SKU: SU.32030090
Arrangement of violin and guitar duet for jazz bandJazz Ensemble Duration: 7' Composed: 2015 Published by: Distributed Composer.
SKU: BT.DHP-1053822-010
Klezmer was originally the name given to the music of the Yiddish speaking Jews in Eastern Europe. The klezmer musicians played dance music, mainly at weddings. Historically string instruments such as the violin were predominantly used, but later (after ca. 1900) other instruments and in particular the clarinet were added as melodic instruments. In klezmer music in addition to Balkan influences oriental and gipsy influences can also be found. Jacob de Haan composed Klezmania in this style, based on the well-known Hebrew song Hava Nagila.Klezmer is van oorsprong de benaming voor de muziek van de Jiddisch sprekende joden in met name Oost-Europa. De klezmermuzikanten speelden onder meer dansmuziek op bruiloften. Van oudsher werden voornamelijk snaarinstrumenten alsde viool gebruikt. Later (na ca. 1900) kwam daar vooral de klarinet als melodie-instrument bij. In de klezmermuziek zijn naast veel Balkan-invloeden ook oriëntaalse en zigeunerinvloeden terug te vinden. In deze stijl componeerde Jacobde Haan Klezmania, waarin hij het bekende Hebreeuwse lied Hava Nagila verwerkte.Mit Klezmer wurde ursprünglich die Musik der jiddisch sprechenden Juden in Osteuropa bezeichnet. Klezmer-Musiker spielten vornehmlich Tanzmusik auf Hochzeiten und Familienfeiern. In der oft zugleich fröhlichen und melancholischen Klezmer-Musik finden sich neben Anklängen der Musik des Balkans auch Einflüsse aus dem Orient und der Zigeunermusik. In diesem einzigartigen Stil komponierte Jacob de Haan sein Stück Klezmania, in welchem er das bekannte hebräische Lied Hava Nagila verwendete.« Klezmer » est le nom donné la musique inspirée par les traditions des communautés juives de langue yiddish installées en Europe de l’Est. La musique klezmer est une musique métissée d’influences balkanes, orientales et tziganes. Klezmania s’inscrit dans cette lignée. Jacob de Haan y développe un standard du répertoire : Hava Nagila.
SKU: KJ.SOS1C
UPC: 8402703965.
This arrangement provides a rich and energetic accompaniment for the virtuosic, yet accessible solo part. The multiple solo options of violin, viola, or cello, are all arranged in the key of D Minor, thus using the same accompaniment. Lots of fantastic options here!
SKU: MH.1-59913-064-5
ISBN 9781599130644.
I wrote Galloping Ghosts (A Ragtime March) to conclude a concert of my chamber music in New York City on October 28, 1986. It is the final part of a work called Rags for Divers Players. This work was written to show the variety possible within the standard rag form. I used all the players available for the finale -- two violins, viola, cello, bass, flute, oboe, clarinet, horn, bassoon, and piano. Since this is a rather unusual instrumental combination and not easy to reassemble, I decided to rescore the work for concert band. Galloping Ghosts is written in a standard march form but incorporates many of the syncopations found in ragtime. The uniquely American music called ragtime traces its history to African rhythms brought over by slaves. Over the years this music became welded to European musical forms such as the quadrille and the march. Drums and banjos and the minstrel tradition lent a special flavor, and from all these elements ragtime slowly evolved within the largely unknown black subculture of the late 19th century. In the late 1890's it emerged as a fully developed form in the classic piano solos of Scott Joplin (1869-1917). Joplin's 1899 hit, Maple Leaf Rag, was an overnight sensation and brought ragtime worldwide fame. Ensemble instrumentation: 1 Piccolo, 8 Flute 1 and 2, 2 Oboe, 1 Eb Clarinet, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 2 Eb Alto Clarinet, 3 Bb Bass and Bb Contrabass Clarinet, 2 Bassoon 1 and 2, 2 Eb Alto Saxophone 1, 2 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Cornet 1, 3 Bb Cornet 2, 3 Bb Cornet 3, 2 Horn 1 and 2 in F, 2 Horn 3 and 4 in F, 4 Trombone 1 and 2, 4 Bass Trombone, 2 Baritone (B.C.), 2 Baritone (T.C.), 4 Tuba, 1 String Bass, 1 Timpani, 1 Xylophone, 3 Percussion 1, 3 Percussion 2.
SKU: IS.FRHWE7556EM
ISBN 9790365075560.
Theo Van Doren was an Antwerp musician, violinist and composer who, despite many foreign offers, preferred to stay in his own Antwerp. He started his career as a musician in silent movies, then as a soloist, with his own string trio. Later he became solo violinist in the Flanders' Opera Orchestra and conductor. He worked with a.o. Strawinksy, Rubinstein, Stern, etc. He also taught violin for 35 years at the Borgerhout music academy, where he trained many professional musicians.
SKU: AP.12-0571572286
ISBN 9780571572281. English.
Carl Vine's XX (2009) was commissioned by the Australian Chamber Orchestra to honour the twenty years that Richard Tognetti had been its director. A playful four-minute exploration of the relationship between a chamber orchestra and its leader, this delightful work for solo violin and string orchestra makes the perfect concert opener.
SKU: CL.014-0119-00
Note: This is a reprint from a vintage publication of 1935. Parts for Eb Horns are included; no F Horn parts are published for this work. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff. Includes part for Violin.
SKU: AP.12-0571501281
ISBN 9780571501281. UPC: 9780571501281. 9x12 inches. English.
SKU: AP.6-401480
ISBN 9780486401485. English.
This volume contains two of Beethoven's most unusual, highly innovative and original works: the Concerto in C Major, Op. 56, for piano, violin, cello and orchestra; and the Fantasia in C Minor, Op. 80, for piano, chorus and orchestra.
SKU: AP.12-0571518796
ISBN 9780571518791. English.
Commissioned by the Faber Music Millennium Series, and premiered by the BT Scottish Ensemble in London, May 2000. The rushing waters of a river are the central image of this work, scored for seven violins, two violas, two cellos, and bass. With a program note. Duration ca. 18 minutes.
SKU: AP.47448
UPC: 038081545776. English. Traditional British Folk Song.
A fabulous selection for contest or festival, this versatile piece is a sure winner. Based on the Percy Grainger arrangement of the well-known folk song, this setting by Michael Story can be performed by string orchestra alone or with any combination of winds and percussion, up to full orchestra. The first statement of the melody may be played as a solo or by as many 1st violins as are appropriate for your group. This title is available in MakeMusic Cloud.
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