Orchestra (0.2.0.0/0.0.0.0,cem,str,organ solo)

SKU: TM.00824SET

Composed by George Frideric Handel. Edited by Seiffert. Set Type: D. Set of parts. Lucks Music Library #A5327. Published by Lucks Music Library (TM.00824SET).

Solo in set. Transposed: Hn 1-4,Tpt 1&2,Tbn 1&2. Cl 1&2 orginally in Bb. Score typeset.

Orchestra (0.0.0.0/2.0.0.0,str,organ solo)

SKU: TM.00833SC

Composed by Franz Joseph Haydn. Score. Lucks Music Library #A1586. Published by Lucks Music Library (TM.00833SC).

Solo in set.

Orchestra (0.2.0.1/0.0.0.0,cem,str=3-3-2.3.2.2,org solo)

SKU: TM.12043SC

Composed by George Frideric Handel. Edited by Seiffert. Score. Lucks Music Library #A7873. Published by Lucks Music Library (TM.12043SC).

Edited by Seiffert. Organ Solo & Cembalo (on same part) sold separately.

By Ralph Vaughan Williams (1872-1958). Arranged by David Matthews. For soprano voice solo, SSA chorus, and full orchestra (3 flutes (III doubling piccolo), 3 oboes (III doubling English horn), 3 clarinets (III doubling bass clarinet), 3 bassoons (III doubling contra), 4 horns, 3 trumpets, 3 trombones, tuba, timpani, percussion, celesta, harp, piano, organ, soprano solo, women). Orchestral. Miscellaneous. Study score. 168 pages. Duration 42'. Published by Oxford University Press

Orchestra (2+1.2.2.2/4.2.3.1,timp,1 perc,str,solo organ)

SKU: TM.12346SC

Composed by Leon Boellmann. Score. Lucks Music Library #A8922. Published by Lucks Music Library (TM.12346SC).

Chorus sold individualy as S, A, T, and B choral parts.

Orchestra (0.2.0.1/0.0.0.0,cem,str,org solo)

SKU: TM.01717SET

Composed by George Frideric Handel. Set Type: D. Set of parts. Lucks Music Library #A3345. Published by Lucks Music Library (TM.01717SET).

Cembalo and Organ together on same page; need 2 copies if using both.

Orchestra (0.2.0.1/0.0.0.0,cem,str,org solo)

SKU: TM.00830SC

Composed by George Frideric Handel. Score. Lucks Music Library #A3374. Published by Lucks Music Library (TM.00830SC).

Organ and Cembalo together on one part.

Orchestra (0.2.0.0/0.0.0.0,str,org solo)

SKU: TM.00227SET

Composed by George Frideric Handel. Set Type: D. Set of parts. Lucks Music Library #A8130. Published by Lucks Music Library (TM.00227SET).

Ed. by Best, Gudger. Score, Solo = Barenreiter; Set = Barenreiter Reprint. Cello/Bass. See #13814 for Harp Concerto version.

Orchestra (0.2.0.1/0.0.0.0,cem,str,org solo)

SKU: TM.00756SC

Composed by George Frideric Handel. Score. Lucks Music Library #A1539. Published by Lucks Music Library (TM.00756SC).

Solo in set. Bohemias'a Forest, Ze Sumavy: Silent Woods, Op. 68, No. 5.

Orchestra ((2).0.0.0/0.0.0.0,str,org/hp solo)

SKU: TM.00115SC

Composed by George Frideric Handel. Score. Lucks Music Library #A3322. Published by Lucks Music Library (TM.00115SC).

Solo in Score. Flutes double on violins.

Orchestra ((2).0.0.0/0.0.0.0,str,org/hp solo)

SKU: TM.00115SET

Composed by George Frideric Handel. Set Type: D. Set of parts. Lucks Music Library #A3322. Published by Lucks Music Library (TM.00115SET).

Solo in Score. Flutes double on violins.

Orchestra (0.2.0.2/2.0.0.0,cem,str,org solo)

SKU: TM.10106SC

Composed by George Frideric Handel. Score. Lucks Music Library #A7875. Published by Lucks Music Library (TM.10106SC).

Orchestra (0.0.0.0/3.0.0.0,str,org solo)

SKU: TM.01651SET

Composed by Josef Gabriel Rheinberger. Set Type: D. Set of parts. Lucks Music Library #A1913. Published by Lucks Music Library (TM.01651SET).

Orchestra

SKU: SU.27020085

For Orchestra. Composed by Graham Gordon Ramsay. Orchestra. Study Score. Subito Music Corporation #27020085. Published by Subito Music Corporation (SU.27020085).

Jacob vs. Angel is a piece about crisis of conscience, ambiguity, and misinterpretation expressed through the depiction of a major battle, the goal of which is never made entirely clear. Based on the biblical story, the work is highly programmatic, with each of the six movements reflecting a corresponding stanza from the titular poem by Alice Weaver Flaherty. The piece was originally composed as a vehicle for virtuoso organist Heinrich Christensen, and later orchestrated. The first movement introduces the main musical material--a five note motive, the intervals of which are reorganized to create melodic and harmonic development throughout the piece. The second, third, and fourth movements depict the brutal fight between Jacob and the angel, and lead one to the next without pause. The fifth movement is about the post-battle scene, and the final movement is an epilogue, reframing the ideas from the previous movements. The music elucidates various actions from the Flaherty poem—sand skittering across the desert, aggressive acts of violence and sensuality between the protagonists, the beating of wings, feathers blowing in the wind, etc. But beyond the music's more literal elements, the work is designed to express an abstract state of mind, a sense of unease, and anticipation of what is yet to come. —Graham Gordon Ramsay2(2) 1,1 2 2; 2221; 7perc, hp, cel; stgs Duration: 24'Composed: 2023 Published by: Distributed Composer Jacob vs Angel was composed originally as a solo concert organ work in 2007; the orchestral version was completed in 2023. A live performance of the organ version can be seen at. Performance materials available on rental:.