18 Recital Pieces in First Position for Cello and Piano or Two Celli. Edited by Christoph Sassmannshaus / Melissa Lusk. Stapled. Baerenreiter's Sassmannshaus. Performance score, parts. 22/24/17 pages pages. Published by Baerenreiter Verlag

With online audio and video. Composed by Stanley Yates. Spiral-bound. Modern Guitar Method. Book and online audio/video. Published by Mel Bay Publications, Inc (MB.21548M).

By Brenda Braaten And Crystal Wiksyk. This edition: 1st. Theory and Ear Training. Theory and Ear Training. Intermediate. Level: Grade 6. Book. Published by The Frederick Harris Music Company.

Band Concert Band

SKU: PR.46500013L

For Wind Ensemble. Composed by Dan Welcher. Contemporary. Large Score. With Standard notation. Composed 2010. Duration 14 minutes. Theodore Presser Company #465-00013L. Published by Theodore Presser Company (PR.46500013L).

UPC: 680160600151. 11 x 14 inches.

I n 1803, President Thomas Jefferson sent Meriwether Lewis and William Clarks Corps of Discovery to find a water route to the Pacific and explore the uncharted West. He believed woolly mammoths, erupting volcanoes, and mountains of pure salt awaited them. What they found was no less mind-boggling: some 300 species unknown to science, nearly 50 Indian tribes, and the Rockies. I have been a student of the Lewis and Clark expedition, which Thomas Jefferson called the Voyage of Discovery, for as long as I can remember. This astonishing journey, lasting more than two-and-a-half years, began and ended in St. Louis, Missouri and took the travelers up more than a few rivers in their quest to find the Northwest Passage to the Pacific Ocean. In an age without speedy communication, this was akin to space travel out of radio range in our own time: no one knew if, indeed, the party had even survived the voyage for more than a year. Most of them were soldiers. A few were French-Canadian voyageurs hired trappers and explorers, who were fluent in French (spoken extensively in the region, due to earlier explorers from France) and in some of the Indian languages they might encounter. One of the voyageurs, a man named Pierre Cruzatte, also happened to be a better-than-average fiddle player. In many respects, the travelers were completely on their own for supplies and survival, yet, incredibly, only one of them died during the voyage. Jefferson had outfitted them with food, weapons, medicine, and clothing and along with other trinkets, a box of 200 jaw harps to be used in trading with the Indians. Their trip was long, perilous to the point of near catastrophe, and arduous. The dream of a Northwest Passage proved ephemeral, but the northwestern quarter of the continent had finally been explored, mapped, and described to an anxious world. When the party returned to St. Louis in 1806, and with the Louisiana Purchase now part of the United States, they were greeted as national heroes. I have written a sizeable number of works for wind ensemble that draw their inspiration from the monumental spaces found in the American West. Four of them (Arches, The Yellowstone Fires, Glacier, and Zion) take their names, and in large part their being, from actual national parks in Utah, Wyoming, and Montana. But Upriver, although it found its voice (and its finale) in the magnificent Columbia Gorge in Oregon, is about a much larger region. This piece, like its brother works about the national parks, doesnt try to tell a story. Instead, it captures the flavor of a certain time, and of a grand adventure. Cast in one continuous movement and lasting close to fourteen minutes, the piece falls into several subsections, each with its own heading: The Dream (in which Jeffersons vision of a vast expanse of western land is opened); The Promise, a chorale that re-appears several times in the course of the piece and represents the seriousness of the presidential mission; The River; The Voyageurs; The River II ; Death and Disappointment; Return to the Voyage; and The River III . The music includes several quoted melodies, one of which is familiar to everyone as the ultimate river song, and which becomes the through-stream of the work. All of the quoted tunes were either sung by the men on the voyage, or played by Cruzattes fiddle. From various journals and diaries, we know the men found enjoyment and solace in music, and almost every night encampment had at least a bit of music in it. In addition to Cruzatte, there were two other members of the party who played the fiddle, and others made do with singing, or playing upon sticks, bones, the ever-present jaw harps, and boat horns. From Lewis journals, I found all the tunes used in Upriver: Shenandoah (still popular after more than 200 years), Vla bon vent, Soldiers Joy, Johnny Has Gone for a Soldier, Come Ye Sinners Poor and Needy (a hymn sung to the tune Beech Spring) and Fishers Hornpipe. The work follows an emotional journey: not necessarily step-by-step with the Voyage of Discovery heroes, but a kind of grand arch. Beginning in the mists of history and myth, traversing peaks and valleys both real and emotional (and a solemn funeral scene), finding help from native people, and recalling their zeal upon finding the one great river that will, in fact, take them to the Pacific. When the men finally roar through the Columbia Gorge in their boats (a feat that even the Indians had not attempted), the magnificent river combines its theme with the chorale of Jeffersons Promise. The Dream is fulfilled: not quite the one Jefferson had imagined (there is no navigable water passage from the Missouri to the Pacific), but the dream of a continental destiny.

Violin

SKU: PE.EP7835

A Progressive Sight-reading Course. Composed by Caroline Lumsden. Violin Studies & Tutors. Edition Peters. Book. 40 pages. Edition Peters #98-EP7835. Published by Edition Peters (PE.EP7835).

ISBN 9790577010328. 232 x 303mm inches. English.

Sight-reading is one of the most important yet neglected skills for any musician, and an important component of Associated Board and other music exams. Right@Sight contains pieces designed to help students master the art of sight-reading:

• a carefully graded sequence of pieces eases the student's progression from one grade to the next
• guidance notes using the mnemonic TRaK (Time-signature, Rhythm and Key) help students develop a disciplined approach
• duet parts for teachers to play along with their students during lessons encourage confident playing

Right@Sight contains everything a violinist needs to develop sight-reading skills both during and between lessons.

Violin

SKU: HL.242899

Violin Solo Part. Composed by Philip Glass. Music Sales America. Classical. Softcover. Composed 2017. 24 pages. Chester Music #DU1116501. Published by Chester Music (HL.242899).

UPC: 888680953126. 9x12.25 inches.

This is the violin solo part of Philip Glass's wonderful Violin Concerto No. 2 “American Four Seasons.” The piece was commissioned by Toronto Symphony Orchestra and London Philharmonic Orchestra, among others, the world premiere was held in Toronto on December 9th 2009, conducted by Peter Oundjian. At this premiere, the violinist was Robert McDuffie, for whom the Concerto was composed. During the summer and autumn of 2009, Glass composed this work after many years of exchanges with McDuffie. His idea of creating a work that would be influenced by, and an accompaniment to Vivaldi's The Four Seasons. Interestingly, Glass has provided no indication in the score of where each season falls, making it open for interpretation by the performers or the audience.

Concert Band Concert Band - late intermediate

SKU: RU.10302

Composed by Karl L. King. Edited by Timothy Rhea. Arranged by Edited by Timothy Rhea. Contest/Festival. Legacy of the March. Score and Parts. RBC Publications #10302. Published by RBC Publications (RU.10302).

9 x 12 inches.

Composed in 1913, Mystic Call was dedicated to Charles Duble of Jeffersonville, Indiana, who was also a composer of marches and an excellent low brass musician, having playing trombone with a number of circus bands during the early part of the twentieth century. As for the title, it is from Masonic ritual, with Karl King having been very active in the Masons and Shrine. Like most of the King marches composed during this period, it was written for circus use and contains exceptional parts for low brass, requiring a great deal of technique if performed at true circus tempo. The trio scoring is somewhat more lyrical in nature than many of King’s marches.

Concert Band Concert Band - late intermediate

SKU: RU.10302S

Composed by Karl L. King. Edited by Timothy Rhea. Arranged by Edited by Timothy Rhea. Contest/Festival. Legacy of the March. Score. RBC Publications #10302S. Published by RBC Publications (RU.10302S).

9 x 12 inches.

Composed in 1913, Mystic Call was dedicated to Charles Duble of Jeffersonville, Indiana, who was also a composer of marches and an excellent low brass musician, having playing trombone with a number of circus bands during the early part of the twentieth century. As for the title, it is from Masonic ritual, with Karl King having been very active in the Masons and Shrine. Like most of the King marches composed during this period, it was written for circus use and contains exceptional parts for low brass, requiring a great deal of technique if performed at true circus tempo. The trio scoring is somewhat more lyrical in nature than many of King’s marches.

SKU: HL.49016802

German Language. Composed by Christoph Pregardien. This edition: Hardback/Hard Cover. Book with DVD. Misc. A novel combination of DVD and book, this volume for the first time presents issues pertaining to vocal techniques and interpretation in word, picture and sound. Film examples provide insights into the working method of the renowned tenor Christoph Pregar. DVD. 176 pages. Schott Music #ED9953. Published by Schott Music (HL.49016802).

ISBN 9783795705404. 6.0x8.5x0.62 inches. German.

A novel combination of DVD and book, this volume for the first time presents issues pertaining to vocal techniques and interpretation in word, picture and sound. Film examples provide insights into the working method of the renowned tenor Christoph Pregardien who can be seen in his lessons with students of his master classes. In addition, the singer and teacher Hedwig Fassbender deals with specific problems of the female voice; the pianists Michael Gees and Andreas Staier talk about the accompaniment of lied singers. Professionals, students and lovers of classical singing as well as interested amateur singers are provided with a plethora of important and valuable information. The DVD with more than 240 minutes of film material shows Christoph Pregardien during song, oratorio and opera lessons. An index allows for purposeful selection of the most important topics: exercises of scales, vocalises, phrasings, breathing, tonal work, portamento, conduct of the voice, vocal position, and many more.In the book section, Christoph Pregardien deals with further questions on programming, correct practising and warm-ups, concert preparations and voice problems, among others. This innovative product is complemented by a detailed discography of Christoph Pregardien as well as bibliographical references and recommendations. Schott Master Class Gesang was awarded the Comenius Medal 2006. With the Comenius EduMedia Awards, the Society for Education and Informatics (GPI) fosters didactic multimedia products and educational media which are of particularly great value as regards education, content as well as layout and design. The Master Class series was awarded the special prize digita 2007 for new developments which can change and further learning with new media. The convincing editing of the learning content by renowned experts and the unobtrusive media design of the videos provide the reader - no matter whether students, advanced singers or interested amateurs - with numerous suggestions on a high level. Thanks to the exercises and examples of interpretation filmed in live action and processed digitally, performers are given excellent support.