SKU: FG.55011-710-5
ISBN 9790550117105.
Kalevi Aho's Concerto for Guitar and Chamber Orchestra (2018) is in seven movements performed without a break and each using the guitar in a different way. The fairly slow introduction-like movement is followed by a virtuosic Allegro molto in which the guitar is also used like a percussion instrument in places as the soloist taps out rhythms on the soundboard. Motifs from the Introduzione reappear in the Interludio, and in the lyrical, singing Andante cantabile that follows. In the Misterioso movement the guitarist plays only flageolet notes. The sixth movement, Presto, is the other virtuoso one in the concerto. The Presto is the concerto's dynamic climax. From then onwards, the music subsides to a slow Epilogue, gradually retreating into silence. Duration: c. 30 minutes. The full score is available for sale (ISMN 9790550117099) and the orchestral material is available for hire from the publisher. The orchestration is 1111-1000-str(43321).
SKU: HL.48182806
For guitar and string orchestra.
SKU: HL.48182807
UPC: 888680872014. 9.0x12.0x0.054 inches.
SKU: BT.SINF147
ISBN 9788884000460. Italian.
68 Duetti per chitarra e accompagnamento orchestrale. Libro + CD audio Il volume contiene 68 composizioni di tutti gli stili e generi. Il Cd allegato consente al principiante un adeguato accompagnamento che arricchir l'iniziale pratica monodica.
SKU: OT.26114
ISBN 9789655051049. 8.27 x 11.69 inches.
Ariel Lazarus Guitarra Liturgia Two pieces based on music from the Spanish and Portuguese tradition. Contents: Jerusalem de Sefarad - Suite for Guitar Contrapunto Sefardi The composer writes: For many years I wanted to compose a piece for guitar which would inspire interested students to expand their repertoire in the direction of Jewish music. The most natural thing for me was to write a suite based on themes from the synagogue in which I grew up – the Spanish and Portuguese synagogue of Gibraltar. My beloved grandfather served all his life as hazzan (cantor) of this synagogue, and I always felt as a composer and educator that I had a special obligation to continue his tradition and pass it on to a new generation. In this composition, I let the guitar echo the piyyutim (semi-liturgical poems) that were part of my childhood: Adon Olam, Sh'charchoret, Achot K'tana, Yigdal, Borei ad Ana, all of which are sung in the Spanish and Portuguese tradition from Gibraltar to London, and from New York to Jerusalem. I let myself dream the piyyutim, take them apart and reconstruct them as a short suite for guitar, the results of which you are invited to hear here. As a conceptual idea for the suite, I choose to suggest about the cultural continuation between the Diaspora and the land of Israel by way of referencing the well-known melody of Naomi Shemer, which is also popular among the hazzanim.Dr. Ariel Lazarus is a unique voice among Israeli composer-performers today. Brought up in a family with Jewish musical roots both in Gibraltar and Westphalia, he began composing and playing the guitar in his teens, and has been committed to developing his own compositional language ever since, always maintaining an open dialogue with his traditions. Lazarus received his BMus and MMus degrees from Oklahoma City University in classical guitar performance and composition where he studied with American composer Dr. Edward Knight. He earned his PhD from Bar Ilan University, studying composition with Prof. Betty Olivero and Prof. Gideon Lewensohn and conducting research under the supervision of Prof. Edwin Seroussi from the Hebrew University. His symphonic works have been premiered by the Raanana Symphonette Orchestra, and his chamber works have been performed by various ensembles in the United States, Central Europe, Portugal, Gibraltar, Scandinavia and Israel. Lazarus performs regularly as Art Ambassador on behalf of the Israeli Ministry of Diaspora affairs Amiel BaKehila program. His solo album A Hebrew Capriccio was released by the German boutique label SmoothFactor and was awarded critical acclaim, among others, in Haaretz, and Neue Westfalishe. Dr. Lazarus is the musical director and co-founder of the Israeli Ladino Orchestra. His work with the orchestra has been recognized by the official Carta de España. He teaches at the Academic College for Education Givat Washington, and the Rimon School of Music. Lazarus’s work has been awarded by the Israeli Pais Art council and ACUM.
SKU: HL.248690
ISBN 9788759884072. 10.0x14.5 inches. English.
Guitar solo part for Double Concerto for Harp, Guitar and Orchestra by Karl Aage Rasmussen (1998). Orchestra parts are available on hire: hore@ewh.dk.
SKU: FG.55011-522-4
ISBN 9790550115224.
Harri Vuori's Chiroptera (2017) for guitar embraces the instrument with several compositional solutions born from the attributes of the guitar. Dedicated to Patrik Kleemola this 12 minutes work is devided in three movements. The textures of Chiroptera are complex but their build-up, fade-out, measuring and timing of these changes is clearly defined and understandable. According to the composer the name Chiroptera has the same beautiful sound as the composition in whole. In addition he currently lives in an area populated with lots of bats both in the woods and in the atticks. Harri Vuori (b. 1957) studied composition with Paavo Heininen, Eero Hameenniemi and Einojuhani Rautavaara at the Sibelius Academy. He has been composer in residence of the Hyvinkaa Orchestra since 1997 and has taught in the Department of Musicology at the University of Helsinki since 1993. HIs guitar concerto Ctulhu's Dreams (2016) based on the Ctulhu mythology by H.P. Lovecraft was commissioned by the Lappeenranta City Orchestra and premiered in 2016.
SKU: M7.KC-2114
ISBN 9782848580067. English French Spanish.
Alfonso Montes was Born in Ciudad Bolivar, Venezuela, in 1955. He studied Musical theory and the guitar in Caracas. In 1976 he moved to London to continue his studies at the Royal College of Music where he received an ARCM degree in 1980 as a concert guitarist. His post-graduate studies in Musical Analysis and composition followed at the Guildhall School of Music and Drama. As a Composer, Alfonso Montes has received numerous commissions and his works have been recorded and performed by important orchestras. Alfonso Montes performs regularly in concerts throughout the world as a member of the duo Montes-Kircher.
SKU: SU.80111301
Guitar Composed: 1998 Published by: Soundspells Productions Vanished (1998) is a brief, elegiac solo guitar written in memory of Roberto Limón's sister Rosanna. It later became the basis of the extended work Elegy for the Vanished for guitar and orchestra
SKU: BT.SY-4982-01
German.
SKU: UT.CH-111
ISBN 9790215316317. 9 x 12 inches.
The three original pieces for guitar Notturno, Napolitana (popolar songs) and Roma (March for guitar), together with three transcriptions, are included in a manuscript of 36 pages, noting in the frontispiece “Transcriptions and compositions of F. Balilla Pratella sent as a tribute to M.R. Brondi (1920)”.These compositions follow a traditional language, and, in the tonality and the alternating themes, are an expression of Pratella’s folkloric vein, with cantabile and melancholy melodies, with the exception of the march, that show some echoes of the nineteenth century guitar masters’ way of composing.There is a characteristic use of the quartine with no alternated thumb forefinger tremolo, that immediately recalls the plectrum orchestra so much used by Pratella in his youth.The discovery of these pieces – which happened accidentally and saved them from certain destruction – contributes to enhance that period of great guitarist turmoil preceding Segovia, establishing itself at the beginning of twentieth century in Italy with three compositions from an author that, along with the Bonaccorsi and Colacicchi, anticipated that current – already initiated by the Fara, Gabriel, Caravaglios – which was, in the following decades, to go by the name of ethnomusicology.
SKU: HL.50485079
UPC: 884088917043. 8.25x11.75x0.21 inches.
SKU: GH.GE-11464
ISBN 979-0-070-11464-6. A4 inches.
Work note by the composer: When I received the news of this commission, I had no idea what it would lead to. Writing for guitar solo is not the same as composing for orchestra where you have forty voices where you can easily mask an entire section. Here you are very naked to the bone. The starting point for this work was from J.S. Bach's Chaconne in D-minor that Johannes had performed in concert, originally written for violin but there is a version transcribed for guitar and piano made by Ferruccio Busoni. When I went to Cortona (in Tuscany, Italy) completed the southern mentality of this work. Arpalineais actually a merged word in Italian language. Arpa means harp, however in a musical context it's more or less resembled with the word arpeggio, which means broken chords. Lineameans line. The work is divided in three parts. I. Arpeggio: It starts with an opening chaconne-like sequence and is marked with a certain depth in which the chords starts to separate from the organum note in the bass and it culminates into a section called with rhythmical focus. These sections alternates, variates which each other. The middle section has a playful and childish atmosphere where the guitarist knocks on the body of the guitar resembling a Spanish folk instrument cajon. This is leading to a section which tends more to a very aggressive fusion-like riff that loses control and reaches its climax at the end. II. Linea: The static rhytmical pulse is now disintegrated and it forms more or less sort of a free, improvisational state in a rubatolike tempo. The character is described as a very hot day with temperatures rising above 37! C (or 100! F) where you can hardly do anything just sitting dozed off and pespiring because of the extreme heat watching a huge fog coming up in the evening that spreads around the Tuscan atmosphere. III. Finale: It starts off with fast one-note ostinati then more and more notes pop up like a gradual rain storm with thunder strikes! And eventually it leads to that is a large flood through the streets of an medieval Southern town. The work ends with a short circuit slapped strings along with extremely fast tremolos that reaches higher and louder as possible! Benjamin Staern
SKU: HL.49010840
ISBN 9783795798352. UPC: 073999663662. 9.0x12.0x0.075 inches.
Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians.Edition Schott ranges from Renaissance to Contemporary solo instruments to orchestra, well-known pieces to interesting rarities and includes about twenty of Schott's acknowledged and well-established instrumental series such as Guitar-Archive, Violin Library, Il Flauto Traverso and Original Music for Recorder.Edition Schott publications share the highest production values and a distinct house style with clear notations, practical page-turns and high-quality paper.Edition Schott maintains and extends the internationally recognized tradition of excellence and reliability established in 1770 by Schott Music.
SKU: MB.31108M
ISBN 9781513469232. 8.75x11.75 inches.
Award-winning blues songwriter and performer Jon Shain brings us his fingerstyle guitar arrangements of some of the earliest blues and rags ever published. W. C. Handy, known as the Father of the Blues, wrote and arranged for piano and voice and sometimes for full ragtime orchestra. Shain has arranged these compositions to be played on guitar, weaving the timeless vocal melodies and bass lines throughout the pieces. Guitar tablature, standard musical notation, and lyrics are all included, along with historical background on each song. Includes access to online audio.
SKU: HL.49010661
ISBN 9783795798093. 9.0x12.0x0.147 inches.
SKU: SU.50029160
Parts available on rental.Copyright 1988. Published by: Seesaw Music.
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