By Walter Noona. Piano. Level: Primer. Piano method. Published by Heritage Music Press.

Jazz Ensemble - Grade 2.5

SKU: AP.50085

Composed by Albert Von Tilzer and Jack Norworth. Arranged by Drew Zaremba. Jazz Ensemble; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Young Jazz Ensemble. Great American Songbook; Jazz. Score and Part(s). Duration 5:25. Alfred Music #00-50085. Published by Alfred Music (AP.50085).

ISBN 9781470663001. UPC: 038081580210. English.

This superb chart covers all the bases! Played around 148 BPM with a suggested written tenor solo, and lead trumpet range to written G on top of the staff. A swinging intro gives way to a circus-like oom-pah feel, then back into a slow-building swing with a big shout section. A captivating chart you and the band will relish! (5:25).

German Favorites for Accordion composed by Various. Arranged by Gary Dahl. For accordion. This edition: Paperback. Collection. Ethnic. Book. Text Language: English. 48 pages. Published by Santorella Publications

Composed by David Bobrowitz. For string orchestra. Light Concert. Grade 4. Score and set of parts. Duration 4:06. Published by Wingert-Jones Publications

By Brian West. For concert band. Brolga Music Young Band Series. Grade 2. Score and set of parts. Duration 1:45. Published by Brolga Music Publishing Company . Score and Parts.

Jazz Ensemble - Grade 2.5

SKU: AP.50085S

Composed by Albert Von Tilzer and Jack Norworth. Arranged by Drew Zaremba. Jazz Ensemble; Performance Music Ensemble; Single Titles. Young Jazz Ensemble. Great American Songbook; Jazz. Score. 28 pages. Duration 5:25. Alfred Music #00-50085S. Published by Alfred Music (AP.50085S).

ISBN 9781470663018. UPC: 038081580227. English.

This superb chart covers all the bases! Played around 148 BPM with a suggested written tenor solo, and lead trumpet range to written G on top of the staff. A swinging intro gives way to a circus-like oom-pah feel, then back into a slow-building swing with a big shout section. A captivating chart you and the band will relish! (5:25).

Choral SATB choir, piano

SKU: PR.342402070

Composed by Steven Stucky. -. Ars Nova Chamber Singers, Boulder CO. Performance Score. With Standard notation. Composed 7-Feb. 8 pages. Duration 3 minutes. Theodore Presser Company #342-40207. Published by Theodore Presser Company (PR.342402070).

ISBN 9781491111253. UPC: 680160643226. Octavo inches. Text: Archibald R. Ammons. Archibald Ammons. Text by A.R. Ammons.

To benefit Chorus America, Stucky allowed himself to be auctioned off as a prize - the high bidder would receive a new work from the composer. After a few years and not really hearing anything, Stucky suddenly found himself up against a deadline. He reached back to a favorite poem by A.R. Ammons, Eyesight, which, he says, Won't let...his reader rest till the very last word...one of those sudden insights that leave us breathless..
This piece has an odd history. A few years ago, I agreed to be one of the“prizes” in an auction to benefit Chorus America: the highest bidder wouldget a new piece from me, while their money went to the organization. Thewinning bid came from a collection of several professional choruses anddirectors. But I was always a little vague about the details, and, hearingnothing more about it for a few years, forgot the whole thing.One day I received a message from Thomas Edward Morgan, directorof the Ars Nova Chamber Singers in Boulder: they had scheduled thepremiere of my new piece for a few weeks later, and could they have themusic, please? I needed a text, quickly, and (as usual) I was in a Los Angeleshotel room, not at home with my books. So I turned to the internet andsoon tracked down my favorite poet, A.R. Ammons (1926-2001).Once I stumbled on “Eyesight,” I remembered having loved the poemyears before. Archie must have loved it, too, because he included it bothin his Collected Poems 1951-1971 and in the later Selected Poems. It haseverything you want in an Archie Ammons poem: what Edward Hirschcalled his “offbeat, sideways, unpredictable radiance,” his “homespunglory.” It has one of his trademark conversations with a mountain (perhapsfrom his native North Carolina), it has the fluid motion from one line tothe next (enjambment, if you want to get technical) that won’t let him orhis reader rest till the very last word of the very last line, and it has in thatlast line one of those sudden insights that leave us breathless: “some thingsthat go are gone.”I miss Archie, but he’s not gone. I’m grateful for the wonderful poems heleft us, and I’m grateful that he was always generous and kind when I hadthe chutzpah to add my music to his.