SKU: KN.SJK2301
12 x 9 inches.
Your band (and audience) will love this intriguing new chart from Australian composer Cam McAllister. Beautiful and evocative this work, inspired by the music of Africa, moves through several extended passages that weave engaging melodic ideas and captivating harmony over a floating rhythm section feel.
SKU: KN.SJK2301FS
SKU: HL.117739
ISBN 9781480333888. UPC: 884088890315. 6.75x10.5 inches. John Jacobson/Roger Emerson.
Grab your cameras! We're makin' a movie about the one and only Santa Claus – but what style of movie fits the greatest elfin hero of all time? Thanks to a little help from Cecil B. DeGrille, Alfred Pitchfork, Steven Reelberg and a few other illustrious filmmakers, a young group of aspiring directors experience movie-making like never before, from Epic Extravaganza and Film Noir to Spaghetti Western and Super-hero-adventure film. Watch out, Hollywood! This musical offers options for a simple or elaborate production, including the choice of two endings and suggestions for producing your very own movie. We'll even show you how! Either way – it will be a blockbuster! This 40-minute musical features six original songs and connecting script with over 50 speaking parts. The Teacher Edition includes piano/vocal song arrangements and choreography, script, helpful production guide and teaching objectives linked to the National Standards for each song. For added value, the ready-to-use student books include songs and script, and will enhance the musical experience for your young aspiring actors/singers! Available separately: Teacher Edition, Singer 5-Pak, Preview CD (with vocals & dialog), Preview Pak (1 singer book and 1 Preview CD), Preformance/Accompaniment CD, and Performance Kit/CD (Teacher, 20 Singer books and P/A CD). Approximate Performance Time: 40 minutes. Suggested for grades 4-8.
SKU: LP.765762083103
UPC: 765762083103.
Southern gospel enthusiasts rejoice! Here is an outstanding collection of your gospel favorites. These are songs of testimony fellowship and the hope of heaven - vital components for each of us in our walk of faith. Features Easy 2 Excel Flexible choral format for choirs of all sizes; Includes a complete Keyboard Accompaniment Edition; Pieces from today's most trusted (and revered) gospel arrangers. Choirs will find this book to be a staple in their choral diet and a refreshing addition to their customary worship collection. Southern Gospel Favorites is an ideal resource for summer choirs revivals camp meetings or any gathering place where southern gospel music is loved!
SKU: WD.080689471179
UPC: 080689471179.
Places! Lights! Curtain Up! It’s time for The Star Factor and you have a front-row seat! The setting is Camp Heart & Soul, a summer arts camp that features a talent showcase with an exciting twist: the showcase winner earns the opportunity to compete on a national TV show. As everyone excitedly prepares for the performance, their initial group cooperation begins to crumble as their celebrity coach tells them that “looking out for yourself is the only way to become a star!†A series of zany complications climax at the broadcast of the show when all the would-be “stars†finally learn that being part of the Body of Christ is what is important, and every person has a special and unique role to play. The Star Factor is another home-run musical from the gifted pen of Christy Semsen, combining humorous characters, clever storytelling, and memorable songs that deliver a solid contemporary spiritual theme the whole audience will appreciate. Daniel Semsen has produced state-of-the-art accompaniment tracks – worthy of any television show – and a comprehensive Teacher's Resource Kit and performance Instructional DVD will provide all the production help and ideas you need for an impactful and unforgettable experience. So set your DVR for The Star Factor – it’s an experience you’ll want to become a part of again and again!
SKU: BR.PB-4891-07
World premiere: Essen, May 4, 1975
ISBN 9790004206874. 6.5 x 9 inches.
Das Concerto da camera will weder eine barockisierende noch avantgardistische Musik fur die Blockflote sein - sondern ein instrumentgerechtes, abwechslungsreiches, temperamentvolles Stuck. Der Solopart (im Wechsel von Alt- und Piccolo-Flote) ist virtuos und ausdrucksstark zugleich angelegt, unter Berucksichtigung der in den letzten Jahren fur die Blockflote speziell entwickelten Techniken (uberblasene Akkorde, Flackergerausche, Fingervibrato etc.). Die relativ umfangreiche Orchesterbesetzung (funf Holz-, vier Blechblaser, Harfe, Schlagwerk, Streicher) soll farbige Kontraste schaffen und verschiedene Strukturen verdeutlichen. Im ersten Satz, einem knappen ,,Preludio bringt das Solo-Instrument verfremdete Zitate aus dem langsamen Satz eines Telemann-Konzertes (a-moll) uber Klangflachen von Streichern und Blasern. Zweiter Satz: Ein mehrteiliges, rhapsodisches Allegro, bei dem der Part der Blockflote von Repetitionsfiguren bestimmt wird. Das Orchester setzt mosaikahnliche kurze dodekaphonische und serielle Klanggruppen und -blocke dagegen. Im ruhigeren Zwischenteil korrespondiert die Solostimme mit dichtem polyphon gefuhrten Streicherensemble. Der langsame Satz , Mittelpunkt des ganzen Konzerts, entwickelt sich als weit ausgesponnene Fantasie und kristallisiert sich um die einzelnen Zeilen der alten Liedweise ,,Innsbruck, ich muss dich lassen - ,,auf der Suche nach der verlorenen Zeit. Ein rhythmisch eigenwilliges zwolftoniges Bass-Ostinato beherrscht das Finale, greift allmahlich in steter Steigerung auf alle Stimmen uber und ubertont schliesslich den Solopart. Nach kurzer Klimax kehrt das Thema nach und nach in die Bassregister zuruck, wahrend das Solo-Instrument mit virtuosen Spielfiguren dominiert. Eine Fanfare und eine im Unisono aus der Hohe herabschiessende Figur leiten diesen letzten Satz ein, erscheinen in der Mitte und am Ende, ehe eine humorvolle Stretta das Werk beschliesst. Das ,,Concerto da camera ist an kein festes Kompositionsprinzip gebunden; es konfrontiert den relativ zarten Klang der Blockflote mit den verschiedenen lautstarkeren Orchestergruppen und zeigt in diesem Spannungsfeld die Moglichkeiten und Grenzen des Soloinstruments auf.(Jurg Baur)Bibliography:Schneider, Michael: Verschmitzt Jurg Baur und die Blockflote, in: Tibia 38 (2013), S. 418-431.Wallerang, Lars: Die Orchesterwerke Jurg Baurs als Dialog zwischen Tradition und Moderne, Koln: Dohr 2003.
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