By Hugo Alfven (1872-1960). For horn (or cello) and organ (or piano). Op. 5. Duration 7 minutes. Published by Gehrmans Musikforlag

SATB Choir and Piano

SKU: HL.14025548

Composed by Henry Hugo Pierson. Music Sales America. Classical. Choral Score. Music Sales #NOV400452. Published by Music Sales (HL.14025548).

By Hugo Kauder. For Flute, Oboe, Viola. (Chamber Music). Sheet music. Published by See Saw.

Accordion (AKK)

SKU: HL.49035234

Fur das Akkordeon. Composed by Bernard Herrmann. Edited by Hugo Herrmann. This edition: Saddle stitching. Sheet music. Edition Schott. 50 pages. Schott Music #MH121175. Published by Schott Music (HL.49035234).

9.0x12.0x0.175 inches.

Composed by Hugo Distler (1908-1942). For Soli SSSTBB, SATB choir. Sacred, cantatas, Christmas, Urtext. Full score. Text language: German. 48 pages. Published by Carus Verlag

By Hugo Alfven. For Piano. 20th Century. Sheet Music. Published by Edition Wilhelm Hansen.

(Low Voice). Edited by John Glenn Paton. For Voice (Low voice (Medium-Low)). Book; Masterworks; Vocal Collection. Gateway Series. Masterwork. 240 pages. Published by Alfred Music Publishing

(High Voice). Edited by John Glenn Paton. For Voice (High voice (Medium-High)). Book; CD; Masterworks; Vocal Collection. Gateway Series. Masterwork. 240 pages. Published by Alfred Music Publishing

SATB Choir, Piano - Level 3

SKU: CA.925600

Composed by Hugo Wolf. Arranged by Denis Rouger. Separate edition to the CD. Lieder, Secular choral music. Full Score. Duration 3 minutes. Carus Verlag #CV 09.256/00. Published by Carus Verlag (CA.925600).

ISBN M-007-24918-2. Key: D major. German. Text: Morike, Eduard.

Hugo Wolf set a total of 53 songs by Eduard Morike, all in the year 1888. The composer wrote in a letter: Once you have heard this song, it can only inspire one wish - to die. In the artistic-metaphysical milieu of the late 19th century this was regarded as the highest ideal, especially for Hugo Wolf, who believed in the body as a wretched piano case from which the soul can only break free like harmonies dying away. And yet Fussreise (Journey on Foot) begins as a simple, happy, elated song of travel, revolving around the key of D major over an ostinato piano rhythm. Old Adam believes he senses the bliss of paradise in this, but he continues to be caught in the tension between earthly suffering and eternal longing, as the rest of Hugo Wolf's setting clearly shows: it remains a pious hope that a whole life would be such a morning journey bathed in gentle perspiration. These art songs were originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted them to suit the requirements and expressive possibilities offered by a larger ensemble, without losing the any of the qualities of the original in the process. Each part in the choir has a melodic line drawn from the harmonic and rhythmic framework. In the process, the variety and refinement of the choral language combines with an enormous flexibility in form and expression, as French melodies or German art song demand from a soloist and pianist. The songs have been recorded by the figure humaine chamber choir on the CD Kennst du das Land ... (Carus 83.495).

SATB choir

SKU: GH.CG-3421

Composed by Hugo Alfven. Arranged by Hugo Alfven. Octavo. With Language: Swedish. Gehrmans Musikforlag #CG 3421. Published by Gehrmans Musikforlag (GH.CG-3421).

ISBN 9790070009416. 185 x 262 mm inches. Text: Traditional.

Svensk folkvisa i bearbetning for blandad kor av Hugo Alfven.

String Quartet (2vl,va,vc)

SKU: BR.EB-9260

Composed by Manuela Kerer. Chamber music; Folder. Edition Breitkopf.

World premiere: Stockholm (Festival O/MODERNT), June 19, 2017

Music post-1945; New music (post-2000). Set of parts. Composed 2016/17. 32 pages. Duration 15' - 18'. Breitkopf and Haertel #EB 9260. Published by Breitkopf and Haertel (BR.EB-9260).

ISBN 9790004185605. 9 x 12 inches.

When Hugo Ticciati asked me to write a new piece for his quartet, I was immediately enthusiastic about this project. I love how Hugo and his O/MODERNT String Quartet unite old and new music in a completely natural way. So, I was absolutely excited about Hugo`s idea of having my piece based on two of my idols, Bach and Beethoven, deconstructing the one and constructing the other. With all my respect for these great composers I gave to the piece a very personal inner part consisting of my own music that influenced and inspired the other parts. For the whole piece I felt very close to Beethoven, who said: To make a fugue is not art, which [is something] I have made dozens of times in my study. But the imagination will assert its rights and must come today, in light of the old traditional form, to another truly poetic element. De/Con is a travel into different centuries with different sound-languages. For me, it was like having a wonderful constructive discussion with Johann Sebastian Bach and Ludwig van Beethoven, each of us trying to speak our own language, approaching the others step by step. The piece could be defined as a Love Letter to two of the greatest composers ever. De/Con could be preceded by (parts of) Johann Sebastian Bach's Die Kunst der Fuge (The Art of the Fugue) and succeeded by Ludwig van Beethoven's Grosse Fuge (Great Fugue). Ideally, then, all parts should be played attacca. It could, but it hasn't to be played with these two pieces. (Manuela Kerer)

World premiere: Stockholm (Festival O/MODERNT), June 19, 2017.