SKU: HL.148619
ISBN 9781495029684. UPC: 888680078515. 9.0x12.0x0.492 inches. With a Foreword by Thomas Riis.
Late in his life, composer J. Rosamond Johnson (Lift Ev'ry Voice and Sing) submitted to his longtime publisher, E.B. Marks, a list of songs that would comprise a volume of his best early popular songs written with his pre-1910 partner Bob Cole and his brother, James Weldon Johnson (Autobiography of an Ex-Colored Man). That list was never put into print...until now. Featuring an introductionby Dr. Thomas Riis (Just Before Jazz) and several rare photos, this new compilation is the latest legacy offering from the Marks archive, which contains a rich heritage of turn-of-the-century African-American, and thus distinctly American, pre-jazz-era popular song. Includes: Ain't Dat Scan'lous * Big Indian Chief * The Big Red Shawl * The Bleeding Moon * Congo Love Song * The Countess of Alagazam * Fishing * I Don't Want to Be No Actor Man No Mo' * I'll Always Love Old Dixie * I'll Keep a Warm Spot in My Heart for You * I've Got Troubles of My Own * The Katy-Did, the Cricket and the Frog * Lazy Moon * Lit'l Gal * Louisiana Lize * Lovely Daughter of Allah * Ma Mississippi Belle * The Maiden with the Dreamy Eyes * Mudder Knows * My Heart's Desiah is Miss Mariah * My Castle on the Nile * Nobody's Lookin' but de Owl an' de Moon * Oh, Didn't He Ramble * The Old Flag Never Touched the Ground * On the Road to Monterey * The Pathway of Love * Roll Them Cotton Bales * Save It for Me! * The Spirit of the Banjo! * Sugar Babe * Two Eyes * Under the Bamboo Tree * When de Jack O'Lantern Starts to Walk About * When It's All Goin' Out, and Nothin' Comin' In * Who Do You Love?
SKU: HL.350799
ISBN 9781705106778. UPC: 840126935950.
The poem “Lift Every Voice and Sing†was written by acclaimed African American poet James Weldon Johnson in 1900 and set to music byhis brother John Rosamond Johnson in 1905. The Edward B. Marks Music Company first published the song in 1921, which remains strongly associated with social justice and patriotism, particularly in African American communities. While at one time it could be found pasted to the back of some hymnals used in African American Churches, today the song is formally printed under headings such as national song or social justice in many modern hymnals. Other versions include a concert setting published in 1978 for SATB chorus and piano by Roland Carter, a setting by Hale Smith for SATB chorus and orchestra also dating from the 70s, and a modern R&B recorded version released in 1990 featuring Dione Warwick, Stevie Wonder and Take 6.
SKU: BR.PB-5397
ISBN 9790004211311. 10 x 12.5 inches.
The Urtext new edition presented here is based above all on the original parts of Bach's Overture (Suite) No. 2 in B minor BWV 1067 presented in the Staatsbibliothek zu Berlin, Preussischer Kulturbesitz.The copies made by Christian Friedrich Penzel (parts 1755c, score 1760c), which are also located there, were consulted for purposes to use these sources for this edition.When the concertante flute and the first violin play in unison, the performance instructions and expression marks are often not identical in the score. In this edition, the markings missing in one instrument were borrowed from the other, albeit designated as additions so that performers are free to adjust their parts at will.In his arrangement for flute and harpsichord (piano), Werner Breig has consistently opted for the elegance and lightness of the original version for flute, strings and continuo. Wherever it was difficult to adapt the string part of the famous B minor Suite to the piano, he followed the precept that less is more and showed his true mastery as an arranger by leaving things out. The flute part, however, has remained unchanged, which allows this new edition for flute and harpsichord (piano) to be used for studying and rehearsing the piece in its original setting.The Urtext new edition presented here is based above all on the original parts of Bach's Overture (Suite) No. 2 in B minor BWV 1067 presented in the Staatsbibliothek zu Berlin, Preussischer Kulturbesitz.
SKU: HL.49007244
ISBN 9790001077880. 9.25x12.0x0.181 inches.
5 guitars (5 wind instruments in B flat, C and E flat) and rhythm section (bass guitar, guitar, drums).
SKU: SU.80601130
Full size conductor's score available by request. Parts on rental from Theodore Presser.2Pi2EH4(Eb, BsCl)2Cbn 4331 Timp 3Pc Hp Cel Str Composed: 2005 Published by: E.B. Marks.
SKU: SU.80603280
Manuscript; reduced version of the composer's Cello ConcertoCello, Piano Composed: 1966 Published by: E.B. Marks.
SKU: SU.80603860
Text: e.e. cummings; cello part includedSATB Chorus and Cello Composed: 2016 Published by: E.B. Marks.
SKU: SU.80601210
Viola, Piano Composed: 2010 Published by: E.B. Marks.
SKU: SU.80600901
Brass Quintet Composed: 1982 Published by: E.B. Marks Also available:Score - 80600900.
SKU: SU.80601270
Oboe, Piano Composed: 2005 Published by: E.B. Marks.
SKU: SU.80603320
Grade 1; Full scoreConcert Band Composed: 1979 Published by: E.B. Marks Set of parts available. Quote given upon request.
SKU: SU.80600830
String Quartet Composed: 1988 Published by: E.B. Marks.
SKU: HL.359057
ISBN 9781705120941. UPC: 840126945119. 11.0x13.0x0.404 inches.
Composed during the summer of 1964 at the Aspen Music Festival, performed by students under the direction of Leonard Slatkin. The composer writes: “The first movement has much the feel of a Mozart string divertimento. The 'distant relative' of the second movement was Richard Wagner, and there are hidden quotations of his work throughout. The short scherzo movement, which leads to a solo lament, eventually lands upon a light-hearted rondo, unashamedly in G major, a compositional ploy that drew criticism in its time.â€.
SKU: SU.80603540
SATB Chorus, a cappella Composed: 1976 Published by: E.B. Marks.
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