| Getting Into Gypsy Jazz Violin Violin [Sheet music + Audio access] - Easy Mel Bay
Composed by Martin Norgaard. For violin. Squareback saddle stitch. Getting Into....(+)
Composed by Martin Norgaard. For violin. Squareback saddle stitch. Getting Into. Beginning-Intermediate. Book and online audio. Published by Mel Bay Publications, Inc
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Hark! The Herald Angels Sing Jazz Ensemble [Score] - Intermediate Excelcia Music Publishing
Composed by Traditional. Arranged by Blair Bielawski. Score. Flexcel Jazz Comb...(+)
Composed by Traditional.
Arranged by Blair Bielawski.
Score. Flexcel Jazz Combo
Series. Score. Excelcia Music
Publishing #FJE2002FS.
Published by Excelcia Music
Publishing
$7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Hark! The Herald Angels Sing Jazz Ensemble [Score and Parts] - Intermediate Excelcia Music Publishing
Composed by Traditional. Arranged by Blair Bielawski. Set and Score. Flexcel J...(+)
Composed by Traditional.
Arranged by Blair Bielawski.
Set and Score. Flexcel Jazz
Combo Series. Set and Score.
Excelcia Music Publishing
#FJE2002. Published by
Excelcia Music Publishing
$45.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Go Tell It on the Mountain Jazz Ensemble [Score] - Intermediate Excelcia Music Publishing
Composed by Traditional. Arranged by Blair Bielawski. Score. Flexcel Jazz Co...(+)
Composed by Traditional.
Arranged by Blair Bielawski.
Score. Flexcel Jazz Combo
Series. Score. Excelcia Music
Publishing #FJE2001FS.
Published by Excelcia Music
Publishing
$7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Go Tell It on the Mountain Jazz Ensemble [Score] - Intermediate Excelcia Music Publishing
Composed by Traditional. Arranged by Blair Bielawski. Set and Score. Flexcel J...(+)
Composed by Traditional.
Arranged by Blair Bielawski.
Set and Score. Flexcel Jazz
Combo Series. Set and Score.
Excelcia Music Publishing
#FJE2001. Published by
Excelcia Music Publishing
$45.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Élégie Guitar Classical guitar [Score] - Intermediate Doberman
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. Les Editions Doberman-Yppan #DO 1522. Published by Les Editions Doberman-Yppan (DY.DO-1522). ISBN 9782897963026. Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France. Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux �tats-Unis. Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO. Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. � Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique. Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même. Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après. Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme. Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français ! Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas. Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.
Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France. We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA. After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department. In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music. Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself. He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter. Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French! Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas. His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Organ Music in Times of Corona Organ Carus Verlag
Organ SKU: CA.1822000 17 new compositions for organ solo. Carus di...(+)
Organ SKU: CA.1822000 17 new compositions for organ solo. Carus digital: Extra digital products. Collection. Published by Carus Verlag (CA.1822000). ISBN 9790007294441. Edited by the Deutscher Musikrat (German Music Council) with Richard Mailander and Kord Michaelis
Catholic and Protestant churches are familiar with the tradition that in times of crisis, new works are composed to comfort the faithful, and are performed in worship. Following in this tradition, the project Orgelmusik in Zeiten von Corona (Organ Music in Times of Corona) was devised. 17 new compositions were commissioned which reflect Corona times, creatively confront the past and the present, and will enrich the repertoire of organ music in a lasting way. The 17 compositions depict a wide range of styles including avant-garde, jazz and classical, and some refer to music from previous eras and church music traditions. They are conceived for different levels of difficulty, are for 2 or 3-manual organs, and last between four and ten minutes. They are particularly suitable for concerts, but can also be played in church services. * 17 thematic reflections on the Corona pandemic: on the horsemen of the apocalypse, the Coeur bleu, the thunder of time, timelines, trust and confidence, and many more * compositions by Timo Bocking, Kathrin A. Denner, Barbara Dennerlein, Dorothee Hahne, Peter Michael Hamel, Frank Heckel, Dorothea Hofmann, Nicole Johanntgen, Anna Korsun, Roland Kunz, Eckhart Kuper, Johannes M. Michel, Iris Rieg, Maximilian Schnaus, Enjott Schneider, Dominik Susteck, and Maximilian Wallrath * stylistic variety and breadth - from classically-influenced compositions, through jazz and pop, to avant-garde and experimental sounds * different levels of difficulty, for 2 or 3-manual organ, 4 to 10 minutes' duration * suitable for concerts and church services. $81.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Double Bass Starter Double Bass [Sheet music + CD] - Easy De Haske Publications
Double Bass - easy SKU: BT.DHP-1115113-400 22 Pieces in various styles...(+)
Double Bass - easy SKU: BT.DHP-1115113-400 22 Pieces in various styles. Composed by Ruud van der Meulen. Book with CD. Composed 2011. 32 pages. De Haske Publications #DHP 1115113-400. Published by De Haske Publications (BT.DHP-1115113-400). ISBN 9789043139205. 9x12 inches. English-German-French-Dutch. In Double Bass Starter you will find a variety of tunes for beginner double bass players - young as well as old. It is a fantastic album, with a solid methodical structure. A range of styles is featured, from classical to jazz and pop. The tunes can be picked or bowed. The CD features demo tracks together with play-along tracks for each piece.
In Double Bass Starter zijn verschillende stukken voor beginners op de contrabas verzameld. Het is zowel een geweldig speelboek als een goed doordachte aanvulling op het gebruikelijke lesmateriaal. Allerlei stijlen passerende revue - van klassiek tot pop. Alle stukken kunnen zowel pizzicato als con arco worden gespeeld.
In Double Bass Starter sind vielfältige Stu?cke fu?r Anfänger auf dem Kontrabass versammelt. Es ist zugleich ein fantastisches Spielbuch und sehr lehrreiches Zusatzmaterial fu?r den Unterricht mit einem durchdachten methodischen Aufbau. Allerlei Stile kommen darin an die Reihe - von Klassik u?ber Jazz bis hin zu Pop. Alle Stu?cke können sowohl gezupft als auch gestrichen werden.Die CD bietet sowohl Demo- als auch Play-Along Tracks an.
Double Bass Starter propose de nombreuses pièces de style divers (classique, jazz ou pop), arrangées pour contrebassiste débutant. Chaque partition contient un large éventail de compléments pédagogiques qui sâ??intégreront facilement votre méthode dâ??apprentissage. Ce fantastique ouvrage offre la possibilité de jouer en pizzicato ou en legato.
In Double Bass Starter troverete una variet di pezzi per avviare i principianti allo studio del contrabbasso. Oltre al materiale pedagogico utile a supportare l'insegnamento, vengono anche trattati tutti i generi musicali dalla classica al jazz al pop. $25.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Girl I Left Behind Me Orchestra - Beginner Alfred Publishing
Orchestra - Grade 0.5 SKU: AP.45817 Arranged by Sandra Dackow. MakeMusic ...(+)
Orchestra - Grade 0.5 SKU: AP.45817 Arranged by Sandra Dackow. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Orchestra Expressions. Folk; Traditional. Score and Part(s). 148 pages. Duration 2:15. Alfred Music #00-45817. Published by Alfred Music (AP.45817). UPC: 038081525501. English. Traditional Irish Tune. All in first position with straightforward rhythms and thematic parts for everyone, this poignant song arranged by Sandra Dackow will be a wonderful addition to any concert. The Girl I Left Behind Me first appears in 18th century Ireland, often known as Brighton Camp. It emigrated to the United States along with many other Anglo/Scots/Irish folk tunes and became a popular marching song for soldiers. During the American Civil War, soldiers in both the Confederate and Union armies sang it. A number of cultures have embraced this song, adding their own local lyrics. (2:15) This title is available in MakeMusic Cloud. About Orchestra Expressions Play great songs such as Over the Rainbow, Batman, This Land Is Your Land, and Star Wars (Main Title). Listen to and play a variety of styles of music: popular, traditional, classical, folk and patriotic. Read and write music; compose and improvise. Perform in a concert and play for your family and friends. Be a conductor of the orchestra. Learn about composers, such as Antonin Dvorak, Johann Pachelbel, Jacques Offenbach, Pytor Ilyich Tchaikovsky, Giuseppe Verdi, George M. Cohan, George Frideric Handel, Ludwig van Beethoven, Johann Sebastian Bach, Wolfgang Amadeus Mozart, Giacomo Puccini, Georges Bizet, Neal Hefti, and John Williams. Discover how music and art are related. Learn about a variety of musical ensembles including string orchestra, full orchestra, mariachi band, steel drum band, dixieland jazz band, rock band, and more. Play music from around the world, including North America, Europe, Latin America, Asia, and Africa. $42.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Girl I Left Behind Me Orchestra [Score] - Beginner Alfred Publishing
Orchestra - Grade 0.5 SKU: AP.45817S Arranged by Sandra Dackow. MakeMusic...(+)
Orchestra - Grade 0.5 SKU: AP.45817S Arranged by Sandra Dackow. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Orchestra Expressions. Folk; Traditional. Score. 8 pages. Duration 2:15. Alfred Music #00-45817S. Published by Alfred Music (AP.45817S). UPC: 038081525518. English. Traditional Irish Tune. All in first position with straightforward rhythms and thematic parts for everyone, this poignant song arranged by Sandra Dackow will be a wonderful addition to any concert. The Girl I Left Behind Me first appears in 18th century Ireland, often known as Brighton Camp. It emigrated to the United States along with many other Anglo/Scots/Irish folk tunes and became a popular marching song for soldiers. During the American Civil War, soldiers in both the Confederate and Union armies sang it. A number of cultures have embraced this song, adding their own local lyrics. (2:15) This title is available in MakeMusic Cloud. About Orchestra Expressions Play great songs such as Over the Rainbow, Batman, This Land Is Your Land, and Star Wars (Main Title). Listen to and play a variety of styles of music: popular, traditional, classical, folk and patriotic. Read and write music; compose and improvise. Perform in a concert and play for your family and friends. Be a conductor of the orchestra. Learn about composers, such as Antonin Dvorak, Johann Pachelbel, Jacques Offenbach, Pytor Ilyich Tchaikovsky, Giuseppe Verdi, George M. Cohan, George Frideric Handel, Ludwig van Beethoven, Johann Sebastian Bach, Wolfgang Amadeus Mozart, Giacomo Puccini, Georges Bizet, Neal Hefti, and John Williams. Discover how music and art are related. Learn about a variety of musical ensembles including string orchestra, full orchestra, mariachi band, steel drum band, dixieland jazz band, rock band, and more. Play music from around the world, including North America, Europe, Latin America, Asia, and Africa. $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| When Johnny Comes Marching Home String Orchestra [Score] Alfred Publishing
Arranged by Sandra Dackow. Performance Music Ensemble; Single Titles; String Orc...(+)
Arranged by Sandra Dackow. Performance Music Ensemble; Single Titles; String Orchestra. Orchestra Expressions. Folk. Score. 12 pages. Duration 1:30. Alfred Music #00-45825S. Published by Alfred Music (AP.45825S).
$9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| When Johnny Comes Marching Home String Orchestra [Score and Parts] - Easy Alfred Publishing
Arranged by Sandra Dackow. Part(s); Score; String Orchestra. Orchestra Expressio...(+)
Arranged by Sandra Dackow. Part(s); Score; String Orchestra. Orchestra Expressions. Folk. 148 pages. Published by Alfred Music (AP.45825).
$49.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Fingerstyle Jazz Guitar Essentials Guitar notes and tablatures String Letter Publishing
(Acoustic Guitar Private Lessons). For Guitar. String Letter Publishing. Softcov...(+)
(Acoustic Guitar Private Lessons). For Guitar. String Letter Publishing. Softcover. Guitar tablature. 84 pages. Published by String Letter Publishing
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Buryano, Buranke Orchestra [Score] - Easy Alfred Publishing
Orchestra - Grade 2 SKU: AP.33643S Arranged by Sandra Dackow. Performance...(+)
Orchestra - Grade 2 SKU: AP.33643S Arranged by Sandra Dackow. Performance Music Ensemble; Single Titles; String Orchestra. Orchestra Expressions. Folk; World. Score. 8 pages. Alfred Music #00-33643S. Published by Alfred Music (AP.33643S). UPC: 038081394268. English. Bulgarian Folk Dance. Bulgarian folk music is noted for irregular rhythms, but not in this arrangement. The rhythms are straightforward but the phrases fall in groups of three measures rather than four. Easy double and triple stops make the instruments ring. This simple and happy tune provides the basis for contrast and variation. Correlated to Orchestra Expressions, Book 2. About Orchestra Expressions Play great songs such as Over the Rainbow, Batman, This Land Is Your Land, and Star Wars (Main Title). Listen to and play a variety of styles of music: popular, traditional, classical, folk and patriotic. Read and write music; compose and improvise. Perform in a concert and play for your family and friends. Be a conductor of the orchestra. Learn about composers, such as Antonin Dvorak, Johann Pachelbel, Jacques Offenbach, Pytor Ilyich Tchaikovsky, Giuseppe Verdi, George M. Cohan, George Frideric Handel, Ludwig van Beethoven, Johann Sebastian Bach, Wolfgang Amadeus Mozart, Giacomo Puccini, Georges Bizet, Neal Hefti, and John Williams. Discover how music and art are related. Learn about a variety of musical ensembles including string orchestra, full orchestra, mariachi band, steel drum band, dixieland jazz band, rock band, and more. Play music from around the world, including North America, Europe, Latin America, Asia, and Africa. $6.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Theme from the 1812 Overture Orchestra [Score] - Easy Alfred Publishing
Orchestra - Grade 2.5 SKU: AP.38405S Composed by Peter Ilyich Tchaikovsky...(+)
Orchestra - Grade 2.5 SKU: AP.38405S Composed by Peter Ilyich Tchaikovsky. Arranged by Michael Story. Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Orchestra Expressions. Form: Overture. Masterwork Arrangement; Romantic. Score. 8 pages. Alfred Music #00-38405S. Published by Alfred Music (AP.38405S). UPC: 038081437378. English. 200 years after the event it commemorates, let's celebrate Tchaikovsky with a very playable reduction of his great overture. Perfect for festival or contest---or just for fun, using paper bags for the canon effect! About Orchestra Expressions Play great songs such as Over the Rainbow, Batman, This Land Is Your Land, and Star Wars (Main Title). Listen to and play a variety of styles of music: popular, traditional, classical, folk and patriotic. Read and write music; compose and improvise. Perform in a concert and play for your family and friends. Be a conductor of the orchestra. Learn about composers, such as Antonin Dvorak, Johann Pachelbel, Jacques Offenbach, Pytor Ilyich Tchaikovsky, Giuseppe Verdi, George M. Cohan, George Frideric Handel, Ludwig van Beethoven, Johann Sebastian Bach, Wolfgang Amadeus Mozart, Giacomo Puccini, Georges Bizet, Neal Hefti, and John Williams. Discover how music and art are related. Learn about a variety of musical ensembles including string orchestra, full orchestra, mariachi band, steel drum band, dixieland jazz band, rock band, and more. Play music from around the world, including North America, Europe, Latin America, Asia, and Africa. $6.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Playground Games - 10 Etudes for Bass Trombone Bass Trombone - Advanced Cherry Classics
Bass Trombone unaccompanied - advanced SKU: CY.CC2766 Composed by Michael...(+)
Bass Trombone unaccompanied - advanced SKU: CY.CC2766 Composed by Michael Eversden. Contemporary Jazz/Rock. Coil bound booklet. Published by Cherry Classics (CY.CC2766). Children the world over love 'playtime'. A welcome break from lessons, a time to burn some energy and have fun. A time to play some games!
Playground Games is a collection of etudes for bass trombone portraying these traditional games and reflecting on the childrens' enjoyment. We can picture them jumping, playing Hopscotch, Leapfrog and 'Skipping' (the Double Dutch version of this popular game) and running around in the fast and furious Tag! More peaceful moments are to be found when you sense the concentration during Marbles and Cat's Cradle and an exciting contest is on during Conker Fight.
These entertaining pieces are in many genres and styles, keys and meters. Some etudes are funky and rhythmic, others dance-like with waltzes and a merry gigue. They are appropriate for intermediate to advanced performers.
The etudes evoke feelings for those on the playground today and for others, bringing back happy memories. $22.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| A Gift of Moments for Piano Solo Piano solo Metropolis Music Publishers
Piano Solo SKU: IS.PN7495EM Composed by Louis Anthony deLise. Keyboards -...(+)
Piano Solo SKU: IS.PN7495EM Composed by Louis Anthony deLise. Keyboards - Piano. Metropolis Music Publishers #PN7495EM. Published by Metropolis Music Publishers (IS.PN7495EM). ISBN 9790365074952. Louis Anthony deLise is an American composer, pianist, and percussionist. The compositions in A Gift of Moments are typical of deLise’s composing style that often features the juxtaposition of disparate musical elements like serial technique, frequently changing meters, the urgency and drive of rock and roll, and the lush harmonies of 1960’s West Coast Jazz. Dr. deLise was Adjunct Lecturer of Theory and Composition at the Boyer College of Music and Dance (in Philadelphia, Pennsylvania). He is the author of The Professional Songwriter, a textbook on songwriting. The title, A Gift of Moments, comes from something a friend wrote about her deceased husband. She described their too-short time together as, a gift of moments. (Time with someone you love is always too short, isn’t it?) Since February 2020, (since I’ve been locked down at home with my patient and loving wife, Theresa), like the rest of us, I’ve been reminded each day of just how delicate life is. My friend’s comment about her lost love has gradually revealed itself as a worthy title for the collection of music I was creating during this time of lockdown. All of the pieces in this collection are in some way about love: of a mate, of family, our way of life, and those beliefs we consider particular to us. The compositions are varied in style as they encompass musical gestures reflective of the many disparate musical traditions alive in my soul. With this unapologetically sensitive, perhaps even nostalgic, music of mine I intend to blur the arbitrary boundaries of genre classification, like classical or pop; ambient or orchestral. Special thanks to Vivian Barton Dozor, a wonderfully talented cellist who provided insight into bowing and phrasing for the cello parts. $28.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Vinmmd Vol. 28 Music And Theory Schott
SKU: HL.49007352 5 Kongressbeitrage. Composed by Rudolf Stephan. E...(+)
SKU: HL.49007352 5 Kongressbeitrage. Composed by Rudolf Stephan. Edited by Rudolf Stephan. This edition: Paperback/Soft Cover. Book. Edition Schott. Classical. 100 pages. Schott Music #ED 7586. Published by Schott Music (HL.49007352). ISBN 9783795717681. German. Das Institut fur Neue Musik und Musikerziehung Darmstadt fordert zeitgenossische Musik aller Bereiche und ihre padagogische Vermittlung. Das thematische Spektrum reicht von der Tradition der kompositorischen Avantgarde uber Klangkunst, Performance, Neue Medien und grenzuberschreitende Konzepte bis zur Improvisation, zum Jazz und zur Musik der Jugendkulturen. $19.95 - See more - Buy online | | |
| String Quartet No. 2 String Quartet: 2 violins, viola, cello Merion Music
Chamber Music String Quartet SKU: PR.14440265S Composed by Sydney F. Hodk...(+)
Chamber Music String Quartet SKU: PR.14440265S Composed by Sydney F. Hodkinson. Large Score. With Standard notation. Duration 25 minutes. Merion Music #144-40265S. Published by Merion Music (PR.14440265S). UPC: 680160027910. The Second and Third Quartets were conceived at the same time; indeed, their composition intermingled, over half of No. 3 being sketched before No. 2 was completed. Accordingly, they share similar material but, like the intertwining blood of cousins, their natures differ: No. 2 being somewhat acerbic and declamatory, No. 3 more lyric and gentler. An annunicatory 'leaping motive' (derived from a motto generated by my name) opens Quartet No. 2 and inhabits the course of the piece as a cyclical binding-force. A five-note motive, usually very deliberate, also keeps recurring like an insistent caller. All three movements are based on tonal centers (I on B and E, II on D, III on C) and the harmonic 'grammar' spoken tends to recall the jazz world of my youth. To hopefully achieve a certain classical ambience was one of the goals of this piece, and all three movements have traditional forms. The first movement is a modified Sonata-Allegro design, with a severely-truncated recapitulation balanced by a lengthy, and decaying Coda. The second movement is a set of strophic variants and an epilogue interspersed with both solo ritornelli and first-movement material (the motto and the five-note motive) in the nature of a fantasia-like 'call-and-response.' It is dedicated to the memory of the American mezzo-soprano Jan DeGaetani. The third movement is a modified Rondo (ABACBA) which evolves out of the opening motto. All three movements make much use of canonic stretti, similar gestures, and repetition. For example, the climax of movement III's Rondo throws the first movement back at us again, as if the players were reluctant to let it go, so that the entire piece could perhaps be viewed as a single large, extended, Sonata movement, with introduction and Coda. The Second and Third Quartets were conceived at the same time; indeed, their composition intermingled, over half of No. 3 being sketched before No. 2 was completed. Accordingly, they share similar material but, like the intertwining blood of cousins, their natures differ: No. 2 being somewhat acerbic and declamatory, No. 3 more lyric and gentler.An annunicatory ‘leaping motive’ (derived from a motto generated by my name) opens Quartet No. 2 and inhabits the course of the piece as a cyclical binding-force. A five-note motive, usually very deliberate, also keeps recurring like an insistent caller. All three movements are based on tonal centers (I on B and E, II on D, III on C) and the harmonic ‘grammar’ spoken tends to recall the jazz world of my youth.To hopefully achieve a certain classical ambience was one of the goals of this piece, and all three movements have traditional forms. The first movement is a modified Sonata-Allegro design, with a severely-truncated recapitulation balanced by a lengthy, and decaying Coda. The second movement is a set of strophic variants and an epilogue interspersed with both solo ritornelli and first-movement material (the motto and the five-note motive) in the nature of a fantasia-like ‘call-and-response.’ It is dedicated to the memory of the American mezzo-soprano Jan DeGaetani. The third movement is a modified Rondo (ABACBA) which evolves out of the opening motto.All three movements make much use of canonic stretti, similar gestures, and repetition. For example, the climax of movement III’s Rondo throws the first movement back at us again, as if the players were reluctant to let it go, so that the entire piece could perhaps be viewed as a single large, extended, Sonata movement, with introduction and Coda. $85.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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