| Ode to Eternal Pine [Score] Peters
By Wen-chung Chou. Contemporary Medium Ensemble. For Flute, Clarinet, Violin, Ce...(+)
By Wen-chung Chou. Contemporary Medium Ensemble. For Flute, Clarinet, Violin, Cello, Percussion, Piano. Modern. Score. Composed 2009; First Performance: April 27th, 2009 - New York New Music Ensemble. Duration circa 17 minutes. Published by Edition Peters
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| Kaleidoskop Organ [Score] Breitkopf & Härtel
Organ SKU: BR.EB-9071 Suite. Composed by Jurg Baur. Solo instrumen...(+)
Organ SKU: BR.EB-9071 Suite. Composed by Jurg Baur. Solo instruments; Softcover. Edition Breitkopf. World premiere: Darmstadt, April 7, 1990 Music post-1945. Score. Composed 1989. 20 pages. Duration 7'. Breitkopf and Haertel #EB 9071. Published by Breitkopf and Haertel (BR.EB-9071). ISBN 9790004179468. 11 x 15 inches. Ein ganz anderer (neuer?) Baur keine Bindung an einen cantus firmus, keine barocke Form stattdessen vier suitenartig, in lockerer Form aneinander gereihte Satze. Schon die Uberschriften deuten auf Neues; der Gesamt-Titel: Kaleidoskop die einzelnen Teile: Sisyphus, Spiegelung, Artisten, Marionetten; spielerisch frei entworfene Stucke, heiter, besinnlich, humorvoll. 1. Satz: Zwei thematische Bewegungen charakterisieren den Ablauf des Sisyphus eine durch Pausen unterbrochene einstimmige Rollfigur wechselt standig mit einem stereotypen Funfton-Ostinato einem Motiv, das in vielfacher Veranderung wiederkehrt und schliesslich girlandenformig in die Tiefe fallt, symbolisch fur das vergebliche Bemuhen der altgriechischen Sagengestalt. Das zweite Stuck, Spiegelungen, wird ein- und ausgeleitet durch einen melancholischen Gedanken; dieser mundet in einer Gruppe von statischen, streng imitierten, ineinander geschobenen Spiegelklangen. Eine bewegte Figur fuhrt zu einer 5/8-Periode, bei der die Oberstimme um funf Tone kreist; am Ende steht wieder die Spiegelklang-Episode, auf einem Einzelton verloschend: das Ganze ein ruhiges, fast aleatorisch wirkendes Intermezzo. 3. Satz: Eine virtuose Studie mit kreisenden Rastelli-Tongruppen, dodekaphonisch geordneten Quintolen, begleitet von rhythmisch gegenlaufigen Klangimpulsen, immer wieder unterbrochen von rezitativischen Pedal-Bass-Soli. Zum Ende, kraftvolle Zusammenballung aller thematischen Elemente eine artistische Toccata, gipfelnd in dissonanten Klangturmen. Das Finale: Marionetten, eine funfteilige Bruckenform ABCBA. Der Satz fugt sich aus drei thematischen Abschnitten zusammen; der erste: eine abwarts gerichtete Zwolfton-Melodie, in ein Klangfeld mundend, das sich zum vielschichtigen Akkord weitet; der zweite: ein verhulltes Menuett mit funftonigem Bass-Ostinato und marionettenhaft gezirkelten Bewegungen in Melodie und Begleitung; der dritte: ein in streng serieller Manier durchgefuhrter Abschnitt mit spiegel- und krebsformigen Entsprechungen. Formteil B und A schliessen sich als variierte Reprise an. Die Coda wird gebildet von dreifach geschichtetem Trillerfeld, der Zwolfton-Melodie des Anfangs und einer Kadenz mit drei Akkorden in tiefer Lage: ein stiller Ausklang des Kaleidoskops. (Jurg Baur) Bibliography : Richter , Reinhold: Zwischen Tradition und Avantgarde zwischen Zweifel und Hoffnung. Einige Notizen zur Chor- und Orgelmusik von Jurg Baur anlasslich des 85. Geburtstages im vergangenen November, in: Forum Kirchenmusik 54 (2003), Heft 6, S. 23-31.
World premiere: Darmstadt, April 7, 1990. $51.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Schubert's "Winter Journey" Piano, Voice Breitkopf & Härtel
Voice and piano (solo: T - 2(picc.A-fl).2(ob.d'am[ad lib.].cor ang.muha).2(B-cla...(+)
Voice and piano (solo: T - 2(picc.A-fl).2(ob.d'am[ad lib.].cor ang.muha).2(B-clar.S-sax.muha).2(kfg.muha) - 1.1(corn [ad lib.]).1.0 - timp.perc(3) - acc(windmachine I).hp(rainmaker.windmachine II).guit(rainmaker.windmachine III) - str: 1.1.2.1.1) SKU: BR.EB-9394 A Composed Interpretation. Composed by Hans Zender. Voice; Softbound. Edition Breitkopf. World premiere: Frankfurt am Main, September 21, 1993. Song; Music post-1945. Piano/Vocal Score. Composed 1993. 120 pages. Duration 85'. Breitkopf and Haertel #EB 9394. Published by Breitkopf and Haertel (BR.EB-9394). ISBN 9790004188682. 9 x 12 inches. My lecture of the Winterreise does not demand a new expressive interpretation, but instead systematically exercises the freedom which all interpreters allow themselves intuitively, such as: instrumental dilation i. e. acceleration of the pace, transposition into other keys and elaboration of characteristic color timbres. In addition, there are further ways of reading; the music; jumping around in the text, repeating certain lines, interrupting the continuity, comparing different expressions of the same phrase ... All these new possibilities are subjected to my compositional discipline and form autonomous formal processes which are imposed on Schuberts original. The transformation of the piano tones into a multifaceted orchestra full of resonance is only one of many aspects.(Hans Zender)CDs:Hans Peter Blochwitz (Tenor), Ensemble Modern, Conductor: Hans Zender CD BMG 9026-68067-2 Christoph Pregardien (Tenor), Klangforum Wien, Conductor: Sylvain Cambreling CD Kairos 0012002KAIJulien Pregardien (Tenor), Deutsche Radio Philharmonie Kaiserslautern, Conductor: Robert Reimer2 CD's P.RHEI (2016)Bibliography:Adam-Schmidmeier, Eva-Maria von: Schubert interpretieren. Hans Zender: Schuberts Winterreise. Eine komponierte Interpretation im Unterricht, in: Musik und Unterricht Heft 96 (2009), pp. 50-56.Gruhn, Wilfried: Wider die asthetische Routine. Hans Zenders Version von Schuberts Winterreise, in: Neue Zeitschrift fur Musik 1/1997.Hebling, Harald: Kompositorische Schubertrezeption im 20. Jahrhundert, Magisterarbeit Universitat Wien 2003, especially pp. 148-157.Nonnenmann, Rainer: Vom Nutzen und Nachteil der Musikhistorie fur das Musikleben. Zur Kritik aktualisierender Interpretation am Beispiel von Hans Zenders Schuberts ,Winterreise, in: Musik und Asthetik 7, Heft 26 (April 2003), pp. 65-90.ders.: Schuberts ,Winterreise . Komponierte Interpretation von Hans Zender / Ballett von John Neumeier, in: Osterreichische Musikzeitung 60 (2005), Heft 3, p. 42f.ders.: Fremd bin ich eingezogen, fremd zieh ich wieder aus. Versuch zur Rettung der Vergangenheit Schuberts Winterreise. Eine komponierte Interpretation fur Tenor und kleines Orchester (1993) von Hans Zender, in ders.: Winterreisen. Komponierte Wege von und zu Franz Schuberts Liederzyklus aus zwei Jahrhunderten, 2 Bande (= Taschenbucher zur Musikwissenschaft, Band 150/151), Wilhelmshaven: Florian Noetzel 2006, pp. 143-205.Petersen, Birger: Neue Musik. Analysen, Berlin: Simon Verlag fur Bibliothekswissen 2013, pp. 11-24.Revers, Peter: ... Schnee, du weisst von meinem Sehnen. Aspekte der Schubert-Rezeption in Hans Zenders Winterreise (1993), in: Dialekt ohne Erde. Franz Schubert und das 20. Jahrhundert, hrsg. von Otto Kolleritsch, Wien-Graz 1998 (Studien zur Wertungsforschung, Band 34), pp. 98-120.Schafer-Lembeck, Hans-Ulrich: Gegenstrebige Fugungen. Hans Zenders Musik und seine komponierte Interpretation von Schuberts Winterreise, in: Neue Musik vermitteln. Analysen Interpretationen - Unterricht, hrsg. von Hans Bassler, Ortwin Nimczik und Peter W. Schatt, Mainz: Schott, 2004, pp. 295-307.Stahmer, Klaus Hinrich: Bearbeitung als Interpretation - Zur Schubertrezeption Gustav Mahlers, Hans Zenders und Friedhelm Dohls, in: Franz Schubert und Gustav Mahler in der Musik der Gegenwart, Mainz 1998.Zender, Hans: warum wieder die Winterreise? Hartmut Regitz im Gesprach mit dem Komponisten, in: ballet.tanz - international.aktuell, Heft 12 (2001), p. 18.
World premiere: Frankfurt am Main, September 21, 1993. $102.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Annette et Lubin Barenreiter
Soprano voice solo/3 tenor voice solos/3 baritone voice solos/orchestra (Soprano...(+)
Soprano voice solo/3 tenor voice solos/3 baritone voice solos/orchestra (Soprano Voice Solo, 3 Tenor Voice Solo, 3 Baritone Voice Solo, Orchestra) SKU: BA.BA08812-01 Comedy in one act in verses, with ariettes and vaudevilles. Composed by Adolphe Benoît Blaise and Marie-Justine-Benoîte Favart. Edited by Andreas Münzmay and Janine Droese. This edition: Edition of selected works, Urtext edition. Linen. Spectrum of European Music Theatre in Separate Editions 2. Edition of selected works, Score, Critical commentary, USB flash drive. Baerenreiter Verlag #BA08812_01. Published by Baerenreiter Verlag (BA.BA08812-01). ISBN 9790006543182. 33.1 x 26.5 cm inches. Text Language: French. Preface: Münzmay, Andreas. Text: nach Jean-Francois Marmontel. Annette et Lubin
Justine Favart and Adolphe Blaise'sAnnette et Lubinwas premiered on 15 February 1762 at the Paris Opera-Comique - the first new production at that theater following its merger with the Comedie-Italien. It was a resounding success: by the time the season came to an end, on 3 April, it had been almost continuously on the program with no decline in interest from the public, and it remained in the repertoire for more than thirty years. Countless new editions, translations, and parodies of the play bear witness to its impact far beyond the borders of Paris. Like all of Favart's works, it deals with the subject of natural love, unencumbered by considerations of money or social status endangering it from the outside through powerful aristocratic or wealthy rivals. The plot is based on a literary model, the like-named tale by Jean-Francois Marmontel, which is in turn based on a contemporary occurrence. Annette and her cousin Lubin are sharply reprimanded for their love by an estate administrator (Le Bailli) who himself has designs on Annette. He takes advantage of Annette's illegitimate pregnancy to extort her: only by marrying him can she escape condemnation by society and the church. But Annette and her lover are able to gain the protection of the local squire (Le Seigneur), and the story ends happily with a conciliatory gesture from the lord of the manor.
The second volume in our series OPERA, Annette et Lubin, consists of a cloth-bound book and an Edirom file stored on a USB card in credit-card format. The number of simultaneous users of the edition's digital component is unlimited. Further information on the work and the OPERA series can be found at http://www.opera-edition.com/en/annetteetlubin_en.htm.
OPERA: Spectrum of European Music Theatre in Separate Editions is dedicated to critical editions of outstanding works of European music theatre from the 17th to the 20th centuries. Compositions of French, Italian, German, English, Scandinavian and Slavic origin are being edited. These include specific genres which have seldom been given attention in editorial undertakings until now and which present their own editorial problems, such as ballet, theatre music, melodrama or operetta.
A new feature is the form of the presentation in so-called hybrid editions. While the scores appear in traditional cloth-bound volumes, the musical and textual sources, the editions of the dramatic texts, as well as the critical commentaries are prepared and presented on an electronic platform (Edirom). Thanks to this ability to access the underlying sources, the editorial decisions are completely transparent to the user. This special editorial access being implemented by OPERA's editions uses the software Edirom, which was developed in a project of the Deutsche Forschungsgemeinschaft (German Research Foundation) based at the University of Paderborn. All components of the electronic part are encoded according to the modern standard of XML. The text components follow the standard of the Text Encoding Initiative (TEI).
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
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