| Violin - Concerto Orchestra, Violin SATB, Orchestra Editorial de Musica Boileau
Violin and orchestra SKU: BO.B.3340 Composed by Jordi Cervello. Instrumen...(+)
Violin and orchestra SKU: BO.B.3340 Composed by Jordi Cervello. Instrumental Sets. Duration 29:00. Published by Editorial de Musica Boileau (BO.B.3340). ISBN 9788480207591. English comments: My dedication to the string instruments has been a constant throughout my compositional career and I knew that sooner or later the time would come to compose a concerto for violin and orchestra. That moment came in the autumn of 2002 and after ten months of uninterrupted work I finished it in August of 2003. It is a work structured similarly to the traditional concertos. An important impetus for the elaboration of my concerto was due to the ill-fated violinist Ginette Neveu. Her version of Sibelius' Concerto has always stayed with me. For this reason the first movement, Moderato-Allegro, begins with a contemplative atmosphere similar to that of Sibelius' Concerto in which the principal thematic ideas appear tentatively. These ideas, two rhythmic and two melodic, are reaffirmed through a broad development that culminates in an orchestral fullness. A calm, mysterious passage recalls the introduction and after becoming blurred, three bars burst in leading to the rapid section of the movement. Soloist and orchestra engage in a dialectic struggle of a dramatic nature. The agitation subsides leaving only a tranquil and suggestive clarinet phrase. This will be taken up by the soloist who leads up to the movement's most dramatic moment playing an accelerating triplet figure supported by an orchestral pedal in crescendo. From here the soloist's cadenza emerges beginning with soft double notes. It finishes with an ascending progression and the soloist settles into the high register to elicit the orchestra's intervention in a soft and transfigured atmosphere. Once internalised the second movement, Adagio poco sostenuto e leggero begins. It has a solemn character and opens with two trumpet calls answered by the violoncellos and the contrabasses. The violin soloist introduces and plays two nostalgic themes, the first in the low register and the second, more extensive, in the middle register. The soft and delicate Misterioso e leggero begins with the violin singing on high. The rhythm of the constant quaver figures gradually accelerates until the soloist provokes a dramatic full orchestra as in a cadenza. Once again, the Calmo, in which the soloist with less and less orchestral attire serenely bids farewell. A rising series of double stops by the soloist serves to initiate the Finale-Scherzo. In 6/8 rhythm and with the character of a rondo it carries us along in a carefree, virtuosic ambiance. The principal motives, brief and concise, emerge from the happy, playful theme presented by the soloist. With an intricate progression of rapid sixths in double stops it reaches a tense and somewhat combative moment. However this resolves itself in a diminuendo that the soloist peacefully takes up with the notes re-la to commence the cadenza. This culminates in a series of tied notes to reintroduce the principal theme. A moment of melodic suspension serves as a farewell before the brief and jovial final coda. --The author
Comentarios del Espanol: A lo largo de mi carrera compositiva mi dedicacion a los instrumentos de cuerda ha sido constante y sabia que, tarde o temprano, llegaria el momento de componer un concierto para violin y orquesta. Este llego en otono de 2002 y, tras diez meses de trabajo ininterrumpido, lo termine en agosto de 2003. Se trata de una obra estructurada de manera similar a los conciertos tradicionales. Un importante impulso a la elaboracion de mi concierto lo debo al recuerdo de la malograda violinista Ginette Neveu. Su version del concierto de Sibelius ha permanecido siempre dentro de mi. Por ese motivo, el primer movimiento Moderato-Allegro se inicia con una atmosfera contemplativa cercana a la del mencionado Concierto, en la que aparecen cautamente las principales ideas tematicas. Con un amplio desarrollo se llega a un lleno orquestal en el que estas ideas -dos ritmicas y dos melodicas- quedan reafirmadas. Un pasaje calmo y misterioso rememora la introduccion. Tras desdibujarse, irrumpen tres compases que nos llevan a la parte rapida del movimiento. Solista y orquesta establecen un combate dialectico de caracter dramatico. La inquietud desaparece hasta una tranquila e insinuante frase del clarinete. Esta sera recogida por el solista, quien, a base de una figuracion de tresillos cada vez mas rapidos apoyada por un pedal de la orquesta in crescendo, conduce hacia el momento mas dramatico del movimiento. De aqui nace la cadenza del solista, que se incia con suaves notas dobles. Finaliza con una progresion ascendente y el solista se coloca en el registro agudo para llamar la intervencion de la orquesta dentro de una atmosfera suave y transfigurada. Interiorizado es el segundo movimiento Adagio poco sostenuto e leggero. Con dos llamadas de las trompas respondidas por los violonchelos y contrabajos inicia el Adagio de caracter grave. El violin solista introduce y canta dos temas nostalgicos. El primero en el registro grave y el segundo, mas amplio, en el medio. Inicia el Misterioso e leggero, de caracter suave y delicado. Con el violin cantando en agudo. La constante figuracion de corcheas acelerara poco a poco el ritmo hasta que el solista a modo de cadenza provocara un dramatico lleno orquestal. De nuevo el Calmo, donde el solista, cada vez con menos ropaje orquestal, se despide serenamente. Una subida de dobles cuerdas a cargo del solista sirve para iniciar el Finale-Scherzo. Este, en ritmo de 6/8 y con caracter de rondo, nos transporta en un clima virtuosistico y despreocupado. Del tema alegre y jugueton presentado por el solista nacen los principales motivos, breves y concisos. Con una intrincada sucesion de rapidas sextas en doble cuerda se llega a un momento crispado y algo combativo que, sin embargo, se resolvera en un diminuendo que el solista recoge apaciblemente con las notas re-la para inciar la cadenza. Esta culmina con un suave rosario de notas en ligado para introducir de nuevo el tema principal. Un momento de suspension melodica sirve como despido antes de la breve y jovial coda final. La obra fue estrenada el 23 de septiembre de 2005 en el Teatre Monumental de Madrid por la Orquesta Sinfonica de RTVE con Markus Placci de solista y Uwe Mund de director. Gravacion: RNE y Canal Clasico de TVE. --El Autor. $42.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Argentina's Tango
Piano solo [Sheet music] - Intermediate Ricordi
The Best Ever Collection Piano Solo. Piano Collection. Size 9x12 inches. 228 pag...(+)
The Best Ever Collection Piano Solo. Piano Collection. Size 9x12 inches. 228 pages. Published by Ricordi.
(5)$41.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| !Puro Tejano! Piano, Vocal and Guitar [Sheet music] Hal Leonard
By Various. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with g...(+)
By Various. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 152 pages. Published by Hal Leonard.
$14.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Flamenco Guitar Guitar notes and tablatures [Sheet music + Audio access] Berklee
Technique, Theory and Etudes. Berklee Guide. Flamenco, Instruction, Technique....(+)
Technique, Theory and Etudes.
Berklee Guide. Flamenco,
Instruction, Technique.
Softcover Media Online.
Published by Berklee Press
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Caminemos con Jesús - Music Collection GIA Publications
Choir or voice with piano or guitar SKU: GI.G-10075 Composed by Tony Alon...(+)
Choir or voice with piano or guitar SKU: GI.G-10075 Composed by Tony Alonso S.J. Sacred. Collection. GIA Publications #10075. Published by GIA Publications (GI.G-10075). UPC: 785147007531. Caminemos con JesuÌs es una celebracioÌn lituÌrgica de la belleza, pasioÌn y vitalidad de la muÌsica cubana. Fusionando melodiÌas liÌricas latinas y ritmos africanos complejos en una forma distintiva de llamada y respuesta, en este novedoso proyecto Tony Alonso imagina creativamente y fielmente los ritos, tiempos y textos lituÌrgicos a traveÌs del prisma de su propia herencia cubana. Ya sea acompañado simplemente por el piano o la guitarra, o por un conjunto maÌs elaborado, estas piezas encontraraÌn un hogar alegre en comunidades hispanoparlantes, angloparlantes y bilingües que buscan acompañarse en su caminar con JesuÌs durante el año lituÌrgico. Caminemos con JesuÌs is a liturgical celebration of the beauty, passion, and vitality of Cuban music. Fusing lyrical Spanish melodies and complex African rhythms in a distinctive call-and-response form, in this groundbreaking project, Tony Alonso creatively and faithfully imagines the liturgical rites, seasons, and texts through the prism of his own Cuban heritage. Whether accompanied simply on piano or guitar, or by a more elaborate ensemble, these pieces will find a joyful home in Spanish, English, and bilingual communities seeking to accompany one another in their walk with Jesus throughout the liturgical year. $24.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Guitarra Blues (Inicio) - Método Completo Guitar [Sheet music + CD] Volonte and Co
Guitar SKU: BT.VOLMB59 Composed by David Hamburger. Method. Book with CD....(+)
Guitar SKU: BT.VOLMB59 Composed by David Hamburger. Method. Book with CD. Volonte e Co #VOLMB59. Published by Volonte e Co (BT.VOLMB59). ISBN 9788863880571. Spanish. Perfect for beginner blues and rock/blues guitarists. Includes specs on blues theory and left hand techniques. You will also discover style rhythms, Texas swing, slow, minor blues and important blues styles such as those ofMuddy Waters, Buddy Guy and many more. Covering phrases, introductions and improvisation, this is the best step by step method for blues for the guitar, teaching substance and style. Perfecto para guitarristas principiantes en blues y rock/blues. Incluye especificaciones en teor a del blues y técnicas de la mano izquierda. También desscubrirás el ritmo en estilos Texas swing, blues lentos y menores, y grandes estilos de bluestales como los de Muddy Waters, Buddy Guy y otros muchos. Fraseos de llamada/respuesta, introducciones, ruedas, finales e improvisación. Este es el mejor método, paso a paso, de blues para guitarra, que enseña su substancia y estilo. $18.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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