| I Will Anchor My Soul in Christ Choral 2-part SA, Piano [Octavo] - Intermediate Jackman Music Corporation
By Melanie Hoffman. Arranged by Roger Hoffman. Text: Melanie Hoffman. For SA Cho...(+)
By Melanie Hoffman. Arranged by Roger Hoffman. Text: Melanie Hoffman. For SA Choir. Choral. Level: Medium Easy / Medium (accompaniment). Duration 2:30. Published by Jackman Music Corporation.
$1.15 $1.0925 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sue E Bohlin : In Anchor Bay Choral SSAA SSAA [Octavo] - Intermediate Santa Barbara Music Publishing
By Sue E Bohlin. For SSAA choir, piano (with optional percussion). Concert. Medi...(+)
By Sue E Bohlin. For SSAA choir, piano (with optional percussion). Concert. Medium. Octavo. Published by Santa Barbara Music Publishing . Octavo. Concert.
$2.30 $2.185 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Songs of the Open Road Theodore Presser Co.
Chamber Music Flute(s) SKU: PR.114423630 Five Inspirations from Walt W...(+)
Chamber Music Flute(s) SKU: PR.114423630 Five Inspirations from Walt Whitman. Composed by Daniel Dorff. 8 pages. Duration 11 minutes. Theodore Presser Company #114-42363. Published by Theodore Presser Company (PR.114423630). ISBN 9781491136447. UPC: 680160689187. Walt Whitman, Song of the Open Road. Whitman’s epic “Song of the Open Road†is an inspiring metaphor encouraging us to find and explore our own paths, free of anchors or artificial boundaries. Dorff uses 5 brief passages from the poem as movement titles, setting the stage for a suite of sometimes-edgy soliloquies in which the music (and the flutist) explores these open roads. $11.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Verbum Caro Carl Fischer
Choral TBB chorus SKU: CF.CM9588 Composed by Tomas Luis de Victoria. Arra...(+)
Choral TBB chorus SKU: CF.CM9588 Composed by Tomas Luis de Victoria. Arranged by Jeb Mueller. Fold. Performance Score. 8 pages. Duration 1 minute, 59 seconds. Carl Fischer Music #CM9588. Published by Carl Fischer Music (CF.CM9588). ISBN 9781491154106. UPC: 680160912605. 6.875 x 10.5 inches. Key: Eb major. Latin. Traditional Latin. Tomas Luis de Victoria (15481611) is widely considered the greatest Spanish Renaissance composer and one of the most influential musicians of his time. Included in his oeuvre are two settings of the Pange lingua, both produced in 1581. This motet is excerpted from the first of those and incorporates the original Roman melody, or cantus firmus. (He composed his second Pange lingua based on a Spanish melody.) The baritones anchor the motet by singing the tune in augmentation. This line should be intoned with a flowing, legato articulation that incorporates subtle phrasing and text stresses. The more rhythmic tenor and bass lines complement the melody and illustrate the hopeful nature of its text. Singing this piece with two pulses per measure will encourage a steady and vital performance. Composers provided minimal performance details in their scores during this period in music history, so I added a time signature, bar lines, dynamics, and metronome markings in order to facilitate performances that musicologists believe mimic those of Victorias time. It should be noted that dynamics are largely subjective, so performers may make alternative choices. Each tenuto indicates word stress; the most musical performances will incorporate gentle crescendos and decrescendos before and after each of them. Lastly, using minimal vibrato, especially at cadences, will imbue this wonderful motet with style and clarity. PRONUNCIATION GUIDE Victoria received much of his training in Italy, therefore making Italianate Latin most appropriate. Pure vowels are critical to correct pronunciation, and those phonemes remain constant without exceptions. The most problematic of the vowels is o, which sounds similar to the English words bought and got. The letter t should be produced dentally: lift the tongue to the top of the mouth as in English, but aspirate less on the release. All occurrences of s should be soft and never hardened to [z], such as in praise. Verbum caro, panem verum, [v??bum k??? p?n?m v?rum] verbo carnem efficit: fitque sanguis Christi merum. [v??b? k??n?m ??fit?it fitkw? s??gwis k?isti m??um] Et si sensus deficit, ad firmandum cor sin cerum. [?t si s?nsus ?d?fit?it, ?d fi??m?ndum k?? sin t???um] Jeb Mueller. TomA!s Luis de Victoria (1548a1611) is widely considered the greatest Spanish Renaissance composer and one of the most influential musicians of his time. Included in his oeuvre are two settings of the Pange lingua, both produced in 1581. This motet is excerpted from the first of those and incorporates the original Roman melody, or cantus firmus. (He composed his second Pange lingua based on a Spanish melody.) The baritones anchor the motet by singing the tune in augmentation. This line should be intoned with a flowing, legato articulation that incorporates subtle phrasing and text stresses. The more rhythmic tenor and bass lines complement the melody and illustrate the hopeful nature of its text. Singing this piece with two pulses per measure will encourage a steady and vital performance. Composers provided minimal performance details in their scores during this period in music history, so I added a time signature, bar lines, dynamics, and metronome markings in order to facilitate performances that musicologists believe mimic those of Victoriaas time. It should be noted that dynamics are largely subjective, so performers may make alternative choices. Each tenuto indicates word stress; the most musical performances will incorporate gentle crescendos and decrescendos before and after each of them. Lastly, using minimal vibrato, especially at cadences, will imbue this wonderful motet with style and clarity. PRONUNCIATION GUIDE Victoria received much of his training in Italy, therefore making Italianate Latin most appropriate. Pure vowels are critical to correct pronunciation, and those phonemes remain constant without exceptions. The most problematic of the vowels is ao,a which sounds similar to the English words bought and got. The letter ata should be produced dentally: lift the tongue to the top of the mouth as in English, but aspirate less on the release. All occurrences of asa should be soft and never hardened to [z], such as in praise. Verbum caro, panem verum, [vEE 3/4 bum kEE 3/4 E pEnEm vErum] verbo carnem efficit: fitque sanguis Christi merum. [vEE 3/4 bE kEE 3/4 nEm EEfitEit fitkwE sEAgwis kE 3/4 isti mEE 3/4 um] Et si sensus deficit, ad firmandum cor sin cerum. [Et si sEnsus EdEfitEit, Ed fiE 3/4 EmEndum kEE 3/4 sin tEEE 3/4 um] Jeb Mueller. Tomas Luis de Victoria (1548-1611) is widely considered the greatest Spanish Renaissance composer and one of the most influential musicians of his time. Included in his oeuvre are two settings of the Pange lingua, both produced in 1581. This motet is excerpted from the first of those and incorporates the original Roman melody, or cantus firmus. (He composed his second Pange lingua based on a Spanish melody.) The baritones anchor the motet by singing the tune in augmentation. This line should be intoned with a flowing, legato articulation that incorporates subtle phrasing and text stresses. The more rhythmic tenor and bass lines complement the melody and illustrate the hopeful nature of its text. Singing this piece with two pulses per measure will encourage a steady and vital performance. Composers provided minimal performance details in their scores during this period in music history, so I added a time signature, bar lines, dynamics, and metronome markings in order to facilitate performances that musicologists believe mimic those of Victoria's time. It should be noted that dynamics are largely subjective, so performers may make alternative choices. Each tenuto indicates word stress; the most musical performances will incorporate gentle crescendos and decrescendos before and after each of them. Lastly, using minimal vibrato, especially at cadences, will imbue this wonderful motet with style and clarity. PRONUNCIATION GUIDE Victoria received much of his training in Italy, therefore making Italianate Latin most appropriate. Pure vowels are critical to correct pronunciation, and those phonemes remain constant without exceptions. The most problematic of the vowels is o, which sounds similar to the English words bought and got. The letter t should be produced dentally: lift the tongue to the top of the mouth as in English, but aspirate less on the release. All occurrences of s should be soft and never hardened to [z], such as in praise. Verbum caro, panem verum, [verbum karo panem verum] verbo carnem efficit: fitque sanguis Christi merum. [verbo karnem 'efitSit fitkwe saNGgwis kristi merum] Et si sensus deficit, ad firmandum cor sin cerum. [et si sensus 'defitSit, ad fir'mandum kor sin tSerum] Jeb Mueller. Tomas Luis de Victoria (1548-1611) is widely considered the greatest Spanish Renaissance composer and one of the most influential musicians of his time. Included in his oeuvre are two settings of the Pange lingua, both produced in 1581. This motet is excerpted from the first of those and incorporates the original Roman melody, or cantus firmus. (He composed his second Pange lingua based on a Spanish melody.) The baritones anchor the motet by singing the tune in augmentation. This line should be intoned with a flowing, legato articulation that incorporates subtle phrasing and text stresses. The more rhythmic tenor and bass lines complement the melody and illustrate the hopeful nature of its text. Singing this piece with two pulses per measure will encourage a steady and vital performance. Composers provided minimal performance details in their scores during this period in music history, so I added a time signature, bar lines, dynamics, and metronome markings in order to facilitate performances that musicologists believe mimic those of Victoria's time. It should be noted that dynamics are largely subjective, so performers may make alternative choices. Each tenuto indicates word stress; the most musical performances will incorporate gentle crescendos and decrescendos before and after each of them. Lastly, using minimal vibrato, especially at cadences, will imbue this wonderful motet with style and clarity. PRONUNCIATION GUIDE Victoria received much of his training in Italy, therefore making Italianate Latin most appropriate. Pure vowels are critical to correct pronunciation, and those phonemes remain constant without exceptions. The most problematic of the vowels is o, which sounds similar to the English words bought and got. The letter t should be produced dentally: lift the tongue to the top of the mouth as in English, but aspirate less on the release. All occurrences of s should be soft and never hardened to [z], such as in praise. Verbum caro, panem verum, [verbum karo panem verum] verbo carnem efficit: fitque sanguis Christi merum. [verbo karnem 'efitSit fitkwe saNGgwis kristi merum] Et si sensus deficit, ad firmandum cor sin cerum. [et si sensus 'defitSit, ad fir'mandum kor sin tSerum] Jeb Mueller. Tomas Luis de Victoria (1548-1611) is widely considered the greatest Spanish Renaissance composer and one of the most influential musicians of his time. Included in his oeuvre are two settings of the Pange lingua, both produced in 1581. This motet is excerpted from Pange lingua more hisapano. The baritones anchor the motet by singing the tune in augmentation. This line should be intoned with a flowing, legato articulation that incorporates subtle phrasing and text stresses. The more rhythmic tenor and bass lines complement the melody and illustrate the hopeful nature of its text. Singing this piece with two pulses per measure will encourage a steady and vital performance. Composers provided minimal performance details in their scores during this period in music history, so I added a time signature, bar lines, dynamics, and metronome markings in order to facilitate performances that musicologists believe mimic those of Victoria's time. It should be noted that dynamics are largely subjective, so performers may make alternative choices. Each tenuto indicates word stress; the most musical performances will incorporate gentle crescendos and decrescendos before and after each of them. Lastly, using minimal vibrato, especially at cadences, will imbue this wonderful motet with style and clarity. PRONUNCIATION GUIDE Victoria received much of his training in Italy, therefore making Italianate Latin most appropriate. Pure vowels are critical to correct pronunciation, and those phonemes remain constant without exceptions. The most problematic of the vowels is o, which sounds similar to the English words bought and got. The letter t should be produced dentally: lift the tongue to the top of the mouth as in English, but aspirate less on the release. All occurrences of s should be soft and never hardened to [z], such as in praise. Verbum caro, panem verum, [verbum karo panem verum] verbo carnem efficit: fitque sanguis Christi merum. [verbo karnem 'efitSit fitkwe saNGgwis kristi merum] Et si sensus deficit, ad firmandum cor sin cerum. [et si sensus 'defitSit, ad fir'mandum kor sin tSerum] Jeb Mueller. Tomás Luis de Victoria (1548–1611) is widely considered the greatest Spanish Renaissance composer and one of the most influential musicians of his time. Included in his oeuvre are two settings of the Pange lingua, both produced in 1581. This motet is excerpted from Pange lingua more hisapano.The baritones anchor the motet by singing the tune in augmentation. This line should be intoned with a flowing, legato articulation that incorporates subtle phrasing and text stresses. The more rhythmic tenor and bass lines complement the melody and illustrate the hopeful nature of its text. Singing this piece with two pulses per measure will encourage a steady and vital performance.Composers provided minimal performance details in their scores during this period in music history, so I added a time signature, bar lines, dynamics, and metronome markings in order to facilitate performances that musicologists believe mimic those of Victoria’s time. It should be noted that dynamics are largely subjective, so performers may make alternative choices. Each tenuto indicates word stress; the most musical performances will incorporate gentle crescendos and decrescendos before and after each of them. Lastly, using minimal vibrato, especially at cadences, will imbue this wonderful motet with style and clarity.PRONUNCIATION GUIDEVictoria received much of his training in Italy, therefore making Italianate Latin most appropriate. Pure vowels are critical to correct pronunciation, and those phonemes remain constant without exceptions. The most problematic of the vowels is “o,†which sounds similar to the English words bought and got. The letter “t†should be produced dentally: lift the tongue to the top of the mouth as in English, but aspirate less on the release. All occurrences of “s†should be soft and never hardened to [z], such as in praise.Verbum caro, panem verum,[vɛɾbum kɑɾɔ pɑnɛm vɛrum]verbo carnem efficit: fitque sanguis Christi merum.[vɛɾbɔ kɑɾnɛm ˈɛfitʃit fitkwɛ sɑŋgwis kɾisti mɛɾum]Et si sensus deficit, ad firmandum cor sin cerum.[ɛt si sɛnsus ˈdɛfitʃit, ɑd fiɾˈmɑndum kɔɾ sin tʃɛɾum]Jeb Mueller. $2.25 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Exercises for Three Finger Banjo Banjo - Beginner Mel Bay
Composed by Jack Hatfield. Squareback saddle stitch. Book. Published by Mel Bay ...(+)
Composed by Jack Hatfield. Squareback saddle stitch. Book. Published by Mel Bay Publications, Inc (MB.99783).
$24.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| My Soul's Been Anchored in the Lord Choral SSAA SSAA A Cappella Hal Leonard
Arranged by Moses Hogan/Adapted By Rollo Dilworth. (SSAA A Cappella). Creating ...(+)
Arranged by Moses Hogan/Adapted By Rollo Dilworth. (SSAA A Cappella). Creating Artistry. 12 pages. Published by Hal Leonard.
$2.15 $2.0425 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| My Soul's Been Anchored in the Lord - SATB DV A Cappella
Choral SATB SATB divisi, A Cappella Hal Leonard
Arranged by Moses Hogan. (SATB DV A Cappella). Festival Choral. Festival. Size 6...(+)
Arranged by Moses Hogan. (SATB DV A Cappella). Festival Choral. Festival. Size 6.7x10.5 inches. 8 pages. Published by Hal Leonard.
(3)$2.35 $2.2325 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| My Soul's Been Anchored in the Lord Choral TTBB TTBB A Cappella Hal Leonard
By Traditional. Arranged by Moses Hogan and Peter Eklund. TTBB A Cappella. Chora...(+)
By Traditional. Arranged by Moses Hogan and Peter Eklund. TTBB A Cappella. Choral. 12 pages. Published by Hal Leonard
$2.35 $2.2325 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Hymn Fake Book - C Edition
Melody line, Lyrics and Chords [Fake Book] - Easy Hal Leonard
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, ...(+)
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, lyrics, piano accompaniment, chord names and leadsheet notation. Hymn. Series: Hal Leonard Fake Books. 494 pages. 9x12 inches. Published by Hal Leonard.
(3)$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| La Playa Cancun Concert band [Score] - Beginner C. Alan Publications | | |
| Alfred's Premier Piano Course: Lesson Book 1A
Piano solo [Sheet music] - Beginner Alfred Publishing
By Dennis Alexander, Gayle Kowalchyk, E. L. Lancaster, Victoria McArthur, and Ma...(+)
By Dennis Alexander, Gayle Kowalchyk, E. L. Lancaster, Victoria McArthur, and Martha Mier. Edited by Morton Manus. For Piano. Piano Method. Premier Piano Course. Book. 64 pages. Published by Alfred Publishing.
(3)$9.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Alfred's Premier Piano Course - Lesson Book and Cd Level 1a
Piano solo [CD] - Beginner Alfred Publishing
Keyboard (Lesson Book). Published by Alfred Publishing. Beautifully presented an...(+)
Keyboard (Lesson Book). Published by Alfred Publishing. Beautifully presented and intelligently paced, the Lesson Books combine unusually attractive music and lyrics. The books feature note reading, rhythm reading, sight-reading and technical workouts. Each piece on the CD was recorded at a performance tempo and a slower practice tempo.
(7)$11.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Anchors Aweigh Concert band [Score and Parts] - Easy Alfred Publishing
By Charles A. Zimmerman. Arranged by Jerry Brubaker. For Concert Band. Concert B...(+)
By Charles A. Zimmerman. Arranged by Jerry Brubaker. For Concert Band. Concert Band. Belwin Young Band. Level: 2 (Easy) (grade 2). Conductor Score and Parts. 120 pages. Published by Alfred Publishing.
(1)$58.00 $55.1 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| When We Go Concert band - Intermediate/advanced Excelcia Music Publishing
Concert Band Concert Band - Grade 4 SKU: XC.MCB1901 Composed by Tyler Arc...(+)
Concert Band Concert Band - Grade 4 SKU: XC.MCB1901 Composed by Tyler Arcari. Concert Concert Band. Maestro Band Series. Concert and Contest. Classical, Acoustic. Set of parts. Excelcia Music Publishing #MCB1901. Published by Excelcia Music Publishing (XC.MCB1901). UPC: 812598032222. 9 x 12 inches. When We Go is an introspective journey into our time here on earth dedicated to loved ones lost. Composer Tyler Arcari weaves a personal tale throughout this piece utilizing returning melodic lines and harmonic anchor points. A creative and heartfelt piece that will inspire musicians. $95.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A Pirate's Tale Concert band - Intermediate Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4533-00 Composed by La Plante. Concert...(+)
Concert band - Grade 3 SKU: CL.012-4533-00 Composed by La Plante. Concert Band. Concert Band Series. Audio recording available separately (item CL.WFR392). Score and set of parts. Composed 2017. Duration 3 minutes, 8 seconds. Opus III Wind Orchestra Publications #012-4533-00. Published by Opus III Wind Orchestra Publications (CL.012-4533-00). From the dramatic opening and theme to the merry hornpipe and final ominous knell of the gong, it's all hands on deck! A Pirate's Tale musically depicts life of the high seas in the ages of gangplanks and shipboard scallywags. Delightfully descriptive, this work will entertain and amuse all. So weigh anchor, run up the Jolly Roger and set sail with A Pirate's Tale. AARGH!! $74.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Shallow (from A Star Is Born) Marching band [Score and Parts] - Intermediate Hal Leonard
From A Star Is Born. By Bradley Cooper and Lady Gaga. By Andrew Wyatt, Anthony...(+)
From A Star Is Born. By
Bradley Cooper and Lady Gaga.
By Andrew Wyatt, Anthony
Rossomando, Mark Ronson, and
Stefani Germanotta. Arranged
by Paul Murtha and Will Rapp.
Contemporary Marching Band.
Movies, Pop. Softcover.
Published by Hal Leonard
$60.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| A Pirate's Tale Concert band - Intermediate Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4533-75 Composed by La Plante. Concert...(+)
Concert band - Grade 3 SKU: CL.012-4533-75 Composed by La Plante. Concert Band. Concert Band Series. Audio recording available separately (item CL.WFR392). Oversized, spiral-bound score. Composed 2017. Duration 3 minutes, 8 seconds. Opus III Wind Orchestra Publications #012-4533-75. Published by Opus III Wind Orchestra Publications (CL.012-4533-75). From the dramatic opening and theme to the merry hornpipe and final ominous knell of the gong, it's all hands on deck! A Pirate's Tale musically depicts life of the high seas in the ages of gangplanks and shipboard scallywags. Delightfully descriptive, this work will entertain and amuse all. So weigh anchor, run up the Jolly Roger and set sail with A Pirate's Tale. AARGH!! $25.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Hillsong Modern Worship Hits Piano, Vocal and Guitar Hal Leonard
By Various. For Piano/Vocal/Guitar. Piano/Vocal/Guitar Songbook. Softcover. Publ...(+)
By Various. For Piano/Vocal/Guitar. Piano/Vocal/Guitar Songbook. Softcover. Published by Hal Leonard
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| New Pieces for Viola, Book I (Grades 2-3) Viola, Piano - Easy ABRSM Publishing
By ABRSM. For viola, piano. Published by ABRSM (Associated Board of the Royal Sc...(+)
By ABRSM. For viola, piano. Published by ABRSM (Associated Board of the Royal Schools of Music).
$16.99 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| The Lamb - Set of Parts Medallion Music
SKU: LO.30-3574MD Composed by Jay Rouse. Choral, cantatas. Eastertide, Ho...(+)
SKU: LO.30-3574MD Composed by Jay Rouse. Choral, cantatas. Eastertide, Holy Week. Instrumental parts. Medallion Music #30/3574MD. Published by Medallion Music (LO.30-3574MD). UPC: 000308149869. Christ, our Passover lamb, has been sacrificed! The living God has poured out precious blood to reclaim us, His people. This blueprint is the heart of the gospel, and Jay Rouse and Rose Aspinall have made that incredible gift central to the creation of this musical. Beginning with Jay's modern setting of the beloved hymn Crown Him with Many Crowns to the triumphant, gospel-infused finale, He's Risen, Hallelujah!, the work of the cross is celebrated and reverenced with emotion, warmth, sorrow, and rejoicing. The anchor song, It Took a Lamb, is a classic from Geron Davis, while This is How We Know What Love Is provides an original offering that tells the story and excitement of running to the tomb and finding the stone rolled away. Your congregation will want to sing along with The Blood of Jesus Medley and will be drawn into worship by There is a Fountain. These six very accessible songs can be used in their entirety or across the Easter season as a beautiful 30-minute work. $249.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sing Choirs of Angels Choral SATB SATB, Piano Epiphany House Publishing
Composed by Regi Stone. Arranged by Bruce Greer. Epiphany House. Christmas Sa...(+)
Composed by Regi Stone.
Arranged by Bruce Greer.
Epiphany House. Christmas
Sacred. Octavo. 12 pages.
Epiphany House Publishing
#EH1022. Published by
Epiphany House Publishing
$2.25 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| A Pirate's Tale Concert band - Intermediate C.L. Barnhouse
Concert band - Grade 3 SKU: CL.012-4533-01 Composed by La Plante. Concert...(+)
Concert band - Grade 3 SKU: CL.012-4533-01 Composed by La Plante. Concert Band. Concert Band Series. Audio recording available separately (item CL.WFR392). Extra full score. Composed 2017. Duration 3 minutes, 8 seconds. Opus III Wind Orchestra Publications #012-4533-01. Published by Opus III Wind Orchestra Publications (CL.012-4533-01). From the dramatic opening and theme to the merry hornpipe and final ominous knell of the gong, it's all hands on deck! A Pirate's Tale musically depicts life of the high seas in the ages of gangplanks and shipboard scallywags. Delightfully descriptive, this work will entertain and amuse all. So weigh anchor, run up the Jolly Roger and set sail with A Pirate's Tale. AARGH!! $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Omnia Sol (Let Your Heart be Staid) Choral SATB SATB, Piano [Octavo] Heritage Music Press
By Z. Randall Stroope. For SATB choir and piano. Concert. Octavo. Published by H...(+)
By Z. Randall Stroope. For SATB choir and piano. Concert. Octavo. Published by Heritage Music Press. (15/2134H)
(6)$2.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| And It Came to Pass, Emmanuel - Stem Files Disc Medallion Music
SKU: LO.99-3755MD Composed by Jay Rouse. Choral, cantatas. Advent, Christ...(+)
SKU: LO.99-3755MD Composed by Jay Rouse. Choral, cantatas. Advent, Christmas, Sacred. Stem files disc. Medallion Music #99/3755MD. Published by Medallion Music (LO.99-3755MD). UPC: 000308147667. And It Came to Pass, Emmanuel: A compelling musical triumph that invites the listener on a journey that ultimately leads to worship of the Christ Child. The text of the Christmas story blends seamlessly with original narrative and exquisite lyric writing from Rose Aspinall, and Jay Rouse's incredible ability to fashion original melodies and arrange Christmas favorites with nuance and passion is on full display. The musical opens with an ethereal underscore that leads effortlessly into a 6/8 interpretation of Adeste Fideles, followed directly by the theme song and anchor ballad for the musical, And It Came to Pass. Also included are a song written specifically for this work that gives voice to Joseph's fears and longings; a traditional gospel setting of the all-time favorite Jesus, What a Wonderful Child; a syncopated, upbeat angel and shepherd announcement song titled Fire in the Sky; and a tender worship moment at the manger called Jesus, Prince of Peace. With a little something for everyone, this creative work is sure to be an important part of your Christmas season. $249.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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