| Athalie, Op. 74: War March of the Priests Concert band [Score] LudwigMasters Publications
Concert Band; Orchestra 2.2.2.2: 2.2.3.1: Timp: Str (9-8-7-6-5 in set) SKU: A...(+)
Concert Band; Orchestra 2.2.2.2: 2.2.3.1: Timp: Str (9-8-7-6-5 in set) SKU: AP.36-A171501 Composed by Felix Bartholdy Mendelssohn. Full Orchestra, Conductor Score. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A171501. Published by LudwigMasters Publications (AP.36-A171501). ISBN 9798892702669. UPC: 659359839108. English. In 1840, the King of Prussia invited Felix Mendelssohn (1809-1847) to accept a lofty musical appointment in the French Academie Royale. A few years later, Wilhelm IV commissioned the composer to write incidental music to a religious drama by Jean Racine, ATHALIE, based on the queen of Judah during Jehoram's reign. It was intended for a private performance on December 1, 1845 and saw its first public performance on January 8th of the following year. WAR MARCH OF THE PRIESTS, a brief excerpt taken from the work, is sometimes heard during graduation ceremonies. Reprint edition. Instrumentation: 2.2.2.2: 2.2.3.1: Timp: Str (9-8-7-6-5 in set). These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months. $15.00 - See more - Buy online | | |
| Three Pieces Op. 11 from Shakespeare's 'Much Ado About Nothing' String Quartet: 2 violins, viola, cello Schott
String Quartet Score and Parts. Composed by Erich Wolfgang Korngold (1897- ...(+)
String Quartet Score and
Parts. Composed by Erich
Wolfgang Korngold (1897-
1957). String Ensemble.
Classical. Softcover. 20
pages. Schott Music #ED21570.
Published by Schott Music
$49.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Joby Talbot: Once Around The Sun (Solo Piano) Piano solo Chester
Piano SKU: HL.14032607 Composed by Joby Talbot. Music Sales America. 20th...(+)
Piano SKU: HL.14032607 Composed by Joby Talbot. Music Sales America. 20th Century. Book [Softcover]. Composed 2005. 72 pages. Chester Music #CH69718. Published by Chester Music (HL.14032607). ISBN 9781846091599. 9.0x12.0x0.285 inches. A collection of solo Piano arrangements of the pieces from Once Around The Sun, Joby Talbot's musical journey through one year. Jointly commissioned by Classic FM and The PRS Foundation For New Music, this exquisite set of mood pieces was inspired by the personal changes and experiences across the year, creating something of a diary of the composer's creativity. $25.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Four and Twenty Songs For Mountain Dulcimer Dulcimer Music Sales | | |
| The Seasons, OP. 37bis Piano solo [Sheet music + Audio access] - Intermediate/advanced Schirmer
Edited and recorded by Alexandre Dossin. By Alexandre Dossin. By Peter Ilyich Tc...(+)
Edited and recorded by Alexandre Dossin. By Alexandre Dossin. By Peter Ilyich Tchaikovsky (1840-1893). Edited by Alexandre Dossin. Schirmer Performance Editions. Classical. Softcover Audio Online. 72 pages. Published by G. Schirmer
$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Everyday Songs Musical course - Solfege Alfred Publishing
By Sally K. Albrecht. General Music and Classroom Publications. 64 pages. Publis...(+)
By Sally K. Albrecht. General Music and Classroom Publications. 64 pages. Published by Alfred Publishing.
$19.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Son et lumière Merion Music
Orchestra Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Celesta, Chimes, Clari...(+)
Orchestra Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Celesta, Chimes, Clarinet, Clarinet 1, Clarinet 2, Claves, Contrabass, Contrabassoon, Cowbell, Crotales, English Horn, Glockenspiel, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Maracas, Marimba, Oboe 1 and more. SKU: PR.11641737S Composed by Steven Stucky. Study Score. 68 pages. Duration 9 minutes. Merion Music #116-41737S. Published by Merion Music (PR.11641737S). ISBN 9781491136133. UPC: 680160688432. Son et lumière (“sound and light,†a kind of show staged for tourists at historic sites or famous buildings) is an orchestral entertainment whose subject is the play of colors, bright surfaces, and shimmery textures. I have tried in this music to recapture the élan and immediacy that regular meters and repetitive rhythms make possible—something forbidden during the modernist regime but recently restored in the post-modern work of composers like John Adams, Steve Reich, and others. Throughout its brief nine-minute span, then, the piece is built almost exclusively of short, busy ostinato figures—my attempt, I suppose, to achieve the rhythmic vitality of minimalism, but without giving in to the over-simple harmonic language that usually comes with it.Surprisingly, the musical materials seemed determined to shape themselves into an approximation of nineteenth-century sonata form. We hear an introduction, a first theme (based on triadic broken chords), a second theme (beginning with the flute solo), and a closing theme (led by two piccolos). In a sort of development section, these materials are recombined in new ways; in a recapitulation, both the first and second themes are recalled more or less intact (part of the second is actually repeated quite literally).Then, in the coda, a second surprise: as if another, different music has been lurking all the while behind the shiny surface, the strings now unexpectedly split off from the rest of the orchestra to assert a new, more passionate, more “serious†voice, transcending the external show of sound and light.Son et lumière, commissioned by the Baltimore Symphony Orchestra, was composed between June and December 1988 in Ithaca (N.Y.), in Los Angeles, and at the artists’ colony Yaddo, in Saratoga Springs (N.Y.). David Zinman conducted the first performance in Baltimore on 18 May 1989; André Previn gave the West Coast premiere with the Los Angeles Philharmonic on 18 January, 1990. Son et lumière (“sound and light,†a kind of show staged for tourists at historic sites or famous buildings) is an orchestral entertainment whose subject is the play of colors, bright surfaces, and shimmery textures. I have tried in this music to recapture the élan and immediacy that regular meters and repetitive rhythms make possible—something forbidden during the modernist regime but recently restored in the post-modern work of composers like John Adams, Steve Reich, and others. Throughout its brief nine-minute span, then, the piece is built almost exclusively of short, busy ostinato figures—my attempt, I suppose, to achieve the rhythmic vitality of minimalism, but without giving in to the over-simple harmonic language that usually comes with it.Surprisingly, the musical materials seemed determined to shape themselves into an approximation of nineteenth-century sonata form. We hear an introduction, a first theme (based on triadic broken chords), a second theme (beginning with the flute solo), and a closing theme (led by two piccolos). In a sort of development section, these materials are recombined in new ways; in a recapitulation, both the first and second themes are recalled more or less intact (part of the second is actually repeated quite literally).Then, in the coda, a second surprise: as if another, different music has been lurking all the while behind the shiny surface, the strings now unexpectedly split off from the rest of the orchestra to assert a new, more passionate, more “serious†voice, transcending the external show of sound and light.Son et lumière, commissioned by the Baltimore Symphony Orchestra, was composed between June and December 1988 in Ithaca (N.Y.), in Los Angeles, and at the artists’ colony Yaddo, in Saratoga Springs (N.Y.). David Zinman conducted the first performance in Baltimore on 18 May 1989; André Previn gave the West Coast premiere with the Los Angeles Philharmonic on 18 January, 1990. $45.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Music Games for Every Month [Flash Cards & Games] Heritage Music Press
(A Year's Worth of Themed Worksheets). By Jeanette Morgan. General Music. Level ...(+)
(A Year's Worth of Themed Worksheets). By Jeanette Morgan. General Music. Level 1-6. Games. Published by Heritage Music Press
(1)$32.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Marche fatale Piano solo [Score] Breitkopf & Härtel
Piano SKU: BR.EB-9253 Composed by Helmut Lachenmann. Solo instruments; st...(+)
Piano SKU: BR.EB-9253 Composed by Helmut Lachenmann. Solo instruments; stapled. Edition Breitkopf. World premiere of the orchestral version: Stuttgart, January 1, 2018World premiere of the piano version: Mito, June 17, 2017 Have a look into EB 9283. New music (post-2000). Score. Composed 2016/17/20. 12 pages. Duration 8'. Breitkopf and Haertel #EB 9253. Published by Breitkopf and Haertel (BR.EB-9253). ISBN 9790004185537. 9 x 12 inches. Marche fatale is an incautiously daring escapade that may annoy the fans of my compositions more than my earlier works, many of which have prevailed only after scandals at their world premieres. My Marche fatale has, though, little stylistically to do with my previous compositional path; it presents itself without restraint, if not as a regression, then still as a recourse to those empty phrases to which modern civilization still clings in its daily utility music, whereas music in the 20th and 21st centuries has long since advanced to new, unfamiliar soundscapes and expressive possibilities. The key term is banality. As creators we despise it, we try to avoid it - though we are not safe from the cheap banal even within new aesthetic achievements.Many composers have incidentally accepted the banal. Mozart wrote Ein musikalischer Spass [A Musical Jape], a deliberately amateurishly miscarried sextet. Beethoven's Bagatellen op. 119 were rejected by the publisher on the grounds that few will believe that this minor work is by the famous Beethoven. Mauricio Kagel wrote, tongue in cheek, so to speak, Marsche, um den Sieg zu verfehlen [Marches for being Unvictorious], Ligeti wrote Hungarian Rock; in his Circus Polka Stravinsky quoted and distorted the famous, all too popular Schubert military march, composed at the time for piano duet. I myself do not know, though, whether I ought to rank my Marche fatale alongside these examples: I accept the humor in daily life, the more so as this daily life for some of us is not otherwise to be borne. In music, I mistrust it, considering myself all the closer to the profounder idea of cheerfulness having little to do with humor. However: Isn't a march with its compelling claim to a collectively martial or festive mood absurd, a priori? Is it even music at all? Can one march and at the same time listen? Eventually, I resolved to take the absurd seriously - perhaps bitterly seriously - as a debunking emblem of our civilization that is standing on the brink. The way - seemingly unstoppable - into the black hole of all debilitating demons: that can become serene. My old request of myself and my music-creating surroundings is to write a non-music, whence the familiar concept of music is repeatedly re-defined anew and differently, so that derailed here - perhaps? - in a treacherous way, the concert hall becomes the place of mind-opening adventures instead of a refuge in illusory security. How could that happen? The rest is - thinking.(Helmut Lachenmann, 2017)CD (Version for Piano):Nicolas Hodges CD Wergo WER 7393 2 Bibliography:Ich bin nicht ,,pietistisch verformt. Ein Gesprach [von Jan Brachmann] mit dem Komponisten Helmut Lachenmann, in: FAZ vom 7. Juni 2018, p. 15.
World premiere of the piano version: Mito/Japan, June 17, 2017, World premiere of the orchestral version: Stuttgart, January 1, 2018, World premiere of the ensemble version: Frankfurt, December 9, 2020. $30.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Marche fatale Orchestra [Score] Breitkopf & Härtel
Orchestra SKU: BR.PB-5432 Composed by Helmut Lachenmann. Orchestra; stapl...(+)
Orchestra SKU: BR.PB-5432 Composed by Helmut Lachenmann. Orchestra; stapled. Partitur-Bibliothek (Score Library). World premiere of the orchestral version: Stuttgart, January 1, 2018World premiere of the piano version: Mito, June 17, 2017 Have a look into EB 9283. New music (post-2000). Full score. Composed 2016/17/20. 48 pages. Duration 8'. Breitkopf and Haertel #PB 5432. Published by Breitkopf and Haertel (BR.PB-5432). ISBN 9790004212790. 10 x 12.5 inches. Marche fatale is an incautiously daring escapade that may annoy the fans of my compositions more than my earlier works, many of which have prevailed only after scandals at their world premieres. My Marche fatale has, though, little stylistically to do with my previous compositional path; it presents itself without restraint, if not as a regression, then still as a recourse to those empty phrases to which modern civilization still clings in its daily utility music, whereas music in the 20th and 21st centuries has long since advanced to new, unfamiliar soundscapes and expressive possibilities. The key term is banality. As creators we despise it, we try to avoid it - though we are not safe from the cheap banal even within new aesthetic achievements.Many composers have incidentally accepted the banal. Mozart wrote Ein musikalischer Spass [A Musical Jape], a deliberately amateurishly miscarried sextet. Beethoven's Bagatellen op. 119 were rejected by the publisher on the grounds that few will believe that this minor work is by the famous Beethoven. Mauricio Kagel wrote, tongue in cheek, so to speak, Marsche, um den Sieg zu verfehlen [Marches for being Unvictorious], Ligeti wrote Hungarian Rock; in his Circus Polka Stravinsky quoted and distorted the famous, all too popular Schubert military march, composed at the time for piano duet. I myself do not know, though, whether I ought to rank my Marche fatale alongside these examples: I accept the humor in daily life, the more so as this daily life for some of us is not otherwise to be borne. In music, I mistrust it, considering myself all the closer to the profounder idea of cheerfulness having little to do with humor. However: Isn't a march with its compelling claim to a collectively martial or festive mood absurd, a priori? Is it even music at all? Can one march and at the same time listen? Eventually, I resolved to take the absurd seriously - perhaps bitterly seriously - as a debunking emblem of our civilization that is standing on the brink. The way - seemingly unstoppable - into the black hole of all debilitating demons: that can become serene. My old request of myself and my music-creating surroundings is to write a non-music, whence the familiar concept of music is repeatedly re-defined anew and differently, so that derailed here - perhaps? - in a treacherous way, the concert hall becomes the place of mind-opening adventures instead of a refuge in illusory security. How could that happen? The rest is - thinking.(Helmut Lachenmann, 2017)CD (Version for Piano):Nicolas Hodges CD Wergo WER 7393 2 Bibliography:Ich bin nicht ,,pietistisch verformt. Ein Gesprach [von Jan Brachmann] mit dem Komponisten Helmut Lachenmann, in: FAZ vom 7. Juni 2018, p. 15.
World premiere of the piano version: Mito/Japan, June 17, 2017, World premiere of the orchestral version: Stuttgart, January 1, 2018, World premiere of the ensemble version: Frankfurt, December 9, 2020. $63.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Black Is the Color Variations String Orchestra Subito Music
String Orchestra SKU: SU.27120171 For String Orchestra. Composed b...(+)
String Orchestra SKU: SU.27120171 For String Orchestra. Composed by Peter Scott Lewis. Set of Parts. Subito Music Corporation #27120171. Published by Subito Music Corporation (SU.27120171). Set of Parts.Black Is the Color Variations is based on the classic American/Scottish folk song, discovered and then developed by John Jacob Niles. My first version of the melody and variations were completed on January 23, 1989, in San Francisco, and is scored for string quartet. On May 25, 2013, I also created a version for string orchestra. It’s dedicated to the memory of the remarkable American folk and blues singer, Odetta, who was a family friend and who sang for us when I was young. —PL Also available: FULL SCORE (Cat#27120170) String Orchestra Duration: 4' Composed: 1989 Published by: Lapis Island Press. $50.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Black Is the Color Variations String Orchestra [Score] Subito Music
String Orchestra SKU: SU.27120170 For String Orchestra. Composed b...(+)
String Orchestra SKU: SU.27120170 For String Orchestra. Composed by Peter Scott Lewis. Full Score. Subito Music Corporation #27120170. Published by Subito Music Corporation (SU.27120170). Score only.Black Is the Color Variations is based on the classic American/Scottish folk song, discovered and then developed by John Jacob Niles. My first version of the melody and variations were completed on January 23, 1989, in San Francisco, and is scored for string quartet. On May 25, 2013, I also created a version for string orchestra. It’s dedicated to the memory of the remarkable American folk and blues singer, Odetta, who was a family friend and who sang for us when I was young. —PL Also available: SET OF PARTS string count 6-5-4-3-2 (Cat#27120171) String Orchestra Duration: 4' Composed: 1989 Published by: Lapis Island Press. $17.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Antonin Dvorak : Smyccovy Kvintet E Flat Major, Op. 97 String Quintet: 2 violins, 2 violas, cello [Set of Parts] Barenreiter
By Antonin Dvorak (1841-1904). Edited by Frantisek Bartos. For 2 violins/2 viola...(+)
By Antonin Dvorak (1841-1904). Edited by Frantisek Bartos. For 2 violins/2 violas/cello. In a folder. Level 3. Set of parts. Op. 97. 15/15/15/12/12 pages. Published by Baerenreiter Verlag
$35.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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