Organ

SKU: HL.48185412

Composed by Cé and sar Franck. Leduc. Classical. Softcover. 86 pages. Alphonse Leduc #AL28956. Published by Alphonse Leduc (HL.48185412).

UPC: 888680838515. 9.0x12.0x0.572 inches.

Cesar Franck: L'Oeuvre pour Harmonium Vol.1 (Musica Gallica) (Organ).

Organ (Organ)

SKU: HL.48185518

Composed by Cesar Auguste Franck. Leduc. Classical. Softcover. 159 pages. Alphonse Leduc #AL29152. Published by Alphonse Leduc (HL.48185518).

UPC: 888680854539. 9.5x12.0x0.617 inches.

César Franck: L'Oeuvre pour Harmonium Vol.2 (Musica Gallica) (Organ).

By Cesar Auguste Franck. Arranged by Alfred Reed. Holiday,transcription. Concert Band. Classics. Level: Grade 3. Score and set of parts. Composed 1988. Duration 0:04:50. Published by C.L. Barnhouse.

Organ

SKU: M7.DOHR-20458

Composed by Cesar Auguste Franck. Arranged by Otto Depenheuer. Sheet music. Performance score. 32 pages. MDS (Music Distribution Services) #DOHR 20458. Published by MDS (Music Distribution Services) (M7.DOHR-20458).

ISBN 9790202044582.

César Francks Klaviertriptychon Prélude, Aria et Final (FWV 23/CFF 26) aus dem Jahre 1886/1887 gilt als eine seiner bekanntesten und bedeutendsten Klavierkompositionen. Wie sein Pendant Prélude, Choral et Fugue sind auch Prélude, Aria et Final dem für Franck typischen zyklischen Prinzip verpflichtet, gemäß dem sich das eigentliche Thema erst in und durch eine Vielzahl von Umformungen einzelner seiner Motive bildet, die - in allen Sätzen präsent - allmählich zur Einheit verdichtet und zum Gesamtkunstwerk vereinheitlicht werden. Die Orgelbearbeitung dieser letzten Klavierkomposition Francks - durch einen dichten, von der Orgel beeinflußten Klaviersatz nahegelegt - lässt einerseits die charakteristische Tonsprache von Francks originalen Orgelkompositionen erkennen, erschließt seiner Orgelmusik andererseits aber auch Klangwelten und Satztechniken, die Franck selbst zu seinen Lebzeiten noch nicht glaubte beschreiten zu dürfen und die erst von Charles-Marie Widor, Marcel Dupré und anderen zu voller Entfaltung entwickelt wurden. (Otto Depenheuer).

Grade 5

SKU: CL.DSP-0013-01

Composed by Cesar Auguste Franck. Arranged by Stauffer. Concert Band. Extra full score. Composed 2003. Stauffer Press #DSP-0013-01. Published by Stauffer Press (CL.DSP-0013-01).

Strings

SKU: M2.MOS-40170

Fur dreistimmige Streicher. Composed by Cesar Auguste Franck. Corona - Werkreihe fur Kammerorchester 170. Score. Möseler Verlag #MOS 40170. Published by Möseler Verlag (M2.MOS-40170).

ISBN 9790203741701.

Organ

SKU: BT.HU938

Composed by Cesar Auguste Franck. Book Only. 124 pages. Harmonia #HU938. Published by Harmonia (BT.HU938).

International.

Organ

SKU: BT.HU3923

Composed by Cesar Auguste Franck. Book Only. 124 pages. Harmonia #HU3923. Published by Harmonia (BT.HU3923).

English.

Piano Solo - Easy

SKU: BU.EBR-A071

Composed by Cesar Auguste Franck. This edition: French Edition. Classique. Anacrouse. Partition + Biographie + Notes sur l'oeuvre. Score. Editions Bourges #EBR-A071. Published by Editions Bourges (BU.EBR-A071).

ISBN 9790560151434. 8.58 x 12.48 inches.

La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.

Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces œuvres.

Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.



Seule exception dans les 40 années où César Franck tient le piano à l’écart, cette séduisante pièce date de 1865. Écrite dans le ton de sol majeur, elle se divise en 3 parties bien distinctes. L’écriture est sobre, presque grave, malgré son apparente ingénuité. La mélodie, très expressive, est jouée par la main droite alors que la main gauche se contente de l’accompagnement selon le principe de la « basse d’Alberti ». La partie centrale, en sol mineur, déroge cependant à cette règle avec son motif chromatique de caractère plus tourmenté. Morceau fétiche des musiciens amateurs, « Les plaintes d’une poupée » a l’immense mérite d’allier qualité d’écriture et simplicité d’exécution. Pour le bonheur de tous….

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