| Anthology Of Modern French Song - High Voice High voice, Piano [Sheet music] - Intermediate/advanced Schirmer
Edited by Max Spicker. For high voice and piano. Format: piano/vocal songbook. W...(+)
Edited by Max Spicker. For high voice and piano. Format: piano/vocal songbook. With vocal melody, piano accompaniment and lyrics. Romantic period and impressionistic. 182 pages. 9x12 inches. Published by Schirmer.
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| L'invitation au voyage Choral SATB SATB, Piano [Score] - Easy Carus Verlag
SSATB chorus, piano - Grade 3 SKU: CA.928200 Composed by Henri Duparc. Ar...(+)
SSATB chorus, piano - Grade 3 SKU: CA.928200 Composed by Henri Duparc. Arranged by Denis Rouger. Carus digital: Notenausgabe als PDF. Full Score. Composed 1880. Duration 5 minutes. Carus Verlag #928200. Published by Carus Verlag (CA.928200). ISBN 9790007300869. Key: C minor / c major. French. Text: Baudelaire, Charles. Sounds, colors and scents can conjure up places of longing. During the Romantic period, the desire to travel and see other places was seen as an expression of some inner state of mind. In L'invitation au voyage, the boundaries between what is real and imaginary seem to dissolve in the lyrical perception of a journey to the inner self: There we find nothing but order and beauty, splendor, peace, and delightâ€. This is unattainable perfection as a place of longing, where we are freed from all earthly cares. A never-ending sixteenth-note figure in the piano accompaniment flickers like a shimmering veil over these words, which in their poetry seem to remove us far from our earthly existence. “The world falls asleep in a warm light!
This art song was originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted it to suit the requirements and expressive possibilities offered by a larger ensemble, without losing any of the qualities of the original. Each part in the choir has a melodic line drawn from the harmonic and rhythmic framework. In the process, the variety and refinement of the choral language combines with an enormous flexibility in form and expression, as French melodies or German art songs demand from a soloist and pianist.
The songs have been recorded by the figure humaine chamber choir on the CD ... wo die Zitronen blühn (Carus 83.514). $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Henri Duparc: Complete Songs (High Voice)
High voice, Piano Peters | | |
| Voyage (Flute / Piano) Flute and Piano [Score and Parts] Schirmer
Score and Parts. By John Corigliano. (Flute). Woodwind Solo. 8 pages. Published...(+)
Score and Parts. By John Corigliano. (Flute). Woodwind Solo. 8 pages. Published by G. Schirmer, Inc.
$14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Anthology of Modern French Song (39 Songs) Vocal Schirmer
Low Voice. By Various. Arranged by Max Spicker. Vocal Collection. Size 9x12 inch...(+)
Low Voice. By Various. Arranged by Max Spicker. Vocal Collection. Size 9x12 inches. 192 pages. Published by G. Schirmer, Inc.
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 50 Art Songs from the Modern Repertoire Piano, Voice Schirmer
Voice and Piano. By Various. Vocal Collection. Size 9x12 inches. 220 pages. Publ...(+)
Voice and Piano. By Various. Vocal Collection. Size 9x12 inches. 220 pages. Published by G. Schirmer, Inc.
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Mélodies Vol.1 Piano, Voice Heugel
Voice and Piano SKU: BT.ALHE33708 Composed by Alexis Emmanuel Chabrier. L...(+)
Voice and Piano SKU: BT.ALHE33708 Composed by Alexis Emmanuel Chabrier. Le Pupitre - Heugel. Classical. Book Only. 97 pages. Heugel & Cie #ALHE33708. Published by Heugel & Cie (BT.ALHE33708). French. Couplets de Mariette - L'Enfant - Ronde gauloise - Le Sentier sombre - Lied - Chants d'Oiseaux - Sérénade - Adieux Suzon - Ah! petit Démon - Le Pas d'Armes du Roi Jean - Ivresses!... - L'Invitation au Voyage - Ruy Blas -Sommation irrespectueuse. $24.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Melodies Vol.1 (lp75) (voice & Piano) Heugel
Voice (Music For Voice) SKU: HL.48188872 Composed by Alexis Emmanuel Chab...(+)
Voice (Music For Voice) SKU: HL.48188872 Composed by Alexis Emmanuel Chabrier. Leduc. Classical. Softcover. 97 pages. Heugel & Cie #HE33708. Published by Heugel & Cie (HL.48188872). UPC: 888680873059. 9.0x12.0x0.309 inches. Couplets de Mariette; L'Enfant; Ronde gauloise; Le Sentier sombre; Lied; Chants d'Oiseaux; Sérénade; Adieux à Suzon; Ah! petit Démon; Le Pas d'Armes du Roi Jean; Ivresses!...; L'Invitation au Voyage; Ruy Blas; Sommation irrespectueuse. $25.80 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Élégie Guitar Classical guitar [Score] - Intermediate Doberman
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. Les Editions Doberman-Yppan #DO 1522. Published by Les Editions Doberman-Yppan (DY.DO-1522). ISBN 9782897963026. Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France. Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux �tats-Unis. Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO. Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. � Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique. Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même. Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après. Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme. Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français ! Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas. Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.
Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France. We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA. After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department. In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music. Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself. He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter. Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French! Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas. His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Henri Duparc: Complete Songs (Medium-Low Voice) Low voice, Piano [Sheet music] Peters
Composed by Henri Duparc (1848-1933), edited by Roger Nicolas. Collection for me...(+)
Composed by Henri Duparc (1848-1933), edited by Roger Nicolas. Collection for medium-low voice and piano accompaniment. With lyrics, vocal melody, translations, introductory text and performance notes. Text language Enligh, German, and French. 123 pages. Published by C.F. Peters.
$44.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Henri Duparc : Twelve Songs for Low Voice Low voice, Piano IMC (International Music Co.) | | |
| L Invitation Au Voyage Choral SATB SATB Schirmer
By J Corigliano. (SATB). Choral. Size 6.8x10.5 inches. 16 pages. Published by G...(+)
By J Corigliano. (SATB). Choral. Size 6.8x10.5 inches. 16 pages. Published by G. Schirmer.
$2.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Henri Duparc : Twelve Songs for Medium Voice Medium voice, Piano IMC (International Music Co.) | | |
| Hunting Scenes Concert band [Score and Parts] - Easy De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135460-010 An Epic Tone P...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135460-010 An Epic Tone Poem based on Taiwanese Traditional Melodies. Composed by Satoshi Yagisawa. Concert and Contest Collection CBHA. Set (Score & Parts). Composed 2013. De Haske Publications #DHP 1135460-010. Published by De Haske Publications (BT.DHP-1135460-010). 9x12 inches. English-German-French-Dutch. Satoshi Yagisawa’s often-dramatic concert band works are not only played in his homeland of Japan, but also throughout Asia and further a_x001F_field. The commission for this work in fact came from Taiwan, upon which Yagisawa drew inspiration from the traditional hunting songs of the Taroko, a people native to Eastern Taiwan.
De indrukwekkende werken van Satoshi Yagisawa worden niet enkel in zijn thuisland Japan veel gespeeld, maar staan intussen wereldwijd op het programma. In dit werk, dat hij schreef in opdracht van de Taiwain Clinic, haalde de componist zijn inspiratie uit traditionale jachtliederen van de Taroko stam in Oost-Taiwan.
Die oft dramatischen Blasorchesterwerke von Satoshi Yagisawa werden nicht nur in seiner Heimat Japan, sondern in ganz Asien und darüber hinaus gespielt. Aus Taiwan kam der Auftrag zu diesem Werk, zu dem er sich von den traditionellen Jagdliedern des in Osttaiwan beheimateten Volkes der Taroko inspirieren ließ.
Les oeuvres du compositeur japonais Satoshi Yagisawa sont interprétées bien au-del des frontières de son pays natal. Il fut prié, en outre, d’écrire une nouvelle pièce fondée sur les chansons de chasse traditionnelles de la tribu des Truku, originaire de l’est de Ta wan en vue de promouvoir la culture ta wanaise travers le monde. On y retrouve toute la quintessence des rythmes invitant au voyage. Évadez-vous !
La fama delle composizioni di Satoshi Yagisawa, spesso di carattere drammatico, ha oltrepassato i confi_x001E_ni del suo paese natale, il Giappone. La musica di Yagisawa è conosciuta ed apprezzata in tutto l’estremo oriente e da Taiwan è arrivato l’incarico di comporre Hunting Scenes che, come rivela il titolo, si ispira alla caccia in generale e a tradizionali canzoni venatorie in particolare. $176.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Hunting Scenes Concert band [Score] - Easy De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135460-140 An Epic Tone P...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135460-140 An Epic Tone Poem based on Taiwanese Traditional Melodies. Composed by Satoshi Yagisawa. Concert and Contest Collection CBHA. Score Only. Composed 2013. 32 pages. De Haske Publications #DHP 1135460-140. Published by De Haske Publications (BT.DHP-1135460-140). 9x12 inches. English-German-French-Dutch. Satoshi Yagisawa’s often-dramatic concert band works are not only played in his homeland of Japan, but also throughout Asia and further a_x001F_field. The commission for this work in fact came from Taiwan, upon which Yagisawa drew inspiration from the traditional hunting songs of the Taroko, a people native to Eastern Taiwan.
De indrukwekkende werken van Satoshi Yagisawa worden niet enkel in zijn thuisland Japan veel gespeeld, maar staan intussen wereldwijd op het programma. In dit werk, dat hij schreef in opdracht van de Taiwain Clinic, haalde de componist zijn inspiratie uit traditionale jachtliederen van de Taroko stam in Oost-Taiwan.
Die oft dramatischen Blasorchesterwerke von Satoshi Yagisawa werden nicht nur in seiner Heimat Japan, sondern in ganz Asien und darüber hinaus gespielt. Aus Taiwan kam der Auftrag zu diesem Werk, zu dem er sich von den traditionellen Jagdliedern des in Osttaiwan beheimateten Volkes der Taroko inspirieren ließ.
Les oeuvres du compositeur japonais Satoshi Yagisawa sont interprétées bien au-del des frontières de son pays natal. Il fut prié, en outre, d’écrire une nouvelle pièce fondée sur les chansons de chasse traditionnelles de la tribu des Truku, originaire de l’est de Ta wan en vue de promouvoir la culture ta wanaise travers le monde. On y retrouve toute la quintessence des rythmes invitant au voyage. Évadez-vous !
La fama delle composizioni di Satoshi Yagisawa, spesso di carattere drammatico, ha oltrepassato i confi_x001E_ni del suo paese natale, il Giappone. La musica di Yagisawa è conosciuta ed apprezzata in tutto l’estremo oriente e da Taiwan è arrivato l’incarico di comporre Hunting Scenes che, come rivela il titolo, si ispira alla caccia in generale e a tradizionali canzoni venatorie in particolare. $42.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Gate 11 Concert band [Score] - Easy Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000513-140 Composed by John E...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000513-140 Composed by John Emerson Blackstone. Score Only. 32 pages. Gobelin Music Publications #GOB 000513-140. Published by Gobelin Music Publications (BT.GOB-000513-140). Gate 11 is a piece by John Emerson, inspired by the mood of a bustling airport in which passengers dream quietly of the loved ones that await at the end of their journey. Equally accessible to young and old alike, Gate 11 is an atmospheric piece ideal for concert performance.
Music van John Miles was een favoriet nummer van Blackstone. Met totaal andere noten maar in dezelfde vorm sfeer schreef de componist zelf Gate 11. De compositie refereert aan de altijd weer gejaagde en luidruchtige taferelen op een luchthaven en dan vooral bij het inchecken. Toch zijn er ook andere passagiers die geduldig wachten en in stilte wegdromen… Al uitkijkend naar de ontmoeting met een langverwachte geliefde... Gate 11: afwisselend om te spelen en prachtig om naar te luisteren!
Mit völlig anderen Noten, aber derselben Form wie sein Lieblingslied Music von John Miles schreib John Emerson Blackstone dieses attraktive Werk für Jung und Alt. Der Titel Gate 11 ist ein Verweis auf die Atmosphäre an einem Flughafen, wo einerseits Hektik herrscht, es andererseits aber auch Menschen gibt, die still vor sich hin träumen von geliebten Menschen, die am Ende ihrer Reise auf sie warten.
Music de John Miles était l’un des tubes préférés de John Emerson Blackstone. Avec des lignes mélodiques différentes mais en conservant la même structure afin de recréer une atmosphère identique, il composa Gate 11. Cette œuvre se réfère des scènes presque toujours bruyantes dans un aéroport, en particulier lors de l’enregistrement. Ces moments de grande agitation cèdent cependant leur place des motifs plus doux, incitant la rêverie. Une invitation au voyage ne pas décliner !
John Emerson Blacksone ha scritto questo piacevole brano con note diverse, ma con la stessa forma della sua canzone preferita, Music di John Miles. Il titolo, Gate 11, riporta all’atmosfera in un aeroporto, dove storie e destini si intrecciano in un’atmosfera frenetica ma capace anche di dare spazio a momenti più rilassati, che invitano a sognare. Un invito a viaggiare che non si può rifiutare! $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Invitation au voyage, L' (*c, a) Soli, Mixted choir and accompaniment [Score] Lucks Music Library
(1+1.2.2.2/4.0.0.0,hp,cel ,str,cello solo,voice) SKU: TM.02678SC Composed...(+)
(1+1.2.2.2/4.0.0.0,hp,cel,str,cello solo,voice) SKU: TM.02678SC Composed by Henri Duparc. Score. Lucks Music Library #A8780. Published by Lucks Music Library (TM.02678SC). Vocal Score I = Key of c (Original key); Vocal Score II = Key of a. Listed in score as chant or voice. Please specify key when ordering. $20.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Invitation au voyage, L' (*c, a) Soli, Mixted choir and accompaniment Lucks Music Library
(1+1.2.2.2/4.0.0.0,hp,cel ,str,cello solo,voice) SKU: TM.02678SET Compose...(+)
(1+1.2.2.2/4.0.0.0,hp,cel,str,cello solo,voice) SKU: TM.02678SET Composed by Henri Duparc. Set Type: D. Set of parts. Lucks Music Library #A8780. Published by Lucks Music Library (TM.02678SET). Vocal Score I = Key of c (Original key); Vocal Score II = Key of a. Listed in score as chant or voice. Please specify key when ordering. $65.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Rabl In 80 Songs Around The World Pft Piano solo - Easy Schott
Piano (KL) - easy SKU: HL.49032875 Folk-Songs in Easy Arrangements for...(+)
Piano (KL) - easy SKU: HL.49032875 Folk-Songs in Easy Arrangements for Piano. Composed by Friedrich Rabl. Arranged by Friedrich Rabl. This edition: Saddle stitching. Sheet music. Edition Schott. 64 pages. Schott Music #ED 8977. Published by Schott Music (HL.49032875). ISBN 9790001126106. 9.0x12.0x0.241 inches. Eva Balthazar. This collection is an invitation to a musical voyage of discovery around the entire globe. Starting with well-known European folksongs, the itinerary continues via Scandinavia and the Balkans to more exotic destinations - with tunes from the Congo, Mexico and China among others - and ends with American Spirituals. Thanks to the easy settings even beginners get a good impression of the fascinating kaleidoscope of folksongs of the world and can absorb unfamiliar styles in an easy-going playful manner. $22.99 - See more - Buy online | | |
| Oregon Accordion ensemble [Score and Parts] - Intermediate De Haske Publications
Accordion Orchestra - intermediate SKU: BT.DHP-1053918-060 Composed by Ja...(+)
Accordion Orchestra - intermediate SKU: BT.DHP-1053918-060 Composed by Jacob De Haan. Arranged by Markus Wagner. Accordion. Set (Score & Parts). Composed 2005. De Haske Publications #DHP 1053918-060. Published by De Haske Publications (BT.DHP-1053918-060). 9x12 inches. English-German-French-Dutch. Deze fantasie vertelt het verhaal van Oregon, een van de noordwestelijke staten van Amerika. Een treinreis over de Northern Pacific Railroad voert de luisteraar mee door het boeiende landschap van Oregon. Tijdens deze avontuurlijkereis is dromen over een ver verleden onvermijdelijk. Indianen, cowboys, goudzoekers en huifkarren met paarden ervoor passeren hierbij de revue.
Diese Fantasie von Jacob de Haan erzählt die Geschichte von Oregon, einem der nordwestlichen Staaten Amerikas. Das Akkordeonorchester nimmt seine Zuhörer mit auf eine Bahnfahrt durch die faszinierende Landschaft Oregons. Unausweichlich wird man während dieser abenteuerlichen Reise immer wieder einmal in Träume von der Vergangenheit gezogen, in welchen Indianer, Cowboys, Goldgräber und Pferdeplanwagen Revue passieren.
Cette pièce est un voyage musical travers l’Oregon, État du nord-ouest des États-Unis. bord d’un train de la Northern Pacific Railroad, l’auditeur est invité découvrir les paysages somptueux de l’Oregon. Au fil du trajet, sur la route empruntée par les chariots des pionniers, on rencontre des Indiens, des cowboys et des chercheurs d’or. Et la musique prend la forme d’une aventure digne d’un western. $85.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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