SKU: CA.2732011

ISBN 9790007245559. Language: Latin.

Anton Bruckner composed his Requiem in D minor at the young age of 24 in memory of a friend of his father's who was his patron. The work was greatly influenced by the Viennese classical style. He revised the work at the age of 70 in 1894 and held it in high regard throughout his career, even though his setting never enjoyed the popularity of similar works by Mozart or Verdi in the concert repertoire. The new edition now published represents the revised version, which can be regarded as a very personal, and at the same time impressive compositional testimony to Bruckner's artistic development on his journey towards becoming the great church musician and symphonist. Bruckner set the text of the Requiem Mass in a relatively compact form in terms of extent and scoring. The range of compositional colors stretches from Alpine-influenced writing for male voice choir (Hostias), to a five-part choral movement (Sanctus) and an unaccompanied movement (Requiem), to movements with choir and soloists. Score and part available separately - see item CA.2732000.

SKU: CA.2732015

ISBN 9790007245597. Language: Latin.

Anton Bruckner composed his Requiem in D minor at the young age of 24 in memory of a friend of his father's who was his patron. The work was greatly influenced by the Viennese classical style. He revised the work at the age of 70 in 1894 and held it in high regard throughout his career, even though his setting never enjoyed the popularity of similar works by Mozart or Verdi in the concert repertoire. The new edition now published represents the revised version, which can be regarded as a very personal, and at the same time impressive compositional testimony to Bruckner's artistic development on his journey towards becoming the great church musician and symphonist. Bruckner set the text of the Requiem Mass in a relatively compact form in terms of extent and scoring. The range of compositional colors stretches from Alpine-influenced writing for male voice choir (Hostias), to a five-part choral movement (Sanctus) and an unaccompanied movement (Requiem), to movements with choir and soloists. Score and part available separately - see item CA.2732000.

SKU: CA.2732003

ISBN 9790007187743. Language: Latin.

Anton Bruckner composed his Requiem in D minor at the young age of 24 in memory of a friend of his father's who was his patron. The work was greatly influenced by the Viennese classical style. He revised the work at the age of 70 in 1894 and held it in high regard throughout his career, even though his setting never enjoyed the popularity of similar works by Mozart or Verdi in the concert repertoire. The new edition now published represents the revised version, which can be regarded as a very personal, and at the same time impressive compositional testimony to Bruckner's artistic development on his journey towards becoming the great church musician and symphonist. Bruckner set the text of the Requiem Mass in a relatively compact form in terms of extent and scoring. The range of compositional colors stretches from Alpine-influenced writing for male voice choir (Hostias), to a five-part choral movement (Sanctus) and an unaccompanied movement (Requiem), to movements with choir and soloists. Score available separately - see item CA.2732000.

SKU: CA.2732005

ISBN 9790007245313. Language: Latin.

Anton Bruckner composed his Requiem in D minor at the young age of 24 in memory of a friend of his father's who was his patron. The work was greatly influenced by the Viennese classical style. He revised the work at the age of 70 in 1894 and held it in high regard throughout his career, even though his setting never enjoyed the popularity of similar works by Mozart or Verdi in the concert repertoire. The new edition now published represents the revised version, which can be regarded as a very personal, and at the same time impressive compositional testimony to Bruckner's artistic development on his journey towards becoming the great church musician and symphonist. Bruckner set the text of the Requiem Mass in a relatively compact form in terms of extent and scoring. The range of compositional colors stretches from Alpine-influenced writing for male voice choir (Hostias), to a five-part choral movement (Sanctus) and an unaccompanied movement (Requiem), to movements with choir and soloists. Score available separately - see item CA.2732000.

SKU: BT.EMBZ14769SET

9x12 inches.

László Zempléni, the author or reviser of a large number of pedagogical volumes published by EMB, has this time arranged European folk songs for young band. The following songs feature in the volume: Laß' doch meine Jugend (German), My native land (Irish), Ah mon beau ch teau (French), Kom, skal i klippe (Norwegian), Moj llokumja me sheqer (Albanian), Ma come balli bella bimba (Italian) and Az oláhok, az oláhok (Hungarian). The pieces can be performed as a coherent series or separately, and conductors can select from them to form 2-, 3- or 4-movement groups.

László Zempléni, der Autor und Überarbeiter von vielen beim EMB erschienenen pädagogischen Bänden, meldet sich diesmal mit der Überarbeitung von europäischen Volksliedern für Bläserorchester zurück. Die Lieder im Band sind: Laß' doch meine Jugend (deutsch), My native land (irisch), Ah mon beau chateau (französisch), Kom, skal i klippe (norvegisch), Moj llokumja me sheqer (albanisch), Ma come balli bella bimba (italienisch), Az oláhok, az oláhok (ungarisch). Die Stückke lassen als zusammenhängende Serie oder aber auch einzeln aufführen. Ebenso können die Chordirigenten aus ihnen kurze Blöcke mit zwei, drei oder vier Sätzen zusammenstellen.

SKU: BT.DHP-1115085-140

9x12 inches. English-German-French-Dutch.

On June 13, 2010 the capsule from the Hayabusa satellite successfully returned to earth after enduring a grueling six billion kilometer, seven year journey to retrieve samples from the Hayabusa meteor. Composer Satoshi Yagisawa was asked to write a piece to commemorate this momentous occasion. Fanfare - HAYABUSA’s premiere was so successful that the piece was performed a second time in response to the audience’s standing ovation. Out of this World!

Op 13 juni 2010 keerde de ruimtecapsule van de ruimtesonde Hayabusa terug op aarde. Dit was na een bijzondere reis waarbij ze onder moeilijke omstandigheden bodemmonsters had genomen van de meteoriet Hayabusa. De reis had zeven jaargeduurd en er was zes miljard kilometer afgelegd! De componist Satoshi Yagisawa kreeg de opdracht een werk te schrijven ter herinnering aan deze succesvolle missie. Na de première werd Fanfare HAYABUSA op wens van het publiek onderstaande ovatie nog een keer gespeeld.

Die Kapsel der Raumsonde Hayabusa kehrte am 13. Juni 2010 zur Erde zurück - nachdem sie unter diversen Schwierigkeiten Bodenproben vom Meteoriten Hayabusa gesammelt und eine siebenjährige Reise von sechs Milliarden Kilometern zurückgelegt hatte! Der Komponist Satoshi Yagisawa wurde gebeten, ein Stück zur Erinnerung an die erfolgreiche Mission, zu schreiben. Nach der Premiere wurde Fanfare - HAYABUSA auf Wunsch des Publikums noch einmal als Zugabe unter stehenden Ovationen wiederholt.

La sonde spatiale Hayabusa a réalisé sa rentrée atmosphérique en juin 2010. Son odyssée interplanétaire, qui aura duré sept années, l’aura amenée parcourir plus de six milliards de kilomètres. Satoshi Yagisawa a été sollicité afin de composer une pièce célébrant le succès de la mission. Fanfare - HAYABUSA provoqua un tel engouement lors de sa création que l’orchestre dut le rejouer une nouvelle fois, sous un tonnerre d’applaudissements.

La sonda spaziale Hayabusa è rientrata nell’atmosfera terrestre il 13 giugno 2010 cadendo nel deserto australiano, dopo un viaggio di circa due miliardi di chilometri. Lanciata nello spazio nel 2003, è atterrata su un asteroide due anni più tardi per raccogliere campioni di roccia. Satoshi Yagisawa è stato incaricato di comporre un brano per celebrare il successo della missione. La prima esecuzione mondiale dell’opera si è rivelata un successo straordinario.

SKU: CL.012-4934-00

From the pen of Rob Romeyn comes this powerful and dramatic programmatic work that sounds straight out of a blockbuster movie soundtrack! The music begins with a delicate statement presented by a solo flute, answered by a solo clarinet soaring above transparent harmonies, leading to a beautiful expressive section. From here, the music takes off with an aggressive display of emotion and power, captivating the audience with high intensity. Multiple sections of the ensemble are featured melodically and harmonically as we continue our journey. Many changes in dynamics, harmonic structure, textures, and varied scoring techniques not only enhance the excitement, but make this an outstanding teaching piece. After a breathtaking climax, the expressive section returns, more developed this time. The piece then ends aggressively, sure to have your audience on the edge of their seat until the last note. Don't miss this significant addition to the concert band repertoire!

SKU: KN.61720

UPC: 822795617207.

Here's an effective bright swing piece scored in the popular Count Basie style that is designed to make advancing groups sound their very best. As in many Basie-style works, dynamics and articulations play a key role in any presentation. For optimum results in achieving a tight ensemble sound, the rhythm section sets the pace in the opening moments of the introduction. Since the drummer enters after 24 measures, the guitarist and bass lock tempo with the pianist, giving them the chance to learn self-reliance without the drummer policing the time and groove. The horns will fall easily into place once this feel is established. Each set includes a guitar chord chart by Jim Greeson. Duration 3:15. Available in SmartMusic.

SKU: KN.61720S

UPC: 822795617207.

Here's an effective bright swing piece scored in the popular Count Basie style that is designed to make advancing groups sound their very best. As in many Basie-style works, dynamics and articulations play a key role in any presentation. For optimum results in achieving a tight ensemble sound, the rhythm section sets the pace in the opening moments of the introduction. Since the drummer enters after 24 measures, the guitarist and bass lock tempo with the pianist, giving them the chance to learn self-reliance without the drummer policing the time and groove. The horns will fall easily into place once this feel is established. Each set includes a guitar chord chart by Jim Greeson. Duration 3:15. Available in SmartMusic.

SKU: BR.BHM-7814

SKU: BP.HB657

Written for 3 to 5 octave handbell choir and optional 3 octaves of handchimes. Level 4. This original work by Kerry Johnston will showcase the musicality and technique of advanced ensembles and provide a moving journey for listeners. An opening Baroque-inspired motif progresses through various iterations and permutations before a slower, more understated and lyrical sections ensues. The energy grows once more near the end for a triumphant return of the opening ideas, this time in a glorious major key before bringing the piece to a satisfying conclusion.

SKU: KN.61545S

UPC: 822795615456.

Written for jazz artist George Rabbai and recorded by the little big band Power of Ten on their Earth Tones CD, this moving, lyrical ballad features solo flugelhorn (or trumpet) throughout, a double time bossa in the midsection, and a strong, dramatic finish. A guitar chord chart by Jim Greeson is included in each set. Duration 5:45. Available in SmartMusic.