| 122 Bicinia from the 16th century EMB (Editio Musica Budapest)
Voice a Cappella SKU: BT.EMBZ14732 Compiled and edited by Soós Andr...(+)
Voice a Cappella SKU: BT.EMBZ14732 Compiled and edited by Soós András. Classical. Book Only. Composed 2012. 80 pages. Editio Musica Budapest #EMBZ14732. Published by Editio Musica Budapest (BT.EMBZ14732). Hungarian-English-German-French. This collection, similarly to the publication entitled 111 bicinia from the 15th century (EMB 14478), contains longer and shorter two-part excerpts from polyphonic ecclesiastical choral works, for pedagogical and liturgical use. As teaching material, on the one hand it introduces and notes in brief textual definitions the characteristics of each given excerpt: on the other hand, it provides easily usable examples for teaching music history, solfege and counterpoint (practice of intervals, score-reading, dictation, stylistic exercises, etc.) At the same time the movements, which also function as independent units, can be quickly learnt, and may on occasions add colour to themusical palette of the liturgy by introducing material that can be performed even by a children's choir. The volume consists mainly of excerpts taken from Mass movements and Magnificats by Palestrina, Lassus, Gombert, Clemens non Papa and others. A separate chapter is devoted to chorale-based bicinia in German, which were already popular in the initial period of Evangelical church music.
Ähnlich der Ausgabe 111 Bicinia aus dem 15. Jahrhundert (EMB 14478) präsentiert diese Sammlung für theoretisch- und praktisch-pädagogische, bzw. liturgische Zwecke mehr oder weniger lange zweistimmige Ausschnitte aus geistlichen Chorwerken Sie stellt als Lehrstoff einerseits die musikalische Charakteristika des jeweiligen Ausschnittes vor und registriert diese in kurzen textlichen Definitionen, andererseits liefert sie Beispiele für den Unterricht der Musikgeschichte, der Solfege- und der Kontrapunkt- Lehre (Intervallübungen, des Lesens vom Blatt, für das Diktieren, für Stilübung usw.), die sich leicht erarbeiten lassen. Gleichzeitig können die auch als eigenständige Einheitfunktionierenden Sätze schnell erlernt werden. Sie bereichern die musikalische Palette der Liturgie (Messe und Offizium) mit dem fallweise auch vom Kinderchor aufführbaren Stoff. $22.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Freu Dich, Du Werte Christenheit: Motette Nach Johannes De Cleve Satb, German Choral SATB - Intermediate Schott
Mixed choir (SATB) - intermediate SKU: HL.49044155 Motette nach Johann...(+)
Mixed choir (SATB) - intermediate SKU: HL.49044155 Motette nach Johannes de Cleve. Composed by Hermann Schroeder and Johannes de Cleve. This edition: Folding. Sheet music. Choral. Octavo. 2 pages. Duration 5'. Schott Music #C55267. Published by Schott Music (HL.49044155). ISBN 9790001191005. German. Hermann Schroeder (1904-1984) is one of the most important composers of Catholic church music in the 20th century. Apart from more than 100 organ works and masses, he also wrote numerous motets. The present four-part motet Freu dich, du werte Christenheit for mixed a cappella choir (SATB) was written in 1975. This old Resurrection song from the 16th century is based on a setting by the Franco-Flemish composer Johannes des Cleve (around 1529-1582) which has been skillfully transferred by Schroeder to the modern age with subtle harmonies. The tenor voice sings the cantus firmus and is embedded in archaic-seeming sounds typical of Schroeder by the other voices. This three-verse Resurrection song of about five minutes is perfect for church services at Easter. $3.95 - See more - Buy online | | |
| Ubers Gebirg Maria Geht Choral SATB SATB A Cappella Hal Leonard
Choral (SSATB choir a cappella) SKU: HL.124647 (Over the Hills Mary Go...(+)
Choral (SSATB choir a cappella) SKU: HL.124647 (Over the Hills Mary Goes). Composed by Johannes Eccard. Edited by John Leavitt. Treasury Choral. Advent, Christmas Sacred, Concert, Festival, German, Renaissance, Sacred. Octavo. 8 pages. Published by Hal Leonard (HL.124647). UPC: 884088983772. 6.75x10.5 inches. The 16th century German composer Johannes Eccard was a pupil of Orlando di Lasso and an important figure of the Protestant reformation. This five-voice partsong in German will be a buoyant and joyful addition to traditional Christmas concerts and madrigal dinners. Includes English translation. Duration: ca. 1:40. $1.90 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Fantasia on Es ist ein Ros entsprungen for Trombone Quartet Brass Quartet: 4 trombones [Score and Parts] - Intermediate/advanced Cherry Classics
Arranged by Ronald Babcock. For Trombone Quartet. Traditional German Christmas. ...(+)
Arranged by Ronald Babcock. For Trombone Quartet. Traditional German Christmas. Moderately advanced. Score and parts. Published by Cherry Classics
$22.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| An Easter Song of Praise Choral Unison Unison/2-part, Piano [Octavo] Choristers Guild
By A Steven Taranto. For Unison/2-part choir and piano. Eastertide, Sacred. Sacr...(+)
By A Steven Taranto. For Unison/2-part choir and piano. Eastertide, Sacred. Sacred Anthem. Published by Chorister's Guild.
(1)$1.85 $1.7575 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| My Ladye Nevells Booke Barenreiter
(Facsimile British Library MS Mus. 1591). Edited by Oliver Neighbour. This editi...(+)
(Facsimile British Library MS Mus. 1591). Edited by Oliver Neighbour. This edition: Facsimile. Hardback. Documenta Musicologica. Series II, Volume 44 / Barenreiter Facsimile. Language: English/German. 414 pages. Published by Baerenreiter Verlag
$284.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Turmmusik Brass Quintet: 2 trumpets, horn, trombone, tuba Potenza Music
Brass quintet SKU: P2.60005 Composed by Dagfinn Koch. Chamber music, 20th...(+)
Brass quintet SKU: P2.60005 Composed by Dagfinn Koch. Chamber music, 20th century. Published by Potenza Music (P2.60005). Turmmusik, meaning tower music, is music played from a church tower by a local band of musicians. It originated in 16th century Germany, where the music performed was usually a chorale played by wind instrumentalists. Brass performances were the most common according to the surviving music, though all kinds of instruments were featured in turmmusik. $24.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Regina caeli Choral SATB SATB A Cappella CanticaNOVA Publications
Composed by Gregor Aichinger. Edited by Andrea Angelini. Text: Liturgy of the Ho...(+)
Composed by Gregor Aichinger. Edited by Andrea Angelini. Text: Liturgy of the Hours. Renaissance treasure. Easter, Marian. Octavo. Published by CanticaNOVA Publications (C5.7080).
$1.75 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| A Child is Born Choral 2-part [Octavo] Ione Press
By Richard Wienhorst. For 2-part treble voices or 2-part women's voices (SA chil...(+)
By Richard Wienhorst. For 2-part treble voices or 2-part women's voices (SA children or women), piano, optional handbells. Christmas. Octavo. 16 pages. Published by Ione Press Octavo Christmas
$2.85 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| In Unity and Love Choral SATB SATB, Organ Subito Music
SATB Chorus & Organ SKU: SU.90880040 For SATB Chorus & Organ. Comp...(+)
SATB Chorus & Organ SKU: SU.90880040 For SATB Chorus & Organ. Composed by Nancy Galbraith. Vocal/Choral, Sacred Choral. Accompanied by Organ. Choral, sacred. Choral Octavo. Composed 2002. Duration 4'. Subito Music Corporation #90880040. Published by Subito Music Corporation (SU.90880040). 1553 (adapted by the composer) Text: Philip Melanchthon. SATB Chorus, Organ Duration: 4' Text: Philip Melanchthon, 1553 (adapted by the composer) Composed: 2002 Published by Subito Music Publishing The text of In Unity and Love was adapted by the composer from a prayer by 16th-century German theologian Philip Melanchthon. The work was commissioned by the Lutheran Theological Seminary at Gettysburg, and is dedicated to the glory of God, and in memory of Mrs. Mary Heiges. Minimum order quantity: 8 copies. Perusal copies are available by contacting perusalrequest@subitomusic.com (include the organization name with your request). $2.25 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ballets Concert band [Score and Parts] - Easy De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-1094725-015 F...(+)
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-1094725-015 From Balletti a cinque voci. Composed by Giovanni Giacomo Gastoldi. Arranged by Robert van Beringen. Flexible 5 Series. Concert Piece. Set (Score & Parts). Composed 2009. De Haske Publications #DHP 1094725-015. Published by De Haske Publications (BT.DHP-1094725-015). 9x12 inches. English-German-French-Dutch. During the second half of the 16th century, Giovanni Giacomo Gastoldi composed almost entirely sacred works, however it was with his Balletti, not published until 1591 and 1594, that he gained fame and recognition. The homophonic structure and simple melodies conveyed a charming sense of naivety that became so popular during this period. Robert van Beringen has arranged Amor Vittorioso, La Sirena, L’Innamorato and L’ardito with five part flexible instrumentation.
Giovanni Giacomo Gastoldi schrieb in der zweiten Hälfte des 16. Jahrhunderts vorwiegend geistliche Musik, berühmt wurde er aber schon zu Lebzeiten durch seine Balletti, die er 1591 und 1594 veröffentlichte. Die Tänze waren mit ihren homophonen Strukturen und einfachen Harmonien von einer reizvollen Naivität, die so gut ankam, dass sie schon damals in zehn Auflagen im In- und Ausland gedruckt wurden. Robert van Beringen bearbeitete die Sätze Amor Vittorioso, La Sirena, L’Innamorato und L’ardito für eine fünfstimmig variable Besetzung.
Il compositore e cantore Giovanni Giacomo Gastoldi è entrato nella storia grazie alla raccolta di Balletti a cinque voci (Venezia, 1591) che conobbe un successo senza eguali. Scritte per cinque voci e strumenti, queste melodie ballate divennero popolari anche all’estero (Germania, Inghilterra), e influenzarono compositori quali Claudio Monteverdi e Thomas Morlez. Robert van Beringen ha arrangiato quattro estratti (Amor Vittorioso, La Sirena, L’Innamorato e L’Ardito) per ensemble a strumentazione variabile (quattro voci). $98.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ballets Brass ensemble [Score and Parts] - Easy De Haske Publications
Brass Band - early intermediate SKU: BT.DHP-1094725-030 From Balletti ...(+)
Brass Band - early intermediate SKU: BT.DHP-1094725-030 From Balletti a cinque voci. Composed by Giovanni Giacomo Gastoldi. Arranged by Robert van Beringen. Flexible 5 Series. Concert Piece. Set (Score & Parts). Composed 2009. De Haske Publications #DHP 1094725-030. Published by De Haske Publications (BT.DHP-1094725-030). 9x12 inches. English-German-French-Dutch. During the second half of the 16th century, Giovanni Giacomo Gastoldi composed almost entirely sacred works, however it was with his Balletti, not published until 1591 and 1594, that he gained fame and recognition. The homophonic structure and simple melodies conveyed a charming sense of naivety that became so popular during this period. Robert van Beringen has arranged Amor Vittorioso, La Sirena, L’Innamorato and L’ardito with five part flexible instrumentation.
Giovanni Giacomo Gastoldi schrieb in der zweiten Hälfte des 16. Jahrhunderts vorwiegend geistliche Musik, berühmt wurde er aber schon zu Lebzeiten durch seine Balletti, die er 1591 und 1594 veröffentlichte. Die Tänze waren mit ihren homophonen Strukturen und einfachen Harmonien von einer reizvollen Naivität, die so gut ankam, dass sie schon damals in zehn Auflagen im In- und Ausland gedruckt wurden. Robert van Beringen bearbeitete die Sätze Amor Vittorioso, La Sirena, L’Innamorato und L’ardito für eine fünfstimmig variable Besetzung.
Il compositore e cantore Giovanni Giacomo Gastoldi è entrato nella storia grazie alla raccolta di Balletti a cinque voci (Venezia, 1591) che conobbe un successo senza eguali. Scritte per cinque voci e strumenti, queste melodie ballate divennero popolari anche all’estero (Germania, Inghilterra), e influenzarono compositori quali Claudio Monteverdi e Thomas Morlez. Robert van Beringen ha arrangiato quattro estratti (Amor Vittorioso, La Sirena, L’Innamorato e L’Ardito) per ensemble a strumentazione variabile (quattro voci). $72.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Escape from the Seraglio K. 384 Breitkopf & Härtel
(solos: SSTTB - 2Sp - choir: SATB - picc.2.2.2(bassethn).2. - 2.2.0.0. - timp.pe...(+)
(solos: SSTTB - 2Sp - choir: SATB - picc.2.2.2(bassethn).2. - 2.2.0.0. - timp.perc(3) - str) SKU: BR.CHB-5120-02 German Opera in 3 acts. Composed by Wolfgang Amadeus Mozart. Stapled. Chor-Bibliothek (Choral Library). Opera; Music theatre; Classical. Choral score. 8 pages. Breitkopf and Haertel #ChB 5120-02. Published by Breitkopf and Haertel (BR.CHB-5120-02). ISBN 9790004410509. 7.5 x 10.5 inches. Duration: full eveningText by Gottlieb Stephanie der Jungere after Christoph Friedrich BretznerNarrative text for Concert Version by Ursula Haas Place and time: A country estate in Turkey, Middle of the 16th CenturyCharacters: bassa Selim (speaking part) - Konstanze (soprano) - Blonde (soprano) - Belmonte (tenor) - Pedrillo (tenor) - Osmin (bass) - Klaas (speaking part) - Dumb PersonSince only the German original version of this work is available, we have supplied only a German-language commentary. $4.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Puer Natus Est (SSAA Version) Wilhelm Hansen
SSAA Version - Piano Part SKU: HL.345468 Piano Part. Composed by P...(+)
SSAA Version - Piano Part SKU: HL.345468 Piano Part. Composed by Phillip Faber. Choral. Octavo. Edition Wilhelm Hansen #WH33171A. Published by Edition Wilhelm Hansen (HL.345468). UPC: 840126919462. The work is based on the Latin Christmas hymn Puer natus in Bethlehem from the 13th century, and along the way, the German fishing melody Ein Kind geborn zu Bethlehem from the 16th century onwards. The latter can be sung in English, German or Danish at will. The work can be sung a cappella or with piano accompaniment. Score: WH33171. Version for mixed voices also available. $4.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| O Christmas Tree Marching band [Score and Parts] - Easy Gobelin Music Publications
Fanfare Band - Grade 3 SKU: BT.GOB-000854-020 Arranged by David Well. Set...(+)
Fanfare Band - Grade 3 SKU: BT.GOB-000854-020 Arranged by David Well. Set (Score & Parts). Gobelin Music Publications #GOB 000854-020. Published by Gobelin Music Publications (BT.GOB-000854-020). The tradition of the Christmas tree in Western Europe dates back to a time long before any Christianization had taken place. During the severely cold winter nights, so it was believed, evil spirits tried to ‘kill’ nature. Needle-leaved trees were the only ones which kept their green colour throughout the year, and therefore became symbols of immortality. These ‘living’ trees, said to be the work of benign spirits, were brought into people’s houses to ward off evil, life-threatening powers. In the 14th century people first started to decorate Christmas trees. It was a pagan custom, originated by the inhabitants of Alsace. This custom was taken over by the Church in thecourse of the 15th and 16th century. At first the decoration consisted mainly of edibles, such as apples and wafers, but later small presents were added. Legend has it that the reformer Martin Luther was the first person to decorate a Christmas tree with candles. The flickering candle flames were meant to create the image of a starry sky in which Christ’s apparition could be recognized. The German organ-player Ernst Anschütz from Leipzig was the first person to notate the song ‘O Tannenbaum’, the melody being a well-known folk song. Next to ‘Stille Nacht’ ‘O Tannenbaum’ is the most famous German Christmas song, now known throughout the world. In the United States of America the melody of ‘O Tannenbaum’ has even been used in four States (among which the State of Maryland) for their State song. In David Well’s arrangement the song is first heard as many of us know it. After this introduction, however, it is transformed into a solid rock version, and the beat has been changed. In the second part the familiar three-four time is back, but here the rhythm is different from the original. After the richly ornamented rock beat the basic theme can be heard once again and the composition is concluded in a festive manner.
De traditie van de ‘Kerstboom’ gaat in West-Europa terug tot ver voordat er van enige kerstening sprake was. Gedurende de koude strenge winters dacht men dat kwade geesten de natuur ‘vermoordde’. Naaldbomen behielden als enige hungroene kleur en werden daardoor symbolen van onsterflijkheid. Deze ‘levende’ bomen, het werk van goede machten, werden in huis gehaald om kwade geesten en levensbedreigende krachten buitenshuis te houden. Van ‘versierde’ kerstbomenwas het eerst sprake in de 14e eeuw. Het was een heidens gebruik, dat in deze periode in de Elzas voorkwam. Tijdens de 15e en 16e eeuw werd het versieren van de kerstboom door de kerk overgenomen. De versiering bestond in eersteinstantie vooral uit etenswaar, als appels en koekjes. Later ging men ook kleine cadeautjes als versiering gebruiken. Er wordt beweerd dat Martin Luther, de hervormer, als eerste kaarsen in een kerstboom deed. De fonkelendevlammetjes creëerden een sterrenhemel waarin men Christus’ verschijning leek te herkennen. De Duitse organist Ernst Anschütz uit Leipzig, was de eerste die het lied ‘O Tannenbaum’ op schrift stelde. De melodie was een bekend volkswijsje.Naast ‘Stille Nacht’ is ‘O Tannenbaum’ het meest bekende kerstlied dat vanuit Duitsland de hele wereld veroverde. De melodie van ‘O Tannenbaum’ wordt zelfs in de Verenigde Staten van Amerika in vier verschillende staten(o.a. Maryland) als volkslied gebruikt. In het arrangement van David Well hoort u het lied eerst op de manier zoals velen het kennen. Na deze inleiding klinkt een stevige rock-versie en is de maatsoort niet meer de gebruikelijke.Het tussendeel is weer in de vertrouwde driekwarts-maatsoort. Hier is echter de ritmiek in een ander jasje gestoken. Na de rijkelijk met slingers versierde rock-beat klinkt nog één keer het oorspronkelijke thema om daarna feestelijk. $125.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| O Christmas Tree Concert band [Score and Parts] - Easy Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000905-010 Arranged by David ...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000905-010 Arranged by David Well. Set (Score & Parts). Gobelin Music Publications #GOB 000905-010. Published by Gobelin Music Publications (BT.GOB-000905-010). The tradition of the Christmas tree in Western Europe dates back to a time long before any Christianization had taken place. During the severely cold winter nights, so it was believed, evil spirits tried to 'kill' nature. Needle-leaved trees were the only ones which kept their green colour throughout the year, and therefore became symbols of immortality. These 'living' trees, said to be the work of benign spirits, were brought into people's houses to ward off evil, life-threatening powers. In the 14th century people first started to decorate Christmas trees. It was a pagan custom, originated by the inhabitants of Alsace. This custom was taken over by the Church inthe course of the 15th and 16th century. At first the decoration consisted mainly of edibles, such as apples and wafers, but later small presents were added. Legend has it that the reformer Martin Luther was the first person to decorate a Christmas tree with candles. The flickering candle flames were meant to create the image of a starry sky in which Christ's apparition could be recognized. The German organ-player Ernst Anschütz from Leipzig was the first person to notate the song 'O Tannenbaum', the melody being a well-known folk song. Next to 'Stille Nacht' 'O Tannenbaum' is the most famous German Christmas song, now known throughout the world. In the United States of America the melody of 'O Tannenbaum' has even been used in four States (among which the State of Maryland) for their State song. In David Well's arrangement the song is first heard as many of us know it. After this introduction, however, it is transformed into a solid rock version, and the beat has been changed. In the second part the familiar three-four time is back, but here the rhythm is different from the original. After the richly ornamented rock beat the basic theme can be heard once again and the composition is concluded in a festive manner.
De traditie van de ‘Kerstboom’ gaat in West-Europa terug tot ver voordat er van enige kerstening sprake was. Gedurende de koude strenge winters dacht men dat kwade geesten de natuur ‘vermoordde’. Naaldbomen behielden als enige hungroene kleur en werden daardoor symbolen van onsterflijkheid. Deze ‘levende’ bomen, het werk van goede machten, werden in huis gehaald om kwade geesten en levensbedreigende krachten buitenshuis te houden. Van ‘versierde’ kerstbomenwas het eerst sprake in de 14e eeuw. Het was een heidens gebruik, dat in deze periode in de Elzas voorkwam. Tijdens de 15e en 16e eeuw werd het versieren van de kerstboom door de kerk overgenomen. De versiering bestond in eersteinstantie vooral uit etenswaar, als appels en koekjes. Later ging men ook kleine cadeautjes als versiering gebruiken. Er wordt beweerd dat Martin Luther, de hervormer, als eerste kaarsen in een kerstboom deed. De fonkelende vlammetjescreëerden een sterrenhemel waarin men Christus’ verschijning leek te herkennen. De Duitse organist Ernst Anschütz uit Leipzig, was de eerste die het lied ‘O Tannenbaum’ op schrift stelde. De melodie was een bekend volkswijsje.Naast ‘Stille Nacht’ is ‘O Tannenbaum’ het meest bekende kerstlied dat vanuit Duitsland de hele wereld veroverde. De melodie van ‘O Tannenbaum’ wordt zelfs in de Verenigde Staten van Amerika in vier verschillende staten (o.a.Maryland) als volkslied gebruikt. In het arrangement van David Well hoort u het lied eerst op de manier zoals velen het kennen. Na deze inleiding klinkt een stevige rock-versie en is de maatsoort niet meer de gebruikelijke. Het tussendeelis weer in de vertrouwde driekwarts-maatsoort. Hier is echter de ritmiek in een ander jasje gestoken. Na de rijkelijk met slingers versierde rock-beat klinkt nog één keer het oorspronkelijke thema om daarna feestelijk af. $125.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Puer natus est Wilhelm Hansen
SSAA and Opt. Piano SKU: BT.WH33171 SSAA Version - Score. Composed...(+)
SSAA and Opt. Piano SKU: BT.WH33171 SSAA Version - Score. Composed by Phillip Faber. Contemporary Music. Vocal Score. Composed 2020. 16 pages. Edition Wilhelm Hansen #WH33171. Published by Edition Wilhelm Hansen (BT.WH33171). ISBN 9788759841624. The work is based on the Latin Christmas hymn Puer natus in Bethlehem from the 13th century, and along the way, the German fishing melody Ein Kind geborn zu Bethlehem from the 16th century onwards. The latter can be sung in English, German or Danish at will. The work can be sung a cappella or with piano accompaniment (WH33171A). Version for mixed voices also available. $8.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Puer natus est Choral SATB SATB, Piano Wilhelm Hansen
SATB Choir and Piano SKU: BT.WH33172A SATB Version - Piano Part. C...(+)
SATB Choir and Piano SKU: BT.WH33172A SATB Version - Piano Part. Composed by Phillip Faber. Contemporary Music. Part. Composed 2020. 8 pages. Edition Wilhelm Hansen #WH33172A. Published by Edition Wilhelm Hansen (BT.WH33172A). ISBN 9788759894491. The work is based on the Latin Christmas hymn Puer natus in Bethlehem from the 13th century, and along the way, the German fishing melody Ein Kind geborn zu Bethlehem from the 16th century onwards. The latter can be sung in English, German or Danish at will. The work can be sung a cappella or with piano accompaniment. Score: WH33172. Version for upper voices also available. $6.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Puer natus est Wilhelm Hansen
SSAA and Opt. Piano SKU: BT.WH33171A SSAA Version - Piano Part. Co...(+)
SSAA and Opt. Piano SKU: BT.WH33171A SSAA Version - Piano Part. Composed by Phillip Faber. Contemporary Music. Part. Composed 2020. 8 pages. Edition Wilhelm Hansen #WH33171A. Published by Edition Wilhelm Hansen (BT.WH33171A). ISBN 9788759894484. The work is based on the Latin Christmas hymn Puer natus in Bethlehem from the 13th century, and along the way, the German fishing melody Ein Kind geborn zu Bethlehem from the 16th century onwards. The latter can be sung in English, German or Danish at will. The work can be sung a cappella or with piano accompaniment. Score: WH33171. Version for mixed voices also available. $6.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Puer Natus Est (SATB Version) Wilhelm Hansen
SATB Version - Piano Part SKU: HL.345466 Piano Part. Composed by P...(+)
SATB Version - Piano Part SKU: HL.345466 Piano Part. Composed by Phillip Faber. Choral. Softcover. Edition Wilhelm Hansen #WH33172A. Published by Edition Wilhelm Hansen (HL.345466). UPC: 840126919448. The work is based on the Latin Christmas hymn Puer natus in Bethlehem from the 13th century, and along the way, the German fishing melody Ein Kind geborn zu Bethlehem from the 16th century onwards. The latter can be sung in English, German or Danish at will. The work can be sung a cappella or with piano accompaniment. Score: WH33172. Version for upper voices also available. $4.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| O Christmas Tree Marching band [Score] - Easy Gobelin Music Publications
Fanfare Band - Grade 3 SKU: BT.GOB-000854-120 Arranged by David Well. Sco...(+)
Fanfare Band - Grade 3 SKU: BT.GOB-000854-120 Arranged by David Well. Score Only. 10 pages. Gobelin Music Publications #GOB 000854-120. Published by Gobelin Music Publications (BT.GOB-000854-120). The tradition of the Christmas tree in Western Europe dates back to a time long before any Christianization had taken place. During the severely cold winter nights, so it was believed, evil spirits tried to ‘kill’ nature. Needle-leaved trees were the only ones which kept their green colour throughout the year, and therefore became symbols of immortality. These ‘living’ trees, said to be the work of benign spirits, were brought into people’s houses to ward off evil, life-threatening powers. In the 14th century people first started to decorate Christmas trees. It was a pagan custom, originated by the inhabitants of Alsace. This custom was taken over by the Church in thecourse of the 15th and 16th century. At first the decoration consisted mainly of edibles, such as apples and wafers, but later small presents were added. Legend has it that the reformer Martin Luther was the first person to decorate a Christmas tree with candles. The flickering candle flames were meant to create the image of a starry sky in which Christ’s apparition could be recognized. The German organ-player Ernst Anschütz from Leipzig was the first person to notate the song ‘O Tannenbaum’, the melody being a well-known folk song. Next to ‘Stille Nacht’ ‘O Tannenbaum’ is the most famous German Christmas song, now known throughout the world. In the United States of America the melody of ‘O Tannenbaum’ has even been used in four States (among which the State of Maryland) for their State song. In David Well’s arrangement the song is first heard as many of us know it. After this introduction, however, it is transformed into a solid rock version, and the beat has been changed. In the second part the familiar three-four time is back, but here the rhythm is different from the original. After the richly ornamented rock beat the basic theme can be heard once again and the composition is concluded in a festive manner.
De traditie van de ‘Kerstboom’ gaat in West-Europa terug tot ver voordat er van enige kerstening sprake was. Gedurende de koude strenge winters dacht men dat kwade geesten de natuur ‘vermoordde’. Naaldbomen behielden als enige hungroene kleur en werden daardoor symbolen van onsterflijkheid. Deze ‘levende’ bomen, het werk van goede machten, werden in huis gehaald om kwade geesten en levensbedreigende krachten buitenshuis te houden. Van ‘versierde’ kerstbomenwas het eerst sprake in de 14e eeuw. Het was een heidens gebruik, dat in deze periode in de Elzas voorkwam. Tijdens de 15e en 16e eeuw werd het versieren van de kerstboom door de kerk overgenomen. De versiering bestond in eersteinstantie vooral uit etenswaar, als appels en koekjes. Later ging men ook kleine cadeautjes als versiering gebruiken. Er wordt beweerd dat Martin Luther, de hervormer, als eerste kaarsen in een kerstboom deed. De fonkelendevlammetjes creëerden een sterrenhemel waarin men Christus’ verschijning leek te herkennen. De Duitse organist Ernst Anschütz uit Leipzig, was de eerste die het lied ‘O Tannenbaum’ op schrift stelde. De melodie was een bekend volkswijsje.Naast ‘Stille Nacht’ is ‘O Tannenbaum’ het meest bekende kerstlied dat vanuit Duitsland de hele wereld veroverde. De melodie van ‘O Tannenbaum’ wordt zelfs in de Verenigde Staten van Amerika in vier verschillende staten(o.a. Maryland) als volkslied gebruikt. In het arrangement van David Well hoort u het lied eerst op de manier zoals velen het kennen. Na deze inleiding klinkt een stevige rock-versie en is de maatsoort niet meer de gebruikelijke.Het tussendeel is weer in de vertrouwde driekwarts-maatsoort. Hier is echter de ritmiek in een ander jasje gestoken. Na de rijkelijk met slingers versierde rock-beat klinkt nog één keer het oorspronkelijke thema om daarna feestelijk. $22.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Puer Natus Est (SSAA Version) Wilhelm Hansen
SKU: HL.345469 Score. Composed by Phillip Faber. Choral. Octavo. E...(+)
SKU: HL.345469 Score. Composed by Phillip Faber. Choral. Octavo. Edition Wilhelm Hansen #WH33171. Published by Edition Wilhelm Hansen (HL.345469). UPC: 840126919479. The work is based on the Latin Christmas hymn Puer natus in Bethlehem from the 13th century, and along the way, the German fishing melody Ein Kind geborn zu Bethlehem from the 16th century onwards. The latter can be sung in English, German or Danish at will. The work can be sung a cappella or with piano accompaniment (WH33171A). Version for mixed voices also available. $6.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Puer natus est Choral SATB SATB, Piano Wilhelm Hansen
SATB and Opt. Piano SKU: BT.WH33172 SATB Version - Score. Composed...(+)
SATB and Opt. Piano SKU: BT.WH33172 SATB Version - Score. Composed by Phillip Faber. Contemporary Music. Vocal Score. Composed 2020. 16 pages. Edition Wilhelm Hansen #WH33172. Published by Edition Wilhelm Hansen (BT.WH33172). ISBN 9788759841631. The work is based on the Latin Christmas hymn Puer natus in Bethlehem from the 13th century, and along the way, the German fishing melody Ein Kind geborn zu Bethlehem from the 16th century onwards. The latter can be sung in English, German or Danish at will. The work can be sung a cappella or with piano accompaniment (WH33172A). Version for upper voices also available. $8.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| O Christmas Tree Concert band [Score] - Easy Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000905-140 Arranged by David ...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000905-140 Arranged by David Well. Score Only. 10 pages. Gobelin Music Publications #GOB 000905-140. Published by Gobelin Music Publications (BT.GOB-000905-140). The tradition of the Christmas tree in Western Europe dates back to a time long before any Christianization had taken place. During the severely cold winter nights, so it was believed, evil spirits tried to 'kill' nature. Needle-leaved trees were the only ones which kept their green colour throughout the year, and therefore became symbols of immortality. These 'living' trees, said to be the work of benign spirits, were brought into people's houses to ward off evil, life-threatening powers. In the 14th century people first started to decorate Christmas trees. It was a pagan custom, originated by the inhabitants of Alsace. This custom was taken over by the Church inthe course of the 15th and 16th century. At first the decoration consisted mainly of edibles, such as apples and wafers, but later small presents were added. Legend has it that the reformer Martin Luther was the first person to decorate a Christmas tree with candles. The flickering candle flames were meant to create the image of a starry sky in which Christ's apparition could be recognized. The German organ-player Ernst Anschütz from Leipzig was the first person to notate the song 'O Tannenbaum', the melody being a well-known folk song. Next to 'Stille Nacht' 'O Tannenbaum' is the most famous German Christmas song, now known throughout the world. In the United States of America the melody of 'O Tannenbaum' has even been used in four States (among which the State of Maryland) for their State song. In David Well's arrangement the song is first heard as many of us know it. After this introduction, however, it is transformed into a solid rock version, and the beat has been changed. In the second part the familiar three-four time is back, but here the rhythm is different from the original. After the richly ornamented rock beat the basic theme can be heard once again and the composition is concluded in a festive manner.
De traditie van de ‘Kerstboom’ gaat in West-Europa terug tot ver voordat er van enige kerstening sprake was. Gedurende de koude strenge winters dacht men dat kwade geesten de natuur ‘vermoordde’. Naaldbomen behielden als enige hungroene kleur en werden daardoor symbolen van onsterflijkheid. Deze ‘levende’ bomen, het werk van goede machten, werden in huis gehaald om kwade geesten en levensbedreigende krachten buitenshuis te houden. Van ‘versierde’ kerstbomenwas het eerst sprake in de 14e eeuw. Het was een heidens gebruik, dat in deze periode in de Elzas voorkwam. Tijdens de 15e en 16e eeuw werd het versieren van de kerstboom door de kerk overgenomen. De versiering bestond in eersteinstantie vooral uit etenswaar, als appels en koekjes. Later ging men ook kleine cadeautjes als versiering gebruiken. Er wordt beweerd dat Martin Luther, de hervormer, als eerste kaarsen in een kerstboom deed. De fonkelende vlammetjescreëerden een sterrenhemel waarin men Christus’ verschijning leek te herkennen. De Duitse organist Ernst Anschütz uit Leipzig, was de eerste die het lied ‘O Tannenbaum’ op schrift stelde. De melodie was een bekend volkswijsje.Naast ‘Stille Nacht’ is ‘O Tannenbaum’ het meest bekende kerstlied dat vanuit Duitsland de hele wereld veroverde. De melodie van ‘O Tannenbaum’ wordt zelfs in de Verenigde Staten van Amerika in vier verschillende staten (o.a.Maryland) als volkslied gebruikt. In het arrangement van David Well hoort u het lied eerst op de manier zoals velen het kennen. Na deze inleiding klinkt een stevige rock-versie en is de maatsoort niet meer de gebruikelijke. Het tussendeelis weer in de vertrouwde driekwarts-maatsoort. Hier is echter de ritmiek in een ander jasje gestoken. Na de rijkelijk met slingers versierde rock-beat klinkt nog één keer het oorspronkelijke thema om daarna feestelijk af. $22.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Puer Natus Est (SATB Version) Wilhelm Hansen
SKU: HL.345467 Score. Composed by Phillip Faber. Choral. Octavo. E...(+)
SKU: HL.345467 Score. Composed by Phillip Faber. Choral. Octavo. Edition Wilhelm Hansen #WH33172. Published by Edition Wilhelm Hansen (HL.345467). UPC: 840126919455. The work is based on the Latin Christmas hymn Puer natus in Bethlehem from the 13th century, and along the way, the German fishing melody Ein Kind geborn zu Bethlehem from the 16th century onwards. The latter can be sung in English, German or Danish at will. The work can be sung a cappella or with piano accompaniment (WH33172A). Version for upper voices also available. $6.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 15 Easy Classical Solos Flute and Piano [Sheet music + CD] - Easy Anglo Music
Flute and Piano - easy SKU: BT.AMP-297-400 Arranged by Philip Sparke. Ang...(+)
Flute and Piano - easy SKU: BT.AMP-297-400 Arranged by Philip Sparke. Anglo Music Play-Along Series. Classical. Book with CD. Composed 2013. 16 pages. Anglo Music Press #AMP 297-400. Published by Anglo Music Press (BT.AMP-297-400). ISBN 9789043138048. 9x12 inches. English-German-French-Dutch. Part of the Anglo Music Play-along Series, Philip Sparkes 15 Easy Classical Solos is aimed at the young instrumentalist who can play just over an octave. Specifically tailored to suit the individual instrument, this book introduces thebeginning player to the world of the classics by using simple yet attractive melodies that fit their limited range. The carefully selected pieces include music from the 16th to the 20th century and cover a wide variety of styles, from Bach to Grieg and from Purcell to Satie. This book will provide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.
Philip Sparkeâ??s 15 Easy Classical Solos, onderdeel van de Anglo Music Play-Along Series, is bedoeld voor de jonge instrumentalist die iets meer dan een octaaf kan spelen. Het boek sluit qua instrumentaal bereik en gebruikte toonsoortenaan bij het Artist Level van Hal Leonards Essential Elements ®, maar kan ook los daarvan worden gebruikt.De zorgvuldig geselecteerde melodieën, die specifiek zijn toegesneden op elk instrument, beslaan een breed scala van klassieke stijlen:van Bach tot Grieg en van Purcell tot Satie.Het boek bevat waardevol materiaal ter aanvulling op elke lesmethode en wordt geleverd met pianobegeleiding en een cd met demo- en meespeeltracks.
15 Easy Classical Solos ist als Ergänzung zur bewährten Anglo Music Play-Along Reihe gedacht und richtet sich an Schüler, die ungefähr einen Tonumfang von einer Oktave beherrschen. Das Niveau entspricht dem des Artist Levels der Essential Elements ®Methode von Hal Leonard, kann aber auch unabhängig davon verwendet werden.Genau auf jedes Instrument zugeschnitten, ermöglicht die wohlüberlegte Stückeauswahl ein erstes Kennenlernen von Melodien aus verschiedenen Epochen der Klassik von Grieg über Purcell bis Satie.Jeder Band bietet wertvolles Ergänzungsmaterial, das zu jeder Instrumentalschule passt und enthält sowohl Klavier- als auch CD-Begleitungen.
15 Easy Classical Solos, de Philip Sparke, est un ouvrage qui sâ??adresse aux jeunes musiciens, maîtrisant un peu plus dâ??une octave. Spécifiquement adapté chaque instrument, ce volume rassemble quinze mélodies écrites par des compositeurs aussi variés que Bach, Purcell, Grieg et Satie. Comprenant les parties dâ??accompagnement de piano et une version dâ??accompagnement sur compact disc, ces ouvrages représentent une source complémentaire inestimable toute méthode pédagogique.
Sommaire : Waltz (Moritz Vogel) â?¢ Chorale Now Praise, My Soul, the Lord (J. S. Bach) â?¢ Humming Song from Album for the Young (Robert Schumann) â?¢ Gymnopédie No. 1 (Erik Satie) â?¢ Iâ??m Called Little Buttercup from HMS Pianoforte (Sir Arthur SeymourSullivan) â?¢ Study, op. 37 No.3 (Henry Lemoine) â?¢ Minuet Z649 (Henry Purcell) â?¢ Theme and Variation from Sonata No. 3 (Thomas Attwood) â?¢ Northern Song from Album for the Young (Robert Schumann) â?¢ Two German Dances from Twelve German Dances D 420(Franz Schubert) â?¢ Watchmanâ??s Song from Lyric Pieces op. 12 (Edvard Grieg) â?¢ Gavotte (Jan Dussek) â?¢ Vien qu , Dorina Bella, op. 7 (Antonio Bianchi, arr. Von Weber) â?¢ Minuet from Notebook for Anna Magdalena Bach (Christian Petzold) â?¢ The Prince ofDenmarkâ??s March from Choice Lessons for the Harpsichord or Spinet ( Jeremiah Clarke)
Il concetto della collana Anglo Music Play-Along Series è quello di integrare al più presto nel processo di apprendimento dei giovani strumentisti la possibilit di poter suonare accompagnati al piano o con lâ??ausilio di unâ??incisione su CD. Ilchiaro vantaggio di questo metodo è che gli allievi imparano da subito lâ??aspetto fondamentale del suonare insieme, vale a dire tenere il tempo in modo costante. 15 Easy Classical Solos consente agli allievi che hanno una conoscenza limitatadelle note di suonare brani di Bach, Schubert, Purcell, Grieg e altri, grazie alle versioni facilitate. Il livello di 15 Intermediate Classical Solos permette invece agli allievi che padroneggiano lâ??estensione superiore a unâ??ottava dicimentarsi nei â??primi concertiâ? con brani di Haendel, Clementi, Rameau, Glueck, Beethoven e altri. Il CD propone una traccia con lâ??incisione completa e una con il solo accompagnamento. $22.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 2 Motets Deutscher Verlag für Musik
Chorus a cappella SKU: BR.DV-7971-02 From Chormusik nach Madrigal-Mani...(+)
Chorus a cappella SKU: BR.DV-7971-02 From Chormusik nach Madrigal-Manier - Urtext. Composed by Andreas Hammerschmidt. Edited by Michael Heinemann. Choir; Softcover. Deutscher Verlag. Motet; Renaissance/early Baroque; Baroque. Choral score. 24 pages. Deutscher Verlag fur Musik #DV 7971-02. Published by Deutscher Verlag fur Musik (BR.DV-7971-02). ISBN 9790200471588. 7.5 x 10.5 inches. German. In his Chormusic auff Madrigal Manier (1652/53), the Zittau organist Hammerschmidt claimed Heinrich Schutz and his Geistliche Chor-Musik (1648) as his models. With his 31 motets, Hammerschmidt made an import ant contribution to the development of Protestant vocal music in Germany. The two works selected here exemplarily represent both the earlier, 16th century style as well as the newer, concertante style of writing. $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
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