coordination. Text on breath control, note values. Beginner/intermediate level.

SKU: HL.48184328

UPC: 888680847937. 9x12 inches.

“Forty Little Studies for Tenor Trombone is a set of easy studies by Marcel Galiègue and Jérôme Naulais. Covering approximately half a page each, they will help beginners to develop their skills and abilities. The keys include up to 4 flats and 3 sharps, and the rhythms used are fairly easy and basic. These piece is a must-have for applying the basic theory for beginners. Marcel Galiègue and Jérôme Naulais are both French Trombone players who won the First Price of the Paris Conservatoire.&rdquo.

SKU: BT.EMBZ14143

English-German-Hungarian.

The collection of 130 studies published in two volumes was compiled with the aim in mind to meet the demands of trombone instruction from the highest classes of the music schools to the Academy of Music. lt was selected from those 'traditional' studies which played a decisive role in trombone playing and instruction at the turn of the century and have become the most frequently performed studies since then. However old-fashioned these studies may seem, they belong to the best ones with regard to safe, smooth technique and the elaboration of a nice sound and will definitely serve their pur­pose in the future as well. On compiling the volumes, I have attempted to observe not only asequence according to grade of difficulty but the variety of characters as well. I am convinced that these studies are both useful and, when performed sufficiently colorfully, may contribute to overcoming the monotony of technical exercises. The articulation sings and markings of dynamics, which often differ from the original, try to meet this aim.I had already used this collection of studies before it was printed. 1 had to realize soon that the technical level of the first pieces was too high to assure a smooth transition from the trombone tutors written for beginners. As a result, I found it necessary to start the first volume with a shortened and facilitated version of some studies. Since these pieces in question have been changed considerably, a * beside the composer's name refers to the fact in each case that they are arrangements.I recommend my work to my past, present and future pupilsPál Makovecz.