Piano, harpsichord

SKU: BA.BA05070-41

The Well-Tempered Clavier I. Composed by Johann Sebastian Bach. Edited by Alfred Durr. This edition: Complete edition. Linen. New Bach Edition (NBA) V/6/1. Complete edition, Critical commentary, anthology. BWV 846-869. 448 pages. Baerenreiter Verlag #BA05070_41. Published by Baerenreiter Verlag (BA.BA05070-41).

ISBN 9790006463480. 24.5 x 17.5 cm inches.

This separately published Critical Commentary offers extensive information on the genesis, reception, sources, and readings of the works included in the music volume.

Harpsichord

SKU: HL.48188862

Clavier - Lp72. Composed by Alessandro Scarlatti. Leduc. Baroque. Softcover. 96 pages. Heugel & Cie #HE33696. Published by Heugel & Cie (HL.48188862).

UPC: 888680872847. 9.0x12.0x0.251 inches.

Alessandro Pietro Gaspare Scarlatti: 9 Toccatas (LP72) (Harpsichord solo).

By Juan Manuel Cortes (1953-). For guitar and harpsichord. 3. 12 pages. Published by Les Productions d'OZ

Harpsichord

SKU: HL.48188417

Composed by Domenico Scarlatti. Edited by Kenneth Gilbert. Heugel. Baroque. Softcover. 200 pages. Heugel & Cie #HE32522. Published by Heugel & Cie (HL.48188417).

UPC: 888680866266. 9.0x12.0x0.53 inches.

“Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this second volume is indispensable to performers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The second volume, comprising Sonatas 53-103, includes the popular and recognised Sonatas in F minor (K. 69) and B minor (K. 87). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre. ”.

By Johann Sebastian Bach. Busoni, Ferruccio (1866-1924), Editor; Petri, Egon (1881-1962), Editor. For Harpsichord (or Piano). Score.

Harpsichord (Harpsichord)

SKU: HL.48188514

Volume 1, K.1-52. Composed by Domenico Scarlatti. Edited by Kenneth Gilbert. Leduc. Baroque. Softcover. 204 pages. Heugel and Cie #HE32645. Published by Heugel and Cie (HL.48188514).

UPC: 888680872649. 9.0x12.0x0.562 inches.

â??Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this first volume is indispensable to performers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. This first volume, comprising Sonatas 1-52, includes the popular and recognised Sonatas in D minor (K. 9), E major (K. 20) and B minor (K. 27). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre. â?.

Composed by Johann Sebastian Bach (1685-1750), edited by Alfred Durr. BWV 846-869. Collection for solo piano (or harpsichord). Urtext of the New Bach Edition. 125 pages. Published by Baerenreiter-Ausgaben (German import). ISBN M006466962.

Volume 10, K.458-506. Composed by Domenico Scarlatti (1685-1757). Leduc. Baroque. Softcover. 210 pages. Heugel and Cie #HE32210. Published by Heugel and Cie

By Juan Manuel Cortes (1953-). For guitar and harpsichord. 3. 24 pages. Published by Les Productions d'OZ

By Johann Sebastian Bach. Busoni, Ferruccio (1866-1924), Editor; Petri, Egon (1881-1962), Editor. For Harpsichord (or Piano). Score.

Harpsichord

SKU: HL.48188385

Sonates K306 a K357 LP37. Composed by Domenico Scarlatti. Edited by Kenneth Gilbert. Leduc. Baroque. Softcover. 216 pages. Heugel & Cie #HE32485. Published by Heugel & Cie (HL.48188385).

UPC: 196288026600. 9.0x12.0x0.575 inches.

“The seventh volume of the series of twelve, Sonatas - Volume VII, LP. 37 features the Sonatas K.306 to K.357. Composed by Domenico Scarlatti, this edition by the Harpsichordist Kenneth Gilbert regroups the 555 sonatas arranged for Piano. Based on the two sets of books discovered in Venice and in Parma, this edition still contains some of the annotations initially suggested by Kirkpatrick, whose book can be considered as an essential guide for this series.”.

(Manuscrit autographe, 1702). By Bernardo Pasquini (1637-1710). Edited by Emer Buckley. For Harpsichord. Facsimiles. Collection Dominantes. Grade 0

Chamber Music Harpsichord

SKU: PR.110418390

Composed by Eric Ewazen. Full score. 11 pages. Duration 10 minutes. Theodore Presser Company #110-41839. Published by Theodore Presser Company (PR.110418390).

ISBN 9781491134603. UPC: 680160685158.

Eric Ewazen’s THREE INVENTIONS were inspired by Bach’s Two-part Inventions, yet they sound thoroughly like Ewazen. Composed for harpsichord (with a piano adaptation following later), Ewazen’s inventions maintain a pure “one note per hand” texture until their final chord, with strong-but-free imitative counterpoint between the two voices. While Ewazen may be best known for his wind music, he is a pianist himself, and composers’ works for their own instrument are a direct insight into how they write for their own performances. The piano adaptation of THREE INVENTIONS is also available as a separate publication.
THREE INVENTIONS was written for my dear friend Maria Rojas, who premiered the work on a faculty recital at Juilliard. Maria is both a pianist and a harpsichordist, and I first met her when she gave a demonstration of the harpsichord for the students in my theory classes.I’ve always been captivated by Bach’s series of Two-Part and Three-Part Inventions. With the Two-Part Inventions, I’m amazed how Bach could create such wonderful intricacy and counterpoint with only two voices. I consequently modeled my inventions after the counterpoint of Bach, involving the traditional contrapuntal devices he used: imitation, development, harmonic and modal shifts, fragmentation, and sequence, essentially creating a dialog between two completely equal voices conversing with each other!Bach wrote 15 Two-Part Inventions (as well as 15 Three-Part Inventions, not to mention the 48 preludes and fugues in The Well-Tempered Clavier!), and that’s just the start of his voluminous repertoire for the keyboard! I was happy just to write three!!!Each of my inventions has a distinctive mood. The first is in a relaxed, yet cheerful C Major tonality (as a nod to Bach’s Invention No. 1 in C Major); the second is heartfelt and lyrical; and the third invention (involving a Gigue rhythm in the compound meter of 12/8) is energetic, and full of life and spontaneity. The third is primarily in a minor tonality, resulting in a feeling of drama, bringing the THREE INVENTIONS to an exciting finale.