| Bolero Concert band [Score] - Intermediate Anglo Music
Concert Band/Harmonie - Grade 5 SKU: BT.AMP-321-140 Composed by Maurice R...(+)
Concert Band/Harmonie - Grade 5 SKU: BT.AMP-321-140 Composed by Maurice Ravel. Arranged by Philip Sparke. Elite Series. Classical. Score Only. Composed 2011. 48 pages. Anglo Music Press #AMP 321-140. Published by Anglo Music Press (BT.AMP-321-140). 9x12 inches. English-German-French-Dutch. Bolero was originally written as a ballet for a famous ballerina and achieved great success on the stage. Nowadays the ballet itself is only rarely performed and even though Ravel thought the orchestra would seldom play it, it has become one of the best-loved pieces for the concert stage. This arrangement by Philip Sparke keeps very close to the original score in this melodically and rhythmically unique work.
Ravel schreef Bolero oorspronkelijk als ballet voor een beroemde danseres. Als zodanig was het ook bijzonder succesvol. Tegenwoordig wordt het als ballet nog zelden opgevoerd. Hoewel Ravel dacht dat het als orkestwerk nietin de smaak zou vallen, is het toch één van de geliefdste titels voor op het concertpodium geworden. De bewerking van Philip Sparke blijft dicht bij de originele partituur van dit melodisch en ritmisch bijzondere werk.
Bolero wurde ursprünglich als Ballett für eine berühmte Tänzerin geschrieben und feierte sensationelle Erfolge auf der Tanzbühne. Heute wird das Ballett nur noch selten aufgeführt und obwohl Ravel dachte, dass Orchester das Werk nur selten spielen würden, ist es zu einem der beliebtesten Titel für die Konzertbühne geworden.Philip Sparkes Bearbeitung hält sich nah an der Original-Partitur dieses melodisch und rhythmisch einzigartigen Werkes.
Le dernier ballet de Ravel, Boléro, fut écrit et créé en 1928. Aujourd’hui, le ballet est rarement représenté, et, bien que Ravel ait craint que les orchestres refusent d’interpréter son oeuvre, celle-ci est devenue l’une des plus populaires dans les salles de concert. Le Boléro est peut-être unique en son genre, dans le sens où l’orchestration géniale de Ravel est encore plus importante que les éléments mélodiques, rythmiques et harmoniques de l’oeuvre ; c’est pourquoi Philip Sparke n’a pas vu l’utilité d’en produire une version simplifiée ou réduite“ mais a essayé de respecter au mieux la partition de Ravel. Laissez-vous séduire !
Il Bolero composto da Maurice Ravel nel 1929 è per eccellenza la musica per balletto divenuta celebre anche come pezzo concertistico. E’ sicuramente il bolero più noto mai composto, nonché l’opera più popolare di Ravel, commissionatagli da Ida Rubinstein, una ballerina russa. Philip Sparke ha rispettato la geniale orchestrazione di Ravel creando uno straordinario arrangiamento per banda. $58.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Library Of Piano Favorites 2 Piano solo [Sheet music] - Intermediate Music Sales
Edited by Amy Appleby. Music Sales America. Baroque, Classical Period and World....(+)
Edited by Amy Appleby. Music Sales America. Baroque, Classical Period and World. Softcover collection (spiral bound). With fingerings (does not include words to the songs). 240 pages. Music Sales #AM967440. Published by Music Sales
$27.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Folk Blues Schott
Guitar; Piano; Voice SKU: HL.49032219 113 American Folk Blues. Edi...(+)
Guitar; Piano; Voice SKU: HL.49032219 113 American Folk Blues. Edited by Jerry Silverman. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Blues. Playing score. 262 pages. Schott Music #ED 6837. Published by Schott Music (HL.49032219). ISBN 9790001072403. UPC: 884088055837. 8.25x11.75x0.76 inches. German - English. Voice, Piano and Guitar. $31.00 - See more - Buy online | | |
| Contemporary Broadway Vocal Duets Vocal duet Hal Leonard
(31 Songs from 19 Musicals). Composed by Various. For Vocal Duet. Vocal Collecti...(+)
(31 Songs from 19 Musicals). Composed by Various. For Vocal Duet. Vocal Collection. Softcover. 240 pages. Published by Hal Leonard
$22.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Real Bluegrass Book
Guitar [Fake Book] Hal Leonard
(C Instruments). By Various. Fake Book. Softcover. 432 pages. Published by Hal L...(+)
(C Instruments). By Various. Fake Book. Softcover. 432 pages. Published by Hal Leonard
(1)$44.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Debbie Campbell: The First Kids In Space (Pupil's Book) Guitar - Easy Music Sales
Piano, Vocal and Guitar - Grade 2 SKU: HL.14011400 Composed by Debbie Cam...(+)
Piano, Vocal and Guitar - Grade 2 SKU: HL.14011400 Composed by Debbie Campbell. Music Sales America. Musical Education. Book [Softcover]. Composed 2015. 16 pages. Music Sales #GA11014. Published by Music Sales (HL.14011400). ISBN 9780711956056. 9.0x12.0x0.052 inches. English. A fun space adventure musical full of information on technology, the solar system and travel. Ideal as an end of term production at any time of the year. Duration: 45 mins. If you need to license a school/youth theatre performance of this product, please use the online application form. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Flute Orchestral Excerpts Flute - Advanced The Frederick Harris Music Company
Flute - Beginner - Advanced SKU: FH.FLE01 2010 Edition. Composed b...(+)
Flute - Beginner - Advanced SKU: FH.FLE01 2010 Edition. Composed by The Royal Conservatory. Overtones: A Comprehensive Flute Series. Book. The Frederick Harris Music Company #FLE01. Published by The Frederick Harris Music Company (FH.FLE01). ISBN 978-1-55440-300-4. Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental repertoire and supporting materials such as Studies, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study.This compilation of standard orchestral passages for flute is an indispensable resource for the developing years and beyond. Teachers and students will find this unrivalled volume essential for examination or audition preparation.
Slavonic Dances, op. 46, no. 1 Antonin Dvorak Symphony No. 100 in G Major (Military): II Franz Joseph Haydn Le carnaval des animaux: Aquarium Camille Saint-Saens HMS Pinafore: I'm Called Little Buttercup Arthur Sullivan La forza del destino: Overture Giuseppe Verdi Serse (Xerxes), HWV 40: Va godendo vezzoso e bello George Frideric Handel Symphony No. 100 in G Major (Military): III Franz Joseph Haydn Ma Vlast: II Bedrich Smetana HMS Pinafore: When I Was a Lad Arthur Sullivan Nutcracker Suite: Overture Pyotr Il'yich Tchaikovsky Symphony No. 6 (Pastoral): III Ludwig van Beethoven Symphony No. 9 in E Minor, op. 95 (New World): I Antonin Dvorak Faust: Soldier's Chorus Charles Gounod Peer Gynt Suite No. 1, op. 46: I Edvard Grieg Symphony No. 102 in B flat Major: I Franz Joseph Haydn Brandenburg Concerto No. 4, BWV 1049: III Johann Sebastian Bach Carmen: La garde montante Georges Bizet Petite suite: Ballet IV Claude Debussy Symphony No. 100 in G Major (Military): IV Franz Joseph Haydn Symphony No. 40 in G Minor, K 550: III Wolfgang Amadeus Mozart Symphony No. 5: IV Ludwig van Beethoven Carmen: Act 1, Prelude Georges Bizet Faust Ballet Music: Danse antique Charles Gounod Symphony No. 102 in B flat Major: IV Franz Joseph Haydn Scheherazade, op. 35: IV Nicolai Rimsky-Korsakov Symphony No. 6 (Pastoral): I, II Ludwig van Beethoven Symphonie fantastique: V Hector Berlioz Die Zauberfloete: Wie stark ist nicht dein Zauberton Wolfgang Amadeus Mozart Bolero Maurice Ravel Scheherazade, op. 35: I Nicolai Rimsky-Korsakov Brandenburg Concerto No. 4, BWV 1049: I Johann Sebastian Bach Symphonie fantastique: I Hector Berlioz Carmen: Entr'acte (Prelude) Georges Bizet Symphony No. 1 in C Minor: IV Johannes Brahms Die Zauberfloete: Overture Wolfgang Amadeus Mozart Symphony No. 8 in G Major: IV Antonin Dvorak Leonore Overture No. 3, op. 72a Ludwig van Beethoven Symphony No. 4 in E Minor: IV Johannes Brahms La mer: I, II, III Claude Debussy Symphony No. 4 (Italian): IV Felix Mendelssohn Symphony No. 1 (Classical): II Sergei Prokofiev Symphony No. 3 in E flat Major (Eroica): IV Ludwig van Beethoven Prelude a l'apres-midi d'un faune Claude Debussy Sinfonie Mathis der Maler: I, II Paul Hindemith Incidental Music to A Midsummer Night's Dream, op. 61: Scherzo Felix Mendelssohn Petroushka (1947 revision): Part 1 Igor Stravinsky Symphony No. 4 in F Minor: III Pyotr Il'yich Tchaikovsky Capriccio espagnol, op. 34: IV Nicolai Rimsky-Korsakov Symphony No. 1 (Classical): IV Sergei Prokofiev Concerto for Orchestra: I, II, III, IV, V Bela Bartok Symphonic Metamorphosis after Themes by Carl Maria von Weber: II, III Paul Hindemith Das Lied von der Erde: VI Gustav Mahler Peter and the Wolf, op. 67 Sergei Prokofiev Le carnaval des animaux: 10. Voliere Camille Saint-Saens Daphnis et Chloe: Troisieme partie Maurice Ravel Guillaume Tell: Overture Gioachino Rossini Till Eulenspiegel's Merry Pranks Richard Strauss Firebird Suite (1919 version) Igor Stravinsky Symphony No. 9: IV Ludwig van Beethoven Concerto for Orchestra: III Bela Bartok Scheherezade, op. 35: IV Nicolai Rimsky-Korsakov Semiramide: Overture Gioachino Rossini Symphony No. 5, op. 47: I, II Dmitri Shostakovich. About Overtones Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental Repertoire and supporting materials such as Etudes, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study and is the official series for those using The Royal Conservatory Music Development program. $29.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Sacred Collection - High Voice
High voice, Piano [Sheet music] Hal Leonard
The Vocal Library. Arranged by Richard Walters. (High Voice). Vocal Collection. ...(+)
The Vocal Library. Arranged by Richard Walters. (High Voice). Vocal Collection. Size 9x12 inches. 312 pages. Published by Hal Leonard Corporation.
(5)$21.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Festival of Faith Choral Shawnee Press
Composed by Joseph M. Martin. Shawnee Sacred. Cantata, General Worship, Sacred...(+)
Composed by Joseph M. Martin.
Shawnee Sacred. Cantata,
General Worship, Sacred.
Softcover, Score and Parts.
Published by Shawnee Press
$350.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Souvenirs Cello, Piano - Intermediate Salabert
Cello and Piano - intermediate SKU: BT.SLB-00595900 Extrait de la musi...(+)
Cello and Piano - intermediate SKU: BT.SLB-00595900 Extrait de la musique de scène pour « Le Voyageur sans bagages ». Composed by Francis Poulenc. Classical. Book and Part(s). Composed 2016. 5 pages. Editions Salabert #SLB 00595900. Published by Editions Salabert (BT.SLB-00595900). INSSTR inches. French. A previously unreleased piece by Francis Poulenc, published with permission from the Bibliothèque Historique de la Ville de Paris and Benoît Seringe, secretary of the Association des amis de Francis Poulenc [Association of the Friends ofFrancis Poulenc]. Le Voyageur sans bagage [The Traveller Without Luggage], which had been premiered in 1937 with music by Darius Milhaud, was reprised on 1 April 1944 at the Thé tre de la Michodière; Francis Poulenc was asked to compose new stage music. Theentire unpublished score lay undiscovered until Bérengère de l’Épine, a librarian at the Bibliothèque Historique de la Ville de Paris, announced the existence of a manuscript in the Association de la Régie Thé trale collection.Poulenc finalised the score between 19 and 21 March 1944. It contains nine songs, all written for a small instrumental ensemble including oboe, clarinet, cello and piano. However, at the end of the manuscript, the composer echoes the second song Lent [Slow] and creates another version for cello and piano; curiously, the original version of the song has not been erased in the manuscript. Poulenc seems to suggest that we consider the piece for cello and piano, that we have publishedhere, as a different piece of music. It was premiered on Wednesday 23 January 2013 by Marc Coppey, accompanied by Jean-François Heisser, in the organ auditorium of the Conservatoire National Supérieur de Musique et Danse de Paris (CNSMDP), during thesymposium for the fiftieth anniversary of Poulenc’s death.Given in a dramatic context, some elements allow us to get an idea of the character of the piece, which Benoît Seringe, Poulenc’s beneficiary, judiciously chose to name Souvenirs.The main character of Anouilh’s play, Gaston, is suffering from amnesia at the end of World War One. Several families try to claim him; they want him to be their missing relative. The Renaud family prove to be particularly stubborn, but Gaston doesnot recognize himself in the child and young man they depict: a ruthless and violent person. In Act 1 Scene 3, left alone for a moment, overwhelmed by the story of the “old Gaston†that is gradually coming to light, and outraged by the desire ofthose around him to appropriate him (to the detriment of the person he would like to be from now on), he whispers these words: “You all have proof, photographs that look like me, memories as clear as day… I’ve listened to you all and it’s slowlycausing a hybrid person to rise up in me; a person in which there is a piece of each of your sons and nothing of me.†Poulenc chose to place the second piece from his stage music score as these words are spoken.He borrowed part of the material, as he often did, from an earlier composition. In this particular case, the beginning is a recycled version of the “slow and melancholic†section from L’Histoire de Babar , composed between 1940 and 1945, andpremiered in 1946 (unless it is Babar that reuses the musical idea from Voyageur ).The eponymous elephant decides to leave in search of the great forest. He embraces the old lady, promises her he will return and reassures her that he will never forget her. Left alone, the old lady, feeling sad and pensive, wonders when she’ll seeher friend Babar again. The situation is similar to that in Voyageur sans bagage: solitude, sadness, a distressing and introspective time, fear of oblivion, the presence of memories…
Pièce inédite de Francis Poulenc, publiée avec l’autorisation de la Bibliothèque historique de la ville de Paris et de Benoît Seringe, secrétaire de l’Association des Amis de Francis Poulenc.Le 1er avril 1944, Le Voyageur sans bagage d’Anouilh, qui avait été créé en 1937 avec de la musique de Darius Milhaud, est repris au Thé tre de la Michodière. Francis Poulenc a été sollicité afin d’écrire une nouvelle musique de scène. On ignoraittout de cette partition inédite, jusqu’au jour où Bérengère de l’Épine, conservateur la Bibliothèque historique de la ville de Paris, nous signala l’existence d’un manuscrit dans le fonds de l’Association de la Régie thé trale.Poulenc mit au point sa partition entre le 19 et le 21 mars 1944. Elle comprend neuf numéros, tous écrits pour un petit effectif instrumental réunissant un hautbois, une clarinette, un violoncelle et un piano.Cependant, la fin de son manuscrit, le compositeur reprend le no 2 Lent et en donne une seconde version, pour violoncelle et piano. Curieusement, la version originale de ce numéro n’est pas biffée dans le manuscrit.Poulenc semble nous inviter considérer comme un morceau distinct cette pièce pour violoncelle et piano dont nous proposons ici l’édition. Elle a été créée par Marc Coppey, accompagné de Jean-François Heisser, lors du concert donné durant lecolloque organisé pour le cinquantenaire du décès de Poulenc, le mercredi 23 janvier 2013, salle d’orgue du Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP).Quelques éléments sur le contexte dramatique permettront de se faire une idée du caractère du morceau, que Benoît Seringe, ayant droit Poulenc, a judicieusement choisi d’intituler Souvenirs.Le personnage principal de la pièce d’Anouilh, Gaston, a été retrouvé amnésique la fin de la Première Guerre Mondiale. Plusieurs familles le réclament. On veut voir en lui un parent disparu. Les Renaud se montrent particulièrement tenaces ; maisGaston ne parvient se reconnaître dans l’enfant et le jeune homme dont on lui trace le portrait : un être violent et sans scrupule. Au tableau 3 de l’acte I, resté seul un moment, écrasé par l’histoire de cet autre lui-même qu’il découvre peu peu, indigné par le désir des personnes qui l’entourent de le ramener elles au détriment de celui qu’il voudrait être désormais, il se murmure ces paroles : « Vous avez tous des preuves, des photographies ressemblantes, des souvenirs précis commedes crimes… je vous écoute tous et je sens surgir peu peu derrière moi un être hybride où il y a un peu de chacun de vos fils et rien de moi »…C’est sur ces mots que Poulenc a choisi de placer le no 2 de sa partition de musique de scène.Comme il le fait souvent, il emprunte une composition antérieure une part de son matériau. Dans ce cas précis, il réutilise pour le début du morceau la section « Lent et mélancolique » de l’Histoire de Babar, composée entre 1940 et 1945, créée en1946 ( moins que ce ne soit Babar qui réutilise l’idée musicale du Voyageur). Le héros-éléphant s’est décidé partir pour retrouver la grande forêt. Il a embrassé la vieille dame, lui a promis de revenir, l’a rassurée : jamais il ne l’oubliera.Restée seule, la vieille dame, triste et pensive, se demande quand elle reverra son ami Babar. La situation est similaire celle du Voyageur sans bagage : solitude, tristesse, instantde trouble et de retour sur soi, crainte de l’oubli, présence des souvenirs…. $11.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Pavane pour une Infante Défunte Saxophone Quartet: 4 saxophones Advance Music
4 Saxophones SATBar SKU: AP.1-ADV7408 For SATB Saxophone Quartet. ...(+)
4 Saxophones SATBar SKU: AP.1-ADV7408 For SATB Saxophone Quartet. Composed by Maurice Ravel. Arranged by Christoph Enzel. Masterworks; Quartet; Solo Small Ensembles; Woodwind - Saxophone Quartet. Advance Music. Impressionistic; Masterwork Arrangement. Score and Part(s). Advance Music #01-ADV7408. Published by Advance Music (AP.1-ADV7408). ISBN 9783892215639. UPC: 805095074086. English. The Pavane for a Dead Princess is considered to be one of Ravel's most popular works. The solemn and stately court dance strutting along in an even pulse turns into a melancholic, yet not sombre dirge.
The arrangement on hand is in line with the orchestral version written by Ravel himself in 1910 and constitutes part of the series Ravel for Saxophone Quartet including publications of, among others, Ma Mère L'Oye (Mother Goose), Trois Chansons (Three Songs), and Le Tombeau de Couperin. $17.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Les Voyages de Gulliver Concert band [Score and Parts] - Intermediate De Haske Publications
Concert Band - Grade 5 SKU: BT.DHP-1033505-040 Gulliver's Travels....(+)
Concert Band - Grade 5 SKU: BT.DHP-1033505-040 Gulliver's Travels. Composed by Maxime Aulio. Sovereign Series. Concert Piece. Set (Score & Parts). Composed 2003. De Haske Publications #DHP 1033505-040. Published by De Haske Publications (BT.DHP-1033505-040). 9x12 inches. Duration: 19:00 minutes
Jonathan Swifts satirischer Roman Gullivers Reisen - eine literarische Reise zwischen Vernunft und Verrücktheit - regte auch die Phantasie des Komponisten Maxime Aulio an. Seine Suite für Blasorchester besteht aus mehreren kurzen, teilweise wie eine Kette aneinander gereihten Sätzen. Zyklisch in veränderter Form wiederkehrende Motive und Themen beschreiben Gullivers Gedanken und Gefühle oder auch Landschaften und Personen, die ihm unterwegs begegnen.
1. Voyage Lilliput • 2. Voyage Brobdingnag • 3. Voyage Laputa/Voyage Balnibarbi; l’Académie de Lagado/Voyage Glubbdubdrib, l’île des Magiciens /Voyage Luggnagg; Les Struldbruggs • 4. Voyage chez les Houyhnhnms / Maxime Aulio a composé Gulliver's Travels (Les Voyages de Gulliver) pour l’Orchestre d’Harmonie du Conservatoire National de Région de Toulouse placé sous la direction de Jean-Guy Olive. L’œuvre a été donnée en création mondiale le 25 avril 2001, l’Auditorium Saint-Pierre des Cuisines de Toulouse, par la formation dédicataire.Vers 1720, lorsque Jonathan Swift (1667-1745), écrivain irlandais d’origine anglaise, envoie Lemuel Gulliver,un vieux chirurgien malicieux, la découverte de contrées extraordinaires, il débute en réalité l’écriture d’un roman satirique sur la vanité, la morale et l’hypocrisie de la société humaine. L’utopie littéraire était alors l'unique moyen d’éviter la censure. Mais en écrivant ce livre, dont la rédaction dura six ans, Swift eut le temps de m rir ses idées, si bien que sa réflexion grinçante sur la condition humaine est toujours d’actualité. Le génie imaginatif, la finesse d’esprit et la prose simple qui caractérisent Les Voyages de Gulliver ont fasciné des générations de lecteurs. Ce voyage littéraire entre raison et folie s’est également arrimé dans l’imaginaire de Maxime Aulio qui nous offre avec sa suite en quatre mouvements, une vision musicale des pérégrinations de Gulliver, la manière d’un kaléidoscope qui juxtapose de petits fragments de couleur dans une trame linéaire. $322.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Cantastoria Concert band [Score] - Easy De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1165681-140 Sonata from 'd...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1165681-140 Sonata from 'die Bänkelsängerlieder'. Arranged by Robert van Beringen. Great Classics. Score Only. Composed 2016. De Haske Publications #DHP 1165681-140. Published by De Haske Publications (BT.DHP-1165681-140). English-German-French-Dutch. A cantastoria or Bänkelsänger German for busker was a travelling musician who made music in streets and squares, together with his colleagues. Die Bänkelsängerlieder (buskers songs) originally stem from the seventeenth century. Robert van Beringen, who is known for his attractive arrangements of classical melodies, created a colourful transcription for wind band based on this characteristic music.
Een cantastoria of Bänkelsänger Duits voor straatzanger was een rondreizende muzikant die samen met zijn collega’s musiceerde in straten en op pleinen. Die Bänkelsängerlieder stammen oorspronkelijk uit de zeventiende eeuw. Robert van Beringen, die bekendstaat om zijn fraaie arrangementen van klassieke melodieën, maakte van deze karakteristieke muziek een kleurrijke transcriptie voor blaasorkest.
Ein Cantastoria“ oder Bänkelsänger war ein reisender Musiker, der auf den Straßen und Plätzen zusammen mit seinen Kollegen Musik machte. Die Bänkelsängerlieder stammen ursprünglich aus dem 17. Jahrhundert. Robert van Beringen, der für seine attraktiven Arrangements klassischer Melodien bekannt ist, hat eine abwechslungsreiche Bearbeitung dieser charakteristischen Musik für Blasorchester geschaffen.
Un cantastoria ou Bänkelsänger allemand pour chanteur des rues était un musicien de voyage qui faisait de la musique dans les rues et places, en compagnie de ses collègues. Die Bänkelsängerlieder (chansons des artistes de rue) viennent du XVIIe siècle. Robert van Beringen, connu pour ses arrangements attractifs de mélodies classiques, a créé une transcription musicale pour orchestre d’harmonie basée sur cette musique typique.
Van Beringen, noto per i suoi eccelsi riadattamenti di arie classiche, si è questa volta cimentato in una variopinta trascrizione per banda di soli fiati della musica tipica dei cantastorie, riuscendo sorprendentemente a tener vivo l’arcano fascino delle busker song. $22.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Then Thy Words Will Take Wing... Concert band [Score] - Intermediate De Haske Publications
Concert Band/Harmonie, Children's Choir and Cello - Grade 4 SKU: BT.DHP-11150...(+)
Concert Band/Harmonie, Children's Choir and Cello - Grade 4 SKU: BT.DHP-1115053-140 ...dann wachsen Flügel deinen Worten. Composed by Marco Putz. De Haske Manuscript. Concert Piece. Score Only. Composed 2011. 51 pages. De Haske Publications #DHP 1115053-140. Published by De Haske Publications (BT.DHP-1115053-140). A3 (420X297) inches. ...Then Thy Words Will Take Wing... is a four movement composition based upon drawings made by Russian painter Zinovii Tolkatchev (1903-1970), who served as official artist during the liberation of concentration camps in Auschwitz. After the war, Tolkatchev’s works were published and now tour the world as a travelling exhibition. This composition is a tribute to the victims of the Holocaust who still remain nameless, and is a powerful piece to include in any concert programme.
“…dan zullen uw woorden vleugels krijgen...†is een vierdelige compositie gebaseerd op vier tekeningen van de Wit-Russische schilder Zinovii Tolkatchev (1903-1970). Tijdens de bevrijding van de concentratiekampen Auschwitz en Majdanekwas Tolkatchev bij het Rode Leger in dienst als tekenaar. Na de oorlog verschenen de tekening van Tolkatchevs in albumvorm en momenteel reizen ze de wereld over, te bekijken bij tentoonstellingen. De compositie is een eerbetoonaan alle naamloze slachtoffers van de Holocaust en grijpt daarbij ook terug op de hoofdgedachte van de Yad Vashems, het gedenkbeeld van de Holocaust in Jeruzalem.
Für Blasorchester, Violoncello und Kinderchor...dann wachsen Flügel Deinen Worten...“ ist eine viersätzige Komposition nach Zeichnungen des weißrussischen Malers Zinovii Tolkatchev (1903-1970), der bei der Befreiung der Konzentrationslager Auschwitz und Majdanek in der Roten Armee als Zeichner diente. Nach dem Krieg wurden seine Bilder veröffentlicht und wandern jetzt in einer Ausstellung um die Welt. Diese Komposition will an die vielen namenlos gebliebenen Opfern des Holocaust erinnern und damit einen der Leitgedanken Yad Vashems, der Holocaust-Gedenkstätte in Jerusalem, vermitteln.
…Alors tes paroles s’envolent en chanson… est une oeuvre en quatre mouvements s’inspirant de quatre dessins du peintre biélorusse Zinovii Tolkatchev (1903-1970) qui servait dans l’Armée rouge en tant qu’illustrateur lors de la libération des camps de concentration d’Auschwitz et de Majdanek, sa t che consistant réaliser des croquis des atrocités commises. Plus tard, les enfants de Tolkatchev firent don de la série au mémorial Yad Vashem de Jérusalem. Ces dessins sont rassemblés en une exposition qui fait aujourd’hui le tour du monde.
Un brano in quattro movimenti che si ispirano a quattro dipinti del pittore bielorusso Zinovii Tolkachev (1903-1970) che servì nell’Armata Rossa come illustratore durante la liberazione dei campi di concentramento di Auschwitz e Majdanek. Il suo compito era realizzare schizzi delle atrocit commesse. In seguito, i figli di Tolkachev decisero di donare la serie di disegni al Memorial Yad Vashem di Gerusalemme, disegni ora oggetto di una mostra itinerante. $90.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Saga of Haakon the Good Concert band [Score] - Intermediate Anglo Music
Concert Band - Grade 4 SKU: HL.44010430 Grade 4 - Score Only. Comp...(+)
Concert Band - Grade 4 SKU: HL.44010430 Grade 4 - Score Only. Composed by Philip Sparke. Anglo Music Concert Band. Concert Piece. Score Only. Composed 2008. 64 pages. Anglo Music Press #AMP236-140. Published by Anglo Music Press (HL.44010430). UPC: 884088414610. 9x12 inches. English-German-French-Dutch. The piece traces key events in the life of Haakon the Good, later to become King Haakon I (ca. 921-960), who had been fostered by King Athelstan of England as part of a peace agreement made by his father (“The Future King”). The English king brought him up in the Christian religion and, on the news of his father's death, provided him with ships and men for an expedition against his half-brother Eirik Bloodaxe, who had been proclaimed king of Norway. On his arrival he travelled north (“The Journey to Trondheim”), where he began to gain the support of the landowners by promising to give up the rights of taxation his father had previously claimed. Elrik's sons allied themselves with the Danes, but were invariably defeated by Haakon, who was successful in everything he undertook except in his attempt to introduce Christianity to the country (“The Missionary King”), which aroused an opposition he did not feel strong enough to face. One of his most famous victories was “The Battle of Rastarkalv” (near Frei) in 955. By placing ten standards far apart along a low ridge (to give the impression his army was bigger than it actually was), he managed to fool Eirik's sons that they were outnumbered (the ten standards are represented by ten loud chords that begin in m. 420). The Danes fled and were slaughtered by Haakon's army. $17.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Exodus [Score] PWM (Polskie Wydawnictwo Muzyczne)
Mixed Choir and Orchestra SKU: BT.PWM8597 Composed by Wojciech Kilar. Cla...(+)
Mixed Choir and Orchestra SKU: BT.PWM8597 Composed by Wojciech Kilar. Classical. Score Only. Composed 2000. 96 pages. Polskie Wydawnictwo Muzyczne #PWM8597. Published by Polskie Wydawnictwo Muzyczne (BT.PWM8597). ISBN 9788322405000. ''The title refers to the Biblical Book of Exodus. The biblical words of the song: we will sing unto Yahwe, for He has triumphed gloriously;...'', which the people of Israel chant after passing through the Red Sea serve as the motto of the composition. The formal concept of the piece refers to M. Ravels ''Bolero''. The composer has confirmed in his statements that this reference is fully intentional. ''Exodus'' would be the third - after Ravel and Shostakovich (Symphony No.7) - version of a fascinating crescendo of form, based on one theme or idea obsessively repeated. Its first performance at the Warsaw Autumn Festival in 1981 provoked a tremendous ovation. The audience, at first confused by the continual repetition of the E-major chord (bursts laughter were even heard), was eventually abducted by the force and dynamism of the composition. $40.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Roadrunner Rally String Orchestra [Score and Parts] - Easy Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS10 Composed by Doris ...(+)
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS10 Composed by Doris Gazda. Edited by Amy Rosen. Carl Fischer Young String Orchestra Series. Classical. Score and Parts. With Standard notation. 16+4+16+10+10+4+10+12 pages. Carl Fischer Music #YAS10. Published by Carl Fischer Music (CF.YAS10). ISBN 9780825848261. UPC: 798408048266. 8.5 X 11 inches. Key: D major. When traveling through the desert southwest of the United States, you may be fortunate enough to come across a strange looking brown and white streaked bird called the Roadrunner. It has a blue patch of skin circling the eyes, a tiny dot of bright red behind the eyes, a bushy crest on the top of its head and a long tail that bobs up and down. A member of the cuckoo family, it is New Mexico's state bird, and can run in bursts of speed from between ten to twenty miles per hour. Because it is equipped to run rather than fly, its feet are different from other bird species, having two toes in front and two toes in the back. Its tracks looks like the letter X. Although roadrunners can become airborne, they are basically ground birds and do not fly. They eat insects, scorpions, small rodents, birds, lizards and snakes. They do make noise when in danger; however, the clicks and clatters do not resemble the sound of a honking horn that we think of from the Hollywood cartoon version of roadrunners. The repeated notes in the opening melody of Roadrunner Rally will remind you of the sight of a roadrunner traveling along at breakneck speed. A crisp spiccato accompanied by pizzicato in the cello and bass paints the picture of the bird running through the desert. At m. 17 you will hear that raucous honk, honk that is associated with the roadrunner saying Out of my way! The syncopation can easily be learned by feel as well as by counting carefully. At m. 25 and similar passages, the first violins will have fun learning the jazz licks. The walking bass like at m.69 with the jerky sound of the octaves in the upper strings will remind you of the awkward appearance of this ungainly bird. And of course, Roadrunner Rally ends with a loudly emphasized honking noise, the beep that we associate with the humorous picture of the roadrunner. When traveling through the desert southwest of the United States, you may be fortunate enough to come across a strange looking brown and white streaked bird called the Roadrunner. It has a blue patch of skin circling the eyes, a tiny dot of bright red behind the eyes, a bushy crest on the top of its head and a long tail that bobs up and down. A member of the cuckoo family, it is New Mexico's state bird, and can run in bursts of speed from between ten to twenty miles per hour. Because it is equipped to run rather than fly, its feet are different from other bird species, having two toes in front and two toes in the back. Its tracks looks like the letter X. Although roadrunners can become airborne, they are basically ground birds and do not fly. They eat insects, scorpions, small rodents, birds, lizards and snakes. They do make noise when in danger; however, the clicks and clatters do not resemble the sound of a honking horn that we think of from the Hollywood cartoon version of roadrunners. The repeated notes in the opening melody ofA Roadrunner Rally will remind you of the sight of a roadrunner traveling along at breakneck speed. A crisp spiccato accompanied by pizzicato in the cello and bass paints the picture of the bird running through the desert. At m. 17 you will hear that raucous honk, honk that is associated with the roadrunner saying Out of my way! The syncopation can easily be learned by feel as well as by counting carefully. At m. 25 and similar passages, the first violins will have fun learning the jazz licks. The walking bass like at m.69 with the jerky sound of the octaves in the upper strings will remind you of the awkward appearance of this ungainly bird. And of course,A Roadrunner Rally ends with a loudly emphasized honking noise, theA beep that we associate with the humorous picture of the roadrunner. When traveling through the desert southwest of the United States, you may be fortunate enough to come across a strange looking brown and white streaked bird called the Roadrunner. It has a blue patch of skin circling the eyes, a tiny dot of bright red behind the eyes, a bushy crest on the top of its head and a long tail that bobs up and down. A member of the cuckoo family, it is New Mexico's state bird, and can run in bursts of speed from between ten to twenty miles per hour. Because it is equipped to run rather than fly, its feet are different from other bird species, having two toes in front and two toes in the back. Its tracks looks like the letter X. Although roadrunners can become airborne, they are basically ground birds and do not fly. They eat insects, scorpions, small rodents, birds, lizards and snakes. They do make noise when in danger; however, the clicks and clatters do not resemble the sound of a honking horn that we think of from the Hollywood cartoon version of roadrunners. The repeated notes in the opening melody ofA Roadrunner Rally will remind you of the sight of a roadrunner traveling along at breakneck speed. A crisp spiccato accompanied by pizzicato in the cello and bass paints the picture of the bird running through the desert. At m. 17 you will hear that raucous honk, honk that is associated with the roadrunner saying Out of my way! The syncopation can easily be learned by feel as well as by counting carefully. At m. 25 and similar passages, the first violins will have fun learning the jazz licks. The walking bass like at m.69 with the jerky sound of the octaves in the upper strings will remind you of the awkward appearance of this ungainly bird. And of course,A Roadrunner Rally ends with a loudly emphasized honking noise, theA beep that we associate with the humorous picture of the roadrunner. When traveling through the desert southwest of the United States, you may be fortunate enough to come across a strange looking brown and white streaked bird called the Roadrunner. It has a blue patch of skin circling the eyes, a tiny dot of bright red behind the eyes, a bushy crest on the top of its head and a long tail that bobs up and down. A member of the cuckoo family, it is New Mexico's state bird, and can run in bursts of speed from between ten to twenty miles per hour. Because it is equipped to run rather than fly, its feet are different from other bird species, having two toes in front and two toes in the back. Its tracks looks like the letter X. Although roadrunners can become airborne, they are basically ground birds and do not fly. They eat insects, scorpions, small rodents, birds, lizards and snakes. They do make noise when in danger; however, the clicks and clatters do not resemble the sound of a honking horn that we think of from the Hollywood cartoon version of roadrunners. The repeated notes in the opening melody of Roadrunner Rally will remind you of the sight of a roadrunner traveling along at breakneck speed. A crisp spiccato accompanied by pizzicato in the cello and bass paints the picture of the bird running through the desert. At m. 17 you will hear that raucous honk, honk that is associated with the roadrunner saying Out of my way! The syncopation can easily be learned by feel as well as by counting carefully. At m. 25 and similar passages, the first violins will have fun learning the jazz licks. The walking bass like at m.69 with the jerky sound of the octaves in the upper strings will remind you of the awkward appearance of this ungainly bird. And of course, Roadrunner Rally ends with a loudly emphasized honking noise, the beep that we associate with the humorous picture of the roadrunner. When traveling through the desert southwest of the United States, you may be fortunate enough to come across a strange looking brown and white streaked bird called the Roadrunner. It has a blue patch of skin circling the eyes, a tiny dot of bright red behind the eyes, a bushy crest on the top of its head and a long tail that bobs up and down. A member of the cuckoo family, it is New Mexico's state bird, and can run in bursts of speed from between ten to twenty miles per hour. Because it is equipped to run rather than fly, its feet are different from other bird species, having two toes in front and two toes in the back. Its tracks looks like the letter X. Although roadrunners can become airborne, they are basically ground birds and do not fly. They eat insects, scorpions, small rodents, birds, lizards and snakes. They do make noise when in danger; however, the clicks and clatters do not resemble the sound of a honking horn that we think of from the Hollywood cartoon version of roadrunners. The repeated notes in the opening melody of Roadrunner Rally will remind you of the sight of a roadrunner traveling along at breakneck speed. A crisp spiccato accompanied by pizzicato in the cello and bass paints the picture of the bird running through the desert. At m. 17 you will hear that raucous honk, honk that is associated with the roadrunner saying Out of my way! The syncopation can easily be learned by feel as well as by counting carefully. At m. 25 and similar passages, the first violins will have fun learning the jazz licks. The walking bass like at m.69 with the jerky sound of the octaves in the upper strings will remind you of the awkward appearance of this ungainly bird. And of course, Roadrunner Rally ends with a loudly emphasized honking noise, the beep that we associate with the humorous picture of the roadrunner. When traveling through the desert southwest of the United States, you may be fortunate enough to come across a strange looking brown and white streaked bird called the Roadrunner. It has a blue patch of skin circling the eyes, a tiny dot of bright red behind the eyes, a bushy crest on the top of its head and a long tail that bobs up and down. A member of the cuckoo family, it is New Mexico's state bird, and can run in bursts of speed from between ten to twenty miles per hour. Because it is equipped to run rather than fly, its feet are different from other bird species, having two toes in front and two toes in the back. Its tracks looks like the letter X. Although roadrunners can become airborne, they are basically ground birds and do not fly. They eat insects, scorpions, small rodents, birds, lizards and snakes. They do make noise when in danger; however, the clicks and clatters do not resemble the sound of a honking horn that we think of from the Hollywood cartoon version of roadrunners.The repeated notes in the opening melody of Roadrunner Rally will remind you of the sight of a roadrunner traveling along at breakneck speed. A crisp spiccato accompanied by pizzicato in the cello and bass paints the picture of the bird running through the desert. At m. 17 you will hear that raucous honk, honk that is associated with the roadrunner saying Out of my way! The syncopation can easily be learned by feel as well as by counting carefully. At m. 25 and similar passages, the first violins will have fun learning the jazz licks. The walking bass like at m.69 with the jerky sound of the octaves in the upper strings will remind you of the awkward appearance of this ungainly bird. And of course, Roadrunner Rally ends with a loudly emphasized honking noise, the beep that we associate with the humorous picture of the roadrunner. $55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Les Voyages de Gulliver Concert band [Score] - Intermediate De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1033505-140 Gulliver's Tra...(+)
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1033505-140 Gulliver's Travels. Composed by Maxime Aulio. Sovereign Series. Concert Piece. Score Only. Composed 2003. 64 pages. De Haske Publications #DHP 1033505-140. Published by De Haske Publications (BT.DHP-1033505-140). 340 X 250 inches. Jonathan Swifts satirischer Roman Gullivers Reisen - eine literarische Reise zwischen Vernunft und Verrücktheit - regte auch die Phantasie des Komponisten Maxime Aulio an. Seine Suite für Blasorchester besteht aus mehreren kurzen, teilweise wie eine Kette aneinander gereihten Sätzen. Zyklisch in veränderter Form wiederkehrende Motive und Themen beschreiben Gullivers Gedanken und Gefühle oder auch Landschaften und Personen, die ihm unterwegs begegnen.
1. Voyage Lilliput • 2. Voyage Brobdingnag • 3. Voyage Laputa/Voyage Balnibarbi; l’Académie de Lagado/Voyage Glubbdubdrib, l’île des Magiciens /Voyage Luggnagg; Les Struldbruggs • 4. Voyage chez les Houyhnhnms / Maxime Aulio a composé Gulliver's Travels (Les Voyages de Gulliver) pour l’Orchestre d’Harmonie du Conservatoire National de Région de Toulouse placé sous la direction de Jean-Guy Olive. L’œuvre a été donnée en création mondiale le 25 avril 2001, l’Auditorium Saint-Pierre des Cuisines de Toulouse, par la formation dédicataire.Vers 1720, lorsque Jonathan Swift (1667-1745), écrivain irlandais d’origine anglaise, envoie Lemuel Gulliver,un vieux chirurgien malicieux, la découverte de contrées extraordinaires, il débute en réalité l’écriture d’un roman satirique sur la vanité, la morale et l’hypocrisie de la société humaine. L’utopie littéraire était alors l'unique moyen d’éviter la censure. Mais en écrivant ce livre, dont la rédaction dura six ans, Swift eut le temps de m rir ses idées, si bien que sa réflexion grinçante sur la condition humaine est toujours d’actualité. Le génie imaginatif, la finesse d’esprit et la prose simple qui caractérisent Les Voyages de Gulliver ont fasciné des générations de lecteurs. Ce voyage littéraire entre raison et folie s’est également arrimé dans l’imaginaire de Maxime Aulio qui nous offre avec sa suite en quatre mouvements, une vision musicale des pérégrinations de Gulliver, la manière d’un kaléidoscope qui juxtapose de petits fragments de couleur dans une trame linéaire. $52.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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