Violin and piano

SKU: LM.C06743

Composed by Charles Dancla. Classical. Score. Editions Combre #C06743. Published by Editions Combre (LM.C06743).

ISBN 9790230367431.

Petit air varie No. 1 sur un theme de Paccini - Petit air varie No. 2 sur un theme de Donizetti - Petit air varie No. 3 sur un theme de La Famille Suisse - Petit air varie No. 4 sur un theme de Mercadante.

Composed by Aaron Jay Kernis. Set of performance parts (includes separate pull-out violin part) for violin solo and piano accompaniment. With standard notation, solo part and piano accompaniment. 13 pages. Published by Hal Leonard.

Violin

SKU: HL.48180110

For Violin and Piano. Composed by Jean-Jacques Rousseau. Leduc. Classical. Softcover. 6 pages. Alphonse Leduc #AL15894. Published by Alphonse Leduc (HL.48180110).

UPC: 888680856335. 10.25x13.5x0.024 inches.

From Le Devin du Village.

Violin and piano - Level 1

SKU: LM.26026

Classical. Score. Editions Henry Lemoine #26026. Published by Editions Henry Lemoine (LM.26026).

ISBN 9790230960267.

ANONYME : By an by - BACH : Choral (Passion selon St Jean) - BARTOK : Danse du gardien de cochons - BEETHOVEN : Marmotte (Lied) - BRAHMS : Serenade inutile (Lied) - BRITTEN : Air irlandais - DVORAK : Melodie tzigane - ELGAR : Marche (Pomp and Circumstance, n. 1) - HAYDN : Une histoire tres courante! (Lied) - JOPLIN : The Entertainer (Ragtime, extrait) - MAHLER : Lied (extrait du Cor merveilleux de l'enfant) - MOZART : La petite fileuse (Lied) - SCHOENBERG : Salutations (Lied) - SCHUBERT : Les fleurs du meunier (Lied) - SCHUMANN : Le Paradis et la Peri (choeur des Houris).

(Violin and Piano). By Pablo de Sarasate (1844-1908). Edited by Ernst-G�¼nter Heinemann. For Violin. Henle Music Folios. Softcover. 14 pages. G. Henle #HN573. Published by G. Henle

By Hunter. Instrumental Hymns, Violin Solo. Jesus Loves Me; I Sing the Mighty Power of God; Take My Life, and Let it Be; Come Thou Long-Expected Jesus; Joyful, Joyful, We Adore Thee; Amazing Grace; For the Beauty of the Earth; Holy, Holy, Holy; Be Thou My Vision; Fairest Lord Jesus. All 1st position, compatible with Suzuki Book #1; violin plays melody with simple accompaniments. Now includes descant. Published by Latham Music Enterprises.

By P. De Sarasate. Edited by Schuster. For violin, piano. Published by C.F. Peters.

Violin

SKU: HL.48184553

Composed by G. Peletsis. Leduc. Classical. Softcover. Alphonse Leduc #AL27647. Published by Alphonse Leduc (HL.48184553).

UPC: 888680835682. 9.0x12.0x0.055 inches.

G. Peletsis: Memoires claires (Violin & Piano).

Violin and piano (V/KL) - advanced

SKU: HL.49022770

Composed by Jean-Marie Leclair. Edited by Fritz Kreisler. This edition: Saddle stitching. Sheet music. Edition Schott. 7 pages. Schott Music #BSS 30951. Published by Schott Music (HL.49022770).

ISBN 9790001106955. 9.0x12.0x0.07 inches.

The edition is part of the Trinity syllabus 2007 (grade 6).

Violin and piano

SKU: LM.P03093

Composed by Henri Classens. Classical. Score. Editions Combre #P03093. Published by Editions Combre (LM.P03093).

ISBN 9790230300759.

CZERNY Carl : Chanson gaie - SENALLIE Jean-Baptiste : Sarabande en La min. - BRAHMS Johannes : Joie - CORELLI Arcangelo : Sarabande - LALANDE Michel-Richard de : Menuet - BIZET Georges : Melodie - BRAHMS Johannes : Dimanche - MOZART Wolfgang Amadeus : Serenite - BRAHMS Johannes : Sans pays, sans maison - HOTTETERRE Jacques : Petit air tendre - DUVAL Francois : Rondeau - CHEDEVILLE Nicolas : Gavotte - DESTOUCHES Andre Cardinal : Les Zephirs - GODARD Benjamin : Chanson - CZERNY Carl : Dans la vallee - CZERNY Carl : Marchons - CHEDEVILLE Nicolas : Musette - PINOLET de MONTECLAIR Michel : Menuet - DESTOUCHES Andre Cardinal : Air de ballet - CHEDEVILLE Nicolas : Gavotte allemande - TELEMANN Georg Philipp : Menuet - DAUVERGNE Antoine : Air CAIX d'HERVELOIS Louis : Menuet - LALANDE Michel-Richard de : Rigaudon - LALANDE Michel-Richard de : Passe-pied - FURSTENAU Kaspar : Ecossaise - MOZART Wolfgang Amadeus : La Petite Fileuse.

Violin and Piano. By Alfred Moffat. Arranged by Alfred Moffat. Schott. Size 9x12 inches. 45 pages. Published by Schott.

Composed by Jascha Heifetz, edited by Eric Wen. Collection and set of performance parts for violin solo and piano accompaniment. With bowings, fingerings, introductory text and discography. 128 pages. Published by Carl Fischer.

Chamber Music Cello, Piano, Violin

SKU: PR.414411630

Composed by Shulamit Ran. Set of Score and Parts. With Standard notation. 28+28+20+24+20+24 pages. Duration 20 minutes. Theodore Presser Company #414-41163. Published by Theodore Presser Company (PR.414411630).

ISBN 9781491114551. UPC: 680160089956. 9.5 x 13 inches.

EXCURSIONS is a one-movement work exploring two “characters.” A rhapsodic, descending passage is introduced by the cello, followed by a  static, chorale-like phrase for the violin and cello. Their individual developments are separated by a slow, contrasting middle section. The composer has written: “This is analogous to situations in life: we stand by a crossroad, choosing one option and forfeiting the other. But in art, the realm of the imagination, we can perhaps afford to pursue more than one route to its ultimate destination… or can we? It is symbolic that in this work both roads eventually lead to the same place.”.
Excursions for violin, cello and piano, is a one-movement work of tripartite structure in which materials explored in the first of three large sections are brought back in the last section.  The traditional statement-contrast-restatement form, which is readily suggested by such a description, is, however, not at all in the mold in which the work is cast.  Rather, my aim was to subject the essential materials of the piece (two “characters” –the rhapsodic, descending passage played by the cello in the very opening and, later, a static, slow moving, chorale-like phrase for the violin and cello) to two entirely different developments separated by a slow, contrasting middle section.  This is analogous to an exploration of the ramifications that two divergent choices made by the same person might lead to.  In life, as we stand by a crossroad, choosing one option usually means having to forfeit the other.  But in art, the realm of the imagination, we can perhaps afford to pursue more than one route to its ultimate destination…or can we?  It is, I believe, symbolic that in this work both roads eventually lead to the same place: in composing Excursions, it seemed absolutely inescapable that at the end the slow, contrasting middle sections – both more resigned and peaceful than the battling spirits of the outer parts – should return briefly to end the work. The piano trio combination (once highly favored, but to this composer still as challenging today) is approached here as a collaborative effort of three equal soloists – partners.  Of the available pairings, the two strings find themselves occasionally approached as a team pitted against the piano.  The cello-piano combination is also not uncommon here, and there is an extended violin cadenza toward the end of the piece.  The writing for the three instruments is closely and at times interlinked, but the players are all instructed to play from scores. Excursions was first performed at Brandeis University in 1982.