SKU: MN.50-2501
UPC: 688670525018.
The accompaniment for this setting of the familiar American folk melody has a classical piano feel. And works beautifully with harpsichord. The spiritual is designed to flow along over the accompaniment without too much effort. The notes must be well in place before adding the keyboard. This anthem can be sung in church services, school or church concerts or with college groups. It also makes a very nice ensemble selection.
SKU: MN.56-0052
UPC: 688670220555. English, Latin.
Arranged for SATB choir, two keyboards, strings, and optional harp, with soprano, tenor (optional) and baritone soloists, this fresh and unorthodox interpretation reflects on the words of the Latin Mass by juxtaposing them with poems in English. This movement is a nicely accompanied, homophonic choral setting of the English text by John Henry Newman (1833). Anthem-like and entirely self-sufficient, it is ideal to perform separately apart from the entire work. Duration 2:14.
SKU: HL.275444
UPC: 888680744038. 5.0x5.0x0.15 inches.
From the musical Les Miserables, this powerful ballad is full of grief but also the hope that leads us to speak truth to power. This arrangement captures the raw emotion of one who has lost friends and carries the pain and guilt of the one who lives on. Here is a song for your concert or show choir that requires their full vocal ranges along with the full emotional ranges expressed by heartfelt lyrics.
SKU: HL.49047287
ISBN 9798350115789.
Text writers: Emily Dickinson, David Harsent, Christina Georgina Rossetti, William Butler Yeats, Philip Larkin Contents: I Echo (Christina Rossetti) II for each ecstatic instant (Emily Dickinson) III If Grief (Philip Larkin) IV When You Are Old (W. B. Yeats) V Baby Blue (David.
SKU: HL.4007248
UPC: 840126969474. 9.0x12.0x0.831 inches.
“Masked†by Alex Shapiro is composed in the exact shape of a Classical Minuet and Trio waltz, though the music––a whimsical if somewhat demented masked ball (or, balls, in this case)––bears little connection to that of Mozart or Haydn. Historically, third movement Minuets gave way to the joke-like Scherzo, and the Trio section tips its hat to some welcome levity. This is one of four movements in Suspended, a piece is composed in the tradition of an 18th century Classical symphony: four contrasting movements which serve specific functions and reveal a story. The work begins in absolute rage and chaos, then alternates between moments of grief and bleakness. Grim reality shifts to a macabre, circus-like insanity, and by the end, flickers of genuine hope contrast a pervasive sense of dread, and finally arrive at more optimistic possibilities. To perform the piece, you'll need an audio system capable of playing the prerecorded audio tracks from a laptop computer via a small digital audio interface connected to an audio mixer. Download information is provided in the printed piece.
SKU: BT.DHP-1053919-030
9x12 inches. English-German-French-Dutch.
Elegy I ‘Jealousy’ has been named after John Donne’s poem of the same name. This English poet (1572-1631) wrote an entire series of elegies, each with its own theme. Jealousy can trigger various emotions, ranging from disappointment, grief, or regret, to madness and anger. All these emotions have been incorporated into this composition. Jacob de Haan was inspired by three different works of art: a poem (the aforementioned poem by John Donne), a painting by the Norwegian painter Edvard Munch (Jealousy in the Garden) and an old French chanson about jealousy (Je ne l’ose dire) by the sixteenth-century French composer Pierre Certon. The music refers repeatedly to thischanson - sometimes through key notes from the melody that serve as the starting point for new, isolated themes and sometimes through quotations of the original version Elegy I ‘Jealousy’ werd genoemd naar het gelijknamige gedicht van John Donne. Jaloezie (Jealousy) roept een hele rij emoties op. Van teleurstelling, treurnis en verdriet tot boosheid en woede. Het gedicht Jealousy van Donneen ook het gelijknamige schilderij van Edvard Munch inspireerden Jacob de Haan om dit werk te componeren. En het is hem goed gelukt om alle emoties die bij jaloerse gevoelens horen muzikaal te verklanken! Een treffend concertwerkdat u niet mag missen…Elegy I ‘Jealousy’ wurde nach dem gleichnamigen Gedicht von John Donne benannt. Eifersucht (Jealousy) vermag eine ganze Reihe von Emotionen auszulösen - von Enttäuschung, Trauer, Bedauern bis hin zu Ärger und Wut. Jacob de Haan ist es gelungen, all diese Gefühle in Musik umzusetzen. Ein bewegendes Konzertwerk, das Sie sich nicht entgehen lassen sollten. Elegy I: Jealousy (Élégie 1 : La Jalousie) a emprunté son nom au poème éponyme de John Donne. La jalousie peut déclencher de nombreuses émotions qui vont de la déception, de la peine et du regret la colère ou la folie. Toutes ces émotions ont trouvé leur place dans cette composition, inspirée de trois formes d’art différentes : la poésie (Elegy I), la peinture (La Jalousie - Edvard Munch) ; la chanson (Je ne l’ose dire - Pierre Certon). La résonance affective et émotionnelle est forte. En un instant, l’auditeur est touché par ce qu'il entend.
SKU: SU.28060140
A colossal, single movement quartet that traces the five stages of grief. string quartet Duration: 35' Composed: 2013 Published by: Distributed Composer.
SKU: JK.01514
Doctrine and Covenants 135, 2 Nephi 3:14-15.
Restoration medley for vocal solo and piano accompaniment, combining Poor Wayfaring Man of Grief and Praise to the Man. Also available for mixed chorus (#01703). Highest note: E / Lowest note: C. Composer: George ColesArranger: Gaylene AndersonLyricist: James Montgomery & William W. PhelpsDifficulty: Medium to medium-difficultPerformance time: 2:30Reference: Doctrine and Covenants 135, 2 Nephi 3:14-15.
SKU: MN.50-3105
UPC: 688670531057. English. Isaiah 53:4.
Written for the Schola Cantroum of Concordia Theological Seminary, Fort Wayne, this is a gentle, expressive setting of this classic text from Isaiah 53. The accompaniment is equally suited for piano or organ. The music lasts less than two minutes, so this piece may be followed by its companion, 50-3151, But He Was Pierced/All We Like Sheep..
SKU: TM.03297SC
Key of Ab. Prout Edition.
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