(SATB). By Gabriel Faure (1845-1924). Arranged by Bruce Howden and B Howden. For SATB choir, soprano voice solo, baritone voice solo and piano accompaniment (SATB). Choral Large Works. Classical Period. Difficulty: difficult. Conductor's score. Vocal score, piano reduction and lyrics. 76 pages. G. Schirmer #ED2243. Published by G. Schirmer

(Vocal Score). By Georges Bizet (1838-1875). Arranged by Ruth and Thomas Martin. For SATB chorus, 12 solo voices and piano accompaniment (score). This edition: ED421. G. Schirmer Opera Score Editions. Classical Period and Opera. Difficulty: difficult. Vocal score. Vocal score, piano reduction, lyrics and introductory text. 391 pages. Published by G. Schirmer

SATB. By Franz Schubert. Arranged by Robert Shaw and Alice Parker. (SATB). Choral Large Works. Size 6.7x10.5 inches. 64 pages. Published by Schirmer.

By Julien-Francois Zbinden (1917-). For SATB choir, a cappella. Advanced. Duration 12 minutes. Published by Editions BIM

Pamugun by Francisco F. Feliciano. For SATB choir (div.). Charlene Archibeque Choral Series. Concert. Difficult. Octavo. Published by Santa Barbara Music Publishing (

(from Pitch Slapped). Composed by Catherine E. Pierson, Cynthia L. Wilson, Frederick W. Schneider, and Keith J. Strickland. Arranged by Deke Sharon. For Choral (SSATB and Solo A Cappella). Pop Choral Series. Octavo. Published by Hal Leonard

By Gregg Smith. For full orchestra or keyboard 4-hands (SATB choir, Soprano Voice Solo). Choral. General. Medium to Moderately Difficult. Choral Score. Published by MorningStar Music Publishers

By Terry Schlenker. For SATB Choir (div.). Choral. Level: Difficult. Choral octavo. Published by Santa Barbara Music Publishing. (SBMP 707)

SATB choir divisi and organ - Advanced

SKU: MN.56-0073

Composed by Howard Goodall. 21st Century. Instrument parts. Duration 5 minutes, 30 seconds. MorningStar Music Publishers #56-0073. Published by MorningStar Music Publishers (MN.56-0073).

UPC: 688670220760. Latin.

This mass setting was commissioned by the Friends of Christ Church Cathedral, Oxford and first performed on Ascension Sunday, 1994. Suitable for both church and concert use, the music is both lyrical and dramatic. The “Gloria” is set for SATB divisi (all parts divide) in a quick and rhythmic mixed meter. The movement begins with a sort of call and response where Choir 1 states a motif and Choir 2 responds with the same motif (sometimes at a different pitch level.) A soloist begins the middle section, Piu Allegro (“Qui tollis”) and the first material returns, but in unison this time, at “Jesu Christe.” Duration 5:30.

SATB choir, divisi, piano reduction - Advanced

SKU: GI.WW1774

Composed by Traditional Spiritual. Arranged by Stephen M. Murphy. Concert. Jason Max Ferdinand. Classical. 24 pages. Walton Music #WW1774. Published by Walton Music (GI.WW1774).

UPC: 785147021865. English. Text source: Traditional spiritual. Traditional Spiritual.

Wade in the Water, arranged by Aeolians alumnus Stephen M. Murphy, uses vocal jazz techniques and expanded harmonies to lift the text off of the paper, resulting in an unquestionably cool and fun setting. Performed and recorded by the Aeolians, this arrangement will be a show-stopper for advanced choirs. Jason Max Ferdinand Choral Series.

SATB choir, divisi, piano reduction, oboe, english horn 1 & 2, bassoon, violin 1, violin 2, cello 1 & 2, bass - Advanced

SKU: GI.WW1761

Composed by Ken Burton. Jason Max Ferdinand. Classical. 36 pages. Walton Music #WW1761. Published by Walton Music (GI.WW1761).

UPC: 785147021360. English. Text Source: Various Authors.

This work for chorus and chamber orchestra was premiered to acclaim by the Oakwood University Aeolians at the 2019 National ACDA conference. Composer Ken Burton has combined new material with spirituals and text by important historical figures to create a piece that follows the experience of black Americans during and after the Civil Rights period. Includes texts by Martin Luther King, Jr., Paul Laurence Dunbar, Thomas Day, John Bicknell, and William Blake. This substantial work will be a good fit for collegiate, professional, and community ensembles. Can be performed unaccompanied or with chamber orchestra.

SSATB choir, divisi, piano reduction - Advanced

SKU: GI.G-9610

Composed by Peter Relph. Evoking Sound. Music Education. 20 pages. GIA Publications #9610. Published by GIA Publications (GI.G-9610).

UPC: 785147961000. Latin. Text Source: Attr. Ambrose of Milan, 340–397. Text by Ambrose of Milan.

Composer's Notes When I met Kelsey Rose in Oxford in St. Stephen’s House chapel over the summer of 2017, we had both just attended a very moving candlelit concert by Westminster Williamson Voices, featuring my setting of “Tenebrae lumini.” I was delighted to be asked to write a piece for compline in Princeton University Chapel, celebrating the 150th anniversary of the Anglican/Episcopal chaplaincy at Princeton University. “Aurora” is the result of that meeting. Composing by commission often throws up some interesting challenges. The piece had to fit both as an accompanying piece to the plainchant of compline, whilst simultaneously being a celebratory anthem. I was instantly drawn back to the poetry and hymns of St. Ambrose of Milan, particularly “Aurora iam spargit polum.” Fragments of chant (both real and imagined) are used to create the powerful imagery of the descending golden light of dawn. The piece reaches its climax with the plea for the despair of night to “vanish,” which it then does, leaving the sopranos alone on a high G.