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| The Ultimate Fake Book - Third Edition (Bb version)
Bb Instruments [Fake Book] Hal Leonard
Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 p...(+)
Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.
(8)$49.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| Hambleton Suite Organ CanticaNOVA Publications
Composed by Tim Knight (1959-). Good music for manuals alone. General. Published...(+)
Composed by Tim Knight (1959-). Good music for manuals alone. General. Published by CanticaNOVA Publications (C5.6055).
$5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Wizard of Oz, Suite from Orchestra [Score] - Easy Alfred Publishing
Orchestra - Grade 2 SKU: AP.41194S Featuring: We're Off to See the Wiz...(+)
Orchestra - Grade 2 SKU: AP.41194S Featuring: We're Off to See the Wizard / If I Only Had a Brain (A Heart, the Nerve) / Ding Dong! The Witch Is Dead / Over the Rainbow. Composed by E.Y. Yip Harburg. Arranged by Ralph Ford. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Pop Beginning String Orchestra. Form: Suite. Movie. Score. 20 pages. Alfred Music #00-41194S. Published by Alfred Music (AP.41194S). UPC: 038081478739. English. Celebrate 75 years of wizarding! We're Off to See the Wizard, If I Only Had a Brain (A Heart, the Nerve), Ding Dong! The Witch Is Dead, and Over the Rainbow will delight all generations. This title is available in MakeMusic Cloud. $9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Westminster Suite Brass Quartet - Intermediate De Haske Publications
Brass Quartet - intermediate SKU: BT.DHP-1125320-070 For Brass Quartet...(+)
Brass Quartet - intermediate SKU: BT.DHP-1125320-070 For Brass Quartet. Composed by Henry Purcell. Arranged by Jan de Haan. De Haske Brass Series. Set (Score and Parts). Composed 2012. 12 pages. De Haske Publications #DHP 1125320-070. Published by De Haske Publications (BT.DHP-1125320-070). ISBN 9789043141338. 9x12 inches. International. Jan de Haan's Westminster Suite consists of three distinct pieces of the work of Henry Purcell: the festive fanfare at the beginning is followed by the magnificent Anthem of the Funeral Music for Queen Mary. Finally there is the famous Rondo from the Abdelazar Suite.
Westminster Suite van Jan de Haan bestaat uit drie markante stukken uit het oeuvre van Henry Purcell: de feestelijke fanfare aan het begin wordt afgewisseld met een fraai Anthem uit de Funeral Music voor QueenMary. De bekende Rondo uit de Abdelazar Suite vormt het slot van deze prachtige suite.
Jan de Haans Westminster Suite besteht aus drei markanten Stücken aus dem Werk von Henry Purcell: die festliche Fanfare am Beginn wird abgelöst von der prachtvollen Anthem aus der Funeral Music für Queen Mary. Den Schluss bildet das bekannte Rondo aus der Abdelazar Suite.
Pour sa Suite Westminster, Jan de Haan s'est inspiré de trois Å?uvres remarquables, composées par Henry Purcell: Fanfare Festive, Anthem extrait de Funeral Music et pour conclure, Rondo extrait de Abdelazor ou La Revanche du Maure.
Westminster Suite di Jan de Haan è composto da tre brani ben distinti tratti dal repertorio di Henry Purcell: la fanfare festiva anticipa lo splendido inno della Funeral Music for Queen Mary. Chiude il brano il famoso Rondò dalla Abdelazar Suite. L'organico è per 4 ottoni SATB. $23.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Westminster Suite Flute Quartet: 4 flutes - Easy De Haske Publications
Flute Quartet - early intermediate SKU: BT.DHP-1125321-070 For Flute Q...(+)
Flute Quartet - early intermediate SKU: BT.DHP-1125321-070 For Flute Quartet. Composed by Henry Purcell. Arranged by Jan de Haan. De Haske Flute Series. Set (Score and Parts). Composed 2012. 12 pages. De Haske Publications #DHP 1125321-070. Published by De Haske Publications (BT.DHP-1125321-070). ISBN 9789043152235. 9x12 inches. Jan de Haan's Westminster Suite consists of three distinct pieces of the work of Henry Purcell: the festive fanfare at the beginning is followed by the magnificent Anthem of the Funeral Music for Queen Mary. Finally there is the famous Rondo from the Abdelazar Suite.
Westminster Suite van Jan de Haan bestaat uit drie markante stukken uit het oeuvre van Henry Purcell: de feestelijke fanfare aan het begin wordt afgewisseld met een fraai Anthem uit de Funeral Music voor QueenMary. De bekende Rondo uit de Abdelazar Suite vormt het slot van deze prachtige suite.
Jan de Haans Westminster Suite besteht aus drei markanten Stücken aus dem Werk von Henry Purcell: die festliche Fanfare am Beginn wird abgelöst von der prachtvollen Anthem aus der Funeral Music für Queen Mary. Den Schluss bildet das bekannte Rondo aus der Abdelazar Suite.
Pour sa Suite Westminster, Jan de Haan s'est inspiré de trois Å?uvres remarquables, composées par Henry Purcell: Fanfare Festive, Anthem extrait de Funeral Music et pour conclure, Rondo extrait de Abdelazor ou La Revanche du Maure.
Westminster Suite di Jan de Haan è composto da tre brani ben distinti tratti dal repertorio di Henry Purcell: la fanfare festiva anticipa lo splendido inno della Funeral Music for Queen Mary. Chiude il brano il famoso Rondò dalla Abdelazar Suite. L'organico è per 4 flauti SATB. $23.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Westminster Suite Clarinet Quartet: 4 clarinets [Score and Parts] - Easy De Haske Publications
Clarinet Quartet - early intermediate SKU: BT.DHP-1125322-070 For Clar...(+)
Clarinet Quartet - early intermediate SKU: BT.DHP-1125322-070 For Clarinet Quartet. Composed by Henry Purcell. Arranged by Jan de Haan. De Haske Clarinet Series. Set (Score & Parts). Composed 2012. 12 pages. De Haske Publications #DHP 1125322-070. Published by De Haske Publications (BT.DHP-1125322-070). ISBN 9789043148887. 9x12 inches. Jan de Haan's Westminster Suite consists of three distinct pieces of the work of Henry Purcell: the festive fanfare at the beginning is followed by the magnificent Anthem of the Funeral Music for Queen Mary. Finally there is the famous Rondo from the Abdelazar Suite.
Westminster Suite van Jan de Haan bestaat uit drie markante stukken uit het oeuvre van Henry Purcell: de feestelijke fanfare aan het begin wordt afgewisseld met een fraai Anthem uit de Funeral Music voor QueenMary. De bekende Rondo uit de Abdelazar Suite vormt het slot van deze prachtige suite.
Jan de Haans Westminster Suite besteht aus drei markanten Stücken aus dem Werk von Henry Purcell: die festliche Fanfare am Beginn wird abgelöst von der prachtvollen Anthem aus der Funeral Music für Queen Mary. Den Schluss bildet das bekannte Rondo aus der Abdelazar Suite.
Pour sa Suite Westminster, Jan de Haan s'est inspiré de trois œuvres remarquables, composées par Henry Purcell: Fanfare Festive, Anthem extrait de Funeral Music et pour conclure, Rondo extrait de Abdelazor ou La Revanche du Maure.
Westminster Suite di Jan de Haan è composto da tre brani ben distinti tratti dal repertorio di Henry Purcell: la fanfare festiva anticipa lo splendido inno della Funeral Music for Queen Mary. Chiude il brano il famoso Rondò dalla Abdelazar Suite. L'organico è per 4 clarinetti SATB. $23.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Nutcracker Suite Selections - Easy Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 3.5 SKU: CF.CAS110 Composed by Peter Ilyich Tchaikovsky. Arranged by Bud Caputo. Concert String Orchestra (CAS). Set of Score and Parts. With Standard notation. 24+24+6+15+15+15+7+24 pages. Duration 5:57. Carl Fischer Music #CAS110. Published by Carl Fischer Music (CF.CAS110). ISBN 9781491151297. UPC: 680160908790. 9 x 12 inches. Key: E minor. Bud Caputo presents Nutcracker Suite Selections for string orchestra featuring three abridged movements of?Tchaikovsky's Nutcracker Suite:?Dance of the Sugar Plum Fairy, March, and Trepak. These abridged movements are sure to be crowd-pleasers around the?winter holidays or a favorite for?any time of the year. This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert. Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm. 16-19, in the Basses and m. 34 in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandos in this movement. March: Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-rest figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement to accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble.. This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert.A Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm.A 16-19, in the Basses and m.A 34A in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandosA in this movement. March: A Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-restA figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement toA accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: A Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble.. This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert.A Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm.A 16-19, in the Basses and m.A 34A in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandosA in this movement. March: A Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-restA figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement toA accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: A Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble.. This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert. Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm. 16-19, in the Basses and m. 34 in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandos in this movement. March: Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-rest figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement to accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble.. This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert. Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm. 16-19, in the Basses and m. 34 in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandos in this movement. March: Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-rest figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement to accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble. This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert. Suitable for Grades 3 through 5.To the Director:Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm. 16-19, in the Basses and m. 34 in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandos in this movement. March:  Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-rest figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement to accommodate the technical challenge of the double time feel that happens in m. 41. Trepak:  Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble. About Carl Fischer Concert String Orchestra Series This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by: - Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
- More comprehensive bowing techniques
- Viola T.C. included
- Careful selection of keys and degree of difficulty for advancing musicians
$60.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| From the Southland Piano solo Theodore Presser Co.
Chamber Music Piano SKU: PR.140401340 Sketches for Piano. Composed...(+)
Chamber Music Piano SKU: PR.140401340 Sketches for Piano. Composed by Harry T. Burleigh. Edited by Lara Downes. 16 pages. Duration 18 minutes. Theodore Presser Company #140-40134. Published by Theodore Presser Company (PR.140401340). ISBN 9781491134450. UPC: 680160684953. Best known for his settings of spirituals and influence on Dvorák, Henry T. Burleigh was a celebrated baritone, and a prolific composer of original works. FROM THE SOUTHLAND is a suite of six atmospheric scenes of the American south, inspired by Black musical and cultural traditions. FROM THE SOUTHLAND is within reach of intermediate pianists and artistically suited for professional recitals. In 1835, Henry T. Burleigh’s maternal grandfather purchased his own release from slavery for the sum of $50, and traveled north out of Maryland to begin a new life as a free man. He established his family in Ithaca, NY, and then moved to the bustling lakefront city of Erie, PA, where three decades later his grandson Henry would be born and raised.For Burleigh, the “Southland†that inspired this collection of piano sketches was a distant place that could not have been more different from the physical world he knew, up there in the northern snowbelt. And yet these southern landscapes and vignettes must have been intensely present in his consciousness, absorbed through the stories and songs he first learned at his grandfather’s knee.The music of the South – the spirituals and work songs he heard as a child –would travel with Burleigh throughout his long and illustrious musical life. Even as he progressed through his early classical training, his career as a baritone soloist in Erie’s churches and synagogue, his move to New York to study at the National Conservatory of Music, and his rise to national prominence as a concert soloist, these ancestral melodies stayed firmly centered in his musical identity.When he wrote From the Southland, his only composition for solo piano, Burleigh was just beginning his career as a composer. The art songs that would establish him as one of America’s best known composers in the genre were still to come. And so were his iconic arrangements of spirituals that would bring the songs of slavery onto concert stages around the world, transformed into timeless and uniquely American music.These little piano sketches bring together all the things that made Burleigh the musician he was – the lush, late-romantic style of his time; a broad vision for American music; and a profound respect for his heritage, a memory of the world his grandfather left behind, and a love of the music he brought with him. $11.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sketches of Canada Concert band [Score and Parts] - Easy Belwin
I. The False Young Man, II. The Maid on the Shore, III. Bold Wolfe. Arran...(+)
I. The False Young Man, II. The Maid on the Shore, III. Bold Wolfe. Arranged by Michael Story. Concert Band; Part(s); Score. Belwin Young Band. Folk. 246 pages. Published by Belwin Music (AP.43111).
$63.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Enchantment: A Romantic Suite Piano solo LudwigMasters Publications
Solo Piano SKU: AP.36-M348091 Composed by Robert Nathaniel Dett. Performa...(+)
Solo Piano SKU: AP.36-M348091 Composed by Robert Nathaniel Dett. Performance Music Ensemble. Master Piano Series. Score and Part(s). LudwigMasters Publications #36-M348091. Published by LudwigMasters Publications (AP.36-M348091). UPC: 660355091131. English. Robert Nathaniel Dett (1882-1943) wrote Enchantment: A Romantic Suite for the piano on an Original Program in 1922. A programmatic piece in four movements, Dett offers text at the beginning for each movement, describing a soul obsessed by a desire for the unattainable. Movements: I. Incantation, II. Song of the Shrine, III. Dance of Desire, IV. Beyond the Dream. These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months. $6.95 - See more - Buy online | | |
| 100 Classic Melodies for Flute Flute [Book] - Easy Kevin Mayhew
Arranged by Amanda Oosthuizen. For flute. Flute. Classic. Beginning-Intermediate...(+)
Arranged by Amanda Oosthuizen. For flute. Flute. Classic. Beginning-Intermediate. Book. Published by Kevin Mayhew Publishers
$15.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Last Friend of NAPOLEON Concert band [Score and Parts] - Intermediate/advanced De Haske Publications
Concert Band/Harmonie - Grade 6 SKU: BT.DHP-1185847-010 Composed by Dirk ...(+)
Concert Band/Harmonie - Grade 6 SKU: BT.DHP-1185847-010 Composed by Dirk Brossé. Concert and Contest Collection CBHA. Concert Piece. Set (Score & Parts). Composed 2018. De Haske Publications #DHP 1185847-010. Published by De Haske Publications (BT.DHP-1185847-010). English-German-French-Dutch. The Last Friend of Napoleon is based on a true piece of Dutch history. In October 1813, when Napoleon was beaten after his unsuccessful Russian campaign, the French withdrew from the Netherlands. At the beginning of 1814, the whole country had been liberated except for the town of Delfzijl, still occupied by French troops. This programmatic work is about political and military stubbornness, chasing dreams, and about love always following its own unequalled way. Being one of the most acknowledged composers of today, Dirk Brossé has created an epic work that depicts a dramatic story, using the full range of the symphonic band resulting in challenging brass passages, a widerange of percussion and a lot of strong, beautiful and melodic material.
The Last Friend of Napoleon is gebaseerd op een waargebeurd stukje Nederlandse geschiedenis. Als Napoleon in oktober 1813 na zijn mislukte Russische veldtocht wordt verslagen, trekken de Fransen zich terug uit Nederland. Begin 1814 is heel het land bevrijd, behalve de plaats Delfzijl, die nog bezet wordt door Franse troepen. Dit programmatische werk gaat over politieke en militaire stijfkoppigheid, over het najagen van dromen en over de liefde, die altijd haar eigen, onnavolgbare weg gaat. Dit werk van Dirk Brossé, een van de meest gerenommeerde hedendaagse componisten, vertelt een dramatisch verhaal door middel van volledig symfonisch blaasorkest waarin koper, eenscala van slagwerk en vooral veel prachtig melodisch materiaal de hoofdrol spelen.
The Last Friend of Napoleon basiert auf einer wahren Episode aus der niederländischen Geschichte. Als Napoleon im Oktober 1813 nach seinem erfolglosen Russlandfeldzug geschlagen wurde, zogen sich die Franzosen aus den Niederlanden zurück. Anfang 1814 wurde das ganze Land befreit, mit Ausnahme der Stadt Delfzijl, die noch von französischen Truppen gehalten wurde. Dieses programmatische Werk handelt von politischer und militärischer Starrköpfigkeit, vom Verfolgen von Träumen, und darum, dass die Liebe immer ihren eigenen Weg geht. Dirk Brossé, der zu den bekanntesten zeitgenössischen Komponisten zählt, stellt mit diesem epischen Werk eine dramatischeGeschichte dar. Er verwendet hierfür das große Spektrum des Sinfonischen Blasorchesters: Er hat anspruchsvolle Episoden für die Blechbläser, eine große Bandbreite für Schlagwerk und zahlreiche wunderschöne Melodien geschaffen.
The Last Friend of Napoleon est basé sur une histoire vraie néerlandaise.Alors que Napoléon est vaincu après sa campagne infructueuse en Russie en octobre 1813, les Français se retirent des Pays-Bas. Au début de 1814, le pays entier a été libéré l’exception de la ville de Delfzijl, toujours occupée par les troupes françaises. Cette œuvre programme aborde l’entêtement politique et militaire, la poursuite de rêves, et l’amour qui suit toujours son propre chemin. De l’un des compositeurs les plus reconnus de nos jours, cette œuvre épique de Dirk Brossé met en musique une histoire dramatique. Il profite pleinement de la palette complète d’un orchestre d’harmoniesymphonique, ce qui entraîne des épisodes stimulants pour les cuivres, une grande variété de percussion et une abondance de matériau mélodique magnifique et puissant.
The Last Friend of Napoleon (L'ultimo amico di Napoleone) si basa su un episodio di storia olandese. Dirk Brossé ha creato un'opera epica che descrive una storia drammatica, utilizzando tutte le potenzialit della banda che si esprimono in impegnativi passaggi degli ottoni, nell’ampia gamma di percussioni e in molto materiale bello e melodico. $322.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Three Moods For Concert Band Concert band [Score and Parts] - Easy Kjos Music Company
Band concert band - Grade 2.5 SKU: KJ.WB370 Composed by Brad Ciechomski. ...(+)
Band concert band - Grade 2.5 SKU: KJ.WB370 Composed by Brad Ciechomski. Beginning Concert BandWorks. Score and set of parts. Neil A. Kjos Music Company #WB370. Published by Neil A. Kjos Music Company (KJ.WB370). ISBN 9788402702012. UPC: 8402702015. Written to capture moods often found in school hallways and classrooms, the suite of Three Moods for Concert Band is a terrific way to challenge your younger band! I. Energetic serves as an exhilarating beginning. II. Questioning depicts curiosity, as questions are asked and answered between various sections. III. Laughing incorporates the comic effects of a siren and slide whistles with the quick rhythms of a light hearted march. $60.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| AMA Flute 2000 Flute [Sheet music + CD] - Easy AMA Verlag
By Robert Winn. For Flute. Method. AMA Verlag. All Styles. Level: Beginning. Boo...(+)
By Robert Winn. For Flute. Method. AMA Verlag. All Styles. Level: Beginning. Book/CD Set. Size 9x12. 88 pages. Published by AMA Verlag. ISBN 3932587316.
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Singapura Suite Concert band [Score and Parts] - Easy De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-0981357-010 Composed by Jan...(+)
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-0981357-010 Composed by Jan Van der Roost. Performance Series. Concert Piece. Set (Score & Parts). Composed 1998. De Haske Publications #DHP 0981357-010. Published by De Haske Publications (BT.DHP-0981357-010). 9x12 inches. Singapura Suite was commissioned by Singapore's Ministry of Education Extracurricular Activities Branch to serve as a compulsory piece for the 1999 Singapore Youth Festival.Singapura is the original name of Singapore in Malay, the native language there. Because Singapore is one of the most important harbors in the world, this two-piece work opens with a seaman's dance. An authentic melody, Chan Mali Chan, is woven into the middle of this first part, whose ABA form becomes clear through the recapitulation of the seaman's dance in a somewhat altered form.Singapore is also a dynamic city-state alive with excitement, thus the second part begins with a fitting dance, a fastbourrée. As contrast there is a second authentic melody, Dayung Sampan, a more easygoing sailing song. This short but curious suite ends in high spirits with a recapitulation of the beginning.
‘Singapura’ is de oorspronkelijke naam van Singapore in het Maleis, de originele taal van deze stadstaat. Omdat Singapore een van de belangrijkste havens ter wereld is, opent de componist met een ‘zeemansdans’. Ook de authentiekemelodie Chan Mali Chan is te herkennen. Het dynamische aspect van Singapore wordt verbeeld in een snelle bourree, gevolgd door een contrasterend authentiek en rustig bootslied: Dayung Sampan.
Das Werk Singapura Suite wurde vom ‚Singapure’s Ministry of Education Extracurricular Activities Branch‘ (Ministerium für Erziehung, Kultur und Sport, Singapur) als eines der Pflichtstücke für das Singapur Jugendfestival“ 1999 in Auftrag gegeben.Singapura“ - das ist der malaiische Name der Bewohner Singapurs, es ist die Sprache der Eingeborenen. Weil in Singapur einer der wichtigsten Häfen der Welt ist, öffnet dieses zweiteilige Werk mit einem Seemannstanz. Eine authentische Melodie, Chan Mali Chan, wird in den Mittelteil dieses ersten Teils eingeflochten, dessen A-B-A-Form durch die Wiederholung des Seemannstanzes in einer etwas veränderten Form deutlichwird.Singapur ist auch ein dynamischer und lebendiger Stadtstaat, und deshalb beginnt der zweite Teil mit einem passenden Tanz, einer schnellen Bourrée. Als Kontrast hierzu erklingt eine zweite authentische Melodie, Dayung Sampan, ein sehr leichtes, gelassenes Matrosenlied. Diese kurze, aber kuriose Suite endet sehr ausgelassen mit einer Wiederholung des Anfangs.
Singapore, la citt del leone, è uno dei più importanti crocevia dell’Asia. Singapore mischia abilmente le culture provenienti dalla Cina, dalla Malesia, dall’India a quelle occidentali. La musica tradizionale è l’immagine delle molte etnie di questa citt -stato. I due movimenti di questa composizione si ispirano a canti tradizionali della Malesia. Il primo movimento sviluppa quattro canti tradizionali di carattere contrastante e contrastato. Il secondo movimento è basato sui canti Lenggang Kangkung e Katang Lompat, che, come d’abitudine in oriente, descrivono animali e l’ambiente in cui vivono legandoli a simbolismi, e un canto tradizionale in occasione di matrimoni. I duemovimenti di questa rapsodia non sono legati tra loro, rendendo possibile eseguirli separatamente. $184.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Singapura Suite Concert band [Score] - Easy De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-0981357-140 Composed by Jan...(+)
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-0981357-140 Composed by Jan Van der Roost. Performance Series. Concert Piece. Score Only. Composed 1998. 76 pages. De Haske Publications #DHP 0981357-140. Published by De Haske Publications (BT.DHP-0981357-140). 9x12 inches. Singapura Suite was commissioned by Singapore's Ministry of Education Extracurricular Activities Branch to serve as a compulsory piece for the 1999 Singapore Youth Festival.Singapura is the original name of Singapore in Malay, the native language there. Because Singapore is one of the most important harbors in the world, this two-piece work opens with a seaman's dance. An authentic melody, Chan Mali Chan, is woven into the middle of this first part, whose ABA form becomes clear through the recapitulation of the seaman's dance in a somewhat altered form.Singapore is also a dynamic city-state alive with excitement, thus the second part begins with a fitting dance, a fastbourrée. As contrast there is a second authentic melody, Dayung Sampan, a more easygoing sailing song. This short but curious suite ends in high spirits with a recapitulation of the beginning.
‘Singapura’ is de oorspronkelijke naam van Singapore in het Maleis, de originele taal van deze stadstaat. Omdat Singapore een van de belangrijkste havens ter wereld is, opent de componist met een ‘zeemansdans’. Ook de authentiekemelodie Chan Mali Chan is te herkennen. Het dynamische aspect van Singapore wordt verbeeld in een snelle bourree, gevolgd door een contrasterend authentiek en rustig bootslied: Dayung Sampan.
Das Werk Singapura Suite wurde vom ‚Singapure’s Ministry of Education Extracurricular Activities Branch‘ (Ministerium für Erziehung, Kultur und Sport, Singapur) als eines der Pflichtstücke für das Singapur Jugendfestival“ 1999 in Auftrag gegeben.Singapura“ - das ist der malaiische Name der Bewohner Singapurs, es ist die Sprache der Eingeborenen. Weil in Singapur einer der wichtigsten Häfen der Welt ist, öffnet dieses zweiteilige Werk mit einem Seemannstanz. Eine authentische Melodie, Chan Mali Chan, wird in den Mittelteil dieses ersten Teils eingeflochten, dessen A-B-A-Form durch die Wiederholung des Seemannstanzes in einer etwas veränderten Form deutlichwird.Singapur ist auch ein dynamischer und lebendiger Stadtstaat, und deshalb beginnt der zweite Teil mit einem passenden Tanz, einer schnellen Bourrée. Als Kontrast hierzu erklingt eine zweite authentische Melodie, Dayung Sampan, ein sehr leichtes, gelassenes Matrosenlied. Diese kurze, aber kuriose Suite endet sehr ausgelassen mit einer Wiederholung des Anfangs.
Singapore, la citt del leone, è uno dei più importanti crocevia dell’Asia. Singapore mischia abilmente le culture provenienti dalla Cina, dalla Malesia, dall’India a quelle occidentali. La musica tradizionale è l’immagine delle molte etnie di questa citt -stato. I due movimenti di questa composizione si ispirano a canti tradizionali della Malesia. Il primo movimento sviluppa quattro canti tradizionali di carattere contrastante e contrastato. Il secondo movimento è basato sui canti Lenggang Kangkung e Katang Lompat, che, come d’abitudine in oriente, descrivono animali e l’ambiente in cui vivono legandoli a simbolismi, e un canto tradizionale in occasione di matrimoni. I duemovimenti di questa rapsodia non sono legati tra loro, rendendo possibile eseguirli separatamente. $38.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| A Western Suite Marching band [Score and Parts] - Easy Gobelin Music Publications
Fanfare Band - Grade 2 SKU: BT.GOB-000332-020 Composed by Andreas Ludwig ...(+)
Fanfare Band - Grade 2 SKU: BT.GOB-000332-020 Composed by Andreas Ludwig Schulte. Set (Score & Parts). 75 pages. Gobelin Music Publications #GOB 000332-020. Published by Gobelin Music Publications (BT.GOB-000332-020). The atmosphere of the Wild West is caught in a striking and most imaginative way by young composer Andreas Schulte in this work. A caravan of gold- and fortuneseekers launch themselves into a big adventure and begin their rush westward.
The first movement desciribes these first days of buoyancy and optimism in a crisp march. Near the campfire the pioneers rest themselves, and the music expresses feelings of romance, nostalgia for the past and hopes for the future. A wistful melody very characteristically communicates these feelings. Relaxation takes place in the third movement which is a musical characterization of a rodeo and its attendant festivities. It is obvious that sometimes something goes wrong and this aspect can also be heard. Nevertheless, the valiant rider wins in the end. With a flashback to the beginning, the journey is completed musically, thus giving the composition a dignified finale.
Let the mystic Wild West entrance you. (Wagons ho ....!!) De sfeer van het Wilde Westen wordt door de jonge componist Andreas Ludwig Schulte op een uiterst treffende en beeldende wijze geschetst. Een karavaan van goud- en gelukzoekers stort zich in het grote avontuur en begint de grote reis naar het westen.
Het eerste gedeelte beschrijft de eerste dagen van opgewektheid en optimisme in een vlotte mars. Bij het kampvuur komen de pioniers tot rust en worden gevoelens van romantiek, heimwee (verleden) en hoop (toekomst) muzikaal weergegeven. Een weemoedige melodie verwoordt die gevoelens op een zeer kenmerkende wijze. De ontspanning vindt plaats in het derde deel waarin een rodeofeest muzikaal wordt verklankt. Met een flashback van het begin wordt de tocht voltooid en de compositie waardig afgesloten.
Raak in de ban van het wilde westen!
Gobelin Music Publications. $135.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| A Western Suite Marching band [Score] - Easy Gobelin Music Publications
Fanfare Band - Grade 2 SKU: BT.GOB-000332-120 Composed by Andreas Ludwig ...(+)
Fanfare Band - Grade 2 SKU: BT.GOB-000332-120 Composed by Andreas Ludwig Schulte. Score Only. 20 pages. Gobelin Music Publications #GOB 000332-120. Published by Gobelin Music Publications (BT.GOB-000332-120). The atmosphere of the Wild West is caught in a striking and most imaginative way by young composer Andreas Schulte in this work. A caravan of gold- and fortuneseekers launch themselves into a big adventure and begin their rush westward.
The first movement desciribes these first days of buoyancy and optimism in a crisp march. Near the campfire the pioneers rest themselves, and the music expresses feelings of romance, nostalgia for the past and hopes for the future. A wistful melody very characteristically communicates these feelings. Relaxation takes place in the third movement which is a musical characterization of a rodeo and its attendant festivities. It is obvious that sometimes something goes wrong and this aspect can also be heard. Nevertheless, the valiant rider wins in the end. With a flashback to the beginning, the journey is completed musically, thus giving the composition a dignified finale.
Let the mystic Wild West entrance you. (Wagons ho ....!!) De sfeer van het Wilde Westen wordt door de jonge componist Andreas Ludwig Schulte op een uiterst treffende en beeldende wijze geschetst. Een karavaan van goud- en gelukzoekers stort zich in het grote avontuur en begint de grote reis naar het westen.
Het eerste gedeelte beschrijft de eerste dagen van opgewektheid en optimisme in een vlotte mars. Bij het kampvuur komen de pioniers tot rust en worden gevoelens van romantiek, heimwee (verleden) en hoop (toekomst) muzikaal weergegeven. Een weemoedige melodie verwoordt die gevoelens op een zeer kenmerkende wijze. De ontspanning vindt plaats in het derde deel waarin een rodeofeest muzikaal wordt verklankt. Met een flashback van het begin wordt de tocht voltooid en de compositie waardig afgesloten.
Raak in de ban van het wilde westen!
Gobelin Music Publications. $27.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| A Western Suite Brass ensemble [Score and Parts] - Easy Gobelin Music Publications
Brass Band - Grade 2 SKU: BT.GOB-000451-030 Composed by Andreas Ludwig Sc...(+)
Brass Band - Grade 2 SKU: BT.GOB-000451-030 Composed by Andreas Ludwig Schulte. Arranged by David Well. Set (Score & Parts). 30 pages. Gobelin Music Publications #GOB 000451-030. Published by Gobelin Music Publications (BT.GOB-000451-030). The atmosphere of the Wild West is caught in a striking and most imaginative way by young composer Andreas Schulte in this work. A caravan of gold- and fortuneseekers launch themselves into a big adventure and begin their rush westward.
The first movement desciribes these first days of buoyancy and optimism in a crisp march. Near the campfire the pioneers rest themselves, and the music expresses feelings of romance, nostalgia for the past and hopes for the future. A wistful melody very characteristically communicates these feelings. Relaxation takes place in the third movement which is a musical characterization of a rodeo and its attendant festivities. It is obvious that sometimes something goes wrong and this aspect can also be heard. Nevertheless, the valiant rider wins in the end. With a flashback to the beginning, the journey is completed musically, thus giving the composition a dignified finale.
Let the mystic Wild West entrance you. (Wagons ho ....!!) De sfeer van het Wilde Westen wordt door de jonge componist Andreas Ludwig Schulte op een uiterst treffende en beeldende wijze geschetst. Een karavaan van goud- en gelukzoekers stort zich in het grote avontuur en begint de grote reis naar het westen.
Het eerste gedeelte beschrijft de eerste dagen van opgewektheid en optimisme in een vlotte mars. Bij het kampvuur komen de pioniers tot rust en worden gevoelens van romantiek, heimwee (verleden) en hoop (toekomst) muzikaal weergegeven. Een weemoedige melodie verwoordt die gevoelens op een zeer kenmerkende wijze. De ontspanning vindt plaats in het derde deel waarin een rodeofeest muzikaal wordt verklankt. Met een flashback van het begin wordt de tocht voltooid en de compositie waardig afgesloten.
Raak in de ban van het wilde westen!
Gobelin Music Publications. $98.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| A Western Suite Brass ensemble [Score] - Easy Gobelin Music Publications
Brass Band - Grade 2 SKU: BT.GOB-000451-130 Composed by Andreas Ludwig Sc...(+)
Brass Band - Grade 2 SKU: BT.GOB-000451-130 Composed by Andreas Ludwig Schulte. Arranged by David Well. Score Only. 20 pages. Gobelin Music Publications #GOB 000451-130. Published by Gobelin Music Publications (BT.GOB-000451-130). The atmosphere of the Wild West is caught in a striking and most imaginative way by young composer Andreas Schulte in this work. A caravan of gold- and fortuneseekers launch themselves into a big adventure and begin their rush westward.
The first movement desciribes these first days of buoyancy and optimism in a crisp march. Near the campfire the pioneers rest themselves, and the music expresses feelings of romance, nostalgia for the past and hopes for the future. A wistful melody very characteristically communicates these feelings. Relaxation takes place in the third movement which is a musical characterization of a rodeo and its attendant festivities. It is obvious that sometimes something goes wrong and this aspect can also be heard. Nevertheless, the valiant rider wins in the end. With a flashback to the beginning, the journey is completed musically, thus giving the composition a dignified finale.
Let the mystic Wild West entrance you. (Wagons ho ....!!) De sfeer van het Wilde Westen wordt door de jonge componist Andreas Ludwig Schulte op een uiterst treffende en beeldende wijze geschetst. Een karavaan van goud- en gelukzoekers stort zich in het grote avontuur en begint de grote reis naar het westen.
Het eerste gedeelte beschrijft de eerste dagen van opgewektheid en optimisme in een vlotte mars. Bij het kampvuur komen de pioniers tot rust en worden gevoelens van romantiek, heimwee (verleden) en hoop (toekomst) muzikaal weergegeven. Een weemoedige melodie verwoordt die gevoelens op een zeer kenmerkende wijze. De ontspanning vindt plaats in het derde deel waarin een rodeofeest muzikaal wordt verklankt. Met een flashback van het begin wordt de tocht voltooid en de compositie waardig afgesloten.
Raak in de ban van het wilde westen!
Gobelin Music Publications. $24.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Sonata XXIX (Dresden nr.25) for Solo Guitar Guitar Metropolis Music Publishers
Guitar Solo SKU: IS.G6763EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo SKU: IS.G6763EM Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6763EM. Published by Metropolis Music Publishers (IS.G6763EM). ISBN 9790365067633. This sonata (WeissSW No. 25, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXIX comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXIX comes from Weissâ??s middle â??productiveâ?? period, around 1720. The Sonata has seven movements: Prelude, Allemande (andante), Passepied, Bourée, Sarabande, Menuet, and it ends with a Gigue. There is another copy of this Sonata, known as Suite XIX, in a London Manuscript (British Library Ms. Add. 30387). The London version does not include a Prelude, and the Sarabande is completely different. The other movements are similar to those in the Dresden Manuscript. The Sonata in this Edition is based on the Dresden Manuscript. The purpose of beginning a lute sonata with a Prelude is to introduce the specific key and the harmonic design of the sonata. However, not every sonata in the Dresden and London manuscripts has a Prelude. About one third of the 34 Dresden Sonatas opens with a Prelude, but only six of them may be considered truly integral to the sonata. The other preludes are composed in a rather â??rudimentaryâ?? style, as a model for the less experienced lute player to improvise on the central key and theme. The Prelude in this particular Sonata cannot be regarded as integral. It has been added later, either by the compiler of the volumes or perhaps by Weiss himself. Originally, the Sonata is written in G minor, a key not often used by Weiss, but considered appropriate for playing the lute. With the guitar, however, the key is rather awkward. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to E minor. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret. $22.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Classical Beginnings Vol.2 Piano solo Music Sales
Piano SKU: HL.14004975 Composed by Dorothy Bradley. Music Sales America. ...(+)
Piano SKU: HL.14004975 Composed by Dorothy Bradley. Music Sales America. Classical. Book Only. Music Sales #BOE003562. Published by Music Sales (HL.14004975). ISBN 9781847726353. Light Classical and Romantic pieces for Piano, edited by Dorothy Bradley. $9.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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