SKU: LP.9780834177499
ISBN 9780834177499.
This collection is an inspired blend of classic hymns, gospel songs and spirituals. Several thematically-related medleys are included in the collection as well. From jazz to festive to contemplative, this is a resource which spans the stylistic and dyna.
SKU: BT.WH33056
ISBN 9788759840467. Danish.
Rued Langgaard (1893-1952) is one of the most important Danish composers of the 20th century. Langgaard’s piano compositions are evenly spread out over his 50 productive years from 1902 to 1951. Generally speaking hispiano music represents the entire broad spectrum of expression and the stylistic diversity one finds in his music. Some of the most personal works he created are to be found among the piano works, e.g. Insectarium (1917), Music ofthe Abyss (1921-24), Insanity Fantasy (1914-49) and Le Béguinage (1948-49). In many of the works, however, nostalgic and romantic moods of expression are predominant.
This publication presents Langgaard’spianomusic in its entire range. The three volumes comprise 26 works and 44 individual piano pieces. Only 11 of the compositions have previouslybeen published.
The Rued Langgaard Edition (RLU) was established in 2000,the aim being to present practical, performance-oriented publications of Langgaard’s works on a critical scholarly basis.
SKU: BT.WMP2212
ISBN 9789810751180. English.
Teachers’ Choice, Selected Piano Repertory & Studies for Grades 4 & 5 is compiled to provide teachers and students with good options for the 2013-2014 ABRSM piano examinations.
SKU: BT.WMP2218
ISBN 9789810924119. English.
Teachers’ Choice, Selected Piano Repertory & Studies for grade 8 is compiled to provide teachers and students with good options for the 2015 & 2016 ABRSM Piano examinations.
- This collection ofinteresting and appealing Piano pieces contains editorial suggestions for pedagogical purposes. Most teachers will find the performance points helpful in developing stylistic awareness in the students.
-Examinationrequirements aside, details on articulation, dynamics, fingering, pedal marks and tempo serve to provide a directed approach for students to strive towards achieving musical excellence and perfection.
-Effectivetechnicalstudies suited to each level have been carefully selected, forming in themselves, supplementary materials to enhance technical competence.
-Most important of all, enjoy the high standards of music typography suchclear, professionally laid scores supported by modern publishing technology and musical semiotics. The digital print on quality cream-coloured paper ensures comfort in the reading of musical scores.
SKU: BT.WH33063
ISBN 9788759840535. English.
Jazz Chords On Piano -2 by Tormod Vinsand (2017). This book is a follow-up on Jazz Chords on Piano (WH32971) and it is definitely an advantage if you have familiarised yourself with the techniques and terms used in Jazz Chords on Piano . There are many ways in which to play jazz on a piano. In Jazz Chords on Piano I describe some guidelines for how to prepare accompaniment and melody playing, but admittedly, there are of course many other ways to play or other techniques to use. In Jazz Chords on Piano - 2 I have chosen to focus on four typical techniques: Part 1 - Playing Arpeggio in left hand Part 2 - 4-stacked chords in a piano movement Part 3 - Left-hand chords Part 4 -Overlying triads when accompanying To illustrate the various techniques, I have made compositions that are stylistically adjusted so that the various techniques make musical sense and are playable. (Tormod Vinsand) Tormod Vinsand (born 1958) has a Master's Degree in Musicology from University of Copenhagen. Since 1988 Tormod has been a jazz piano lecturer at The Rhythmic Music Conservatory, Copenhagen, The Institute of Musicology at University of Copenhagen, and the Royal Danish Academy of Music, Copenhagen. The material you fi nd in this book has been used at the above three educational institutions and is primarily targeted to music students that do not have the piano as their primary instrument at these schools. But others may also benefi t from this book, provided you have an elementary theoretical background in music. Since 2013 Tormod has also been Music School Manager at the Rødovre School of Music.
SKU: BR.EB-9253
World premiere of the orchestral version: Stuttgart, January 1, 2018World premiere of the piano version: Mito, June 17, 2017
Have a look into EB 9283.
ISBN 9790004185537. 9 x 12 inches.
Marche fatale is an incautiously daring escapade that may annoy the fans of my compositions more than my earlier works, many of which have prevailed only after scandals at their world premieres. My Marche fatale has, though, little stylistically to do with my previous compositional path; it presents itself without restraint, if not as a regression, then still as a recourse to those empty phrases to which modern civilization still clings in its daily utility music, whereas music in the 20th and 21st centuries has long since advanced to new, unfamiliar soundscapes and expressive possibilities. The key term is banality. As creators we despise it, we try to avoid it - though we are not safe from the cheap banal even within new aesthetic achievements.Many composers have incidentally accepted the banal. Mozart wrote Ein musikalischer Spass [A Musical Jape], a deliberately amateurishly miscarried sextet. Beethoven's Bagatellen op. 119 were rejected by the publisher on the grounds that few will believe that this minor work is by the famous Beethoven. Mauricio Kagel wrote, tongue in cheek, so to speak, Marsche, um den Sieg zu verfehlen [Marches for being Unvictorious], Ligeti wrote Hungarian Rock; in his Circus Polka Stravinsky quoted and distorted the famous, all too popular Schubert military march, composed at the time for piano duet. I myself do not know, though, whether I ought to rank my Marche fatale alongside these examples: I accept the humor in daily life, the more so as this daily life for some of us is not otherwise to be borne. In music, I mistrust it, considering myself all the closer to the profounder idea of cheerfulness having little to do with humor. However: Isn't a march with its compelling claim to a collectively martial or festive mood absurd, a priori? Is it even music at all? Can one march and at the same time listen? Eventually, I resolved to take the absurd seriously - perhaps bitterly seriously - as a debunking emblem of our civilization that is standing on the brink. The way - seemingly unstoppable - into the black hole of all debilitating demons: that can become serene. My old request of myself and my music-creating surroundings is to write a non-music, whence the familiar concept of music is repeatedly re-defined anew and differently, so that derailed here - perhaps? - in a treacherous way, the concert hall becomes the place of mind-opening adventures instead of a refuge in illusory security. How could that happen? The rest is - thinking.(Helmut Lachenmann, 2017)CD (Version for Piano):Nicolas Hodges CD Wergo WER 7393 2 Bibliography:Ich bin nicht ,,pietistisch verformt. Ein Gesprach [von Jan Brachmann] mit dem Komponisten Helmut Lachenmann, in: FAZ vom 7. Juni 2018, p. 15.World premiere of the piano version: Mito/Japan, June 17, 2017, World premiere of the orchestral version: Stuttgart, January 1, 2018, World premiere of the ensemble version: Frankfurt, December 9, 2020.
SKU: LO.70-2443L
ISBN 9780787778729.
Veteran composer/arranger Mark Edwards has created an inspired book of piano solos. These accessible arrangements of eleven classic hymns of our faith feature lush harmonizations and a variety of different stylistic moods and will provide material for preludes, offertories, and postludes throughout the church year.
SKU: BT.WMP2215
ISBN 9789810924089. English.
Teachers’ Choice, Selected Piano Repertory & Studies for grades 1, 2 and 3 is compiled to provide teachers and students with good options for the 2015 & 2016 ABRSM Piano examinations.
SKU: BT.WMP2216
ISBN 9789810924096. English.
Teachers’ Choice, Selected Piano Repertory & Studies for grades 4-5 is compiled to provide teachers and students with good options for the 2015 & 2016 ABRSM Piano examinations.
SKU: BT.WMP2211
ISBN 9789810751173. English.
Teachers' Choice, Selected Piano Repertory & Studies for Grade 1, 2 & 3 is compiled to provide teachers and students with good options for the 2013-2014 ABRSM piano examinations.
SKU: BT.WMP2213
ISBN 9789810751197. English.
Teachers' Choice, Selected Piano Repertory & Studies for Grade 6 & 7 is compiled to provide teachers and students with good options for the 2013-2014 ABRSM piano examinations.
SKU: HL.49030568
ISBN 9790001142588. 9.0x12.0x0.092 inches.
'Stucke fur die Jugend' intends to carefully introduce the piano pupils to new music. At the time that the piano pieces were created in 1927, Joseph Haas sat on the jury at the Donaueschingen Music Festival together with Paul Hindemith. In his typical manner, the pieces looked forward to the future without burning bridges to the past. The stylistic elements to be mentioned in particular are the sparing use of harmonies which give special emphasis to the linear, the staccato, the arpeggios, and the frequently used progressions of fourths. The influence of his teacher Max Reger can be noticed as well from time to time.The rhythmic energies running through the pieces are of great appeal and educational value.This new edition combines the pieces originally published in two volumes in one volume.
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